Trivia: An eighth-generation Texan, actor Tommy Lee Jones, born September 15th, 1946, attended Harvard University, where he roomed with future U.S. Vice President Al Gore. Though several of his less-knowledgeable fans have tended to dismiss Jones as a roughhewn redneck, the actor was equally at home on the polo fields (he's a champion player) as the oil fields, where he made his living for many years.After graduating cum laude from Harvard in 1969, Jones made his stage debut that same year in A Patriot for Me; in 1970, he appeared in his first film, Love Story (listed way, way down the cast list as one of Ryan O'Neal's fraternity buddies). Interestingly enough, while Jones was at Harvard, he and roommate Gore provided the models for author Erich Segal while he was writing the character of Oliver, the book's (and film's) protagonist. After this supporting role, Jones got his first film lead in the obscure Canadian film Eliza's Horoscope (1975). Following a spell on the daytime soap opera One Life to Live, he gained national attention in 1977 when he was cast in the title role in the TV miniseries The Amazing Howard Hughes, his resemblance to the title character -- both vocally and visually -- positively uncanny. Five years later, Jones won further acclaim and an Emmy for his startling performance as murderer Gary Gilmore in The Executioner's Song. Jones spent the rest of the '80s working in both television and film, doing his most notable work on such TV miniseries as Lonesome Dove (1989), for which he earned another Emmy nomination. It was not until the early '90s that the actor became a substantial figure in Hollywood, a position catalyzed by a Best Supporting Actor Oscar nomination for his role in Oliver Stone's JFK. In 1993, Jones won both that award and a Golden Globe for his driven, starkly funny portrayal of U.S. Marshal Sam Gerard in The Fugitive. His subsequent work during the decade was prolific and enormously varied. In 1994 alone, he could be seen as an insane prison warden in Natural Born Killers; titular baseball hero Ty Cobb in Cobb; a troubled army captain in Blue Sky; a wily federal attorney in The Client; and a psychotic bomber in Blown Away. Jones was also attached to a number of big-budget action movies, hamming it up as the crazed Two-Face in Batman Forever (1995); donning sunglasses and an attitude to play a special agent in Men in Black (1997); and reprising his Fugitive role for the film's 1998 sequel, U.S. Marshals. The following year, he continued this trend, playing Ashley Judd's parole officer in the psychological thriller Double Jeopardy. The late '90s and millennial turnover found Jones' popularity soaring, and the distinguished actor continued to develop a successful comic screen persona (Space Cowboys [2000] and Men in Black II [2002]), in addition to maintaining his dramatic clout with roles in such thrillers as The Rules of Engagement (2000) and The Hunted (2003).2005 brought a comedic turn for the actor, who starred in the madcap comedy Man of the House as a grizzled police officer in tasked to protect a house full of cheerleaders who witnessed a murder. Jones also took a stab at directing that year, helming and starring in the western crime drama The Three Burials of Melquiades Estrada. In 2006, Jones appeared in Robert Altman's film adaptation of A Prairie Home Companion, based on Garrison Keillor's long running radio show. The movie's legendary director, much loved source material and all-star cast made the film a safe bet for the actor, who hadn't done much in the way of musical comedy. Jones played the consumate corporate bad guy with his trademark grit.2007 brought two major roles for the actor. He headlined the Iraq war drama In the Valley of Elah for director Paul Haggis. His work as the veteran father of a son who died in the war earned him strong reviews and an Academy Award nomination for Best Actor. However more people saw Jones' other film from that year, the Coen brothers adaptation of No Country for Old Men. His work as a middle-aged Texas sheriff haunted by the acts of the evil man he hunts earned him a Screen Actors Guild nomination for Best Supporting Actor. The actor co-starred with Stanley Tucci and Neal McDonough for 2011's blockbuster Captain America: The First Avenger, and reprised his role as a secret agent in Men in Black 3 (2011). In 2012 he played a Congressman fighting to help Abraham Lincoln end slavery in Steven Spielberg's Lincoln, a role that led to an Oscar nomination for Best Supporting Actor.

