Trivia: A graduate of the University of Dubuque, Tony Danza was busy with a profitable if not spectacular career as a boxer when he began tentatively moving into acting. His first important TV role was, appropriately, as erstwhile boxer Tony Banta on the popular sitcom Taxi. During his Taxi years, Danza built up the screen image of the pugnacious, not overly bright lug with a golden heart. In 1984, Danza was cast as Tony Micelli, the widowed housekeeper of divorced career woman Angela Bower (Judith Light), on the weekly domestic comedy Who's the Boss? enjoying a popular eight-season run. Danza's first starring film role in She's Out of Control (1988), as the overprotective father of teenager Ami Dolenz, was more or less an extension of his TV work; the actor demonstrated a wider range in the supporting role of a dying baseball player in the 1994 remake of Angels in the Outfield. He executive produced The Jerky Boys movie, and continued to appear in projects such as the remake of 12 Angry Men, Glam, and The Garbage-Picking, Field Goal-Killing, Philadelphia Phenome. At the start of the next century he made a handful of appearances as himself on animated shows like Family Guy and King of the Hill, and he appeared in the made-for-TV holiday film Stealing Christmas.

Trivia: Though she is normally recognized as Angela Bower, the prissy, executive counterpart to Tony Danza's rough-hewn Italian nanny on the long-running television series Who's the Boss?, Judith Light considers her crowning achievement to be her activism in the fight against AIDS and gender discrimination. Born in Trenton, NJ, Light discovered her passion for the performing arts at a Pennsylvania summer camp at 12 years old. Light's high school drama teacher later encouraged her to attend the prestigious Carnegie Mellon University, and the young actress found herself with a role in a Broadway production of A Doll's House by the mid-'70s. Despite her initial success, however, Light still found herself extraordinarily poor, at one point living on only ten dollars per week. Rather than holding her back, though, poverty not only increased Light's determination to act, but to use it as a tool in the fight against all forms of bigotry.Light's big break came in the form of One Life to Live, the Emmy-winning soap opera, which offered the aspiring actress a role that brought with it a steady paycheck until the inception of Who's the Boss? in 1983. In addition to her sitcom performances, Light starred with great success in The Ryan White Story, a docudrama concerning the real-life fight of a hemophiliac who contracted the AIDS virus through a blood transfusion. In addition to having established herself as one of the first celebrity activists in the battle against HIV and AIDS, Light also became a passionate volunteer for a variety of charitable organizations including Heart Strings and Project Angel Food.In 1998, after a long, successful stint in the television-movie world, Light flexed her comedy muscles again for The Simple Life, a short-lived television series featuring Light as a big-shot businesswoman whose move to the country is far from what she had expected. A year later, Light immersed herself in Wit, the Pulitzer Prize-winning play revolving around a brash, no-nonsense cancer victim's slow acceptance of her own mortality. In 2004, Light starred in The Stones, a CBS television series. She would go on to star on Ugly Betty and Law & Order: Special Victim's Unit as Judge Elizabeth Donnelly.

Trivia: American actress Katherine Helmond spent nearly thirty years becoming an overnight success. Working fitfully in New York and regional theatre throughout the '50s and '60s, Helmond made ends meet by working as a drama teacher. Her first fleeting film appearances were in the Manhattan-based Believe in Me and The Hospital, both shot in 1971. She received a sizeable role in 1975's The Hindenburg, which utilized local repertory actors from throughout the midwest; she also worked with Hitchcock in 1976's Family Plot. In 1977, Katherine was cast as Jessica Tate, the scatterbrained, hedonistic matriarch on the TV sitcom Soap. She remained with the series until its cancellation in 1981; Soap left poor Jessica Tate facing a firing squad, and didn't reveal her fate until Helmond's guest appearance on the Soap spinoff Benson, wherein she played Jessica's ghost. In 1983, Katherine enrolled in the American Film Institute's Directing Workshop; she helmed the short subject Bankrupt and also several episodes of TV's Who's the Boss, in which she played Mona Robinson from 1984 through 1990. Keeping her hand in films, Katherine Helmond became a favorite of ex-Monty Python director Terry Gilliam, who cast the actress as a vain matron undergoing a really radical facelift in 1984's Brazil.

