Trivia: Willowy brunette actress Kate Jackson spent her early adulthood in summer stock, in training at the American Academy of Dramatic Arts, and as a page and tour guide at the NBC studios in Rockefeller Center. Anxious to burst forth with reams of dialogue as a film and TV actress, Jackson found herself in the utterly non-speaking role of a glamorous ghost on the mid-1960s daytime TV serial Dark Shadows. She was allowed to flap her gums a little more often as Jill Danko on TV's The Rookies (1973-76). Full stardom arrived for Jackson when she was cast as Sabrina Duncan, "the smart one" on the prime time jigglefest Charlie's Angels; she remained with this series from 1976 through 1979. Her last regular weekly TV effort was Scarecrow and Mrs. King (1983-1987) in which she played an average housewife who moonlighted as a secret agent. Though Jackson has made sporadic film appearances, it is safe to say that her greater fame rests upon her small-screen work. Jackson received an outpouring of industry sympathy and support when she battled breast cancer in the early 1990s. Kate Jackson has been a prolific and popular TV commercial spokesperson, and narrated Trouble in Mind, a series documenting the effects of mental illness, from 1999 to 2000.

Trivia: American actress Farrah Fawcett was an art student at the University of Texas before she deduced that she could make more money posing for pictures than painting them. A supermodel before that phrase had fallen into common usage, Fawcett moved from Wella Balsam shampoo ads into acting, making her first film Myra Breckenridge in 1970. She worked in TV bits and full supporting parts, obtaining steady employment in 1974 with a small recurring role on the cop series Harry O, but true stardom was still some two years down the road. In 1976, producer Aaron Spelling cast Fawcett, Kate Jackson and Jaclyn Smith in a pilot for an adventure series titled Charlie's Angels. The pilot graduated to a series, and the rest was TV history; during her Charlie's Angels tenure Fawcett was the most visible of the three actresses, adorning magazine covers and pin-up posters (including one particularly iconic image), which set sales records. There were even Farrah Fawcett dolls before the first season of Charlie's Angels was over.Now in the hands of high-profile agents and advisors, Fawcett (billed Farrah Fawcett-Majors after her marriage to Lee Majors) decided she'd outgrown Angels and left the series, even though she had another year on her contract. While the studio drew up legal papers to block her move, she was replaced by Cheryl Ladd. Fawcett settled her dispute by agreeing to a set number of guest appearances on the program. Some industry cynics suggested that Fawcett would have problems sustaining her popularity. Certainly such lukewarm film projects as Sunburn (1979), Somebody Killed Her Husband (1978) and Saturn 3 (1980) seemed to bear this theory out. But Fawcett took matters into her own hands and decided to make her own opportunities--and like many other performers who strive to be taken seriously, she chose the most extreme, demanding method of proving her acting mettle. Playing a vengeful rape victim in both the play and 1986 film version of Extremities (an apt title) and making a meal of her role as a battered wife who murders her husband out of self-defense in the TV movie The Burning Bed (1984), Fawcett confounded her detractors and demonstrated she was a more-than-capable actress. Other TV movie appearances of varying quality cast her as everything from a child killer to a Nazi hunter to famed LIFE photographer Margaret Bourke-White. Never as big a name as she was in 1976, Fawcett nonetheless affirmed her reputation as an actress of importance. Her fans were even willing to forgive her misbegotten fling at situation comedy in the 1991 series Good Sports, in which she co-starred with her longtime "significant other" Ryan O'Neal. Fawcett died in 2009 at age 62, following a lengthy and well-publicized battle with cancer.

Trivia: After attending Trinity University and the University of San Antonio, brunette Jaclyn Smith flourished as a model and cover girl. Making her first film appearance in 1969, Smith endured such negligible movie projects as The Moonshiners (1974) before achieving stardom as Kelly Garrett, showgirl-turned-PI, on the spectacularly successful TV series Charlie's Angels. She was the only member of the original Angels to remain with the series from its debut in 1976 to its final telecast in 1981. Like her Charlie's Angels cohorts Cheryl Ladd and Farrah Fawcett, Smith went on to a busy career in made-for-TV movies, efficiently playing the title roles in Jacqueline Bouvier Kennedy (1982) and Florence Nightingale (1985). In 1989, she returned to the weekly-TV grind as star of the mystery series Christine Cromwell. That same year, a random sampling of Hollywood insiders (technicians, grips, "gofers", etc.) voted Smith as one of the nicest and most cooperative actresses in the business (parenthetically, her Charlie's Angels co-star Kate Jackson was elected one of the least likeable performers in Tinseltown). Jaclyn Smith was previously married to actors Roger Davis and Dennis Cole, and cinematographer Tony Richmond. Her fourth marriage was to Dr. Bradley Allen in 1998.

