Trivia: Known mostly for his role as medical intern John "J.D." Dorian on NBC's sitcom Scrubs, Zach Braff has an enthusiasm for acting that can be traced back to his childhood in South Orange, NJ, where, at eight years old, he recalls watching his attorney father participate in a local theater group. Three years later, Braff could be found cultivating his own show-business skills at Stagedoor Manor, a renowned children's acting camp. After attracting the attention of a well-connected talent scout, Braff made his would-have-been television debut opposite Gwyneth Paltrow in an unsold pilot produced by Bruce Paltrow. His contribution to CBS's after-school special My Summer as a Girl in 1994 made it to the television screen, but, by that time, he had a significantly more notable role under his belt: the teenaged son of two neurotic New Yorkers (Woody Allen and Diane Keaton) in Manhattan Murder Mystery (1993). Though moderately successful in his childhood and late teens, Braff opted to attend college at Northwestern University rather than making an immediate transition to a full-time career of pursuing roles in the wilds of Los Angeles. While at Northwestern, Braff wrote and directed several short films, among them Lionel on a Sunday, which fared successfully in the 1998 festival season. The young actor went on to co-star in Getting to Know You, an adaptation of various short stories penned by author Joyce Carol Oates, which won praise at the 1999 Sundance Film Festival. After a role as a gay party-boy drug addict in The Broken Hearts Club (2000), which won a GLAAD Media Award for Outstanding Film, Braff auditioned for Scrubs; despite his prior experience, the sitcom undoubtedly became his breakout role. Indeed, the Scrubs success helped Braff write, direct, and star in Garden State (2003) opposite Natalie Portman and Ian Holm. The "little Sundance film that could" of its particular year, Garden State became a major indie hit, as its look and sound resonated with the creeping-toward-maturity Gen-Y demographic to whom Braff was obviously appealing. His next role as the lead character in Disney's animated Chicken Little appealed to a younger crowd, but still banked some serious cash at the box office. Braff next appeared in the flesh in 2006's Tony Goldwyn romantic comedy The Last Kiss. The film, scripted by Crash's Paul Haggis, co-starred Casey Affleck, Tom Wilkinson, and Blythe Danner, and mined much of the same simultaneously sad and funny emotional ground explored in Garden State. It died a quick death at theaters as fans heeded the advice of critics who deemed it a more morose gloss on well-trod twentysomething angst. The actor's next film was the lighter romantic-triangle comedy The Ex.Scrubs finally ended its run in 2011, and Braff made another big screen appearance, this time in the drama The High Cost of Living. He had a supporting role in 2013's Oz the Great and Powerful before returning to the indie scene in 2014 with the Kickstarter-funded Wish I Was Here, which he directed, co-wrote (with his brother Adam) and starred in.

