Trivia: Born November 6, 1946, in Pasadena, CA, actress Sally Field was the daughter of another actress, Margaret Field, who is perhaps best known to film buffs as the leading lady of the sci-fi The Man From Planet X (1951). Field's stepfather was actor/stunt man Jock Mahoney, who, despite a certain degree of alienation between himself and his stepdaughter, was the principal influence in her pursuit of an acting career. Active in high-school dramatics, Field bypassed college to enroll in a summer acting workshop at Columbia studios. Her energy and determination enabled her to win, over hundreds of other aspiring actresses, the coveted starring role on the 1965 TV series Gidget. Gidget lasted only one season, but Field had become popular with teen fans and in 1967 was given a second crack at a sitcom with The Flying Nun; this one lasted three seasons and is still flying around in reruns.Somewhere along the way Field made her film debut in The Way West (1967) but was more or less ignored by moviegoers over the age of 21. Juggling sporadic work on stage and TV with a well-publicized first marriage (she was pregnant during Flying Nun's last season), Field set about shedding her "perky" image in order to get more substantial parts. Good as she was as a reformed junkie in the 1970 TV movie Maybe I'll Come Home in the Spring, by 1972 Field was mired again in sitcom hell with the short-lived weekly The Girl With Something Extra. Freshly divorced and with a new agent, she tried to radically alter her persona with a nude scene in the 1975 film Stay Hungry, resulting in little more than embarrassment for all concerned. Finally, in 1976, Field proved her mettle as an actress in the TV movie Sybil, winning an Emmy for her virtuoso performance as a woman suffering from multiple personalities stemming from childhood abuse. Following this triumph, Field entered into a long romance with Burt Reynolds, working with the actor in numerous films that were short on prestige but long on box-office appeal.By 1979, Field found herself in another career crisis: now she had to jettison the "Burt Reynolds' girlfriend" image. She did so with her powerful portrayal of a small-town union organizer in Norma Rae (1979), for which she earned her first Academy Award. At last taken completely seriously by fans and industry figures, Field spent the next four years in films of fluctuating merit (she also ended her relationship with Reynolds and married again), rounding out 1984 with her second Oscar for Places in the Heart. It was at the 1985 Academy Awards ceremony that Field earned a permanent place in the lexicon of comedy writers, talk show hosts, and impressionists everywhere by reacting to her Oscar with a tearful "You LIKE me! You REALLY LIKE me!" Few liked her in such subsequent missteps as Surrender (1987) and Soapdish (1991), but Field was able to intersperse them with winners such as the 1989 weepie Steel Magnolias and the Robin Williams drag extravaganza Mrs. Doubtfire (1993). Field found further triumph as the doggedly determined mother of Tom Hanks in the 1994 box-office bonanza Forrest Gump, which, in addition to mining box-office gold, also managed to pull in a host of Oscars and various other awards.Following Gump, Field turned her energies to ultimately less successful projects, such as 1995's Eye for an Eye with Kiefer Sutherland and Homeward Bound II: Lost in San Francisco (1996). She also did some TV work, most notably in Tom Hanks' acclaimed From the Earth to the Moon miniseries (1998) and the American Film Institute's 100 Years....100 Movies series. The turn of the century found Field contributing her talents to a pair of down-home comedy-dramas, first with a cameo matriarch role in 2000's Where the Heart Is and later that year as director of the Minnie Driver vehicle Beautiful. Both films met with near-universal derision from critics; only the Steel Magnolias-esque Heart found a modest box-office following.In 2003, Field took a role alongside Reese Witherspoon in the legal comedy Legally Blonde 2: Red, White, & Bllonde, and in 2006 joined the cast of ABC's Brothers & Sisters in the role of matriach Nora Walker. The role earned her an Emmy Award for Outstanding Lead Actress in a Drama Series in 2007. The actress was cast in the role of Aunt May for The Amazing Spiderman (2012), and was so revered as Mary Todd Lincoln in Steven Spielberg's Lincoln that she earned an Oscar nomination for Best Supporting Actress.

