Trivia: The younger brother of Gunsmoke star James Arness, American actor Peter Graves worked as a musician and radio actor before entering films with 1950's Rogue River. At first, it appeared that Graves would be the star of the family, since he was cast in leads while brother Jim languished in secondary roles. Then came Stalag 17 (1953), in which Graves was first-rate as a supposedly all-American POW who turned out to be a vicious Nazi spy. Trouble was, Graves played the part too well, and couldn't shake the Nazi stereotype in the eyes of most Hollywood producers. Suddenly the actor found himself in such secondary roles as Shelley Winters' doomed husband in Night of the Hunter (1955) (he was in and out of the picture after the first ten minutes), while sibling James Arness was riding high with Gunsmoke. Dissatisfied with his film career, Graves signed on in 1955 for a network kid's series about "a horse and the boy who loved him." Fury wasn't exactly Citizen Kane, but it ran five years and made Graves a wealthy man through rerun residuals--so much so that he claimed to be making more money from Fury than his brother did from Gunsmoke. In 1966, Peter Graves replaced Steven Hill as head honcho of the force on the weekly TV adventure series Mission: Impossible, a stint that lasted until 1973. Though a better than average actor, Graves gained something of a camp reputation for his stiff, straight-arrow film characters and was often cast in films that parodied his TV image. One of the best of these lampoonish appearances was in the Zucker-Abrahams comedy Airplane (1980), as a nutty airline pilot who asks outrageous questions to a young boy on the plane (a part the actor very nearly turned down, until he discovered that Leslie Nielsen was co-starring in the film). Peter Graves effortlessly maintained his reliable, authoritative movie persona into the '90s and 2000s, and hosted the Biography series on A&E, for which he won an Emmy; he also guest-starred on programs including Cold Case, House and American Dad. Graves died of natural causes in March 2010, at age 83.

Trivia: Fans of the original action /espionage series Mission Impossible (1966-70) may recognize black actor Greg Morris for playing electronics wizard Barney Collier. Morris spent most of his career on television, appearing on such shows as Ben Casey, The Dick Van Dyck Show and The Twilight Zone. During the 1970s, Morris was a regular on Vega$ (1978-81), playing police officer Lt. David Neslon. A native of Cleveland who spent part of his childhood in New York City, his mother worked as a secretary for black labor leader A. Phillip Reynolds. Before becoming a television actor during the early '60s, Morris attended Ohio State University and the University of Iowa. Morris passed away at the age of 61 on August 27, 1996. The cause of death was unreported.

Trivia: Actress Lynda Day George was quite busy on TV in guest-starring roles throughout the 1960s. Before she officially changed her professional name from "Day" to "Day George" -- to acknowledge her marriage to actor Christopher George -- Day George was a regular on The Silent Force, a 1970 Mission: Impossible clone. Ironically, one year later she was cast on the real Mission: Impossible as undercover operative Casey, a role she retained until the series' cancellation in 1973. While she has appeared in the occasional theatrical film, most of Day George's best work could be seen in such small-screen miniseries as Rich Man, Poor Man, Once an Eagle, and Roots. In the early '80s, Lynda Day George began turning down network roles to devote her energies to religious television, remaining active in this field long after the death of her husband in 1983.

Trivia: British actor Roddy McDowall's father was an officer in the English merchant marine, and his mother was a would-be actress. When it came time to choose a life's calling, McDowall bowed to his mother's influence. After winning an acting prize in a school play, he was able to secure film work in Britain, beginning at age ten with 1938's Scruffy. He appeared in 16 roles of varying sizes and importance before he and his family were evacuated to the U.S. during the 1940 Battle of Britain. McDowall arrival in Hollywood coincided with the wishes of 20th Century-Fox executive Darryl F. Zanuck to create a "new Freddie Bartholomew." He tested for the juvenile lead in Fox's How Green Was My Valley (1941), winning both the role and a long contract. McDowall's first adult acting assignment was as Malcolm in Orson Welles' 1948 film version of Macbeth; shortly afterward, he formed a production company with Macbeth co-star Dan O'Herlihy. McDowall left films for the most part in the 1950s, preferring TV and stage work; among his Broadway credits were No Time for Sergeants, Compulsion, (in which he co-starred with fellow former child star Dean Stockwell) and Lerner and Loewe's Camelot (as Mordred). McDowall won a 1960 Tony Award for his appearance in the short-lived production The Fighting Cock. The actor spent the better part of the early 1960s playing Octavius in the mammoth production Cleopatra, co-starring with longtime friend Elizabeth Taylor. An accomplished photographer, McDowall was honored by having his photos of Taylor and other celebrities frequently published in the leading magazines of the era. He was briefly an advising photographic editor of Harper's Bazaar, and in 1966 published the first of several collections of his camerawork, Double Exposure. McDowall's most frequent assignments between 1968 and 1975 found him in elaborate simian makeup as Cornelius in the Planet of the Apes theatrical films and TV series. Still accepting the occasional guest-star film role and theatrical assignment into the 1990s, McDowall towards the end of his life was most active in the administrative end of show business, serving on the executive boards of the Screen Actors Guild and the Academy of Motion Picture Arts and Sciences. A lifelong movie collector (a hobby which once nearly got him arrested by the FBI), McDowall has also worked diligently with the National Film Preservation Board. In August, 1998, he was elected president of the Academy Foundation. One of Hollywood's last links to its golden age and much-loved by old and new stars alike -- McDowell was famed for his kindness, generosity and loyalty (friends could tell McDowall any secret and be sure of its safety) -- McDowall's announcement that he was suffering from terminal cancer a few weeks before he died rocked the film community, and many visited the ailing actor in his Studio City home. Shortly before he was diagnosed with cancer, McDowall had provided the voiceover for Disney/Pixar's animated feature A Bug's Life. A few days prior to McDowall's passing, the Academy of Motion Picture Arts and Sciences named its photo archive after him.

