Trivia: Rough-hewn American leading man Richard Boone was thrust into the cold cruel world when he was expelled from Stanford University, for a minor infraction. He worked as a oil-field laborer, boxer, painter and free-lance writer before settling upon acting as a profession. After serving in World War II, Boone used his GI Bill to finance his theatrical training at the Actors' Studio, making his belated Broadway debut at age 31, playing Jason in Judith Anderson's production of Medea. Signed to a 20th Century-Fox contract in 1951, Boone was given good billing in his first feature, Halls of Montezuma; among his Fox assignments was the brief but telling role of Pontius Pilate in The Robe (1953). Boone launched the TV-star phase of his career in the weekly semi-anthology Medic, playing Dr. Konrad Steiner. From 1957 through 1963, Boone portrayed Paladin, erudite western soldier of fortune, on the popular western series Have Gun, Will Travel. He directed several episodes of this series. Boone tackled a daring TV assignment in 1963, when in collaboration with playwright Clifford Odets, he appeared in the TV anthology series The Richard Boone Show. Unique among filmed dramatic programs, Boone's series featured a cast of eleven regulars (including Harry Morgan, Robert Blake, Jeanette Nolan, Bethel Leslie and Boone himself), who appeared in repertory, essaying different parts of varying sizes each week. The Richard Boone Show failed to catch on, and Boone went back to films. In 1972 he starred in another western series, this one produced by his old friend Jack Webb: Hec Ramsey, the saga of an old-fashioned sheriff coping with an increasingly industrialized West. In the last year of his life, Boone was appointed Florida's cultural ambassador. Richard Boone died at age 65 of throat cancer.

Trivia: While still a high-school student, Richard Long was selected to play the son of Claudette Colbert in 1946's Tomorrow is Forever. A subsequent supporting role as Loretta Young's brother in the Orson Welles-directed The Stranger proved that Long had talent as well as looks, and that his good showing in the Colbert picture had not been a fluke. Despite a good start, Long's film career had waned by the mid-1950s. He finally gained stardom on television, notably on the various series produced by Warner Bros. between 1957 and 1963. Long played Gentleman Jack Darby on Maverick and detective Rex Randolph on Bourbon Street Beat; he carried over the "Randolph" character into 77 Sunset Strip, starting with the 1960-61 season. Later TV starring stints for Richard Long included The Big Valley (1965-69) as frontier attorney Jarrod Barkley, and Nanny and the Professor (70-71), as guess which of the two title characters. Richard Long died of a heart ailment at the age of 47.

Trivia: Joan Weldon was lucky enough as an actress to get in briefly at the end of the Hollywood studio system, make some good movies (and one great one), and then land on her feet in musical theater, which is where she wanted to be in the first place. Born Joan Louise Welton in San Francisco, she was the daughter of a prominent attorney. As a child, she showed a keen interest in music and studied piano and voice. She joined the chorus of the San Francisco Grand Opera Company and later sang with the Civic Light Opera Company. It was during a performance with the latter that she was spotted by screenwriter-turned-producer Stanley Rubin (Macao, The Narrow Margin, River of No Return), who arranged for her to have a screen test at 20th Century Fox. The studio passed on her, however, because it wasn't in the market for vocalists. Meanwhile, she appeared on television as a singer on the series This Is Your Music and later crossed paths with William T. Orr, the son-in-law of Warner Bros. co-founder Jack L. Warner (and later the executive in charge of the company's television division), which led to a contract with Warners. Her last name was changed to Weldon and she narrowly missed out being cast as a victim of Vincent Price's malevolence in André De Toth's 3-D horror classic House of Wax. Instead, her contribution to the 3-D movie craze was as the second female lead in De Toth's The Stranger Wore a Gun amid a cast that included veterans Randolph Scott, Claire Trevor, and George Macready and future stars Ernest Borgnine and Lee Marvin. Weldon was also loaned out to MGM in the Sigmund Romberg bio-musical Deep in My Heart (1954), and ended up cut from the picture for her trouble. Weldon was cast in a series of Westerns, including The Command and Riding Shotgun, but her greatest contribution to the screen was as the female lead in Gordon Douglas' Them! The first and best of Hollywood's radioactive/giant monster movies, the film relied more on characters than most others in the genre and featured an extraordinary cast, including one Oscar-winner (Edmund Gwenn), one Oscar-nominee (James Whitmore), one future TV star (James Arness) in the lead, and another two (Fess Parker and Leonard Nimoy) in small roles. Weldon broke some cinematic ground, playing a notably intelligent and assertive female character who also happened to be beautiful. "We took the movie very seriously," she recalled in a 2004 interview, "exactly like any other drama." Of her co-star Edmund Gwenn, she said, "He was the sweetest man, and he was quite elderly by then and riven with arthritis, but he worked as hard as any of us; when the director called 'Action,' he did everything asked of him, all of the climbing and the walking through the desert. It was just that, when they called 'Cut!,' he had a manservant that would rush over to him and get him to a chair." Weldon's career in movies ended with the expiration of her Warner Bros. contract in 1954. She resumed her singing career with Jimmy McHugh and was later in the road company production of The Music Man, playing Marian Paroo. Weldon made her way to Broadway in Kean, starring opposite Alfred Drake, and opened the State Theatre at Lincoln Center in New York playing opposite John Raitt in a scene from Carousel. She later toured with Fess Parker in Oklahoma and, in 1967, played the lead in a production of Franz Lehar's The Merry Widow at Lincoln Center. Weldon retired from the stage in 1980, but was still well remembered by opera and musical fans in the early 2000s. She also attracted a crowd when she turned up as a member of the audience in March 2004 at a rare 3-D screening of The Stranger Wore a Gun in New York.

