Trivia: Born Leonard Slye, Rogers moved to California as a migratory fruit picker in 1929. He formed a singing duo with a cousin, later changing his name to Dick Weston and forming a singing group, the Sons of the Pioneers; the group became successful, and appeared on Los Angeles radio and later in films. In 1935 he began appearing in bit roles in Westerns onscreen; by the early '40s Rogers had succeeded Gene Autry as "King of the Cowboys." His success was aided by the fact that Autry went to war and Rogers didn't; he also copied Autry's singing cowboy formula and wore clothes that went one better than Autry's ostentatiously fancy duds. Through the early '50s he starred in dozens of Westerns, often accompanied by his horse, Trigger (billed "the smartest horse in the movies"), and his sidekick, Gabby Hayes; his female lead was often Dale Evans, whom he married in 1947. From 1951-57 he starred in the TV series "The Roy Rogers Show." Meanwhile, he formed a chain of enterprises in the '50s; eventually this combination (a TV production company, Western products distributor/manufacturers, real estate interests, cattle, thoroughbred horses, rodeo shows, and a restaurant chain) was worth over $100 million.

Trivia: American singer/actress Dale Evans took a stenographer's job while seeking out singing work. A widow at 17, she became a radio and nightclub songstress, married again and set out to try her luck in Hollywood. Few good parts came her way at the major studios (she is barely visible in 20th Century-Fox's Orchestra Wives [1942], which featured an equally unbilled Jackie Gleason), so she had to settle for leading roles at Republic Studios, a "B" factory. She wasn't keen on westerns, but westerns were what she got, co-starring in 20 oaters with Republic's Number One singing cowboy, Roy Rogers. It wasn't until Rogers' first wife died in the late '40s that he and Evans realized that theirs was more than just a happy professional association. Rogers and Evans were married in 1947, assuming the honorary mantle of "King of the Cowboys and Queen of the West;" it was Evans who wrote the couple's enduring theme song, "Happy Trails to You." The Rogers starred together in two TV series, a standard weekly western in the 1950s and an ABC variety show in 1962; in the early '80s, Evans soloed as host of a long-running syndicated religious talk show. Rogers and Evans' marriage was sorely tested by multiple tragedies; of Evans' six children, one was mentally retarded and only three survived past the age of 21. Evans was strengthened by the solidarity of her marriage and by her unwavering religious convictions. To help others to cope with anguish, she has written several uplifting books about the travails and triumphs of her life. She has also been quite active in her pet cause, the prevention of child abuse. In the mid-'90s Dale Evans was in the process of recovering from a serious illness, and resuming her religious and charitable activities.

Trivia: Strappingly handsome leading man Grant Withers worked as an oil company salesman and newspaper reporter before he turned to acting in 1926. One of the more popular second echelon stars of the early '30s, Withers was unable to sustain his celebrity. By the end of the 1930s, Withers was pretty much limited to character roles and bits, with such notable exceptions as the recurring role of the brash Lt. Street in Monogram's Mr. Wong series. In 1930, Withers eloped with 17-year-old actress Loretta Young, but the marriage was later annulled. Some of Withers' later screen appearances were arranged through the auspices of his friends John Ford and John Wayne. Grant Withers committed suicide in 1959, leaving behind a note in which he apologized to all the people he'd let down during his Hollywood days.

Trivia: A master at abrasive and intrusive old-codger roles, George Cleveland enjoyed a 58-year career in vaudeville, stage, movies and television. Spending his earliest professional days in his native Canada, Cleveland barnstormed around the U.S. with his own stock company until settling in New York. He came to Hollywood in 1934 for an assignment in the Noah Beery Sr. programmer Mystery Liner and remained in Tinseltown for the next two decades. At first appearing in small roles in serials and westerns, Cleveland's screen time increased when he signed with RKO in the early 1940s. In the Fibber McGee and Molly feature Here We Go Again, Cleveland essayed the "Old Timer" role played on radio by Bill Thompson (who also showed up in Here We Go Again in another of his radio characterizations, Wallace Wimple). Other choice '40s assignments for Cleveland included the role of Paul Muni's faithful butler in Angel on My Shoulder (1946), and featured parts in two Abbott and Costello comedies, 1946's Little Giant (as Costello's uncle) and 1947's Wistful Widow of Wagon Gap (as a corrupt western judge). George Cleveland appeared on TV as a befuddled postman on the forgettable 1952 sitcom The Hank McCune Show; a far more memorable assignment was his three-year gig as Gramps on the Lassie series, which kept Cleveland busy until his sudden death in the spring of 1957.