Trivia: Open-faced, bulb-nosed character actor John Larch entered films in 1954, appearing mostly in westerns and outdoor adventures. During the "crime exposé" film cycle, Larch alternated between playing honest cops and dirty-palmed politicos. An old crony of actor/director Clint Eastwood, Larch appeared in such Eastwood efforts as Dirty Harry (1971) and Play Misty For Me (1972). His TV work has included weekly roles on two briefies of the 1960s, Arrest and Trial (1963) and Convoy (1965). Twilight Zone fans will instantly recognize John Larch as the walking-on-eggs father of malevolent telekinetic youngster Anthony Fremont (Billy Mumy) in the 1961 Zone chiller "It's a Good Life."

Trivia: Saturnine character actor Martin Landau was a staff cartoonist for the New York Daily News before switching to acting. In 1955, his career got off to a promising beginning, when out of 2,000 applicants, only he and one other actor (Steve McQueen) were accepted by Lee Strasberg's Actors Studio. Extremely busy in the days of live, Manhattan-based television, Landau made his cinematic mark with his second film appearance, playing James Mason's henchman in Alfred Hitchcock's North by Northwest (1959). In 1966, Landau and his wife Barbara Bain were both cast on the TV adventure/espionage series Mission: Impossible. For three years, Landau portrayed Rollin Hand, a master of disguise with the acute ability to impersonate virtually every villain who came down the pike (banana-republic despots were a specialty). Unhappy with changes in production personnel and budget cuts, Landau and Bain left the series in 1969. Six years later, they costarred in Space: 1999 a popular syndicated sci-fi series; the performances of Landau, Bain, and third lead Barry Morse helped to gloss over the glaring gaps in continuity and logic which characterized the show's two-year run. The couple would subsequently act together several times (The Harlem Globetrotters on Gilligan's Island (1981) was one of the less distinguished occasions) before their marriage dissolved.Working steadily in various projects throughout the next few decades, Landau enjoyed a career renaissance with two consecutive Oscar nominations, the first for Francis Ford Coppola's Tucker: The Man and His Dream (1988), and the second for Woody Allen's Crimes and Misdemeanors (1989). Landau finally won an Academy Award for his portrayal of Bela Lugosi in Tim Burton's 1994 Ed Wood; his refusal to cut his acceptance speech short was one of the high points of the 1995 Oscar ceremony. He would continue to work over the next several years, appearing in movies like City of Ember and Mysteria, as well as on TV shows like Without a Trace and Entourage.

Trivia: A former University of Illinois sociology major, ash-blonde leading lady Barbara Bain studied for a theatrical career at New York's Actors Studio and Neighborhood Playhouse. While attending an actor's workshop in 1956, Barbara made the acquaintance of an intense young performer named Martin Landau. It was love at first sight, and they married in 1957. Landau and Bain strove to maintain separate careers, and while her husband tended to work more often than she did, Barbara was well-represented with guest appearances on such series as Richard Diamond, Private Detective, Get Smart and The Dick Van Dyke Show. In 1964, the Landaus worked together for the first time on an episode of The Greatest Show on Earth. They didn't care much for the experience, and vowed not to co-star again -- at least, not until producer Bruce Geller made them an offer they couldn't refuse with the weekly TV suspenser Mission: Impossible. Cast as silken espionage agent Cinammon Carter, Bain won three consecutive Emmies for her work on the series (if you're wondering why Cinammon never adopted elaborate disguises, as did practically everyone else on the program, it is because Bain suffered from claustrophobia, and could not abide being hemmed in by heavy makeup). Then, after three seasons' worth of Mission: Impossible, the Landaus quit the series in 1969, citing poor scripts and insufficient creative challenges. In later years, Bain would comment ruefully that leaving the show ruined her career. The record doesn't quite bear this out: indeed, during the early 1970s she racked up an impressive list of TV movie appearances, and was offered a great deal of money to reteam with Landau in the syndicated sci-fi TV series Space: 1999 (1975-77). In 1989, Bain appeared in her very first theatrical feature, Trust Me (1989), playing a truculent, dishonest art collector. Though long-divorced from Martin Landau, Barbara Bain did not express an aversion to the possibility of playing a cameo alongside her ex-husband in the 1996 film version of Mission: Impossible, should either one of them be asked to do so (alas, they weren't).

Trivia: Avery was a versatile American character actor onscreen from 1956, beginning with The Harder They Fall.

Trivia: Where does one go after one has played The Devil Himself in one's very first film? Richard Devon, who indeed portrayed Satan in 1957's The Undead, was consigned to ordinary "mortal" parts for the remainder of his film career. Usually he played Latino types in such films as The Comancheros (1961), Kid Galahad (the 1962 Elvis Presley version) and Magnum Force (1973). More recently, Richard Devon has cast aside his horns and cloven hooves from The Undead to play a Cardinal in Seventh Sinner (1988).

Trivia: Character actor John Crawford has appeared on screen in many films since 1945.

Trivia: Lead and second lead actor, onscreen from 1955.