Trivia: Born on January 11th, 1972, Amanda Peet grew up in New York and made a decidedly unconventional debut into showbiz: At three-years-old, a thoroughly uninvited Peet jumped onto a stage during the middle of a play. Despite the auspicious beginning, Peet treated acting as more of a hobby than anything else, and only began to consider it a potential career after her drama professor at Columbia University encouraged her to audition for renowned acting teacher Uta Hagen. Peet studied with Hagen for four years, during which time she participated in the off-Broadway revival Awake and Sing. Though she would eventually be voted one of the year's 50 most beautiful people in a 2000 issue of People magazine -- not to mention participate with the likes of Susan Sarandon, Samuel L. Jackson, and Jack Nicholson -- Peet worked as a waitress during the first few years of her acting career.The sloe-eyed brunette made her onscreen debut in Craig Singer's Animal Room (1996). That same year, she could also be seen in an episode of Law & Order, and went on to play a role in Grind (1996), a crime drama starring Billy Crudup. Before long, Peet landed a small role in the Michelle Pfeiffer-George Clooney romantic comedy One Fine Day. Since then, the actress has continued to build both her film and television credits: in 1997, she appeared in the AIDS drama Touch Me, and the following year she had sizable roles in South Boston crime drama Southie with Donnie Wahlberg and Rose McGowan, which won the American Independent award at the 1998 Seattle Film Festival. On television, she could be seen guest starring on a number of shows including Seinfeld and Ellen Foster. In 1999, she got her own television show, Jack & Jill, on the WB network. That same year, she could be seen playing Sean Patrick Flanery's fiancée in Simply Irresistible and then acting as his bedmate in Body Shots, another in the long line of explorations into pre-millennial twentysomething dating angst.After starring in director Neil Turitz's debut Two Ninas, Peet landed a leading role in Peter M. Cohen's independent comedy Whipped. While the film itself performed dismally, Peet met her boyfriend, Brian Van Holt, on the set. Despite it's independent status, Whipped was given a solid amount of mainstream marketing, and Peet was praised for a game performance in the face of an admittedly weak script.After a small role in 2000's Isn't She Great with Bette Midler and Nathan Lane, Peet was finally recognized by critics and audiences alike in The Whole Nine Yards. Though the film itself did not fare particularly well, Peet was praised for holding her own against Hollywood heavy-hitter Bruce Willis, which certainly didn't hurt her when it came time to audition for Saving Silverman, which placed her opposite Jason Biggs while he was still reeling from the success of American Pie. In 2002, Peet played a considerably less vicious wife in Changing Lanes with Ben Affleck and Samuel L. Jackson, and won no small amount of praise for her performance as the heroin-addled mistress of Kieran Culkin's godfather in Igby Goes Down. Peet would go on to star opposite film veterans Diane Keaton and Jack Nicholson in Nancy Meyers' Something's Gotta Give, in which she stars as Nicholson's scandalously young girlfriend, as well as James Mangold's psychological thriller Identity with John Cusack. In 2004, Peet signed on for the sequel to The Whole Nine Yards (aptly titled The Whole Ten Yards), and acted alongside Will Ferrell, Chloë Sevigny, and Josh Brolin in the Woody Allen feature Melinda and Melinda. The next year, Peet starred alongside Ashton Kutcher in the romantic comedy A Lot Like Love, before joining the cast of the politically charged thriller Syriana. Then, in 2006, the actress accepted a recurring role on the one-hour drama Studio 60 On the Sunset Strip. The Aaron Sorkin written series received major critical acclaim but was cancelled after just one season. Undeterred, Peet next teamed up with John Cusack for the quirky, heartfelt drama Martian Child. The sci-fi theme continued with voice work in Battle for Terra (2007), The X-Files: I Want to Believe, and 2012, though by 2010 Peet seemed to be focusing on honing her comedy skills with toles in Wainy Days, Important Things with Demetri Martin, and How I Met Your Mother. In 2010, after receiving numerous critical accolades for her performance in Nicole Holofcener's Please Give, Peet plunged into televosion full-time with Bent -- an NBC series that found her cast as a high-strung lawyer contening with a free-spirited construction worker. Unfortunately for Peet the series failed to perform, and was swiftly cancelled by the network, freeing her up to appear in such high profile fare as director Terrence Malick's romantic drama To the Wonder (2012), though her scenes were ultimately cut from the final film. She had a guest arc on The Good Wife and played a supporting role in the indie flick The Way, Way Back in 2013.