Trivia: A professional actress since the age of 16, when she moved to Los Angeles from Bellingham, WA, Hilary Swank first appeared onscreen in 1992's Buffy the Vampire Slayer. Two years later, she earned a rudimentary degree of fame when she was picked to star in The Next Karate Kid, but this recognition proved fleeting. Swank subsequently appeared in a number of minor films and did a year-long stint on Beverly Hills 90210. In 1999, however, she won both acclaim and recognition for her lead role in Kimberly Peirce's independent drama Boys Don't Cry. Based on the real-life story of Brandon Teena, a woman whose decision to lead her life as a man met with dire consequences, Boys Don't Cry was one of the year's most lauded films, with particular praise going to Swank for her stunning performance. She went on to win a number of honors for her work in the film, including Golden Globe and Academy Awards for Best Actress, at the mere age of 25.Predictably, Swank's workload increased significantly after her Oscar win in 2001, and the actress found herself starring in several lesser known but nonetheless challenging roles, including Sam Raimi's psychological thriller The Gift, as well as The Affair of the Necklace with future Oscar winner Adrien Brody. She also accepted a meaty supporting role as an eager-to-please rookie detective alongside Hollywood veteran Al Pacino in 2002's Insomnia. However, Swank did take a break from brooding period pieces and serious explorations of sexuality for one unapologetic big-budget summer blockbuster -- Jon Amiel's The Core (2003), in which she co-starred as one of several individuals chosen to journey to the Earth's core in hopes of jump-starting the collapsing electromagnetic forces.Though she may have cut loose in a few post-Oscar popcorn munchers in a bid to blow off some steam onscreen, Swank had already gained a reputation as a serious-minded actress whose quickly evolving onscreen talent pointed to many great things to come in the future. Meanwhile, Swank and then-husband Chad Lowe (brother of Rob Lowe) mounted Accomplice Films, a Big Apple-based production house, in early 2004. Swank inaugurated this triumph with an executive producer credit on the quirky, little-seen auto-accident drama 11:14. Swank took the lead in the Emmy- and Golden Globe-nominated 2004 HBO women's suffrage drama Iron Jawed Angels, which also featured Anjelica Huston and Frances O'Connor. Soon after, Swank starred as a South African-born attorney in Tom Hooper's political drama Red Dust. If audiences awaiting another knockout performance from Swank failed to catch her winning turns in Iron Jawed Angels and Red Dust, there was virtually no escaping her unforgettable evocation of a determined female pugilist in director Clint Eastwood's Million Dollar Baby (2004). As Robert De Niro did for another boxing picture over 20 years prior, the already tough-as-nails Swank physically transformed herself to an astonishing degree for the role, immersing herself in a holistic diet of egg-white shakes, fish, vegetables, and protein bars, and testing the barriers of endurance with 4 1/2-hour-a-day, six-day-per-week workouts. This harsh regimen enabled her to pack on 19 pounds of muscle. The gamble paid off onscreen as well. Swank's remarkable vitality and sincerity buoyed the film, which took home the Best Picture prize at the 77th Annual Academy Awards and netted Swank the highly coveted Best Actress award at the same ceremony -- a win that helped to bring Eastwood's critically lauded film a total of four well-deserved Oscars. Doubtless encouraged by the success of Baby, Warner Bros. extended a one-year production deal to Accomplice Films in March 2005 -- an offer that Swank and Lowe immediately embraced, even as they filed for divorce in early 2006.Meanwhile, if Swank stayed offscreen in 2005, she quietly geared up for a full slate of roles. The first in production was a Warners horror picture called The Reaping, produced by Joel Silver and Bob Zemeckis' Dark Castle Entertainment and directed by Stephen Hopkins. The film starred Swank as a professional defrauder of religious miracles overwhelmed by her inability to account for the Biblically overtoned horrors that plague a small town. In fall 2006, Swank co-headlined Brian De Palma's noir flop The Black Dahlia with Josh Hartnett, Scarlett Johansson, and Aaron Eckhart -- an adaptation of James Ellroy's novel based on the infamous, still-unsolved L.A. murder case of the title.More successfully, Swank also began a two-picture collaboration with director Richard LaGravenese (Living Out Loud, A Decade Under the Influence). The first, Freedom Writers, was adapted from Erin Gruwell's memoir. Essentially a reworking of Stand and Deliver and Dangerous Minds, the picture dramatized Gruwell's (Swank) successful attempts to turn "at risk" children around in the classroom. Swank's second LaGravenese effort, P.S., I Love You, was an adaptation of Cecelia Ahern's novel about a widow who is launched on a series of jaw-dropping adventures by some letters bequeathed to her by her dead husband.Swank took on the role of the legendary aviator Amelia Earhart in 2009's biopic Amelia, and in 2010 starred in the courtroom drama Conviction, for which Swank portrays the fiercely devoted Betty Ann Waters, a woman willing to go to extreme lengths to free her brother from an unjust prison sentence. She appeared in the ensemble romcom New Year's Eve in 2011 before taking a short break from acting. Swank returned in 2014 with You're Not You, which she also produced.