Trivia: New York native Ron Rifkin made his Broadway debut in the original 1960 production of Neil Simon's Come Blow Your Horn. He made his film debut in the chain-gang adventure film The Devil's 8 in 1969, followed by the sci-fi actioner Silent Running (1971). Rifkin was much more prolific on the stage throughout his career, in some cases leading to film adaptations (as in The Sunshine Boys [1975]). But he sure had a knack for showing up on television's most popular shows over a period of three decades. During the '70s, he appeared on Soap, The Bob Newhart Show, and Mary Tyler Moore. During the '80s, he appeared on Falcon Crest, Knots Landing, and Hill Street Blues. During the '90s, he appeared on ER, Law & Order, and The Outer Limits. He also had parts in the Woody Allen films Husbands and Wives and Manhattan Murder Mystery. After winning an Obie and Drama Desk award for his portrayal of Holocaust survivor Issac Geldhart in the Jon Robin Baitz play Substance of Fire, Rifkin reprised his role in the 1996 feature film version. The next year, he earned a starring role on the short-lived ABC drama Leaving L.A. On the big screen, he appeared in Curtis Hanson's crime drama L.A. Confidential followed by F. Gary Gray's action thriller The Negotiator. In 1998, he earned his first Tony award for Best Supporting Actor in the Broadway revival of Cabaret. Some of his TV movies from this time include Norma Jean and Marilyn and Flowers for Algernon. In 2001, Rifkin was cast on the ABC spy drama Alias as the calculating and sinister commanding officer Arvin Sloane. Transitioning to the Emmy-winning ABC crama series Brothers and Sisters after Alias went off the air in 2006, Rifkin stuck with the show for 5 years, and later landed a recurring role on NBC in Law & Order: Special Victims Unit.

Trivia: Lead actress, onscreen from 1970.

Trivia: While a prolific screen presence from the late-'60s onward, Barbara Hershey did not truly attain star status until two decades later, finally blossoming to become one of the most acclaimed American actresses of her generation. Born Barbara Herzstein on February 5, 1948, in Hollywood, CA, she studied drama during high school and in 1965 made her professional debut in the teen television romp Gidget. From 1966 to 1967, she was a regular on the series The Monroes and subsequently guest starred in a number of other programs. Hershey made her film bow in 1968's With Six You Get Eggroll, followed by the Western Heaven With a Gun and Last Summer. After a number of other lesser projects, she starred as the title heroine in 1972's Boxcar Bertha, the first major theatrical release from a then-unknown Martin Scorsese. David Carradine, Hershey's onscreen partner in crime, became her offscreen companion as well. Carradine directed them both in Americana (filmed in 1973 but not shown until eight years later), and together they had a child, Free.In another nod to the counterculture, Hershey rechristened herself "Barbara Seagull" and traveled to the Netherlands to film the 1973 drama Angela, winning Best Actress honors for her work at the Berlin Film Festival. Still, box-office success continued to elude her, and her resumé remained littered with undistinguished projects including the 1974 heist drama Diamonds, the 1976 comedy A Choice of Weapons, and the Western The Last Hard Men. By 1977, Hershey -- having dropped the "Seagull" surname -- turned to television, where she appeared in the Irwin Allen disaster production Flood! as well as the miniseries A Man Called Intrepid and the 1979-1980 weekly program From Here to Eternity. The 1980 comedy The Stunt Man, actually shot two years earlier, marked Hershey's return to feature films, and was followed by 1981's Take This Job and Shove It and the 1982 horror picture The Entity. By this point, Hershey -- once viewed as a rising star -- had been largely written off by the Hollywood powers-that-be. However, in 1983, she accepted a small role in Philip Kaufman's acclaimed The Right Stuff which garnered her considerable notice. She followed it with another small but pivotal role in Barry Levinson's 1984 baseball fable The Natural, and after a pair of well-regarded television projects -- the 1985 Errol Flynn bio My Wicked, Wicked Ways and 1986's Passion Flower -- Hershey's name was back on the map. After years of low-budget and low-brow projects, suddenly she was a fixture of high-profile features including Woody Allen's masterful 1986 effort Hannah and Her Sisters, David Anspaugh's Hoosiers, and Levinson's 1987 comedy Tin Men. Also in 1987, Hershey's turn in Andrei Konchalovsky's Shy People won Best Actress honors at the Cannes Film Festival, an award she again took home the following year for her performance in Chris Menges' A World Apart.Hershey also excelled in more mainstream affairs, appearing opposite Bette Midler in the weeper Beaches. In 1988, she and Scorsese reunited for the first time since Boxcar Bertha in The Last Temptation of Christ, in which she appeared as Mary Magdalene, winning a Golden Globe nomination for her performance. In 1990, Hershey returned to television to star in the movie A Killing in a Small Town, for which she won an Emmy. Back in the movies, she remained noted for her performances in offbeat fare like 1990's Tune in Tomorrow, 1993's Falling Down, and 1996's The Pallbearer. For her supporting performance in Jane Campion's 1996 adaptation of The Portrait of a Lady, Hershey also earned an Academy Award nomination. In 1998, the actress won further praise for her role as Kris Kristofferson's bohemian wife in A Soldier's Daughter Never Cries. The same year, she appeared as a struggling actress in Amos Poe's Frogs for Snakes, and then went on to play Bruce Willis' wife in the highly anticipated 1999 adaptation of Kurt Vonnegut's Breakfast of Champions. She appeared in the drama Lantana in 2001, and had major parts in 11:14 and Paradise. She spent a few years away from the spotlight, but in 2007 she returned in Love Comes Lately and The Bird Can't Fly. She appeared as the title character in 2008's Anne of Green Gables: A New Beginning, and played the mother to Natalie Portman in Black Swan.