Trivia: A recording artist from age 14, 1950s teen-idol Fabian rose to stardom with such Doc Pomus/ Mort Shuman compositions as "Hound Dog Man" and "Turn Me Loose." Fabian functioned best under the careful tutelage of Bandstand producer Dick Clark and with the benefit of the songwriting input of Pomus and Shuman. Many of his earliest film appearances (North to Alaska [1960], Mr. Hobbs Takes a Vacation [1962]) indicated that Fabian could be an appealing screen personality with the proper guidance. His popularity suffered a severe setback when he guest-starred as a psychopathic killer on the 1961 TV series Bus Stop; the episode, "A Lion is in the Streets," was considered so reprehensibly violent that it prompted a congressional investigation. While he continued to make records and film appearances, Fabian's career peaked in the early 1960s and went downhill thereafter. Billing himself as Fabian Forte from 1970 onward, the singer/actor has continued to work in cheap horror films and cycle flicks, and has made a few moderately successful TV guest appearances.

Trivia: American actor Gary Burghoff was the son of a Connecticut clockworks executive and a professional dancer. Under the aegis of his mother (the dancer), Burghoff studied tap dancing from age 5; he also trained himself to be a professional drummer, despite the fact that he'd been born with three deformed fingers on his left hand. Turning to acting, Burghoff found that his high piping voice and his 5'6" frame consigned him to child and teenager roles - which became a blessing when he was cast in the title role of the off-broadway musical You're a Good Man, Charlie Brown in 1967. Director Robert Altman cast Burghoff as Cpl. "Radar" O'Reilly in his antiwar comedy M*A*S*H (1970); the name Radar was derived from the character's uncanny ability to anticipate what people were going to say and to sense when the "choppers" were bringing incoming wounded into the "Mobile Army Surgical Hospital" of the film's acronymic title. When M*A*S*H was converted into a TV situation comedy in 1972, Burghoff was the only member of the original movie cast to be signed for the series (It was not his first TV stint; he'd been a regular on 1970's Don Knotts Show). The actor played company clerk Radar from 1972 through 1979, winning an Emmy in the process and endearing himself to millions of fans. Not all his costars found Burghoff as lovable as Radar; he could be somewhat bullheaded on the set, especially when he felt that others weren't working to their fullest capacity. Except for occasional guest-star appearances - including an inevitable spot on Murder She Wrote, that settlement house of former sitcom stars - Burghoff hasn't worked much since M*A*S*H. This inactivity was by choice, in that Burghoff preferred to devote his time to his numerous pro-ecology and Animal Rights causes. In the late 1980s, Gary Burghoff was reunited with several of his M*A*S*H costars in a series of elaborately produced IBM television commercials. He would go on to make a smattering of apperances on TV, on shows like The Love Boat and Fantasy Island.

Trivia: Kaye Ballard was fifteen when she made her professional debut, singing in a USO show in her home town of Cleveland. Two years later, Kaye was a solo performer on the RKO vaudeville circuit. She made it to the New York legitimate stage in 1946's Three to Make Ready. A much-in-demand cabaret performer, Kaye Ballard brought her con brio musical comedy technique to television in the 1951 weekly Henry Morgan's Great Talent Hunt. The first of her all-too-infrequent film appearances was in The Girl Most Likely, the 1957 musical remake of Tom Dick and Harry. Kaye's Broadway credits in the 1960s included the musical hit Carnival (1961) and the intimate revue The Decline and Fall of the Whole World as Seen Through the Eyes of Cole Porter Revisited (1965). From 1967 to 1969, Kaye co-starred with Eve Arden on the Desi Arnaz-produced TV sitcom The Mothers-in-Law. Kaye Ballard was later seen on a weekly basis on The Doris Day Show (1970) and The Steve Allen Comedy Hour (1980), and such films as Freaky Friday (1977), The Ritz (1980) and Tiger Warshaw (1984).