Trivia: Born and raised in Brooklyn to Italian-American parents, actress Alyssa Milano started acting on the stage in a national tour of Annie at the age of eight. She rose to teen stardom as the tomboyish Samantha Micelli on the ABC sitcom Who's the Boss, which ran from 1984-1992. Never really making the transition to feature films, she appeared in sleazy made-for-TV movies, provocative ad campaigns, and nude photographs. In one of her more prominent TV performances, she portrayed Amy Fisher in Casualties of Love: The "Long Island Lolita" Story on CBS in 1993. Her few feature film credits include the quirky romantic comedy Hugo Pool and the thriller Below Utopia, starring Ice-T. She joined the cast of Melrose Place on FOX for the 1997-1998 season before moving over to the WB for Charmed, co-starring Shannen Doherty and Holly Marie Combs. In the late '90s, she released several pop/rock albums, which did quite well in Japan. Since the popularity of Charmed, she's appeared in major television ad campaigns and the comedies Kiss the Bride, Buying the Cow, and Dickie Roberts: Former Child Star. She would go on to enjoy TV runs on My Name is Earl and Romantically Challenged, and movies like Hall Pass and New Year's Eve. In 2013, she returned to being a series regular on TV in the primetime soap Mistresses. After winning several legal battles involving her nude images on the Internet, Milano helped to launch the index safesearching.com.

Trivia: Actor Danny Pintauro first made an impression with audiences as the terrified little boy in the 1983 horror film Cujo. The wide-eyed, blond-haired boy next found his niche on the popular sitcom Who's the Boss?, on which he played the role of Jonathan. After the series ended in 1992, Pintauro initially had trouble finding roles as an adult actor, but after taking time off to study English and theater at Middlesex County College in Edison, NJ, and Stanford University, he found a successful career on the stage, starring in productions such as The Velocity of Gary.

Trivia: Handsome leading man Matthew Perry has managed to translate the fame and popularity he garnered from playing Chandler Bing on the hit NBC sitcom Friends into an increasingly successful film career as a romantic comedy lead. Born in Massachusetts, the son of actor John Bennett Perry, his parents divorced when he was still a baby. His mother got full custody and moved Perry to Ottawa, Canada, where she worked as a political assistant (years later, Perry's mother would work as a press secretary for prime minister Pierre Trudeau). As a youth, Perry was an extremely talented tennis player and was once ranked third in Canada's doubles competition. At the same time, the teenaged Perry was interested in acting and had been appearing in school productions since he was 13. At age 15, he relocated to L.A. to join his father, in hopes of becoming both a tennis pro and a working actor. However, in 1984, Perry suffered a devastating loss during a major tennis event and decided that he would have more success as an actor. Shortly after the fateful sporting match, he debuted on an episode of the sitcom Charles in Charge. Though Perry was still in high school, it rapidly became apparent that his education would take a backseat to acting. While in a restaurant, he was spotted by director William Richert, who offered the 16-year-old a small role opposite River Phoenix in A Night in the Life of Jimmy Reardon (1988). Though Perry wanted to become a successful professional actor, his father was pressuring him to attend U.C.L.A. As a compromise, Perry agreed that if he could not find an acting job in the first year after high school graduation, he would attend college. Not long after that, he was hired by Fox television to star in the series Boys Will Be Boys. The series bombed, but Perry was then starred opposite Valerie Bertinelli in a new series, Sydney. While this show too was short-lived, it started Perry on a professional guest-star career that would land him roles on such series as Beverly Hills 90210, Growing Pains, and his father's show 240 Roberts. He made his sophomore film appearance in She's Out of Control (1989) opposite Ami Dolenz and Tony Danza. In the early '90s, Perry and his colleague, Andrew Hill, penned the pilot to a situation comedy about a bunch of friends in their twenties who like hanging out. They called their show Maxwell House and sold it to Universal. They pitched the idea to NBC, but the network had a similar vehicle in the works. Instead of taking Perry and Hill's show, they offered to co-star Perry in their program, Friends. The first episode aired in 1994 and became a Top Ten hit. In features, Perry had his first success with the romantic comedy Fools Rush In (1997), though it was The Whole Nine Yards -- released the same year that Friends went off the air -- that really got moviegoers laughing. A return to television in Studio 60 on the Sunset Strip was shortlived after being eclipsed by the similar-themed 30 Rock, and in 2007 Perry erceived an Emmy nomination for his turn as a devoted high school teacher working with inner-city teens in The Ron Clark Story. In 2011 Perry could be seen as a sports arena manager experiencing a mid-life crisis in the ABC series Mr. Sunshine, though it was promptly cancelled by the network after failing to perform. Nevertheless, subsequent small screen roles in Go On and The Good Wife showed an actor determined to persevere at all costs.