Trivia: An authentic cowboy from the age of 15, Timothy McCoy moved to a large Wyoming ranch next to a Sioux Indian reservation after some college studies; he became an authority on Indian languages, customs, and folk history, and mastered Indian sign language. He served in World War I, and was then appointed Indian Agent for his territory. In 1922, he was employed as a technical advisor and co-ordinator of Indian extras for the film The Covered Wagon (1923); McCoy may also have done some trick riding for the film. He later he resigned his government post, having been offered a key supporting role in the western The Thundering Herd (1925). MGM signed him to a film contract in 1925; he was to star in westerns and action movies based on historical anecdotes of the American frontier. By the early '30s he was among the most popular western stars; he always appeared dresed in black, with an oversized white Stetson hat and a pearl-handled gun. McCoy interrupted his screen career in 1935 to travel with the Ringling Brothers circus. In 1938 he started his own Wild West show, but it was unsuccessful. He returned to the screen in 1940, and for two years he co-starred in the low-budget Rough Rider western series; the series ended when Buck Jones, another of its stars, died in a fire. He served in World War II (in which he was awarded the Bronze Star), then retired to his ranch; from 1949, however, he worked on TV and in occasional film cameo roles. He won an Emmy for his TV program The Tim McCoy Show. Until 1976 McCoy continued working 300 days a year as the headliner of Tommy Scott's Country Music Circus. In 1974 he was inducted into the Cowboy Hall of Fame. He authored an autobiography (assisted by his son Ronald), Tim McCoy Remembers the West (1977).

Trivia: A diminutive, pot-bellied supporting player in B-Westerns, Ben Corbett had enjoyed some success at the famous rodeo at Pendleton, OR, and at New York's Madison Square Garden, where his roping and "Roman" riding skills reportedly won him several trophies. Entering films as a riding double for William Desmond and Antonio Moreno in Vitagraph Westerns and action melodramas in the 1910s, Corbett later became a member of Western star Hoot Gibson's stock company at Universal. That studio saw enough comedic potential in the former stunt man to team him with the equally diminutive Gilbert "Pee Wee" Holmes as Magpie and Dirtshirt in a series of rural comedy shorts set in the fictive community of Piperock. The series, which was released on Universal's "Mustang Brand" in the mid-'20s, counted among its leading ladies such future stars as Janet Gaynor and Fay Wray. In the 1930s, Corbett's character of Magpie returned in several independently produced "Bud 'n Ben" western shorts and the now veteran supporting player later became Tim McCoy's sidekick at low-budget Victory Pictures. He seems to have popped up in every other low-budget Western thereafter, usually appearing unbilled. B-Western compiler Les Adams has verified Corbett's presence in about 185 Westerns and half a dozen serials between 1930 and the actor's retirement in the early '50s, but there may actually have been many more. History, alas, has not been kind to the rustic B-Western perennial, whose arcane comedy relief, most fans of the genre agree, often seems more a hindrance than a help in keeping a plot moving.

Trivia: Almost reptilian in appearance and disposition, B-Western heavy Ted Adams came out of a show business family and was reportedly born in the proverbial trunk. On-stage from childhood, Adams segued into films soon after the transition to sound, using several variations of his real name, Richard Theodore Adams. By the mid-'30s, he chose the friendlier Ted but there was nothing friendly about the characters he was given to play: He was sometimes the lead villain and often scruffy-looking so-called "dog heavies," the kind the audience could easily imagine kicking a dog. A constant presence in the low-budget Johnny Mack Brown and Bob Steele Westerns from producer A.W. Hackel, he later worked mainly for PRC and Monogram, the nether regions of sagebrush moviemaking. By the time of his retirement in the early '50s, Adams had added such television Westerns as The Lone Ranger, The Cisco Kid, and Cowboy G-Men to his lengthy resumé.

Trivia: One of several male models to achieve some success in action films of the '20s, Hermon Reed Howes was forever saddled with the tag "Arrow Collar Man," despite the fact that he had been only one of several future luminaries to have posed for famed artist J.C. Leyenecker's memorable Arrow ads. (Future screen actors Fredric March and Brian Donlevy also did yeoman duty for the company.)A graduate of the University of Utah and the Harvard Graduate School, Howes had served two and a half years in the navy prior to entering onto the stage. He became a leading man for the likes of Peggy Wood and Billie Burke, and entered films in 1923, courtesy of low-budget producer Ben Wilson, who cast the handsome newcomer as the lead in a series of breathless melodramas released by Rayart. Howes reached a silent screen pinnacle of sorts as Clara Bow's leading man in Rough House Rosie (1927), but his starring days were over with the advent of sound. There was nothing inherently wrong with Howes voice, but it didn't do anything for him either. His acting before the microphone seemed too stiff. He was still as handsome as ever, but his good looks were often hidden behind a scruffy beard or mustache. The veteran actor then drifted into supporting roles in B-Westerns and serials, his appearances sometimes devoid of dialogue, and more often than not, he was unbilled. Howes did his fair share of television in the '50s as well, but ill health forced him to retire after playing a police inspector in Edward D. Wood Jr.'s The Sinister Urge, filmed in July of 1960 and a guest spot on television's Mr. Ed. He died of cancer at the Motion Picture Country House and Hospital in Woodland Hills, CA.

Trivia: Veteran American character actor Forrest Taylor is reputed to have launched his film career in 1915. His screen roles in both the silent and sound era seldom had any consistency of size; he was apt to show up in a meaty character part one week, a seconds-lasting bit part the next. With his banker's moustache and brusque attitude, Taylor was most often cast as a businessman or a lawyer, sometimes on the shadier side of the law. Throughout his 40 year film career, Taylor was perhaps most active in westerns, appearing in such programmers as Headin' For the Rio Grande and Painted Trail. From 1952 through 1954, Forrest Taylor costarred as Grandpa Fisher on the religious TV series This is the Life.

Trivia: Perennial western supporting actor Budd Buster acted under his own, somewhat show-bizzy given name, and briefly under the "nom de stage" of George Selk. His earliest recorded screen credits occur in 1935. Buster continued laboring in B westerns for the next quarter century, spending a great deal of his time at such Poverty Row concerns as Grand National and PRC (where he showed up in 44 oaters over an eight-year period). Budd Buster's final appearance was a bit in the Alan Ladd big-budgeter Guns of the Timberland (1960).

Trivia: One of the many unheralded stuntmen of the 1930s, '40s, and '50s, Carl Mathews (born Carl Davis Mathews) doubled cowboy crooner Fred Scott at Spectrum and Ray "Crash" Corrigan at Republic. Nicknamed "Cherokee" and of Native American heritage, the burly Mathews later supported Al "Lash" LaRue at PRC, usually playing henchmen. His career lasted well into the television era.

Trivia: A WWI veteran who later studied law at the University of Texas, tough-looking Jack Ingram began his long show business career as a minstrel player and later reportedly toured with Mae West. He began turning up playing scruffy henchmen and assorted other B-Western villains in the mid-'30s and was later the featured heavy in Columbia serials. Ingram would go on to appear in a total of 200 Westerns and approximately 50 serials in a career that later included appearances on such television programs as The Cisco Kid and The Lone Ranger. Many of his later films and almost all his television Westerns, including the Roy Rogers and Gene Autry shows, were filmed on Ingram's own 200-acre ranch on Mulholland Drive in the Santa Monica Mountains overlooking Woodland Hills, which he had purchased from Charles Chaplin in 1944 and which remains a wilderness today.