Trivia: One of the world's most popular singers, an award-winning, versatile actress of stage, feature film, and television, a distinguished filmmaker, and a major producer, Barbra Streisand reigns as the grande dame of American entertainment. Born on April 24th, 1942, Streisand was raised in a middle-class Brooklyn household, the daughter of a high school teacher father who died when Streisand was a baby, and a mother who dreamed of the stage, she graduated from high school two years ahead of her classmates. As a young woman, Streisand attended acting classes and worked various odd jobs and in nightclubs, until she won a Greenwich Village talent contest. She landed her first major acting job in the 1962 Broadway musical I Can Get It for Your Wholesale and stole the show with her portrayal of frowsy secretary Miss Marmelstein. The 21-year-old subsequently debuted on Judy Garland's television show, opposite Garland's daughter Liza Minnelli and Broadway institution Ethel Merman. Streisand's powerful, clear soprano, charisma, and unusual looks made her the perfect choice in Jule Styne's and Bob Merrill's musical Funny Girl in 1964. Essaying the life of another great performer, comedienne/singer/actress Fanny Brice, the young performer became the hottest actress on the Great White Way and a bona fide star, after a highly rated television special, My Name Is Barbra (1965), for which she received two Emmy awards. Streisand's Oscar-winning performance in the film version of Funny Girl assured her a prominent place in the Hollywood heavens. As previously mentioned, the plain-looking Streisand seemed an unlikely candidate for movie stardom, but as her character Fanny blossomed onscreen from an awkward girl from a poor Jewish neighborhood to a self-assured national star, so did Streisand successfully grow to possess a certain womanly loveliness, although hers has always been an interesting rather than a classical beauty. In 1969, she played the irrepressible Dolly Levi in the film version of Jerry Herman's smash hit musical Hello Dolly! (1969). Superficially, Streisand was too young to play the middle-aged matchmaker, but with her strong comedic abilities and powerful voice, she carried the role off with aplomb. Unfortunately, the film didn't click with audiences and neither did her third film, the romantic musical On a Clear Day You Can See Forever (1970). In film, she had greater success when she starred opposite George Segal in the romantic comedy The Owl and the Pussycat (1970) and Ryan O'Neal in Peter Bogdonavich's classic screwball comedy What's Up Doc? (1972). The latter was a huge success and led to a far less successful re-pairing with O'Neal in The Main Event (1979). In 1972, Streisand showed her dramatic side in the complex story of a troubled housewife, Up the Sandbox, following it with the smash hit romantic melodrama, The Way We Were (1973), in which Streisand starred opposite another 1970s icon, Robert Redford. The film was named one of the year's top ten by the National Board of Review of Motion Pictures and the title song, written by Marvin Hamlisch, provided Streisand with a major hit and earned Hamlisch an Oscar for Best Song. In 1975, Streisand reprised the role of Fanny Brice in Funny Lady, an uneven chronicle of Brice's later years that had far fewer sparkling moments than the original, but still produced a memorable soundtrack, filled with classic Billy Rose songs. Streisand, who for years had been controlling almost every aspect of her recordings, decided to take the reigns as an executive producer for her 1976 remake and update of A Star Is Born. Co-starring Kris Kristofferson and sparing no expense, the musical drama received decidedly mixed reviews; the subsequent soundtrack album was a much bigger hit. In 1983, Streisand caused a controversy when she announced that she would direct, produce, write, and star in her own feature, Yentl. The brouhaha centered around the notoriously egotistical 40-year-old Streisand's plan to play a teenage girl who masquerades as a Yeshiva student and it would also be a musical. The actress struggled valiantly to pull off the difficult task, audiences were not impressed, and the film was widely panned. Once again, however, the soundtrack provided her with another hit. Still, she would not make another movie until 1987, when she produced and starred in the self-indulgent Nuts. As with her previous few films, she also penned the soundtrack. In 1991, she had her first hit movie in a decade, directing, producing, and starring in a tragic drama opposite Nick Nolte, Prince of Tides. She followed it up in 1996 with the touching comedy-drama The Mirror Has Two Faces. Streisand then took a break from appearing before the camera until 2004's sequel to Meet the Parents, Meet the Fockers. She and Dustin Hoffman shared the screen as a pair of touchy-feely retirees and the two were noted for their chemistry and seemingly genuine enjoyment of their screwball antics. She reprised her role in another sequel, Little Fockers, in 2010. Streisand later took a starring role opposite Seth Rogen in The Guilt Trip (2012).Even during her break from on-camera work, Streisand continued her involvement behind the scenes, spending the first years of the 21st century extensively exploring the medium of television. She served as executive producer for such TV projects as The Long Island Incident, Frankie & Hazel, What Makes A Family, and Varian's War.Streisand's successes as a singer include 38 albums, 30 charting singles, and seven Grammys, one of which is a special Legend award. Throughout her career, her romantic travails have provided fans with hours of entertainment. Early in her career, a marriage to actor Elliot Gould produced son Jason Gould, who has also become an actor. During the 1970s, Streisand had a tempestuous, long-term relationship with hairdresser turned producer Jon Peters. In the late '90s, she quietly married longtime beau, actor James Brolin.

