Trivia: An eighth-generation Texan, actor Tommy Lee Jones, born September 15th, 1946, attended Harvard University, where he roomed with future U.S. Vice President Al Gore. Though several of his less-knowledgeable fans have tended to dismiss Jones as a roughhewn redneck, the actor was equally at home on the polo fields (he's a champion player) as the oil fields, where he made his living for many years.After graduating cum laude from Harvard in 1969, Jones made his stage debut that same year in A Patriot for Me; in 1970, he appeared in his first film, Love Story (listed way, way down the cast list as one of Ryan O'Neal's fraternity buddies). Interestingly enough, while Jones was at Harvard, he and roommate Gore provided the models for author Erich Segal while he was writing the character of Oliver, the book's (and film's) protagonist. After this supporting role, Jones got his first film lead in the obscure Canadian film Eliza's Horoscope (1975). Following a spell on the daytime soap opera One Life to Live, he gained national attention in 1977 when he was cast in the title role in the TV miniseries The Amazing Howard Hughes, his resemblance to the title character -- both vocally and visually -- positively uncanny. Five years later, Jones won further acclaim and an Emmy for his startling performance as murderer Gary Gilmore in The Executioner's Song. Jones spent the rest of the '80s working in both television and film, doing his most notable work on such TV miniseries as Lonesome Dove (1989), for which he earned another Emmy nomination. It was not until the early '90s that the actor became a substantial figure in Hollywood, a position catalyzed by a Best Supporting Actor Oscar nomination for his role in Oliver Stone's JFK. In 1993, Jones won both that award and a Golden Globe for his driven, starkly funny portrayal of U.S. Marshal Sam Gerard in The Fugitive. His subsequent work during the decade was prolific and enormously varied. In 1994 alone, he could be seen as an insane prison warden in Natural Born Killers; titular baseball hero Ty Cobb in Cobb; a troubled army captain in Blue Sky; a wily federal attorney in The Client; and a psychotic bomber in Blown Away. Jones was also attached to a number of big-budget action movies, hamming it up as the crazed Two-Face in Batman Forever (1995); donning sunglasses and an attitude to play a special agent in Men in Black (1997); and reprising his Fugitive role for the film's 1998 sequel, U.S. Marshals. The following year, he continued this trend, playing Ashley Judd's parole officer in the psychological thriller Double Jeopardy. The late '90s and millennial turnover found Jones' popularity soaring, and the distinguished actor continued to develop a successful comic screen persona (Space Cowboys [2000] and Men in Black II [2002]), in addition to maintaining his dramatic clout with roles in such thrillers as The Rules of Engagement (2000) and The Hunted (2003).2005 brought a comedic turn for the actor, who starred in the madcap comedy Man of the House as a grizzled police officer in tasked to protect a house full of cheerleaders who witnessed a murder. Jones also took a stab at directing that year, helming and starring in the western crime drama The Three Burials of Melquiades Estrada. In 2006, Jones appeared in Robert Altman's film adaptation of A Prairie Home Companion, based on Garrison Keillor's long running radio show. The movie's legendary director, much loved source material and all-star cast made the film a safe bet for the actor, who hadn't done much in the way of musical comedy. Jones played the consumate corporate bad guy with his trademark grit.2007 brought two major roles for the actor. He headlined the Iraq war drama In the Valley of Elah for director Paul Haggis. His work as the veteran father of a son who died in the war earned him strong reviews and an Academy Award nomination for Best Actor. However more people saw Jones' other film from that year, the Coen brothers adaptation of No Country for Old Men. His work as a middle-aged Texas sheriff haunted by the acts of the evil man he hunts earned him a Screen Actors Guild nomination for Best Supporting Actor. The actor co-starred with Stanley Tucci and Neal McDonough for 2011's blockbuster Captain America: The First Avenger, and reprised his role as a secret agent in Men in Black 3 (2011). In 2012 he played a Congressman fighting to help Abraham Lincoln end slavery in Steven Spielberg's Lincoln, a role that led to an Oscar nomination for Best Supporting Actor.

