Trivia: The son of a Lithuanian coal miner, American actor Charles Bronson claimed to have spoken no English at home during his childhood in Pennsylvania. Though he managed to complete high school, it was expected that Bronson would go into the mines like his father and many brothers. Experiencing the world outside Pennsylvania during World War II service, however, Bronson came back to America determined to pursue an art career. While working as a set designer for a Philadelphia theater troupe, Bronson played a few small roles and almost immediately switched his allegiance from the production end of theater to acting. After a few scattered acting jobs in New York, Bronson enrolled in the Pasadena Playhouse in 1949. By 1951, he was in films, playing uncredited bits in such pictures as The People Against O'Hara (1951); You're in the Navy Now (1952), which also featured a young bit actor named Lee Marvin; Diplomatic Courier (1952); Bloodhounds of Broadway (1952), as a waiter(!); and The Clown (1953). When he finally achieved billing, it was under his own name, Charles Buchinsky (sometimes spelled Buchinski). His first role of importance was as Igor, the mute granite-faced henchman of deranged sculptor Vincent Price in House of Wax (1953). The actor was billed as Charles Bronson for the first time in Drum Beat (1954), although he was still consigned to character roles as Slavs, American Indians, hoodlums, and convicts. Most sources claim that Bronson's first starring role was in Machine Gun Kelly (1958), but, in fact, he had the lead in 1958's Gang War, playing an embryonic version of his later Death Wish persona as a mild-mannered man who turned vengeful after the death of his wife. Bronson achieved his first fan following with the TV series Man With a Camera (1959), in which he played adventurous photojournalist Mike Kovac (and did double duty promoting the sponsor's camera products in the commercials). His best film role up until 1960 was as one of The Magnificent Seven (1960), dominating several scenes despite the co-star competition of Yul Brynner, Steve McQueen, Eli Wallach, and others. Most of Bronson's film roles after Seven remained in the "supporting-villainy category," however, so, in 1968, the actor packed himself off to Europe, where American action players like Clint Eastwood and Lee Van Cleef were given bigger and better opportunities. Multiplying his international box-office appeal tenfold with such films as Guns for San Sebastian (1967), Once Upon a Time in the West (1968), Cold Sweat (1970), and The Valachi Papers (1971), Bronson returned to Hollywood a full-fledged star at last. His most successful films of the 1970s were Death Wish (1974) and its sequels, a series of brutal "vigilante" pictures which suggested not so subliminally that honest people would ultimately have to dole out their own terminal justice to criminals. In many of his '70s films, Bronson co-starred with second wife Jill Ireland, with whom he remained married until she lost her fight against cancer in 1990. Bronson's bankability subsequently fell off, due in part to younger action stars doing what he used to do twice as vigorously, and because of his truculent attitude toward fans. He did little but television work after 1991's The Indian Runner (Sean Penn's directorial debut), with Death Wish 5: The Face of Death (1994) his only feature since. Bronson's onscreen career would soon draw to a close with his role as law enforcing family patriarch Paul Fein in the made-for-cable Family of Cops series.On August 30, 2003 Charles Bronson died of pneumonia in Los Angeles. He was 81.

Trivia: Though born a citizen of Norway, Liv Ullmann did not set foot in her homeland until she was seven years old. The daughter of a Norwegian engineer stationed in Japan at the time of her birth, Ullmann moved to Canada when World War II broke out, then relocated to Norway in 1946, where she received the bulk of her education. Deciding upon an acting career, she studied at the Webber-Douglas academy in London. Ullmann began her stage work in Stavanger and Oslo, and in the late '50s, she starred in the Norwegian production of The Diary of Anne Frank. In films from 1959, Ullmann's breakthrough role was catatonic actress Elisabeth Vogler in Ingmar Bergman's Persona (1966), a part she landed primarily because of her striking resemblance to co-star Bibi Andersson. Bergman became Ullmann's mentor and paramour; they lived together for several years, during which time Ullmann bore the director a daughter named Linn Ullmann, who has occasionally appeared in her mother's films. Ullmann was honored with numerous New York Film Critics Awards during the early '70s; she also earned Oscar nominations for her work in The Emigrants (1971) and Bergman's Face to Face (1976), and has received eight honorary college degrees.An attempt to establish herself in Hollywood films was largely unsuccessful, though Ullmann received a Golden Globe nomination for her performance in 40 Carats (1973). She fared rather better on Broadway, starring in a 1977 revival of Anna Christie and a 1979 musical adaptation of I Remember Mama. In 1977, she wrote her memoirs, Changing, prematurely as it turned out, since she had many years' work ahead of her. During the '90s, Ullmann turned to directing, helming the theatrical features Sofie (1992) and Kristin Lauransdotter (1995) (both of which she also scripted), and the 1996 Swedish TV miniseries Enskilda Samtal.In 2000 she had arguably her biggest directorial success with the drama Faithless, and in 2003 she returned to one of her signature roles in Saraband, playing opposite Erland Josephson yet again in Ingmar Bergman's sequel to Scenes from a Marriage.