Trivia: Though his early career seemed to hold the promise of major stardom for actor Ryan O'Neal, matters didn't pan out and he has become more famous for his long-term live-in relationship with 1970s poster girl-turned-movie star-of-the-week actress Farrah Fawcett than any of his '80s and '90s films. Still, O'Neal is an appealing actor and his clean-cut good looks and reddish- blond hair give him an exuberant boyishness that belies his age. His first major role was that of Rodney Harrington on the television soap opera Peyton Place (1964-1969). O'Neal is the son of screenwriter Charles O'Neal and actress Patricia Callaghan O'Neal. A California native, he spent much of his childhood living abroad. As a young man, O'Neal sometimes got into trouble and at one point served a 51-day jail sentence for assault and battery after getting into a fight at a New Year's party. Before becoming an actor, O'Neal was a lifeguard and an amateur boxer who was a one-time Golden Gloves contender. In film and television, O'Neal started out as a stunt man on Tales of the Vikings, a German television series. His parents were working on the same show. Upon his return to the States, O'Neal continued finding work in small parts on television shows, getting his first regular acting job on the Western Empire (1962). Following the demise of Peyton Place, O'Neal made his feature debut in The Big Bounce (1969), but did not get his big break until he was chosen from 300 auditioners to play Oliver Barrett opposite Ally McGraw in Arthur Hiller's maudlin adaptation of Erich Seagal's best-seller Love Story- (1970). The film was a smash hit and landed O'Neal an Oscar nomination. Two more starring roles followed this success but it was not until he played an uptight professor who finds himself beleaguered by a free-spirited, love-struck Barbra Streisand in Peter Bogdanovich's What's Up Doc? (1972) that he rivaled the success of Love Story. It has been in light, romantic fare such as this that O'Neal has excelled. His next popular role was that of an exasperated con man in Paper Moon, the charming comedy that netted his co-star and real-life daughter, Tatum O'Neal, an Oscar. O'Neal then played the title role in Stanley Kubrick's slow-paced epic Barry Lyndon (1975). By the late '70s, O'Neal's career had gone into decline and he had begun appearing in such dismal outings as Oliver's Story (the 1978 sequel to his first big hit) and The Main Event (1979) which reteamed him with Streisand. The '80s were even tougher for O'Neal, even though he appeared regularly onscreen. In 1989, O'Neal turned up in the wrenching made-for-TV-movie Small Sacrifices, which starred his lover Fawcett. Two years later, he and Fawcett starred in the short-lived television sitcom Good Sports. He followed that up with a part in the body-switch comedy Chances Are. In the nineties he appeared in the showbiz satire Burn Hollywood Burn, and the quirky detective tale Zero Effect. As the 21st century began he could be seen opposite Al Pacino in People I Know, and in the 2003 comedy Malibu's Most Wanted. After seven years away from screen, he appeared in 2012's Slumber Party Slaughter. Before hooking up with Farrah in the early '80s, O'Neal was married to actresses to Joanna Moore and Leigh Taylor-Young. His children from those marriages, Tatum and Griffin O'Neal, are both actors as is his brother Kevin O'Neal.