Trivia: Born the daughter of an Illinois minister on June 23, 1957, Frances McDormand attended West Virginia's Bethany College and later studied acting at the prestigious Yale Drama School. After her graduation, McDormand could be seen gaining professional experience in numerous stage productions across the country. In 1984, McDormand made her film debut playing a somewhat dim-witted adulterous wife in the Coen brothers' Blood Simple, thus beginning an association that would culminate in her marriage to director Joel Coen. Despite winning critical acclaim for her performance, it would be four years, save for a cameo in the Coens' Raising Arizona (1987) and various small roles, before she would be featured in another major film production. In the meantime, McDormand's stage career flourished, and she received a Tony nomination for the 1987 Broadway production of A Streetcar Named Desire. She also did periodic television work, co-starring on the short-lived detective drama Legwork (1987) and appearing in a recurring role on Hill Street Blues.In 1988, McDormand found her way back into the Hollywood spotlight, and won an Oscar nomination for her role as a Klan wife who testifies against a good ol' boy sheriff in Alan Parker's Mississippi Burning. Her film career picked up significantly afterwards, and led to appearances in a wide variety of well-wrought dramas, including Ken Loach's controversial Hidden Agenda (1990), which featured the actress one of a group of American attorneys working to improve prisoner rights throughout a war-torn Ireland. 1990 would also find her playing a small role in the Coens' Miller's Crossing, which led to a similar performance in Robert Altman's Short Cuts. In 1996, McDormand won a Best Actress Academy Award for her portrayal of sheriff Marge Gunderson in Fargo, yet another Coen brothers film. The following year, she co-starred as a German doctor in Bruce Beresford's WWII drama Paradise Road, and then tried her hand at children's films with a starring role in Madeline (1998).In 2000, McDormand made memorable supporting appearances in two films. First was the part of an adulterous academic wife in Curtis Hanson's overlooked Wonder Boys; late that year she could be seen playing the well-meaning, yet unarguably overprotective mother in Cameron Crowe's critically successful coming-of-age drama Almost Famous. The latter would net her another Supporting Actress nomination. In 2001, McDormand could be seen playing a camped-out version of a film noir lush in the Coens' The Man Who Wasn't There. Her subsequent role in 2002's Laurel Canyon -- as an aging, wild-child record producer -- earned her critical hosannas, even if the film was little-seen. The issue picture North Country offered her the challenge of playing a working-class woman gradually succumbing to Lou Gehrig's disease, and in early 2006, earned her another Best Supporting Actress nomination. She followed it up with an acid-tongued role in the ensemble comedy-drama Friends With Money.Over the next several years, McDormand would continue to appear in several acclaimed films, including Burn After Reading, This Must Be the Place, and Moonrise Kingdom.