Trivia: The younger brother of Family Ties star Justine Bateman, actor Jason Bateman has been a mainstay on television since the 1980s, starring in countless sitcoms of varying success. He first displayed his scene-stealing propensity in the role of young sharpster Derek Taylor, best friend of star Ricky Schroder, on Silver Spoons. The audience response to Bateman was so positive that the 15-year-old was given his own sitcom vehicle in 1984, as "teenaged con man" Matthew Burton on It's Your Move. When this series was cancelled after one season, Bateman moved to the long-running role of wise-guy teen David Hogan on the mid-1980s series Valerie, which of course later changed names (and leading actresses) to emerge as The Hogan Family. During this period, Bateman also found time to star or co-star in a handful of feature films, such as the 1985 made-for-TV summer-camp comedy Poison Ivy, Teen Wolf, Too, and 1991's Necessary Roughness. However, none of the projects were successful enough to give Bateman a springboard to bigscreen stardom.Following the conclusion of The Hogan Family in 1991, Bateman embarked on a decade plagued by failed TV outings. On top of several pilots that never even saw the light of day, he was the lead in no less than four ill-fated sitcoms, Simon, George and Leo, Chicago Sons, and Some of My Best Friends. Fortunately, as the new millenium was ushered in, things started to look bright for Bateman. After a supporting turn in the Cameron Diaz comedy The Sweetest Thing, his first major theatrical feature in a decade, he was tapped to lead the eclectic ansemble cast of the Ron Howard-produced Fox sitcom Arrested Development. Acclaimed for its smart humor and fresh concept, the show became a hit with critics and viewers.In the wake of Arrested Development's success, Bateman continued to increase his presence in the world of comedy, but henceforth on the silver screen. He made memorable appearances in 2004 comedies like Starsky and Hutch and Dodgeball: A True Underdog Story, as well as more serious fare, like the 2007 Iraq War movie The Kingdom, but Bateman's next major hit seemed to come later that year, with a memorable supporting role in the comedy Juno. He would continue to be a mainstay in comedy, however, with appearances in Forgetting Sarah Marshall, The Invention of Lying, Extract, Couples Retreat, and The Switch, but the actor would continue to surprise audiences with more dramatic films as well, like 2009's State of Play and Up in the Air. For comedy fans, Bateman couldn't be avoided in 2011, with roles in Horrible Bosses as well as The Change-Up. Soon, he was signing up to star alongside Olivia Wilde and Billy Cruddup in The Longest Week, and Alexander Skarsgard in Disconnect.

Trivia: Supporting and occasional leading actor Charles Grodin built a successful career playing low-key, uptight, and frequently wholesome comic roles, with occasional turns as an arch-villain. Whereas many funnymen have been popular for their ability to overreact and mug their way around everyday obstacles, Grodin belonged, from the beginning, to the Bob Newhart school of wry comedy that values understatement and subtlety. Grodin learned to act under the guidance of Lee Strasberg and Uta Hagen before making his 1962 Broadway debut opposite Anthony Quinn in Tchin Tchin. Two years later, Grodin made his first film appearance in Joseph Adler's Sex and the College Girl. Though offered the leading role in The Graduate (1967), Grodin refused, thereby providing a lucky break for Dustin Hoffman. In 1968, he played a small but memorable role as a naive obstetrician in Rosemary's Baby, and then tackled another villainous role as heartless navigator Aarfy Aardvark in Mike Nichols's Catch-22. Grodin got his big break when director and Nichols's former comedy partner Elaine May, who had been a longtime friend and mentor of the young actor, cast him in the lead of the Neil Simon-scripted The Heartbreak Kid (1972), in which he played a salesman who falls in love with Cybill Shepherd during his honeymoon. Though Steven Spielberg wanted him to play the role of shark expert Matt Hooper in Jaws (1974), Grodin preferred to direct the play Thieves on Broadway instead. In 1977, Grodin signed for the leading role in the film version. He also added spice as the villain in Warren Beatty and Buck Henry's remake of Here Comes Mr. Jordan (1941), Heaven Can Wait (1978). Since then, Grodin continued as a supporting actor in such films as The Woman in Red (1984) and The Couch Trip (1987). After receiving rave reviews starring opposite Robert De Niro in the 1988 hit comedy Midnight Run, Grodin's career began to slow down. He played the long-suffering patriarch in the first two Beethoven films and turned in a memorable performance in 1993's Dave, but by 1995 Grodin had decided to switch gears, opting to host a talk show. After The Charles Grodin Show ran for several years on CNBC, Grodin later took a gig doing Andy Rooney-esque commentary on CBS's 60 Minutes II.