Trivia: Lending his mellifluous voice and regal mien to more than 100 films, British actor James Mason built a long career playing assorted villains, military men, and rather dubious romantic leads. Born the son of a wool merchant in the British mill town of Huddersfield, Mason excelled in school and earned a degree in architecture from Cambridge in 1931. Having acted in several school plays, however, he thought he had a better shot at earning a living as an actor rather than an architect during the Great Depression. Mason won his first professional role in The Rascal and made his debut in London's West End theater world in 1933 with Gallows Glorious. A year after he joined London's Old Vic theater, he made his screen debut in Late Extra in 1935. Mason became a regular British screen presence in late '30s "quota quickies," including The High Command (1937). The actor made a career and personal breakthrough, however, with I Met a Murderer (1939). Along with co-writing, co-producing, and starring in the film, he also wound up marrying his leading lady, Pamela Kellino, in 1940. Mason became Britain's biggest screen star a few years later with his performance as the sadistic title character in the Gainsborough Studios melodrama The Man in Grey (1943). He cemented his fame as the cruel romantic leads women loved in the critically weak, but highly popular, Gainsborough costume dramas Fanny by Gaslight (1944) and The Wicked Lady (1945), finally achieving international stardom for his charismatic performance as Ann Todd's cane-wielding mentor in the well-received The Seventh Veil (1946). Rather than immediately going to Hollywood, however, Mason remained in England. Revealing that he could be more than just brutal leading men in weepy potboilers, he added an artistic as well as popular triumph to his credits with Carol Reed's Odd Man Out (1947). Starring Mason as a doomed IRA leader hunted by the police, Odd Man Out garnered international raves, and he often cited it as his favorite among his many films.After co-starring in the British drama The Upturned Glass (1947), the Masons headed to Hollywood in 1947. Spurning a long-term studio contract, Mason became one of Hollywood's busiest free agents. Anxious not to be typecast, he bucked his image as the irresistible sadist by playing trapped wife Barbara Bel Geddes' kind boss in Max Ophüls' Caught and appearing as Gustave Flaubert in Vincente Minnelli's version of Madame Bovary (both 1949). Mason returned to roguish form (albeit tempered by sympathy) with his second Ophüls film, The Reckless Moment. Along with two superb turns as wily, disillusioned German Field Marshal Rommel in The Desert Fox (1951) and The Desert Rats (1953), Mason also engaged in a glorious Technicolor romance with Ava Gardner in Pandora and the Flying Dutchman (1951) and played the villain in the swashbuckler The Prisoner of Zenda (1952). Calling on his suave intelligence, Mason starred as cool butler-turned-spy Cicero in what he considered his best Hollywood film, the espionage thriller 5 Fingers (1952). The actor played the treasonous Brutus in the director's excellent Shakespeare-adaptation Julius Caesar in 1953.Mason stepped behind the camera as director for the first and only time with the subsequent short film The Child (1954), featuring his wife and daughter Portland Mason. Returning to Hollywood acting, Mason garnered numerous accolades for George Cukor's lavish 1954 remake of A Star Is Born. 1954 proved to be a banner year for the actor, as his artistic triumph in A Star Is Born was accompanied by the popular screen version of Jules Verne's 20,000 Leagues Under the Sea (1954), featuring Mason as megalomaniac submarine skipper Captain Nemo. Bolstered by these successes, he used his clout to produce and star in Nicholas Ray's groundbreaking family drama Bigger Than Life (1956). Bigger Than Life was one of the first Hollywood movies to examine prescription drug abuse, but proved box-office poison. Soured on producing, Mason focused solely on acting for the latter half of the decade, working in Island in the Sun (1957), Cry Terror! (1958), Journey to the Center of the Earth (1959), and, most notably, North by Northwest (1959).Edging away from Hollywood, Mason took a supporting role in the British drama The Trials of Oscar Wilde in 1960. Having retained his British citizenship during his years in America, he left Hollywood permanently two years later, relocating to Switzerland with his family. After the move, Mason took on the challenge of playing agonized pedophile Humbert Humbert in Stanley Kubrick's 1962 adaptation of Vladimir Nabokov's novel Lolita. Whether duping clueless mother Shelley Winters into marriage, lusting after her teenage daughter Sue Lyon, or helplessly pursuing rival pervert Peter Sellers, Mason's Humbert was as much broken victim as scheming predator, injecting uneasy emotion into the difficult role. Despite appearing in such dubious fare as Genghis Khan (1965) and The Yin and Yang of Dr. Go (1971), Mason continued to resist typecasting with his strong turn as a lecherous friend in The Pumpkin Eater (1964), and distinguished himself in such films as Anthony Mann's sword-and-sandal epic The Fall of the Roman Empire (1964) and the adaptation of Lord Jim in 1965. Showing his facility with lighter films, Mason earned a Best Supporting Actor Oscar nomination for his performance as ugly duckling Lynn Redgrave's older sugar daddy in the romantic comedy Georgy Girl (1966). Beginning a collaboration that would last until the end of his career, Mason followed that film with his first for director Sidney Lumet, playing a George Smiley-esque British spy in the exemplary John Le Carré adaptation The Deadly Affair (1967). Amid all this work, Mason met his second wife Clarissa Kaye on the set of Michael Powell's Australian romp Age of Consent (1969) and married her in 1971. With Kaye putting Mason ahead of her career, the actor maintained his prolific pace, starring in the skillful murder mystery The Last of Sheila (1973), playing Magwitch in a TV version of Great Expectations in 1974, appearing as an estate patriarch in the humid potboiler Mandingo (1975), a Cuban minister in the pre-Holocaust drama Voyage of the Damned (1976), and a weathered German colonel in Sam Peckinpah's only war film, Cross of Iron (1976). Mason's inimitable air of gravitas suited the role of Joseph of Arimathea in the made-for-TV film Jesus of Nazareth (1977), and enhanced the humor of his appearance as the God-like Mr. Jordan in Warren Beatty's highly popular romantic fantasy Heaven Can Wait (1978). Rarely turning down jobs even as he approached age 70, Mason joined fellow éminence grises Laurence Olivier and Gregory Peck in the Nazi cloning thriller The Boys From Brazil (1978), was Dr. Watson to Christopher Plummer's Sherlock Holmes in Murder by Decree (1979), and played a sinister antiquarian in the TV vampire yarn Salem's Lot the same year. Mason managed to find the time to write and publish his autobiography Before I Forget in 1981. The following year, he earned some of the best reviews of his career -- and his final Oscar nomination for Best Supporting Actor -- for his subtle, nuanced performance as Paul Newman's harsh courtroom adversary in Lumet's sterling legal drama The Verdict. Mason suffered a fatal heart attack at his Swiss home in July 1984 at the age of 75.