Trivia: Had he been born a decade earlier, American actor Denver Pyle might well have joined the ranks of western-movie comedy sidekicks. Instead, Pyle, a Colorado farm boy, opted for studying law, working his way through school by playing drums in a dance band. Suddenly one day, Pyle became disenchanted with law and returned to his family farm, with nary an idea what he wanted to do with his life. Working in the oil fields of Oklahoma, he moved on to the shrimp boats of Galveston, Texas. A short stint as a page at NBC radio studios in 1940 didn't immediately lead to a showbiz career, as it has for so many others; instead, Pyle was inspired to perform by a mute oilfield coworker who was able to convey his thought with body language. Studying under such masters as Michael Chekhov and Maria Ouspenskaya, Pyle was able to achieve small movie and TV roles. He worked frequently on the western series of Roy Rogers and Gene Autry; not yet bearded and grizzled, Pyle was often seen as deputies, farmers and cattle rustlers. When his hair turned prematurely grey in his early '30s, Pyle graduated to banker, sheriff and judge roles in theatrical westerns -- though never of the comic variety. He also was a regular on two TV series, Code 3 (1956) and Tammy (1966). But his real breakthrough role didn't happen until 1967, when Pyle was cast as the taciturn sheriff in Bonnie and Clyde who is kidnapped and humilated by the robbers -- and then shows up at the end of the film to supervise the bloody machine-gun deaths of B&C. This virtually nonspeaking role won worldwide fame for Pyle, as well as verbal and physical assalts from the LA hippie community who regarded Bonnie and Clyde as folk heroes! From this point forward, Denver Pyle's billing, roles and salary were vastly improved -- and his screen image was softened and humanized by a full, bushy beard. Returning to TV, Pyle played the star's father on The Doris Day Show (1968-73); was Mad Jack, the costar/narrator of Life and Times of Grizzly Adams (1978-80); and best of all, spent six years (1979-85) as Uncle Jesse Duke on The Dukes of Hazzard. Looking stockier but otherwise unchanged, Denver Pyle was briefly seen in the 1994 hit Maverick, playing an elegantly dishonest cardshark who jauntily doffs his hat as he's dumped off of a riverboat. Pyle died of lung cancer at Burbank's Providence St. Joseph Medical Center at age 77.

Trivia: Jay Adler was the oldest of seven children of celebrated Yiddish stage star Jacob Adler. The best-known of Jay's siblings were Broadway and movie character-actor Luther Adler and actress/acting teacher Stella Adler. Jay made his first screen appearance in 1937, settling into a four-decade movie career. Usually seen in minor roles as fathers and businessmen, Jay Adler numbered among his film credits Cry Danger (1950), The Brothers Karamazov (1958) (as the pawnbroker) and Grave of the Vampire (1974).