Trivia: Chuck Connors attended Seton Hall University before embarking on a career in professional sports. He first played basketball with the Boston Celtics, then baseball with the Brooklyn Dodgers and Chicago Cubs. Hardly a spectacular player -- while with the Cubbies, he hit .233 in 70 games -- Connors was eventually shipped off to Chicago's Pacific Coast League farm team, the L.A. Angels. Here his reputation rested more on his cut-up antics than his ball-playing prowess. While going through his usual routine of performing cartwheels while rounding the bases, Connors was spotted by a Hollywood director, who arranged for Connors to play a one-line bit as a highway patrolman in the 1952 Tracy-Hepburn vehicle Pat and Mike. Finding acting an agreeable and comparatively less strenuous way to make a living, Connors gave up baseball for films and television. One of his first roles of consequence was as a comic hillbilly on the memorable Superman TV episode "Flight to the North." In films, Connors played a variety of heavies, including raspy-voiced gangster Johnny O in Designing Woman (1957) and swaggering bully Buck Hannassy in The Big Country (1958). He switched to the Good Guys in 1958, when he was cast as frontiersman-family man Lucas McCain on the popular TV Western series The Rifleman. During the series' five-year run, he managed to make several worthwhile starring appearances in films: he was seen in the title role of Geronimo (1962), which also featured his second wife, Kamala Devi, and originated the role of Porter Ricks in the 1963 film version of Flipper. After Rifleman folded, Connors co-starred with Ben Gazzara in the one-season dramatic series Arrest and Trial (1963), a 90-minute precursor to Law and Order. He enjoyed a longer run as Jason McCord, an ex-Army officer falsely accused of cowardice on the weekly Branded (1965-1966). His next TV project, Cowboy in Africa, never got past 13 episodes. In 1972, Connors acted as host/narrator of Thrill Seekers, a 52-week syndicated TV documentary. Then followed a great many TV guest-star roles and B-pictures of the Tourist Trap (1980) variety. He was never more delightfully over the top than as the curiously accented 2,000-year-old lycanthrope Janos Skorzeny in the Fox Network's Werewolf (1987). Shortly before his death from lung cancer at age 71, Chuck Connors revived his Rifleman character Lucas McCain for the star-studded made-for-TV Western The Gambler Returns: The Luck of the Draw (1993).

Trivia: The son of actor Lloyd Bridges, Beau Bridges (born Lloyd Vernet Bridges III) was actually named for his father; the nickname "Beau" was borrowed from Ashley Wilkes' son in Gone With the Wind. Beau received good billing for his secondary juvenile role in The Red Pony in 1949, although he was primarily seen in bit parts during the late '40s. This suited him fine; not all that interested in films, young Bridges had aspirations of being a basketball star. Despite being only 5'9", he played on the U.C.L.A. basketball team and at the University of Hawaii. But realizing that his height would always hold him back in professional sports, Bridges returned to acting via a small role on his father's TV series Sea Hunt. He made his stage debut in 1966's Where's Daddy and continued appearing in leading film roles throughout the 1960s and '70s, easing into character leads. Bridges directed two feature films, The Wild Pair (1987) and Seven Hours to Judgment (1988), in addition to the TV special The Thanksgiving Promise, in which virtually the entire Bridges clan (including his mother Dorothy) was cast. Bridges received Emmy and the Golden Globe awards for his portrayal of the title character in the 1992 TV movie Without Warning: The James Brady Story (1991), and won awards for his participation in the gloriously-titled made-for-cable The Positively True Adventures of the Alleged Texas Cheerleader-Murdering Mom (1993). He would continue to appear prominently both on the big and small screens over the coming decades, on shows like The Agency and Stargate: Atlantis and in films like The Good German and The Ballad of Jack and Rose.

Trivia: Character actor, onscreen from the '50s.

Trivia: Actor Rusty Lane appeared in films from the mid '40s through the mid '60s.

Trivia: Large and muscular at an early age, American actor Dick Miller entered the Navy during World War II while still a teenager, distinguishing himself as a boxer. He attended CCNY, Columbia University and New York University, supporting himself with semi-pro football jobs, radio DJ gigs and as a psychological assistant at Bellevue. At age 22, he was host of a Manhattan-based TV chat show, Midnight Snack. Stage and movie work followed, and Miller joined the stock company/entourage of low-budget auteur Roger Corman. His first great Corman role was as the hyperthyroid salesman in Not of this Earth (1956); a handful of rock-and-roll quickies followed before Miller received his first sci-fi lead in War of the Satellites (1958). In Corman's Bucket of Blood (1959), Miller originated the role of Walter Paisley, the nebbishy sociopath who "creates" avant-garde sculpture by murdering his subjects and dipping them in plaster. He was then cast in the immortal Little Shop of Horrors (1960); Miller not only makes a terrific entrance by buying a bouquet of flowers and then eating them, but also narrates the picture. Miller stayed with Corman into the 1970s, at which time the director was in charge of New World Pictures. Seldom making a liveable income in films, Miller remained an unknown entity so far as the "big" studios were concerned -- but his teenaged fans were legion, and he was besieged on the streets and in public places for autographs. When the adolescent science-fiction fans of the 1950s became the directors of the 1980s, Miller began receiving some of the best roles of his career. In Joe Dante's Gremlins (1984), Miller was paired with his Little Shop costar Jackie Joseph, as a rural couple whose house is bulldozed by a group of hostile gremlins. Miller and Joseph returned in the sequel Gremlins 2: The New Batch (1989), in which the actor heroically helped squash the gremlins' invasion of New York. Miller's most Pirandellian role was as the "decency league" activist in Matinee (1993) who is actually an actor in the employ of William Castle-like showman John Goodman. Directed again by longtime Miller fan Dante, Matinee contains a wonderful "in" joke wherein Miller is identified as a fraud via his photograph in a Famous Monsters of Filmland-type fanzine -- the very sort of publication which canonized Miller throughout the 1970s.