Trivia: A dancer from age 12, British performer Jill Ireland became an audience favorite in her teens thanks to her many engagements at the London Palladium. Signed to a Rank Organization contract in 1955, Ireland made her first screen appearance as a ballerina in Oh, Rosalind. In 1957, Ireland married actor David McCallum, with whom she would later appear in several Man From UNCLE TV episodes. Her second husband was action star Charles Bronson, whom she married in 1967. From 1970 onward, Ireland seldom appeared onscreen without her husband; their best collaborative efforts include Hard Times (1975) and From Noon Til Three. Diagnosed with breast cancer in 1984, Ireland underwent a mastectomy, gaining the respect of friends and fans alike for her courage in the face of death: she wrote a book on her recovery, Life Wish, in 1987, and served as chairperson of the National Cancer Society. Ireland then devoted herself to rehabilitating her adopted son Jason McCallum, who had become a drug addict. She penned another book called Life Lines, this one devoted to her struggle to bring her son back to health. His death from an overdose in 1989 weakened Ireland's already precarious physical state. Refusing to surrender to despair, Ireland was busy at work on her third book of reminiscences, Life Times, when she died in 1990. One year later, a TV biopic, Reason for Living: The Jill Ireland Story was telecast, with Jill Clayburgh as Ireland and Lance Henriksen as Charles Bronson (though not so named, as Bronson was dead-set against the film and refused to allow his name to be mentioned onscreen).