Trivia: Sydney Pollack -- one of Meryl Streep's collaborators time and again -- once proclaimed her the most gifted film actress of the late 20th century. Most insiders would concur with this assessment. To avid moviegoers, she represents the essence of onscreen dramatic art. Like Hoffman (and De Niro), she demonstrates a transcendent ability to plunge into her characters and lose herself inside of them, transforming herself physically to meet the demands of her roles. A luminous blonde with nearly translucent pale skin, intelligent blue eyes, and an elegant facial bone structure, Streep sustains a fragile, fleeting beauty that allows her to travel the spectrum between earthily plain (Ironweed), and ethereally glamorous and radiant (Manhattan, Heartburn).Born June 22, 1949, in Summit, NJ, Streep took operatic voice lessons, and subsequently cultivated a fascination with acting while she attended Bernards High School. Upon graduation, Streep studied drama at Vassar, Dartmouth, and Yale, where she appeared in 30 to 40 productions with the Yale Repertory Theater. With a five-star education and years of collegiate stage work under her belt, Streep headed for the New York footlights and launched her off-Broadway career. Streep's performance in Tennessee Williams' 27 Wagons Full of Cotton, for which she received a Tony nomination, constitutes a particularly strong theatrical highlight from this period. She made her television debut in Robert Markowitz's The Deadliest Season (1977). That year she also appeared onscreen for the first time in Fred Zinnmann's Julia (1977) as Anna Marie, opposite heavyweights Jane Fonda, Vanessa Redgrave, and Hal Holbrook. The following year, Streep picked up an Emmy for her performance in Marvin J. Chomsky's miniseries Holocaust. She first teamed with De Niro in Michael Cimino's The Deer Hunter (1978).Around this time, Streep became involved with the diminutive performer John Cazale, whom she met on the set of the Cimino film. Tragically, this marriage was ill-fated from day one, Cazale's frail body ridden with bone cancer. Forty-two at the time, he passed away in March 1978, nine months prior to the premiere of The Deer Hunter. Streep later wed Don Gummer, who was not associated with Hollywood in any capacity.Streep next appeared as Woody Allen's ruthless lesbian ex-wife in his elegiac comedy drama Manhattan (1979) and Alan Alda's Southern mistress in the scathing political satire The Seduction of Joe Tynan. Her shattering interpretation of the scarred and torn Joanna Kramer opposite Dustin Hoffman in Robert Benton's heartbreaking divorce saga Kramer vs. Kramer (1979), earned her a Best Supporting Actress Oscar in 1980 -- which she famously left on top of a toilet at the festivities -- alongside a plethora of L.A. Film Critics Association, New York Film Critics Circle, and Golden Globe Awards for the Allen, Benton, and Alda films.Streep continued her ascent over the next decade by establishing herself as Hollywood's top box-office draw and a critical darling. Her double performance in the innovative Karel Reisz/Harold Pinter triumph The French Lieutenant's Woman (1981), her gut-wrenching interpretation of the titular Holocaust survivor in Alan J. Pakula's haunting adaptation Sophie's Choice (1982), and her thoughtful evocation of Karen Silkwood in Mike Nichols' drama Silkwood were highlights of the period. In the latter, she portrays a real-life victimized nuclear-plant worker who mysteriously disappears just prior to turning in crucial evidence against her employers.Streep's decision to headline Sydney Pollack's lush epic Out of Africa (1985), as Karen Blixen, sustained her reputation. She would go on over the next decade to appear in projects like but Ironweed, Heartburn, She-Devil, Postcards from the Edge, and Death Becomes Her. In 1994, she again surprised her fans when she appeared as a muscular expert whitewater rafter who must fight a raging river and two dangerous fugitives to save her family in the action thriller River Wild (1994). In interviews, she said she did the film because she wanted to have an adventure like Harrison Ford and to overcome a few of her own fears.Streep returned to the depth and multifacetedness of her early roles -- with much concomitant success -- when she took a more low-key role as a dowdy, Earthbound farm wife who finds Illicit love with an itinerant photographer (Clint Eastwood) in The Bridges of Madison County. Following the critical and commercial heights of Bridges, Streep picked up yet another Oscar nomination for her performance as a terminally ill wife and mother in Carl Franklin's One True Thing (1998).Streep then signed on to replace Madonna as the lead in 1999's Music of the Heart, tackling what outwardly appeared to be a cookbook Hollywood plot (a teacher on a mission to teach violin to a class of inner-city youth in Harlem) with absolute commitment, teaching herself to play the violin by practicing six hours a day for eight weeks. In the new millennium, Streep hit audiences with the back-to-back with lauded performances in Adaptation and The Hours, earning an Oscar nomination for the former and a Golden Globe nomination for the latter.On the heels of this success, Streep