Trivia: A stagestruck 15-year-old Michigan farm boy, Harry Shannon succumbed to the lure of greasepaint upon joining a traveling repertory troupe. Developing into a first-rate musical comedy performer, Shannon went on to work in virtually all branches of live entertainment, including tent shows, vaudeville, and Broadway. By the 1930s, Shannon was a member of Joseph Schildkraut's Hollywood Theater Guild, which led to film assignments. Though he was busiest playing Irish cops and Western sheriffs, Harry Shannon is best remembered as Charles Foster Kane's alcoholic father ("What that kid needs is a good thrashin'!") in Orson Welles' masterpiece Citizen Kane (1941).

Trivia: William Haade spent most of his movie career playing the very worst kind of bully--the kind that has the physical training to back up his bullying. His first feature-film assignment was as the arrogant, drunken professional boxer who is knocked out by bellhop Wayne Morris in Kid Galahad (37). In many of his western appearances, Haade was known to temper villainy with an unexpected sense of humor; in one Republic western, he spews forth hilarious one-liners while hacking his victims to death with a knife! William Haade also proved an excellent menace to timorous comedians like Laurel and Hardy and Abbott and Costello; in fact, his last film appearance was in Abbott and Costello Meet the Keystone Kops (55).

Trivia: A former University of Alabama football star, handsome Weldon Heyburn was better known for his busy private life than for any of the juvenile leads he played while under contract with Fox in the early '30s. He married Norwegian bombshell Greta Nissen, his leading lady in the courtroom drama The Silent Witness (1932) and they later co-starred in Hired Wife (1934) for low-budget company Pinnacle. By then, the marriage was all but over and Heyburn, who had gained quite a bit of weight, spent his remaining years onscreen playing villains in B-Westerns.

Trivia: A native Californian, dark-haired, tough-looking Dick Botiller became a fixture in B-Westerns and serials from 1933-1945, playing scores of thugs, "half-breeds," soldiers, henchmen, and assorted Native Americans, his appearances often going unbilled. Film historian Les Adams has clocked Botiller's usually nefarious presence at a total of 82 Westerns and 11 serials.

Trivia: The son of famed horse trainer Fez Reynolds and a champion trick and fancy rider from early childhood, Don Kay Reynolds replaced Bobby Blake (later Robert Blake as the hero's Native American sidekick in the last four films of the long-running Red Ryder series. Blake, the former Mickey Gubitosi of Our Gang fame, played Little Beaver at Republic Pictures opposite both William Elliott and his replacement Allan Lane, but when the series was sold to low-budget Eagle Lion in 1948, that studio cast Reynolds, along with Jim Bannon -- the new Red Ryder -- and veteran silent-screen actress Marin Sais, who replaced Martha Wentworth as the Duchess. Nicknamed "Little Brown Jug," Reynolds became a great favorite with the series' mostly juvenile audience. Alas, only four films were actually produced -- albeit in garish Cinecolor -- and Reynolds left Hollywood soon after to tour with various circuses. He later owned a restaurant in Northern California, but retained the nickname of "Jug."

Trivia: A former Miami Beach lifeguard, strapping Ohio-born Bob Wilke performed stunt work in Hollywood films from 1936, often working for low-budget studios such as Republic Pictures and Monogram. He began earning better roles in the mid- to late '40s, mostly villainous, and went on to become one of the busiest supporting players on television in the 1950s and 1960s, appearing in small-screen Western fare ranging from Gene Autry to Lancer.

Trivia: Born two weeks before the great San Francisco earthquake, Jack O'Shea held down a variety of jobs before entering films in 1938. Nearly always cast as swarthy, mustachioed Western villains, he more than earned his billing as "Black Jack O'Shea" and "the Man You Love to Hate." An able stunt man, he doubled for such stocky performers as Lou Costello, Leo Carrillo, and Orson Welles. Retiring from films in the mid-'50s, Jack O'Shea kept busy as the proprietor of an antique shop in Paradiso, CA, where he briefly served as honorary mayor (given his unsavory screen image, one wonders if he fixed the election).

Trivia: At first studying for the ministry, in college he was attracted to acting; at age 21 he went to Hollywood, working for several years as an extra. His first lead role came in A Woman Who Sinned (1924); three years later he was elevated to star status after his lead role opposite Sharon Lynne in Clancy's Kosher Wedding (1927). For the next several years he played romantic leads in numerous mysteries, drawing-room dramas, and comedies, and easily made the transition into the sound era. In the mid '30s he began specializing in Westerns and action serials, and last starred in 1936; after that he played supporting roles, both as the heroes' buddies and low-down villains, in dozens of B-Westerns and serials.