Trivia: Although sandy-voiced character actor David Doyle sometimes gave the onscreen impression of being an unprepossessing, slow-on-the-uptake "little man," in truth Doyle stood six feet tall, weighed 200 pounds, and had an I.Q. of 148. Born into a family of lawyers, Doyle was drawn to amateur theatricals at the age of ten. In an effort to please both his parents and his own muse, he attended pre-law classes at the University of Nebraska, all the while taking acting lessons at Virginia's Barter Theatre and New York's Neighborhood Playhouse. His first theatrical break came in 1956, when he replaced Walter Matthau in the Broadway hit Will Success Spoil Rock Hunter? He subsequently spent several seasons as an actor/director in a Midwestern traveling stock company, then returned to New York, where he appeared in S.J. Perelman's The Beauty Part and seven other Broadway plays. After a decade's worth of film and TV supporting appearances and commercials, Doyle was cast in the recurring role of Walt Fitzgerald in the 1972 sitcom Bridget Loves Bernie; that same year, he made semi-weekly visits to The New Dick Van Dyke Show in the role of Ted Atwater. From 1976 and 1981, Doyle had the enviable task of playing John Bosley, liaison man between unseen private eye Charlie and the gorgeous female stars of TV's Charlie's Angels. Since that time, David Doyle has been seen as Frank Macklin on the short-lived 1987 series Sweet Surrender, and heard as the voice of Grandpa Pickles on the Nickleodeon cable network's animated series Rugrats (1991- ). Doyle died of heart failure at age 67 on February 27, 1997. One of his last feature film performances was that of the voice of Pepe in The Adventures of Pinocchio (1996).

Trivia: An English major in college, Ed Lauter worked as a stand-up comic before entering films in 1971. The tall, menacing Lauter has generally been typecast as humorless, easily corruptible authority figures. He was at his meanest as the vindictive Captain Knaur in Robert Aldrich's The Longest Yard. His TV credits include such roles as Sheriff Cain in BJ and the Bear (1979-80) and General Louis Crewes in Stephen King's The Golden Years (1991). In 1976, Ed Lauter was afforded a rare leading role--and a sympathetic one to boot--in the made-for-TV murder mystery Last Hours Before Morning (1976). Lauter appeared in the 2005 remake of The Longest Yard and had a small role in the Oscar-winning film The Artist (2011). He also had a recurring role on the TV series Shameless. Lauter passed away in 2013 of mesothelioma at age 74, with several films in post-production, awaiting release.

Trivia: Movie and TV leading man Dirk Benedict was young, handsome, muscular and enthusiastic. These qualities were far more important than versatility in establishing Benedict as a dependable screen presence in the 1970s. His theatrical films include Scavenger Hunt (1979), Body Slam (1987), and Shadow Force (1992), their subject matter implicit in their titles. Far more successful on series television than in films, Dirk Benedict played Officer Gil Foley on Chopper One (1974), Starbuck on Battlestar Gallactica (1978), and master impressionist Templeton "Face" Peck on The A-Team (1983-87).

Trivia: African-American actor/director Georg Stanford Brown was seven-years-old when his family moved from Havana to Harlem. Chronically absent during his high school years, Brown was invited to drop out by his frustrated teachers. At 15, he organized a singing group called the Parthenons, which broke up after a single network TV appearance. He moved to Los Angeles at 17, where, after passing the college entrance exam, he enrolled in the L.A. City College theater program. "I just wanted to take something easy," he explained later, "but after a while I really got to like it." He liked it well enough to study further at New York's American Musical and Dramatic Academy. Making his professional stage debut in Joseph Papp's Central Park Shakespearean productions, Brown headed back to L.A., certain that his theatrical credits would assure him steady work in films and TV, which they did, though at a molasses-slow pace. After increasingly larger roles in such films as The Comedians (1967), Bullitt (1968), and Colossus: The Forbin Project (1971), Brown was cast as officer Terry Webster on the Aaron Spelling-produced TV series The Rookies, which ran from 1972 to 1976. After Rookies, Brown began curtailing his acting in favor of directing. He helmed several episodes of TV's Hill Street Blues, as well as such made-for-TV movies as Grambling's White Tiger (1981), Miracle of the Heart: A Boys' Town Story (1986), Stuck With Each Other (1989), Father and Son: Dangerous Relations (1992), and The Last POW: The Bobby Garwood Story (1993). In 1986, Georg Stanford Brown won an Emmy for his direction of the Cagney and Lacey episode "Parting Shots," which starred his then-wife Tyne Daly.