won an Emmy in 2004 for her participation in longtime friend and collaborator Mike Nichols' Angels in America mini-series. She soon afterward won even greater audience and critic approval for her biting role as a corporate and political conspirator in Jonathan Demme's remake of the 1962 thriller The Manchurian Candidate. Streepfollowed this up with a part in the lighthearted comedies Prime, A Prairie Home Companion, and The Devil Wears Prada.In 2007 Streep starred in a pair of timely dramas about the Iraq War, Lions for Lambs and Rendition, before returning to the musical comedy milieu with 2008's Mamma Mia!. The adaptation of the smash stage musical shattered box-office records, becoming the highest grossing film in the history of the United Kingdom, and the biggest American hit of her illustrious career. She followed that up with the lead role in John Patrick Shanley's adaptation of his award-winning play Doubt, a performance that earned her fifteenth acting nomination from the Academy, as well as nods from the Screen Actors Guild, and the Hollywood Foreign Press.The renowned actress was nominated yet again for the Academy Award and the Screen Actors Guild the following year for her turn as Julia Child in the comedy Julie & Julia, a role that also garnered her a win for Best Actress from the New York Film Critics as well as the Golden Globes. That same year she played the lead for Nancy Myers in the box office hit It's Complicated, only to dive directly back into the Oscar spotlight again the next year with her acclaimed performance as English Prime Minister Margaret Thatcher in 2012's The Iron Lady. The role garnered Streep her 17th Academy Award nomination -- resulting in her third win, this time for Best Actress, in addition to Best Actress wins from the New York Film Critics Circle and the Golden Globes. She was back in the Oscar race in 2014, securing yet another nomination in the Best Supporting Actress category for her work as the wicked witch in Rob Marshall's big-screen adaptation of the musical Into the Woods.

Trivia: Grew up in both California and Connecticut. First role was as Young Clara in The House of the Spirits at age 7. Was captain of the swim team at Brooklyn's Poly Prep Country Day School. Made her stage debut in 2008 in Kristjan Thor's The Sexual Neuroses of Our Parents. Interned for designer Zac Posen after college.

Trivia: Daughter of Australian actor Barry Otto and graduate of the prestigious NIDA theatrical school (which spawned such down-under luminaries as Mel Gibson and Judy Davis), Miranda Otto's role as Eowyn in the Lord of the Rings trilogy had the four-time AFA nominated actress excited and overwhelmed. Likening the experience to being in The Wizard of Oz, Otto speculated that the trilogy will withstand the test of time, endearing itself to generations to come as a timeless fantasy for all ages.Gaining critical recognition for roles in such films as The Girl Who Came Late (1991) and Gillian Anderson's Last Days of Chez Nous, Otto made her feature debut in Emma's War (1986). Otto's portrayal of a daughter who is blind to the crippling tolls that World War II has taken on her fragile mother led the actress to roles in many critically acclaimed but little-seen films. After a decade of powerful roles in Australian films, Otto gained Hollywood recognition in the late '90s with roles in Terrence Malick's The Thin Red Line (1998) and as the mysterious neighbor in Robert Zemeckis' supernatural thriller What Lies Beneath (2000). In addition to her appearance in the Lord of the Rings trilogy, Otto's other 2001 films include the offbeat comedy Human Nature, scripted by Charlie Kaufman (Being John Malkovich). Her role as an affectionate French lab assistant proving without question that her comic skills were indeed as intact as her dramatic skills, it wasn't long before the offers were rolling in and Otto was deemed the new "it" girl. Next turning up in the barely-released thriller Hypnotic (aka Doctor Sleep), Otto gained positive notice for her supporting role despite the fact that the film went largely unseen. Both that film and the subsequent indie-drama Julie Walking Home (2002) proved a perfect low-key balance to the grandiose second chapter in the Lord of the Rings trilogy. A bleak tale of a mother's desperate and unyielding last ditch attempts to save her cancer-stircken son when mainstream medicine fails him, Julie Walking Home ultimately proved too melodramatic for many though Otto was frequently singled out for praise by critics for her powerful and moving performance. In 2003 Otto re-teamed with Human Nature star Rhys Ifans for the quirky comedy Danny Deckchair. The tale of a man who, desperate to escape his mundane day-to-day reality, takes to the sky by means of some large helium balloons and a sturdy deck chair, Donny Deckchair once again found the genre hopping Otto utilizing her comic abilities to charming effect as a parking cop who becomes the eponymous character's love interest.In the years to follow, Otto would find no shortage of varied and interesting roles, enjoying TV success with shows like Cashmere Mafia and the mini-series The Starter Wife, as well as in movies like In Her Skin and Blessed.