Trivia: Character actor Emmett Vogan appeared in films from 1934 through 1956. A peppery gentleman with steel-rimmed glasses and an executive air, Vogan appeared in hundreds of films in a variety of small "take charge" roles. Evidently he had a few friends in the casting department of Universal Pictures, inasmuch as he showed up with regularity in that studio's comedies, serials and B-westerns. Comedy fans will recognize Emmett Vogan as the engineer partner of nominal leading man Charles Lang in W.C. Fields' Never Give a Sucker an Even Break (1941), and as the prosecuting attorney in the flashback sequences of Laurel and Hardy's The Bullfighters (1945).

Trivia: With his silvery hair and dignified bearing, American actor John Dilson was a natural for "executive" roles. In films from 1935, Dilson was usually seen playing doctors, lawyers and newspaper editors. Occasionally, however, he played against type as sarcastic working stiffs, as witness his bit as an unemployment-office clerk in The Monster and the Girl (1941). John Dilson's larger screen roles can be found in Republic serials like Robinson Crusoe on Clipper Island (1936), and Dick Tracy (1937) and in such two-reel efforts as MGM's "Crime Does Not Pay" series.

Trivia: Bob Nolan spent his earliest professional years as a singer on the Chatauqua tent-show circuit. In 1933, Nolan teamed up with Roy Rogers and Tim Spencer to form a country-western harmony group known as the Pioneer Trio. Matriculating into the Sons of the Pioneers, the group rose to fame thanks to Rogers' effortless charisma and Nolan's songwriting prowess. One of Nolan's tunes, "Tumblin' Tumbleweeds," was a bonafide "crossover" hit, enchanting even non-C&W fans. In films from 1935, Nolan invariably appeared on screen with the Sons of the Pioneers, though many felt that he could have been just as big a solo western star as his old pal Roy. Nolan scored another hit-parade success in 1941 with "Cool Water." Bob Nolan continued in films until 1948, thereafter confining his appearances to live programs.

Trivia: In time-honored Hollywood tradition, cowboy star Roy Rogers' golden palomino Trigger underwent a name change when he ascended to stardom. Sired from a racehorse, the flaxen-maned stallion was born Golden Cloud, making his film debut as Olivia De Havilland's horse in The Adventures of Robin Hood (1938). Purchased by Rogers in 1938, the palomino was renamed Trigger by Rogers's movie sidekick, Pat Buttram. Trigger's first appearance with Rogers was in Under Western Skies, the first of his 87 starring appearances. In his last theatrical feature, the Bob Hope vehicle Son of Paleface (1952), Trigger was billed as "The Smartest Horse in the Movies," proving the veracity of that statement by sharing a sidesplitting hotel room scene with Hope. Trigger's career was far from over when he left films: he went on to co-star in four seasons of TV's The Roy Rogers Show and continued to make personal appearances with Roy Evans and Dale Evans into the late '50s. He also enjoyed the attentions of a worldwide fan club, affixing his "autograph" to many an 8 X 10 glossy.

Trivia: Robert J. Wilke's first taste of popularity came while he was performing with a high-dive act at the 1933 World's Fair in Chicago. Encouraged to give Hollywood a try, Wilke entered films as a stunt man and bit player in 1936. He spent most of his movie career in Westerns like High Noon (1952), Arrowhead (1953), The Lone Ranger (1955), and The Magnificent Seven (1960), generally playing bad-guy roles which required both menace and physical dexterity. In 1965, Robert J. Wilke was seen on a weekly basis as Sheriff Sam Corbett on the TV sagebrusher The Legend of Jesse James.

Trivia: During Hollywood's pre-"politically correct" era, it was not uncommon for African-American performers to be saddled with such demeaning professional monikers as "G. Howe Black," "Stepin Fetchit," and "Sleep 'n' Eat." One of the more egregious racially oriented nicknames was bestowed upon a talented black character actor named Fred Toones. From 1931 until his retirement in 1948, Toones was usually billed as "Snowflake," often playing a character of the same name. His standard characterization, that of a middle-aged "colored" man with high-pitched voice and childlike demeanor, was nearly as offensive as his character name. True to the Hollywood typecasting system of the 1930s and 1940s, "Snowflake" was generally cast as redcaps, bootblacks, and janitors. He appeared in dozens of two-reelers (including the Three Stooges' first Columbia effort, 1934's Woman Haters) and scores of B-Westerns. During the early '40s, Fred Toones was a semi-regular in the zany comedies of producer/director/writer Preston Sturges.