Trivia: American actress and long-time Woody Allen muse, Mia Farrow was the third of seven children born to film star Maureen O'Sullivan and director John Farrow. Born February 9, 1945, she enjoyed the usual pampered Hollywood kid lifestyle until she fell victim to polio at the age of nine; her struggle to recover from this illness was the first of many instances in which the seemingly frail Farrow exhibited a will of iron. Educated in an English convent school, Farrow returned to California with plans to take up acting. With precious little prior experience that included a bit part in her father's 1959 film John Paul Jones, she debuted on Broadway in a 1963 revival of The Importance of Being Earnest. The following year, she was cast as Alison McKenzie in the nighttime TV soap opera Peyton Place, which made her an idol of the American teen set. That people over the age of 18 were also interested in Farrow was proven in the summer of 1965, when she became the third wife of singer Frank Sinatra, 30 years her senior. The marriage provided fodder for both the tabloids and leering nightclub comics for a time, and while the union didn't last long, it put Farrow into the international filmgoing consciousness. (She and Sinatra remained close, long-time friends after their divorce). Farrow's first important movie appearance was in Rosemary's Baby (1968) as the unwitting mother of Satan's offspring. She was often cast in damsel-in-distress parts -- capitalizing on Rosemary's Baby -- and in "trendy" pop-culture roles for several years thereafter. During this period, she married pianist André Previn and starting a family. Her skills as an actress increased, even if her films didn't bring in large crowds; Farrow's performance as Daisy Buchanan in The Great Gatsby (1974) remains one of the few high points of the largely disappointing film. By the early '80s, a newly divorced Farrow had taken up with comedian/director Woody Allen, for whom she did some of her best work in such films as Zelig (1983); Broadway Danny Rose (1984), in which she was barely recognizable in a brilliant turn as a bosomy blonde bimbo; The Purple Rose of Cairo (1985); Hannah and Her Sisters (1986); Radio Days (1987); Crimes and Misdemeanors (1989); and Husbands and Wives (1992). Farrow and Allen were soul mates in private as well as cinematic life; she had a child by him named Satchel, who was Allen's first son. In 1992, ironically the same year that she starred as Allen's discontented spouse in Husbands and Wives, Farrow once more commanded newspaper headlines when she discovered that Allen had been having more than a parental relationship with her adopted daughter Soon-Yi Previn (whom he later married). Farrow and Allen then engaged in a long, well-publicized court battle for custody of their adopted and biological children; in the aftermath, Farrow wrote a tell-all memoir entitled What Falls Away. She also continued to appear on the screen in such films as Widows' Peak (1994), Miami Rhapsody (1995), and Coming Soon (1999).Farrow stayed out of the limelight at the beginning of the next decade, but brought back memories of one of her best films, Rosemary's Baby, when she appeared as the nanny guiding the evil Satan child Damien in John Moore's adaptation of The Omen. The actress appeared in The Ex (2006), a romantic comedy, and in the first installment of filmmaker Luc Besson's fantasy adventured trilogy Arthur and the Invisibles. Farrow starred alongside Jack Black, Mos Def, and Danny Glover in the lighthearted comedy Be Kind Rewind (2008), which followed a bumbling movie lover who accidentally erased a vast collection of VHS films. In 2011, Farrow joined the cast of filmmaker Todd Solondz' Dark Horse, in which she co-starred with Selma Blair and Jordan Gelber.