Trivia: Some actors have such defining traits that they seem to have "leading man" written all over them, while others, like Terry Kinney, succeed with an uncanny ability to drastically alter their appearance at the drop of a hat. Though his chameleon-like skills have helped the actor land numerous roles on the stage and screen, it's his talent that ultimately formed the backbone of his enduring career. After graduating from high school, the Lincoln, IL, native attended Illinois State University. It was there that he befriended aspiring actor Jeff Perry, who invited Kinney to Chicago to watch his best friend perform in a stage production of Grease. Perry's friend was an ambitious young actor named Gary Sinise, and the three soon began planning to open their own regional theater. Though it was founded in 1974, the Steppenwolf Theater wouldn't quite get off the ground until two years later -- when Kinney and Perry graduated from I.S.U. The venture was largely unprofitable at first, so its founders supported themselves and their dream through a series of odd jobs before the theater moved from a Highland Park church basement to the old St. Nicholas Theater building in the early '80s. The change of scenery proved to be just what the theater needed to flourish, and it was soon drawing good crowds. In the years that followed, the company moved once again -- this time to a permanent location in Chicago -- and Kinney served as Steppenwolf's artistic co-director alongside Sinise. During this profitable period, Kinney and his co-founders were nominated for numerous theatrical awards, while their productions made headway on Broadway. Kinney, of course, had aspirations beyond regional theater, and, in 1986, made his film debut with a small part in the romantic comedy Seven Minutes in Heaven. The remainder of the '80s found the actor landing bit parts in No Mercy (1986) and Sinise's Miles From Home (1988), in addition to a brief stint on television with thirtysomething. It wasn't until the following decade, however, that his film career truly began to blossom. Following an appearance in The Last of the Mohicans (1992), Kinney drew favorable reviews for his top-billed turn in Abel Ferrara's Body Snatchers, and his billing remained high with The Firm (1993), Fly Away Home (1996), and Sleepers (1998). In 1997, Kinney landed an extended gig on the acclaimed HBO prison drama Oz. Cast as Cell Block Five Unit Manager Tim McManus, Kinney's hardened performance lent the show both dimension and a certain foundation. Kinney frequently balanced his role on this series with a number of feature performances, including such films as The Young Girl and the Monsoon (1999, his second lead), Luminous Motion (1998), and The House of Mirth (2000). Although the bulk of his work in Save the Last Dance (2001) ended up on the cutting room floor, audiences could still get a good look at Kinney in such features as The Laramie Project (2001) and the 2004 soccer drama The Game of Their Lives.

Trivia: A Pulitzer Prize-winning playwright (for 1979's Buried Child), an Oscar-nominated actor, and a director and screenwriter to boot, multi-talented Sam Shepard has made a career of plumbing the darker depths of middle-American rural sensibilities and Western myths. The son of a military man, he was born Samuel Shepard Rogers on November 3, 1943, in Fort Sheridan, IL. Following a peripatetic childhood, part of which was spent on a farm, Shepard left home in late adolescence to move to New York City, where by the age of 20, he already had two plays produced. As a playwright, Shepard went on to win a number of Obies for such dramas as Curse of the Starving Class (1977), which he made into a film in 1994, and True West (aired on PBS in 1986). As an actor, the lanky and handsome Shepard made his feature film debut with a small role in Bronco Bullfrog (1969) and didn't resurface again until Bob Dylan's disastrous Renaldo and Clara (1978). The film followed Shepard's residence in London during the early '70s, where he worked on-stage as an actor and director when not playing drums for his band, The Holy Modal Rounders, which had performed as part of Dylan's Rolling Thunder Revue in 1975. Also in 1978, Shepard made a big impression playing a wealthy landowner in Terrence Malick's Days of Heaven, but it was not until he received a Best Supporting Actor Oscar nomination for playing astronaut Chuck Yeager in The Right Stuff (1983) that he became a well-known actor. Following this success, he went on to specialize in playing drifters, cowboys, con artists, and eccentric characters with only the occasional leading role. Some of his more notable work included Paris, Texas (1984), which he also wrote; Fool For Love (1985), which was adapted from his play of the same name; Baby Boom (1987), Steel Magnolias (1989), and The Pelican Brief (1993). In addition to acting and writing, Shepard has also directed: in 1988, he made his debut with Far North, a film he wrote especially for his off-screen leading lady, Jessica Lange, with whom he has acted in Frances (1982), Country (1984), and Crimes of the Heart (1986).In 1999, Shepard could be seen on both the big and small screen. He appeared in Snow Falling on Cedars and Dash and Lilly, a made-for-TV movie for which he won an Emmy nomination in the role of the titular Dashiell Hammett. In addition, he also lent his writing skills to Simpatico, a Nick Nolte vehicle about friendship and loss adapted from Shepard's play of the same name.As the new decade began, he could be seen as the ghost in a modern-set Hamlet. He appeared in Black Hawk Down, as well as in Sean Penn's The Pledge. His play True West enjoyed a highly successful revival starring John C. Riley and Philip Seymour Hoffman as feuding brothers, which was notable because the actors traded parts every third performance. In 2004 he appeared in the popular romantic drama The Notebook, and wrote Don't Come Knocking the next year. He was the legendary outlaw Frank James in 2007's The Assassination of Jesse James by the Coward Robert Ford. He was cast as Valerie Plame's father in Fair Game, and portrayed a dog-loving sheriff in Lawrnece Kasdan's Darling Companion.

