Trivia: Red-headed, freckle-faced Martin Milner was only 15 when he made his screen debut in Life With Father (1947), and would continue to play wide-eyed high schoolers and college kids well into the next decade. His early film assignments included the teenaged Marine recruit in Lewis Milestone's The Halls of Montezuma (1951) and the obnoxious suitor of Jeanne Crain in Belles on Their Toes (1952). His first regular TV series was The Stu Erwin Show (1950-1955), in which he played the boyfriend (and later husband) of Stu's daughter Joyce. More mature roles came his way in Marjorie Morningstar (1957) as Natalie Wood's playwright sweetheart and in The Sweet Smell of Success (1957) as the jazz musician targeted for persecution by Winchell-esque columnist Burt Lancaster. Beginning in 1960, he enjoyed a four-year run as Corvette-driving Tod Stiles on TV's Route 66 (a statue of Milner and his co-star George Maharis currently stands at the Corvette Museum in Bowling Green, KY). A longtime friend and associate of producer/director/actor Jack Webb, Milner was cast as veteran L.A.P.D. patrolman Pete Malloy on the Webb-produced TV weekly Adam-12, which ran from 1968 to 1975. His later TV work included a short-lived 1970s series based on Johan Wyss' Swiss Family Robinson. Later employed as a California radio personality, Martin Milner continued to make occasional TV guest appearances; one of these was in the 1989 TV movie Nashville Beat, in which he was reunited with his Adam-12 co-star Kent McCord. He made an appearance on the short-lived series The New Adam-12 and had recurring roles on shows like Life Goes On and Murder, She Wrote. Milner died in 2015, at age 83.

Trivia: George Maharis was one of seven children of Greek immigrant parents. Though he could very easily have gone into his father's restaurant business, Maharis decided to try for a singing career. When his vocal chords were injured by overuse, Maharis switched to acting, studying at the Actors' Studio and making one of his earliest appearances as a Marlon Brando parody on the 1950s TV sitcom Mr. Peepers. Maharis was very active in the off-Broadway scene, appearing in Jean Genet's Deathwatch and Edward Albee's The Zoo Story. He gained a fan following (primarily female) through his weekly appearances as handsome drifter Buzz Murdock on the TV series Route 66. He played Buzz from 1960 to 1963, leaving the series for a variety of reasons, among them artistic differences and a bout of hepatitis. His subsequent film career failed to reach the heights of his TV work, and by 1970 Maharis was back in the weekly small-screen grind in the adventure series The Most Dangerous Game. When not performing in nightclubs, summer stock or films, George Maharis spent a good portion of the 1970s and 1980s indulging in his pet hobby, impressionistic painting.

Trivia: American actress Jean Muir, born Jean Muir Fullarton, began her career on Broadway in 1930. Following her triumphant appearance in the 1933 play Saint Wench, she signed with Warner Bros. She made her feature-film debut in Son of a Sailor later that year. As more films followed, Muir established herself as an actress able to play her roles with a rare naturalness and sincerity. But despite her talent, she was relegated to providing the bright spot in mediocre second-string films; by the late '30s, Muir had returned to theater and only occasionally returned to Hollywood. She made her last feature-film appearance in The Constant Nymph (1943). In 1950, her career was nearly destroyed when she was accused of being a communist sympathizer in the Red Channels newsletter. As McCarthyism was in full swing, Muir was blacklisted and removed from the cast of the television show on which she was to star. The forcible banishment from acting took a terrible toll on her and Muir suffered from emotional problems and struggled with alcoholism through the decade. However, by the early '60s, Muir had recovered and was again working on Broadway and television. She was honored with a star on the Walk of Fame on February 9, 1960. In 1968, she retired from acting, moved to Columbia, MO, and became a drama teacher at Stephens College. Muir passed away at age 85 in Mesa, AZ, on July 23, 1996.

Trivia: Blonde, ice cool, and sophisticated actress Nina Foch has worked steadily in feature films and television since making her film debut in Return of the Vampire (1943). As a contracted starlet for Columbia Pictures, Foch spent several years appearing in many B-films before she was able to prove herself ready for bigger fare. Born to Dutch conductor/composer Dirk Fock and an American chorine/WWI-era pin-up girl, Foch was born in Holland but raised in Manhattan. Before enrolling in the American Academy of Dramatic Arts to study acting, she had briefly been a concert pianist and an amateur painter. As an actress, Foch gained experience with local theater and touring companies until signing with Columbia in 1943. In 1947, Foch made the first of many forays on Broadway. By the early '50s, she was being cast in secondary but better roles in such films as An American in Paris (1951) and Scaramouche (1952). In 1954, Foch appeared in Executive Suite for which she received an Oscar nomination for Best Supporting Actress. But for a few television appearances and some stage work, Foch took a respite from acting in 1960 that lasted over ten years. She made a comeback in Such Good Friends (1971) and continued to appear sporadically in films as a character actress. Foch also worked steadily in television, was a respected drama coach in Hollywood, and taught at UCLA's School of Cinematic Arts for 40 years before her death in late 2008.

Trivia: American actor James Dunn's early career embraced bit parts in silent pictures, vaudeville, and Broadway before he made his talking picture bow in Bad Girl (1931). For the next several years, Dunn appeared in sentimental "lovable scamp" leading roles; he also helped introduce Shirley Temple to feature films by co-starring with the diminutive dynamo in Stand Up and Cheer, Baby Take a Bow, and Bright Eyes, all released in 1934. When Fox merged with 20th Century Pictures in 1935, the type of domestic comedy-dramas and free-wheeling musicals in which Dunn specialized came to an end; by the end of the 1930s Dunn's appearance were confined to "B" pictures and poverty-row quickies. Dunn was given a comeback chance as Peggy Ann Garner's irresponsible alcoholic father in the 1945 drama A Tree Grows in Brooklyn. The actor won an Academy Award for his performance. Eight years passed before Dunn would be seen in films again, though he found occasional solace in TV work, including his tenure as the star of a 1955 sitcom, It's a Great Life. Dunn's final movie role, filmed two years before his death, was a minor part as an agent in the all-star "trash classic" The Oscar (1966).