Trivia: Hofstra graduate Madeline Kahn was trained for an operatic career, but found her most gainful employment in musical comedy and revue work. While reducing audiences to tears of laughter as a member of New York's Upstairs at the Downstairs satirical troupe, Kahn made her first appearance in the short-subject Bergman lampoon The Dove (1968). She was "officially" discovered for films by director Peter Bogdanovich, who cast her as Ryan O'Neal's frowsy fiancee in What's Up Doc (1972). Kahn was nominated for Academy Awards for her portrayals of Southern doxy Trixie Delight in Bogdanovich's Paper Moon (1973) and Dietrich-like chanteuse Lilly Von Schtupp ("Oh, it's twue, it's twue, it's twue!") in Mel Brooks' Blazing Saddles (1974). Kahn went on to co-star in Brooks' Young Frankenstein (1974) and High Anxiety (1975), and made a return trip to the Bogdanovich fold in the disastrous At Long Last Love (1976) Her manic comedy style could be appealing, but, to paraphrase the late film encyclopedist Leslie Haliwell, it became a quickly overplayed hand. On Broadway, Kahn co-starred with Danny Kaye in Two by Two and was starred in the musical version of Twentieth Century, a grueling experience that all but destroyed her singing voice. She won a Tony award for her non-musical performance in Wendy Wasserstein's The Sisters Rosenzweig in 1992. Kahn's TV projects include the 1983 sitcom Oh, Madeline (based on the British series Pig in the Middle), a single season as George C. Scott's virago sister-in-law in Mister President (1987) and Cosby, the most recent project of comedian Bill Cosby, a sitcom that premiered in 1996. In 1995, Madeline Kahn was superbly cast as Martha Mitchell in Oliver Stone's Nixon and as a vituperative gossip columnist on the TV series New York News.

Trivia: Over-the-top comic actor Kenneth Mars made an unbearably funny screen debut as the ex-Nazi playwright responsible for the smash miss "Springtime for Hitler" in Mel Brooks' The Producers (1968). He was just as exaggerated, though not quite as amusing, as the one-armed police inspector in Brooks' Young Frankenstein (1974). Mars seemingly never held anything back, a trait that was prized by his admirers but caused discomfort among his detractors: reviewing the actor's performance in Peter Bogdanovich's What's Up Doc? (1972), Jay Cocks noted, "As a pompous middle-European intellectual, Kenneth Mars mugs and drools in a manner that Jerry Lewis might find excessive." Still, Mars nearly always delivered the laughs -- especially on TV, where he was a regular on such programs as He and She and The Carol Burnett Show. Another of his screen appearances was as a remonstrative rabbi in Woody Allen's Radio Days (1986). Kenneth Mars has also provided voices for dozens of TV cartoon shows, where he sometimes fell prey to the indignity of having his name spelled Len Mars in the credits.

Trivia: An alumnus of the Yale School of drama, American actor Austin Pendleton was lucky enough to latch onto a starmaking stage role relatively early in life. Pendleton was the first performer to play the part of tailor Motel Kamzoil in the evergreen musical Fiddler on the Roof, in which he had one of the play's best non-Tevye songs, "Miracle of Miracles." Hollywood has been less generous to Pendleton in terms of good roles. He was cast in a supporting role in Skidoo (1968), a smash miss frequently cited as the worst film in the careers of most of its participants (Jackie Gleason, Groucho Marx, Carol Channing, Otto Preminger, et al.) He was shown to better advantage in What's Up, Doc? (1972), while in The Front Page (1974) he sparkled as a condemned killer plagued by a bad head cold on the eve of his execution. A first-rate character player, Austin Pendleton has never quite scaled the heights of stardom in films, though his theatre work as both actor and director has always been critically lauded.

Trivia: The son of a Buffalo physician, Sorrell Booke was encouraged from an early age to entertain his relatives with jokes, songs, and imitations. An inveterate radio fan, young Booke would send away to the major networks for copies of scripts, then act out all the parts -- a different voice for each character -- in the privacy of his room. He turned his hobby into a vocation after high school, appearing with frequency in locally produced dramatic radio programs. While attending Columbia and Yale, Booke spent his summers playing old men in various stock companies, then appeared with the Provincetown Playhouse in Massachusetts. During the Korean War, Booke spent two years in counterintelligence, where his mastery of five languages came in handy. After making his Broadway debut in 1955, Booke understudied Tom Bosley in Fiorello! and created the role of bombastic white supremacist Ol' Captain Cotchipee in Ossie Davis' Purlie Victorious, repeating the latter assignment in the 1963 film version. For all his greyed-up character parts, Booke's most fondly remembered role of the early '60s was the mentally retarded brother of Martin Balsam in an episode of TV's Dr. Kildare. Likewise essayed with unexpected subtlety and sensitivity were his characters in the theatrical features Bye Bye Braverman (1968) and Up the Down Staircase (1970). But neither subtlety nor sensitivity were required for Booke's signature role: the lovably larcenous Jefferson Davis "Boss" Hogg on the weekly adventure series The Dukes of Hazzard (1979-1985). Sorrell Booke's last film assignment was a typically blustery voice-over in the animated feature Rock-a-Doodle; he died of cancer in 1994, just one month after his 64th birthday.