Trivia: Strawberry blonde, freckle-faced, and willowy, Sissy Spacek was among the most popular female stars of the late '70s and '80s. The Texas born and bred actress originally aspired to become a singer, and, after heading east to New York, got her start singing at coffee houses in Greenwich Village. Billing herself as "Rainbo," Spacek also cut a single, "Johnny, You Went Too Far This Time." On the side, she earned money by recording backup vocals on television commercials.When the acting bug bit, Spacek enrolled at the Lee Strasberg Theatrical Institute. While she technically made her film debut as an extra in Andy Warhol's Trash (1971), her official debut is listed as Michael Ritchie's Prime Cut (1972). The actress' first crack at stardom came in 1973, when she played a teenage accomplice to ruthless cross-country killer Martin Sheen in Terrence Malick's disturbing Badlands. The role earned her critical acclaim, as did her portrayal of a sweet teen who becomes a violent radical in the made-for-television movie Katherine (1975).Spacek's true breakthrough came when she played a troubled, shy teenager who discovers that she has telekinetic powers and uses them to get bloody revenge upon her cruel schoolmates and mother in Brian De Palma's chilling adaptation of Stephen King's novel Carrie (1976). Her work in the film earned her a Best Actress nomination, as well as permanent cult status. She once again experimented with emotional instability in Robert Altman's Three Women the following year, and then got to show off her singing abilities playing Loretta Lynn in Coal Miner's Daughter in 1980. Her portrayal of Lynn became one of Spacek's best-known roles, and it earned her an Oscar for Best Actress.In 1981, Spacek starred in Raggedy Man, which was directed by her husband, Jack Fisk. Her career remained in high gear through the mid-'80s with such memorable turns as her Oscar-nominated work in Missing (1982) and The River (1984), but after 1986, when she was again nominated for an Oscar for her work in Crimes of the Heart, Spacek partially withdrew from acting to concentrate on raising kids. Throughout the 1990s, she occasionally returned to the big screen, lending her talents to such features as JFK (1991), The Grass Harp (1996), and Affliction (1998). In 1999, she turned in memorable performances playing Brendan Fraser's mother in Blast From the Past and Richard Farnsworth's speech-impaired daughter in David Lynch's The Straight Story. In 2001 the quietly intense actress shined once again in director Todd Field's critically praised In the Bedroom. Suffering from severe trauma and depression after her son is viciously murdered, Spacek's brooding and sympathetic performance in Bedroom found the actress taking home a Golden Globe for Best Actress and earning an Oscar nod in the same category.She continued to work steadily in projects such as the drama North Country, the comedy Hot Rod, Four Christmases, and Get Low. In 2010 she joined the cast of the HBO series Big Love, and the next year she had a key role in the Oscar-nominated drama The Help, resulting in one of the biggest commercial hits of her illustrious career.

Trivia: With varied rugged experiences ranging from blacksmith to horse trainer, portly, handlebar-mustached Wilford Brimley entered films in the 1960s as a cowboy stunt man. Save for a few billed appearances on TV cowboy series like Gunsmoke, Brimley worked primarily in supporting roles until finally achieving star status in the 1980s via his gruff, fatherly roles in such films as The Thing (1981), Hotel New Hampshire (1984), The Natural (1984) and Cocoon (1986). On television, Wilford Brimley starred in the 1980s family dramedy Our House. In addition to his film and television work, Brimley worked for a time as the commercial spokesperson for the Quaker Oats company.