Trivia: A distinguished actor of stage, television, and movies who is at home playing everything from menacing villains, big-hearted transsexuals, and loopy aliens, John Lithgow is also a composer and performer of children's songs, a Harvard graduate, a talented painter, and a devoted husband and father: in short, he is a true Renaissance man. Once hailed by the Wall Street Journal as "the film character actor of his generation," Lithgow is the son of a theater director who once headed Princeton's McCarter Theater and produced a series of Shakespeare festivals in Ohio, where Lithgow was six when he made his first theatrical bow in Henry VI, Part 3. His parents raised Lithgow in a loving home that encouraged artistic self-expression and took a broad view of the world. As a youth, Lithgow was passionate about painting and at age 16, he was actively involved with the Art Students League in New York. When the acting bug bit, Lithgow's father was supportive. After Lithgow graduated from Harvard, he received a Fulbright scholarship to study at the London Academy of Music and Dramatic Art; while in England, Lithgow also worked with the Royal Shakespeare Company and for the Royal Court Theatre. He returned to the U.S. in the early '70s and worked on Broadway where he won his first Tony and a Drama Desk Award for his part in The Changing Room (1973). Lithgow remained in New York for many years, establishing himself as one of Broadway's most respected stars and would go on to appear in at least one play per year through 1982. He would subsequently receive two more Tony nominations for Requiem for a Heavyweight and M. Butterfly. He made his first film appearance in Dealing: Or the Berkeley-to-Boston Forty-Brick Lost-Bag Blues (1972). The film itself was an inauspicious affair as were his other subsequent early efforts, though by the early '80s, his film roles improved and diversified dramatically. Though capable of essaying subtle, low-key characters, Lithgow excelled in over-the-top parts as the next decade in his career demonstrates. He got his first real break and a Best Supporting Actor nomination when he played macho football player-turned-sensitive woman Roberta Muldoon in The World According to Garp (1982). In 1983, he provided one of the highlights of Twilight Zone--The Movie as a terrified airline passenger and earned a second Best Supporting Actor Oscar nomination in Terms of Endearment where he appeared with Shirley Maclaine and Jack Nicholson, as well as playing a fiery preacher in Footloose. That year, he won his first Emmy nomination for his work in the scary nuclear holocaust drama The Day After. In 1984, he played the crazed Dr. Lizardo in the cult favorite The Adventures of Buckaroo Banzai. In Ricochet (1992), Lithgow proved himself a terrifying villain with his portrayal of a psychopathic killer hell-bent for revenge against Denzel Washington, the man who incarcerated him. In 1990, he made Babysong video tapes of his performing old and new children's songs on the guitar and banjo. Though he had already established himself on television as a guest star, Lithgow gained a large and devoted following when he was cast as an alien captain who, along with his clueless crew, attempts to pass for human in the fresh, well-written NBC sitcom Third Rock From the Sun (1996). The role has won him multiple Emmys and Golden Globe awards. When that show's run ended in 2001, Lithgow kept busy with roles in such high-profile features as The Life and Death of Peter Sellers (2004) (in which he essayed the role of comedy legend Blake Edwards), Kinsey, Dreamgirls, and Leap Year. Yet through it all the small screen still beckoned, and in 2010 the Lithgow won an Emmy for his role as Arthur Mitchell (aka The Trinity Killer) on the hit Showtime series Dexter. A poignant turn as a once-brilliant scientist stricken with Alzheimer's disease revealed a gentler side of Lithgow in Rise of the Planet of the Apes, and in 2012 he reminded us that he could still get big laughs with roles in both This is 40 (Judd Apatow's semi-sequel to Knocked Up) and the Will Ferrell/Zach Galifianakis political comedy The Campaign. When not busy working on the show, in theater, or in feature films, Lithgow is at home playing "Superdad" to his children and his wife, a tenured college professor at U.C.L.A.