Trivia: Stefan Gierasch made his earliest Broadway appearances in comic juvenile roles in such popular fare as Kiss and Tell and A Hatful of Rain. As he matured, Gierasch was afforded meatier assignments in plays like a Hatful of Rain, Compulsion and The Iceman Cometh. He made his first film appearance as a preacher in The Hustler (1961); subsequent film roles have included murder victim Professor Schreiner in Silver Streak (1974), Principal Norton in Carrie (1976) and the House Majority Leader in Dave (1993). Stefan Gierasch has been seen on TV as hospital bureaucrat J. Powell Karbo in AES Hudson Street (1978) and in the dual role of Professor Woodard and Joshua in the 1991 prime time revival of Dark Shadows. Gierasch continued acting through the late 2000s, appearing in TV shows and movies, including a guest spot on ER. He died in 2014, at age 88.

Trivia: No one played supercilious, judgmental mothers-in-law with as much enthusiasm as Mabel Albertson. The sister of comic actor Jack Albertson, Albertson made a few tentative stabs at a film career in the 1920s and 1930s, but chose instead to concentrate on stage work. Returning to Hollywood in 1953, she became a semi-regular on several television series, and also contributed sharply honed character performances in films like Home Before Dark (1958) (as Jean Simmons' disastrously well-meaning stepmother) and The Gazebo (1959) (as a garrulous real estate agent). She hit her stride in the 1960s playing the self-pitying mother and mother-in-law of such TV actors as Tom Ewell, Dick Van Dyke, and Bewitched's Dick York and Dick Sargent. Though the roles may have been stereotyped, she always managed to make them hilariously -- and sometimes disturbingly -- real. Mabel Albertson died of Alzheimer's disease at the age of 81.

Trivia: After making his acting debut onstage, bald, heavily mustached Canadian character actor Graham Jarvis began showing up in bits in such films as In the Heat of the Night (1967), Alice's Restaurant (1970, as the music teacher) and What's Up Doc. He is best known to TV addicts as Charlie Haggers, the unctuous husband/manager of would-be country singer Loretta Haggers (Mary Kay Place) in Mary Hartman, Mary Hartman (1976-77), and as officious-vice principal Dyrenforth in the syndicated version of Fame (1985-87). Of his many TV-movie credits, Graham Jarvis' convincing turn as John Ehrlichmann in Blind Ambition (1982) features prominently.

Trivia: Long a stage and TV supporting player, actor Liam Dunn came to the public's attention relatively late in life as the mildly corrupt mayor of Big Town on Buck Henry's short-lived TV superhero spoof Captain Nice (1967). He did so well playing this waffling ageing politico that he spent virtually the rest of his career as a stock player in the films of Buck Henry's former co-writer Mel Brooks. Following his first film, Catch-22 (1970), Dunn was well-served as sanctimonious western clergyman Reverend Johnson in Mel Brooks' Blazing Saddles (1974). Liam Dunn worked for Brooks again in the small role of a medical-college "guinea pig" in Young Frankenstein (1975), and as an ancient newspaper vendor literally buried in the pulpish product of his trade in Silent Movie (1976).

Trivia: Natty, mellifluous character actor John Hillerman may have spoken on screen with a pure Mayfair accent, but he hailed from Denison, Texas. Hillerman first gained notice for his fleeting appearances in the films of Peter Bogdanovich: The Last Picture Show (1971), What's Up Doc (1973), At Long Last Love (1975). He was also a semi-regular for director Mel Brooks, prominently cast in Blazing Saddles (1975) and History of the World, Part I (1981). A veteran of dozens of television series, John Hillerman was cast as the insufferable criminologist Simon Brimmer on Ellery Queen (1975), the star's director (and ex-husband) in The Betty White Show (1975), and most memorably as the ultra-correct Jonathan Quayle Higgins II, major domo to never-seen mystery writer Robin Masters, on Magnum PI (1980-88).