Trivia: One who graduated from obscure actor to Hollywood icon in just a few years, Matt Damon became an instant sensation when he co-wrote and starred in Good Will Hunting with longtime buddy and collaborator Ben Affleck. A native of Cambridge, Massachusetts, where he was born on October 8, 1970, Damon grew up in prosperous surroundings with his tax preparer father, college professor mother, and older brother. At the age of ten, he befriended Affleck, a boy two years his junior who lived down the street. Educated at Cambridge's Rindge and Latin School, Damon landed his first role in a Hollywood production before the age of 18, with a one-scene turn in Mystic Pizza (1988). Not long after, Damon gained acceptance to Harvard University, where he studied for three years before dropping out to pursue his acting career. During his time there, he had to write a screenplay for an English class, that served as the genesis of Good Will Hunting. Arriving in Hollywood, Damon scored his first big break with a plum role in School Ties opposite Affleck. As the film was a relative flop, Damon's substantial role failed to win him notice, and he was back to laboring in obscurity. It was around this time, fed up with his Hollywood struggles, that Damon contacted Affleck, and the two finished writing the former's Harvard screenplay and began trying to get it made into a film. It was eventually picked up by Miramax, with Gus Van Sant slated to direct and Robin Williams secured in a major role, opposite Damon as the lead. Before Good Will Hunting was released in late 1997, Damon won some measure of recognition for his role as a drug-addicted soldier in Courage Under Fire; various industry observers praised his performance and his dedication to the part, for which he lost forty pounds and suffered resulting health problems. Any praise Damon may have received, however, was overshadowed the following year by the accolades he garnered for Good Will Hunting. His Oscar nomination for Best Supporting Actor, Best Screenplay win alongside Damon, and strong performance in the film virtually guaranteed industry adulation and steady employment, a development that became readily apparent the following year with lead roles in two major films. The first, John Dahl's Rounders, cast Damon as a card shark with a serious gambling addiction, who risks his own personal safety when he becomes entangled with a reckless loser buddy (Edward Norton). Damon's second film in 1998, Steven Spielberg's Saving Private Ryan, brought him even greater recognition. As Ryan's title character, Damon headlined an all-star line-up and received part of the lavish praise heaped on the film and its strong ensemble cast. The following year, Damon signed for leads in two more highly anticipated films, Anthony Minghella's The Talented Mr. Ripley and Kevin Smith's Dogma. The former cast the actor against type as the title character, a psychotic bisexual murderer, with a supporting cast that included Cate Blanchett, Jude Law, and Gwyneth Paltrow. Dogma also allowed Damon to cut against the grain of his nice-guy persona by casting him as a fallen angel. One of the year's more controversial films, the religious comedy reunited him with Affleck, as well as Smith, who had cast Damon in a bit role in his 1997 film, Chasing Amy. Damon next delivered noteworthy performances in a pair of low-grossing, low-key dramas, The Legend of Bagger Vance and All the Pretty Horses (both 2000), before appearing in director Steven Soderbergh's blockbuster remake of the Rat Pack classic Ocean's Eleven the following year. 2002 found the actor vacillating between earnest indie projects and major Hollywood releases. Behind the camera, Damon joined forces with filmmaker Chris Smith for the Miramax-sponsored Project Greenlight, a screenplay sweepstakes that gave the winner the opportunity to make a feature film and have the process recorded for all to see on an HBO reality series of the same name. Toward the end of 2001, Damon scored a box office triumph with director Doug Liman's jet-setting espionage thriller The Bourne Identity. With this effort, Damon proved once again that he could open a film with just as much star power as his best friend and colleague. Better yet, Bourne reinforced Damon's standings with the critics, who found his performance understated and believable. The press responded less favorably, however, to Damon's reunion project with