Trivia: Is of partial Filipino ancestry on her mother's side. Expressed interest in pursuing acting at age 8 and began her career with roles in commercials and short films. Made her prime-time television debut in a 2007 episode of the sitcom Back to You. Was cast by the Coen brothers at age 13 to play Mattie Ross in their stirring 2010 remake of the John Wayne classic True Grit. She beat out approximately 15,000 girls for the role. Named Best Young Actress at the 2011 Critics' Choice Movie Awards.

Trivia: Often noted for his comment that he enjoys working in all of his films -- as long as he doesn't have to see any of them -- actor James Spader (born February 2nd, 1960) may have missed out on seeing a few good performances in some pretty memorable films.Though descended from a long line of scholars and professors, Spader, in ironic contrast to his theatrical image as the definitive terminal yuppie, dropped out of Phillips Andover prep school to pursue a career as an actor. Forsaking his formal education, Spader instead decided to focus his attention on acting by studying at the Michael Chekhov school in New York, while also working a variety of odd jobs to support himself until he found success as a thespian. Making his debut in the 1978 comedy Team Mates, Spader began the slow process of gaining more frequent work with roles of increasing substance. Spader's first role came in Franco Zeffirelli's soft-core teen melodrama Endless Love (1981) (also notable as the debut of another young unknown actor named Tom Cruise. After a brief, mid-'80s stint in teen exploitation including Tuff Turf and The New Kids (both 1985), Spader gained mainstream recognition with his first fore in yuppiedom as Molly Ringwald's insincere suitor in Pretty in Pink (1986). Over the course of the next few years, Spader would refine his slimy persona to perfection in Wall Street (1987) and Less Than Zero (1987), and take an interesting turn as a possible serial killer in the Jack the Ripper thriller Jack's Back (1988), but it was the end of the decade that brought the defining role in Spader's career.Though his role in independent filmmaker Steven Soderbergh's voyeurism-obsessed sex, lies and videotape did little to propel his persona into more likeable territories, it showed an actor with considerable talent who wasn't afraid to take risks, winning him the Best Actor award at the 1989 Cannes Film Festival. Spader's dark portrayal of the ominously seductive videophile struck a chord in audiences and critics alike and turned him into a household name. The '90s found Spader expanding his yuppie image into more sympathetic territory with roles in White Palace and Bad Influence (both 1990), and he continued his likeable trend in the first of the mega-budget Dean Devlin/Roland Emmerich collaborations, Stargate (1994), before reverting back as Jack Nicholson's manipulative lycanthropic rival in Mike Nichols' imaginative satire Wolf (1994). Controversy soon followed with David Cronenberg's widely panned study of fetishistic alienation Crash (1996), and Spader has worked steadily since, with roles in Supernova (2000) and Speaking of Sex (2001). With the release of Secretary (2002), Spader once again found himself in the favor of art house audiences for his portrayal of a demanding lawyer who hires a recently released mental patient for the eponimous duty.Spader found success on the small screen once again for his work on Boston Legal from 2004 to 2008 as the character of Alan Moore, a vehemently moral attorney who resorts to unethical methods during his pursuit of justice (a role that would win the actor two Emmys). Spader made a guest appearance on an episode of The Office, and returned to the sitcom in 2011 as part of the main cast.

Trivia: Actor Barry Corbin may be best remembered for portraying Maurice Minnifield, the blustery but good-hearted ex-astronaut and entrepreneurial owner of Cicely, Alaska, in the popular TV show Northern Exposure (1990-95). Prior to that, he worked steadily on stage, screen and television since the mid '70s. With his stocky build and big voice, the Texas native is noted for his portrayals of policemen, soldiers, and father figures. He received formal training in theater at Texas Tech, and, after spending two years in the Marines, Corbin returned home and began acting in regional theater. He later went to New York where he worked on and off Broadway. He moved to L.A. in 1977 where he began writing radio plays for National Public Radio. In 1980 Corbin began his feature-film career, appearing in three popular films: Any Which Way You Can, Stir Crazy, and Urban Cowboy. Among his other early career highlights are Six Pack, Honkytonk Man, and playing General Beringer in John Badham's nuclear thriller WarGames. He continued to work steadily in TV and film in projects such as LBJ: The Early Years, Nothing In Common, Critters 2, and Who's Harry Crumb before landing his iconic part on Northern Exposure.After the quirky CBS series ended, he could be seen in Curdled, The Drew Carey Show, and in a recurring role on the drama series One Tree Hill. In 2007 he was in the Best Picture winning No Country For Old Men. His most recent credits include Feed he Fish, and Valley of the Sun.