Trivia: Manhattan-born actor George Morfogen was an alumnus of the Yale School of Drama. He made his off-Broadway bow in 1957's Trial of D. Karamazov, which led to a wealth of theatre engagements in such productions as Othello, Once in a Lifetime, The Good Soldier Schweik and The Fun Couple. Peter Bogdanovich, who'd directed Morfogen in Once in a Lifetime, gave the actor his first screen role as The Headwaiter in What's Up, Doc? (1972). Subsequent films in George Morfogen's resume included The Thief Who Came to Dinner (1973), Daisy Miller (1974) (another Bogdanovich film) and Those Lips, Those Eyes (1980).

Trivia: Six-foot four-inch, beefy character actor with rubbery, homely face, Quaid's first professional show-business work was as the "straight man" half of a comedy duo with actor Trey Wilson in Houston. While a third-year college drama student he was cast by Peter Bogdanovich in a supporting role in The Last Picture Show (1971), then went on to have small roles in Bogdanovich's next two movies. He made a big impression as a naive sailor alongside Jack Nicholson in The Last Detail (1973), for which he received a Best Supporting Actor Oscar nomination. By the mid '70s, he worked in films frequently, usually typecast as a dim-witted fool or redneck. In the mid '80s he was (for one season) in the regular cast of the weekly sketch-comedy series "Saturday Night Live," on which he demonstrated his considerable comedic talent and often impersonated President Ronald Reagan. More recently he has gotten straight dramatic roles, a transition marked by his off-Broadway stage debut in True West in 1983. He has also worked frequently in TV movies, portraying Lenny in Of Mice and Men (1981) and Lyndon Johnson in LBJ: The Early Days (1987); for his portrayal of Mitch in the TV version of A Streetcar Named Desire (1984) he won an Emmy. He is the brother of actor Dennis Quaid, with whom he appeared in The Long Riders (1980).

Trivia: Rarely garnering a lead role, M. Emmet Walsh has become one of the busiest character actors in Hollywood, using his ruddy, seedy appearance to embody countless low-life strangers with unsavory agendas. In his rare sympathetic roles, he's also capable of generating genuine pathos for the put upon plight of struggling small-timers. His effortless portrayals have made him a welcome addition to numerous ensembles, even if many viewers can't match a name to his recognizable mug. In fact, his work is so well thought of that critic Roger Ebert created the Stanton-Walsh Rule, which states that no film featuring either Walsh or Harry Dean Stanton can be altogether bad.Contrary to his frequent casting as a Southerner, Walsh is a native New Yorker, born on March 22, 1935, in Ogdensburg, NY. As a youth he attended the prestigious Tilton School in New Hampshire, and went on to share a college dorm room with actor William Devane. He graduated from the Clarkson University School of Business, but it was not until his thirties that he discovered his true calling: acting. He first popped up in Midnight Cowboy (1969), and has worked steadily ever since, some years appearing in as many as eight motion pictures, other years focusing more on TV movies. Working in relative anonymity through the '70s and early '80s, appearing in films ranging from Serpico (1973) to Slapshot (1977) to Blade Runner (1982), Walsh landed his meatiest and most memorable role in Joel and Ethan Coen's remarkable debut, Blood Simple (1984). Without batting an eye, Walsh exuded more casual menace as the amoral private detective doggedly pursuing his own self-interest than a host of typecast villains could muster in their entire careers. His role was key to creating a stylish noir that would launch the careers of two modern masters. It earned him an Independent Spirit Award.Blood Simple did not markedly alter Walsh's status as a supporting actor, as he went on to appear in this capacity in Fletch (1985), Back to School (1986), and Raising Arizona (1987), his next collaboration with the Coens, in which his bull-slinging machinist scores riotously with less than a minute of screen time. One of the first appearances of the kindly Walsh was in 1988's Clean and Sober, in which he plays a recovering alcoholic helping Michael Keaton through the same struggle.As he crept into his late fifties and early sixties, the stature of Walsh's films diminished a little, if not his actual workload. Continuing to dutifully pursue his craft throughout the early '90s, Walsh again returned to a higher profile with appearances in such films as A Time to Kill (1996), William Shakespeare's Romeo + Juliet (1996), and My Best Friend's Wedding (1997). More as a reaction to the ineptitude of the movie than Walsh's performance, Ebert called into question his own Walsh-Stanton Rule in his review of Wild Wild West, the 1999 Will Smith-Kevin Kline debacle in which Walsh is one of the only tolerable elements. In the years to come, Walsh would remain active on screen, appearing in films like Youth in Revolt and providing the voice of Olaf on the animated series Pound Puppies.