Van Sant, the experimental arthouse drama Gerry (2003). Also in 2003, Damon starred opposite Greg Kinnear in the Farrelly Brothers' broad comedy Stuck On You, as the shy half of a set of conjoined twins.In 2004, Damon reprised the role of Jason Bourne in The Bourne Supremacy. As the actor's biggest leading-man success to date, it reinforced Damon's continued clout with audiences. Staying on the high-powered sequel bandwagon, he reunited with Brad Pitt and George Clooney for the big-budget neo-rat pack sequel Ocean's Twelve later that year. 2005 was somewhat lower-key for the actor, as he toplined Terry Gilliam's disappointing The Brothers Grimm and joined the sprawling ensemble of Syriana. After working seemingly non-stop for a few years, Damon claimed only a call from Martin Scorsese would get him to give up his resolve to take some time off. Sure enough, that call came. The Departed, an American remake of the Hong Kong mob-mole thriller Infernal Affairs, co-starred Jack Nicholson and Leonardo DiCaprio. Playing the squirmy, opportunistic cop to DiCaprio's moral, tormented mobster, Damon underplayed his part to perfection while holding his own opposite his two co-stars. Damon then took the lead role in the Robert De Niro-directed CIA drama The Good Shepherd. In 2007, the actor once again returned to box office franchises for the sequels Ocean's Thirteen and The Bourne Ultimatum, the latter of which netted him -- by far -- the largest opening-weekend take of his career to that point. 2009 was another great year for the hard-working star. His turn as the unstable federal informant in Steven Soderbergh's wicked comedy The Informant! earned him rave reviews, and his supporting work in Clint Eastwood's Invicus, as the leader of the South African rugby team, earned Damon nominations from the Golden Globes, the Screen Actors Guild, and the Academy. In 2010 he reteamed with Eastwood for the supernatural drama Hereafter, and continued working with the best filmmakers of his time by landing a supporting role in the Coen brothers remake of True Grit. Meanwhile, Damon tried his hand at small screen work with a memorable recurring role as Carol, an airline pilot and sometime boyfriend of Liz Lemon, on the NBC situation comedy 30 Rock and a lauded turn opposite Michael Douglas' Liberace in the TV movie Behind the Candelabra. Damon had long since established himself as an A-list movie star, however, and would continue to star in big screen projects for years to come, including notable titles like Contagion, The Adjustment Bureau, and We Bought a Zoo. Damon next turned in performances in three films set in outer space: Neill Blomkamp's Elysium (2013), a supporting role in Christopher Nolan's Interstellar (2014) and an Oscar-nominated spin in Ridley Scott's The Martian (2015).

Trivia: Husky American actor Bruce McGill made his film debut in Citizen's Band (1978), but it was his next film role, frat-brat "D Day" in National Lampoon's Animal House, that gained him a following. McGill repeated his D-Day characterization in the spin-off TV series Delta House (1979), then co-starred with David Hasselhoff in the 1980 weekly-TV version of the 1977 theatrical football comedy Semi-Tough. He went on to play a string of brusque authority types in films (Cliffhangers) and television (MacGiver, Live Shot). Fans of the fantasy series Quantum Leap (1989-93) may recall McGill's occasional guest shots, which ranged from mildly eccentric to truly weird. In 1987, Bruce McGill enjoyed one of his few feature-film leading roles in Waiting for the Moon. But it wasn't until the 1990s that casting directors really began to utilize McGill's unique range, and though he never won any awards, he shifted between film (A Perfect World, Timecop, The Insider) and television (Babylon 5, Star Trek: Voyager) with the skill of a seasoned pro. Any genre was fair game, and all were tackled with equal aplomb. At the dawn of the 2000s McGill seemed to shift his focus toward feature films, with roles in Ali, The Sum of All Fears, and Collateral helping to make him both a Michael Mann regular, and one of those welcomed faces that seems to turn up everywhere. Still TV just seemed to be in McGill's blood and after lending his voice to both Family Guy and The Cleveland Show he could be seen as a regular on the TNT detective series Rizzoli and Isles.

Trivia: Stunt man and actor Tony Epper first appeared onscreen in the '70s.