Trivia: An intense, versatile performer, William Fichtner, born November 27th, 1956, emerged as a memorable character actor through his work with some of the most notable filmmakers of the 1990s and beyond. After his military brat childhood, Fichtner studied criminal justice in college before moving to New York City to shift his focus to acting. Fichtner got his first major acting job on the serial As the World Turns in 1988 and played bit parts in Spike Lee's Malcolm X (1992) and Robert Redford's Quiz Show (1994). Steven Soderbergh gave Fichtner his first substantial film role as a small town hood in the neo-noir The Underneath (1994). After supporting turns in Kathryn Bigelow's Y2K fantasy Strange Days (1995) and Michael Mann's stylish police saga Heat (1995), Fichtner earned kudos for his psychotic hit man in actor Kevin Spacey's directorial debut Albino Alligator (1997). As a gentle blind scientist in Robert Zemeckis' empyreal sci-fi adventure Contact (1997), Fichtner further revealed his considerable range; among the hip ensemble cast in Doug Liman's time-bending rave comedy Go (1999), Fichtner managed to stand out with his humorously unsettling performance as a narcotics cop with an agenda. Fichtner finally achieved leading man status as one of Demi Moore's amours in Passion of Mind (2000), but Alain Berliner's first American effort failed at the box office. Moving easily between independent films and big-budget Hollywood, Fichtner next co-starred as one of the ill-fated swordfishermen in Wolfgang Petersen's adaptation of The Perfect Storm (2000). Maintaining his prolific ways after The Perfect Storm's success, and earning a place in Vanity Fair's 2001 photo spread of premier supporting actors, Fichtner took on a varied trio of roles in three major 2001 releases. After playing a small part as Josh Hartnett's dad in Michael Bay's overwrought $198 million disappointment Pearl Harbor (2001), Fichtner's turn as a gay detective in the lumbering comedy What's the Worst That Could Happen? (2001) was one of the bright spots in an otherwise disposable movie. Back in his no-nonsense manhood style, Fichtner then appeared as a master sergeant involved in the troubled 1993 mission in Somalia in Ridley Scott's Oscar bait military drama Black Hawk Down (2001).After the ensemble carnage of Black Hawk Down, Fichtner moved to the small screen for a starring role as one of two maverick ER doctors in the ABC medical drama MDs (2002). A competitive time slot and poor reviews, however, hampered MDs' ratings. Though his foray into series television stumbled, Fichtner continued to rack up movie credits, appearing alongside Christian Bale and Emily Watson in the dystopian science fiction thriller Equilibrium (2002).In 2004, Fichtner appeared in Nine Lives, a critically successful episodic drama following the lives of nine women, and after participating in a variety of films throughout 2005 (The Chumscrubber, Empire Falls) and the television series Invasion Iowa, Fichtner joined the cast of the Academy Award-winning drama Crash. The actor continued to enjoy television success in the series Prison Break (2006-07), and played a conservative judge in an episode of The West Wing. Fichtner took on a role playing a bank manager in Gotham City for Christopher Nolan's The Dark Knight (2008), and joined the casts of Date Night (2010), The Big Bang, and Drive Angry (all 2011).