Trivia: Though blonde actress Joanna Kerns may be best known for her breakthrough role as Maggie Seaver on the popular 1980s television sitcom Growing Pains, the seasoned actress-turned-director has subsequently made quite a name for herself behind the camera by taking the reigns of such popular small-screen series as Ally McBeal, Felicity, Judging Amy, and Boston Public. Born Joanna Cruisse de Varona in San Francisco in 1953, the talented teen pursued many avenues before eventually discovering her love of acting. Though she would compete unsuccessfully for a spot on the 1968 Olympics Gymnastics team (her sister Donna would later take home the gold medal for swimming), she remained steadfast in her athleticism and subsequently dropped out of high school to tour with the Gene Kelly stage musical Clown Around. It wasn't long before she gained affection for the spotlight, and following a move to New York, the aspiring young actress could be spotted in a Broadway production of Ulysses in Nighttown. A move back to the West Coast resulted in numerous film and television roles, and as her television career continued to take off, the up-and-coming actress married producer Richard Kerns. On the heels of minor roles in such films as Ape (1976) and Coma (1978), roles in Magnum, P.I., The A-Team, and Hill Street Blues made Kerns a familiar face to television viewers, and by the time she accepted the role of loving mother Maggie Seaver, Kerns had also turned heads in Hunter and V. Balancing out her seven-year run on Growing Pains with numerous made-for-television feature roles, Kerns ultimately realized that her small-screen fame would inevitably be short-lived, and that realization eventually led her to step behind the camera as a frequent director for the series. Of course, her prediction did come true, and after Growing Pains went off the air in 1992, Kerns juggled acting and directing in television throughout the 1990s in addition to remarrying Mark Appleton following the breakup of her previous marriage. After helming many of the decade's most popular shows, Kerns brought in the new millennium with a role as Winona Ryder's distant mother in Girl, Interrupted before experiencing something of a family reunion with 2000's The Growing Pains Movie. Kerns' frequent recognition of her Spanish roots has also made her something of a role model to Chicano and Latino youth. In 2007 the sitcom Mom was cast as the mother of Alison, the ambitious television producer Knocked Up by Seth Rogen, and in 2009 Kerns wrote and directed the short The Gold Lunch.

Trivia: In films since 1952, character actor Timothy Carey gained a cult following for his uncompromising portrayals of sadistic criminals, drooling lechers, and psycho killers. His definitive screen moment occurred in Stanley Kubrick's The Killing (1955), in which, as two-bit hoodlum Nikki Arane, he gleefully shot down a race horse. Kubrick used Carey again in Paths of Glory (1957), this time in the sympathetic role of condemned prisoner Private Ferol. Equally impressed by Carey's work was director John Cassavetes, who gave the actor a leading role in Killing of a Chinese Bookie (1976). In 1963, Carey spoofed his unsavory screen image in Beach Blanket Bingo, playing leather-jacketed cyclist South Dakota Slim, who expresses his affection for leading lady Linda Evans by strapping her to a buzzsaw. He went on to menace the Monkees in Head (1968), bellowing out incomprehensible imprecations as Davy, Mike, Micky, and Peter cowered in confused terror. One of his juiciest film roles was as a rock-singing evangelist in The World's Greatest Sinner (1962), which he also produced, directed, and wrote. In his later years, Timothy Carey occasionally occupied his time as an acting teacher.

Trivia: Actor Stanley Brock was active on television and films from the 1970s to the 1990s (his last film was Mel Brooks' Life Stinks [1991]). From January through March 1986, Brock was a regular on the TV sitcom He's the Mayor. The actor played Ivan Bronski, the neighbor of a fictional 25-year-old black mayor (Kevin Hooks). Before that, Stanley Brock was mired in several failed TV pilots, including The Bureau (1976), Every Stray Dog and Kid (1981), Palms Precinct (1982) and 13 13th Avenue (1983). The credits of the long-running documentary series Wild Kingdom also list a "Stan Brock" as one of the program's many hosts, though chances are we're talking about two different people here.