Trivia: Despite the number of Italian actors who fluctuated with ease between stage and screen work in the 1940s, there still was an onus attached to movies in some circles. Thus it was that young, aspiring leading man Gabriele Ferzetti was expelled from Rome's Accademia d'Arte Drammatica when he accepted a screen test in 1942. Once established as a star in such films as Fabiola (1948) and The Sins of Casanova (1952), however, Ferzetti had no difficulty securing theatrical work. His haughtily aristocratic features were displayed to utmost advantage in his bored-socialite role in Antonioni's L'Avventura (1959). In later years, Gabrielle Ferzetti was often cast as charmingly disreputable types, such as railroad baron Morgan in Leone's Once Upon a Time in the West (1969) and international gangster Draco in the James Bond opus On Her Majesty's Secret Service (1969). He continued to act through the 2000s, before dying in 2015, at age 90.

Trivia: Formerly of the RADA and Royal Shakespeare Company, British leading man Ben Cross made an impressive film debut as Olympic athlete Harold Abrahams in Chariots of Fire (1981). Cross' participation in this Oscar-winning film immediately opened up new professional doors and increased his asking price. But he was not about to blindly capitalize on his new fame; he turned down 100,000 dollars to play Prince Charles in a made-for-TV movie in favor of appearing for a comparative pittance in a BBC miniseries adaptation of A.J. Cronin's The Citadel. He has continued to select film, stage, and TV roles on the basis of quality rather than monetary potential. One exception may be Cross' acceptance of the role of centuries-old vampire Barnabas Collins in the failed 1991 revival of the cult-favorite TV series Dark Shadows.

Trivia: The acting career of Adam Baldwin -- no relation to the famous Baldwin brothers Alec, William, and Stephen -- has been filled with ups and downs as he aspires to the stardom that as yet, seems to elude him. Due to his muscular 6'4" frame, the handsome Baldwin is frequently cast as hulking bad guys and psychopathic killers. He has been involved with films since he appeared in My Bodyguard (1980), the story of a victimized teenager seeking the protection of the school bully (Baldwin) who is believed to have killed his brother. While he did a fine job as the taciturn, deeply traumatized young man who affects a violent facade to conceal his inner pain, it was his costar Matt Dillon who became famous. Baldwin then went on to play supporting roles in three lesser films before playing the lead in the 1986 bomb Bad Guys, where he dyed his naturally dark hair bright blond and played a young cop who becomes a wrestler after he is suspended from the force. One year later he appeared in his most memorable role as the psychopathic war-loving soldier Animal in Stanley Kubrick's Full Metal Jacket (1987). In 1992, Baldwin played a drunken, abusive stepfather in Radio Flyer. He continued to work steadily in projects such as How to Make an American Quilt and Independence Day. He had the title role in the 1999 retelling of Dr. Jekyll and Mr. Hyde. As the new century began he was part of the cast of the short-lived but much beloved sci-fi series Firefly as Jayne, a character he would return to in Serenity, the big-screen version of that show. He voiced Jonah Hex and Superman in various animated projects, and in 2007 landed the part of Major John Casey on the NBC series Chuck, about a geeky dude who becomes a super spy. He could be seen on big screens in the thriller InSight in 2011.