Trivia: An accomplished playwright, screenwriter, director, and actor, former classics major Tim Blake Nelson is perhaps most familiar to the movie audience as the hilariously dim Delmar in Joel and Ethan Coen's goofy Oscar-nominated comedy O Brother, Where Art Thou? (2000).Born in Oklahoma, Nelson attended college at Brown University where he became a Latinist in the classics department. Opting for the arts over academia, Nelson headed to New York after college, studying acting at Juilliard and embarking on an Obie Award-winning career as a stage writer. After making his film debut in Nora Ephron's freshman directorial effort This Is My Life (1992), Nelson occasionally appeared in films throughout the 1990s, playing small roles in Hal Hartley's Amateur (1994), the Al Pacino/Johnny Depp mob drama Donnie Brasco (1997), and Terrence Malick's radiant anti-war anti-epic The Thin Red Line (1998). Along with film acting, Nelson turned to filmmaking with the screen adaptation of his play Eye of God (1997), a somber rural drama about a woman's marriage to a pious ex-con with a violent past, which earned positive notice at the Sundance Film Festival. Because of his ability to handle difficult questions of violence and create an ominous mood out of the everyday, Nelson was asked to helm the modernized, teen version of Shakespeare's Othello, retitled O (2001). Shot in 1999, O languished on the shelf in the wake of a series of high school shootings, deemed an inappropriate release because of its violent denouement. In the meantime, Nelson's friend Joel Coen offered him one of the starring roles in O Brother, Where Art Thou?. As comfortable playing rural comedy as directing rural drama, Nelson shined as the dimmest of a trio of hare-brained fugitives in the Coen brothers' shaggy-dog 1930s Southern Odyssey. After his successful stint with the Coens' light-hearted movie, Nelson returned squarely to downbeat material, directing the screen adaptation of his play The Grey Zone (2001). A drama about the only armed revolt at Auschwitz, The Grey Zone was already hitting the film-festival circuit when Lionsgate removed O from its Miramax purgatory, releasing it in August 2001. Impressing some critics with its central performances and evocative Southern Gothic atmosphere (if not always with all aspects of the adaptation), O confirmed Nelson's ability to translate his concern with the complex motivations for (and fall out from) violence to the film medium. Back to being an actor for hire, Nelson scored a summer 2002 hat trick with roles in one glossy big studio blockbuster and two well-regarded independent releases. In Steven Spielberg's Minority Report (2002), Nelson stood out (albeit a bit too much for some critical tastes) as the oddball, organ-playing guardian of the imprisoned "pre"-killers captured by Precrime hotshot Tom Cruise. Refraining from such theatrical eccentricity, Nelson garnered more positive reviews for his turn as a shy technician charged with servicing house arrestee Robin Tunney's ankle bracelet in the singular indie romance Cherish (2002), and as John C. Reilly's doltish, stoner best friend and co-worker in Miguel Arteta's dark comedy The Good Girl (2002). Nelson's roles proliferated through the first years of the new millennium -- he averaged around six to eight A-list features per year, the number doubtless heightened by Nelson's status as a character actor and his resultant tendency to gravitate to bit parts in lieu of leading roles. For the first several years after The Good Girl, Nelson's roles included, among others: Dr. Jonathan Jacobo, the "pterodactyl ghost" in Raja Gosnell's Scooby Doo 2: Monsters Unleashed (2004); Danny Dalton, a representative of the oil company Killen, in Stephen Gaghan's muckraking drama Syriana (2005); and Tom Loyless, the supervisor of a polio treatment center revitalized by F.D.R., in Joseph Sargent's superior telemovie Warm Springs (2005). Nelson then appeared as Curly Branitt, an entrepreneur determined to build a pancake house and expel the resident animals at the location, in the Jimmy Buffett-produced, family-oriented comedy Hoot (2006). He plays Kevin Munchak in Michael Polish's drama The Astronaut Farmer (2006), starring Billy Bob Thornton, Virginia Madsen, and Bruce Dern; and The North Beach Killer in Finn Taylor's fiendish black comedy The Darwin Awards (2007). He had a major supporting turn in 2008's The Incredible Hulk, and in 2010 he wrote directed and acted in Leaves of Grass. He appeared in the 2011 teaching drama Detachment, and in 2012 he landed a major part in the inspirational drama Big Miracle and appeared in Steven Spielberg's long-planned biopic Lincoln.Nelson is married to the actress Lisa Benavides; they reside in Southern California.

Trivia: Actor Jesse Plemons began his career at the age of ten, appearing in the movie Finding North. He continued to slowly but surely gain experience throughout his early teens, picking up small roles in movies like All the Pretty Horses and Varsity Blues, as well as appearing on shows like CSI and Grey's Anatomy. In 2006, he was cast in the role of Landry Clarke on the TV series Friday Night Lights, a show based on the movie of the same name, about a small town in Texas where high-school football is among the most important things in life. During his run on that show he appeared in the big-screen black comedy Observe and Report. After Friday Night Lights ended its run, he appeared in a couple of films, but was in a pair of high profile releases in 2012, Battleship, and the Paul Thomas Anderson drama The Master.