Trivia: Born in Northern Australia, Gil Perkins distinguished himself in his teen years as a champion athlete, trackman and swimmer. Perkins left his homeland at age 18 to go to sea; nearly a decade later he found himself in Hollywood, where he sought out acting roles, the first of which was in The Divine Lady (1928). Though a personable screen presence, he found that his true forte was stunt work. Over a period of thirty years, he doubled for dozens of male stars, from William Boyd ("Hopalong Cassidy") to Red Skelton (whom he closely resembled). While he was willing to tackle the riskiest of stunts, Perkins was far from reckless, always working out in advance the safest and least painful method of pulling off his "gags." He was especially in demand for slapstick comedies, eventually receiving so many pies in the face that the very sight of the pastry made him physically ill. Perkins did more acting than stunting in the latter stages of his career (he can be seen as Jacob of Bethlehem in 1965's The Greatest Story Ever Told), and also kept busy as a stunt coordinator. A most engaging and candid interview with Gil Perkins can be found in Bernard Rosenberg and Harry Silverstein's 1970 book of Hollywood reminiscences, The Real Tinsel.

Trivia: Short-statured, pokerfaced nightclub comic John Byner rose to fame during the 1966 edition of TV's The Garry Moore Show. Byner went on to join the supporting ensemble on the 1967 summer-replacement weekly The Steve Allen Comedy Hour, and five years later headlined his own five-week summer series. He has appeared as a regular on the TV sitcoms The Practice (1976) and Soap (1977), and can be spotted in such lampoonish theatrical films as Transylvania 6-5000 (1985). An accomplished impressionist -- he provided the voice for the Jackie Mason-ish aardvark in DePatie-Freleng's Ant and the Aardvark cartoon shorts -- one of Byner's most enduring routines concerns a bad impressionist, whose concept of Walter Brennan consists of kicking the left leg in the air and screeching "Luke, the barn! Luke, the barn!" A Las Vegas headliner into the 1990s, John Byner's TV contributions have included a stint as host of a series of Bowery Boys films on the A&E cable network.

Trivia: Studied with Uta Hagen for two years at the HB Studios in New York.Appeared in commercials, music videos, TV and film.Took a 30-year hiatus from the business, during which she wrote and had 17 books published.Has knowledge of basic French and Spanish which enables her to do authentic accents.Known for her living history portrayals of four dozen fabulous women, including Eleanor Roosevelt, Mae West, Emily Dickinson and Golda Meir.

Trivia: Bill Hickman is best known for his stunt work and expert driving in films of the '60s and '70s. Hickman specialized in chase scenes and prime examples of his work can be seen in such films as Bullitt, The Love Bug, The French Connection and What's up, Doc? He started out as a child appearing in the "Our Gang" series. Later in his career he also did some directing.

Trivia: Made his debut as an actor when she was 4-years-old.Lived the first 7 years of his life traveling through Europe with his family.Was homeschooled by his mother when he was young.At the age of 8, moved to Dorset, England where he was raised.Travel through South America after graduating college.Worked renovating houses in the United States before enrolling in acting school.

Trivia: A veteran of the Yiddish Art Theater, Robert H. Harris made his first Broadway appearance in 1937. He gained TV fame in 1953 as Jake on the long-running dramedy The Goldbergs, remaining with the series until 1954. He also directed quite a few live productions during television's Golden Age, and co-starred as Dr. LeMoyne Snyder in the weekly crime drama Court of Last Resort (1957). Usually seen in featured roles in films, Robert H. Harris was afforded a starring part as a vengeful Hollywood makeup man in the quickie American-International horror flick How to Make a Monster (1958).

Trivia: Actor and stunt man Fred Stromsoe worked in both television and feature films. His television credits include a regular role as Officer Woods on Adam-12 between 1974 and 1975. He also appeared in segments of Wild, Wild West and Gunsmoke.