Trivia: The Standard Operating Procedure of those anonymous young lovelies chosen as Playboy's Playmate of the Month is to make an extremely brief flurry of au naturel movie appearances before rapidly fading into the sunset. Such was not the case of very blonde, very buxom Shannon Tweed. After being anointed Playmate of the Month and Playmate of the Year, the Canadian-born Tweed was able to sustain her film career for nearly two decades. Her come-hither looks, cascading blonde hair, and divine figure admittedly contributed to her durability, but her strongest suit was her genuine acting ability and willingness to poke fun at her image. The actress offered a comedy performance worthy of a Colbert or Lombard as the fetchingly undraped star of the Apocalypse Now spoof Cannibal Women in the Avocado Jungle of Death (1990), while she was consistently superior to her material (and most of her co-stars, female and male) in the Night Eyes and Indecent Behavior films of the 1980s and 1990s. Somewhat more modestly garbed in her television appearances, Tweed has been a regular on the daytime soaper Days of Our Lives, the nighttime serial Falcon Crest (1981-1982 season only, as Diana Hunter), and the raunchy cable-TV sitcom First and Ten. In 1991, she starred as air-service proprietor Sally "Slick" Monroe on the diverting Canadian TV adventure weekly Fly By Night, which ran in rerun form on CBS until 1993. The sister of actress Tracy Tweed, Shannon Tweed has two children with Kiss musician Gene Simmons.

Trivia: One of Canada's most respected dramatic actors, Henry Czerny (pronounced ChiERRnee) has earned acclaim on stage, television, and in feature films, both in his native land and in Hollywood. Born and raised in Toronto, Czerny cut his professional teeth on Shakespearean and classical theater following his graduation from Canada's National Theater school in 1982. He also occasionally guest starred on such television shows as Night Heat and Hot Shots. His blood-chilling portrayal of an anguished, pedophiliac priest running an orphanage for young boys in the 1993 CBC-produced miniseries The Boys of St. Vincent provided Czerny with the needed star-making turn. The film was a hit and was released theatrically in the U.S. In 1994, the critically acclaimed role earned Czerny a 1994 Canadian Gemini award for "best performance by an actor in a leading role in a dramatic program or miniseries." He appeared in other esteemed television films, including Choices of the Heart: The Margaret Sanger Story, Trial at Fortitude Bay, and Shattered Vows. Czerny entered feature films with small supporting roles in the Canadian-produced police thrillers A Man in Uniform and Cold Sweat (both 1993). He got his break in Hollywood after playing an incestuous father in the CBS telemovie Ultimate Betrayal: The Rodgers Sisters Story (1994). Shortly after signing to the William Morris Agency, he was cast as the manipulative and clever chief of CIA operations opposite Harrison Ford in Clear and Present Danger (1994). The film was a smash hit. Czerny has subsequently been kept very busy, appearing in Canadian and Hollywood feature films and in television movies. His film credits include Jenipapo (1995), Mission: Impossible (1996), The Ice Storm (1997), and Kayla (1998). He continued to work steadily in the 21st century on both the big and small screen in projects such as Possessed, The Exorcism of Emily Rose, the remake of The Pink Panther, The Showtime series The Tudors, and the big-screen adaptation of The A-Team.

Trivia: "...And Dave Thomas as the Beaver" was the voice-over billing given this Canadian entertainer on the 1970s TV series Second City Television. But while Thomas may have had the adolescent face and short stature of Jerry Mathers, his taste in comedy was as mature and as wickedly satirical as any of his Second City confreres. Among Thomas' dozens of comic characterizations during his Emmy-winning SCTV years, the best known and most popular were his dead-on impression of Bob Hope and his deadhead interpretation of donut-munching, bacon-ingesting, beer-swilling "typical" Canadian Doug McKenzie. Together with his onscreen "brother," Bob McKenzie (better known as Rick Moranis), Thomas starred in the goofy feature film Strange Brew (1982), the first and last film ever made in "Hose-a-rama" (the origin of this phrase and a rundown of the rest of the McKenzie brothers' catchphrases could be given here, but it's known what happens when humor is dissected and left to die). Dave Thomas' career hasn't quite reached the heights of such SCTV alumni as Moranis, Martin Short, and the late John Candy, but he's still plugging away, producing, directing, writing, and starring in uproarious cable TV specials; Thomas was cast in the regular role of Russell on the popular Brett Butler sitcom Grace Under Fire.