Trivia: Getting her start in a comedy team called "My Mother's Fleabag" while studying at Boston College, the frantically energized Amy Poehler (born September 16th, 1971) has become an improv queen of sorts on the comedy circuit. After graduation, Poehler got involved with Second City and ImprovOlympic in Chicago, where she worked with improv guru Del Close and began touring. After joining up with the sketch comedy group The Upright Citizens Brigade, she moved to New York City with them in 1996. The group had a show on Comedy Central for three seasons and opened their own theater in New York. Her big mainstream breakthrough came in January 2002, when she was promoted from featured player to member of the repertory cast of Saturday Night Live. Two of her most well-known SNL characters have been the one-legged dating show contestant and the combative trailer-park wife. Her other television appearances included recurring characters on Late Night With Conan O'Brien and Undeclared. On the big screen, she seemed to make an impression despite her small roles. In Deuce Bigalow: Male Gigolo, she played a Tourette's Syndrome sufferer, and in Wet Hot American Summer she was a snobby drama club leader. After appearing in the feature Martin & Orloff with the other members of the Upright Citizens Brigade, she would star with Jack Black and Ben Stiller in Envy in 2004, the same year that she memorably portrayed a wannabe hip mom in the Tina Fey-penned comedy Mean Girls. The following few years found Poehler skillfully balancing her small-screen career with her feature aspirations, and whether she was sitting at the "Weekend Update" desk, playing the wife of then-real-life husband Will Arnett on Arrested Development, or waiting tables in Tenacious D in the Pick of Destiny, the increasingly busy actress/comedian could always be counted on for a few hearty laughs. Additional appearances in both the kiddie-friendly Spongebob Squarepants and the terrifyingly hilarious Wonder Showzen during this period in her career would offer hilarious proof of Poehler's crafty ability to alternate between subversive adult material and harmless kid cartoons with an ease that no doubt helped to make her a hit with audiences young and old alike. Despite substantial appearances in (Donnie Darko director) Richard Kelly's eagerly anticipated sophomore feature Southland Tales and Alec Baldwin's remake Shortcut to Happiness going largely unseen when both films languished without a release date for far longer than anyone would have anticipated, fans in need of a Poehler feature fix would find little cause to complain as the actress turned up in The Ex, Blades of Glory -- again opposite then-husband Arnett -- and Shrek the Third in 2007.Poehler continued to be a popular choice for voice roles, lending her vocal talents to Monsters vs. Aliens (2009), Alvin and the Chipmunks: The Squeakquel (2009), and The Secret World of Arrietty (2010). In 2008, she reunited with Tina Fey to play the freewheeling surrogate mother to a high-strung, career-oriented woman (Fey) who desperately wants a baby. Poehler's star continued to rise with the sitcom Parks and Recreation. Introduced in 2009, the popular comedy series follows Leslie Knope (Poehler), a mid-level bureaucrat working for the parks department in the fictional town of Pawnee, Indiana.

Trivia: Combining low-key, average-Joe charisma with a bottomless capacity for shrewd comic timing, Donal Logue earned a reputation in the late '90s as one of the decade's most compelling -- and prolific -- character actors. First winning notice and a dedicated cult following for his portrayal of Jimmy McBride, a cab driver featured in a series of MTV promos, Logue went on to work in a string of films good, bad, and ugly before finally landing his first major starring role in Jenniphr Goodman's 2000 Sundance favorite The Tao of Steve. The son of Irish immigrants, Logue was born in Ottawa, Canada, on February 27, 1966. Raised largely in the Southwestern United States, he went on to attend Harvard, where he studied history and began to nurture an interest in theater. Although Logue had long aspired to be a writer, a stint at the British-American Drama Academy in London strengthened his dedication to acting, and after graduating from college, he began performing on the stage. Logue got his first break in the early '90s, when he began doing the notorious Jimmy the cab driver segments for MTV and won a small role in Robert Redford's Sneakers (1992). Supporting work in films ranging from Little Women (1994) to 3 Ninjas Knuckle Up (1995) to the American remake of Diabolique (1996) followed, as did work on several TV series. In 1999, film audiences were finally given a greater opportunity to see what Logue was capable of when he turned in a scene-stealing performance as a slobby L.A. limo driver with half-baked acting ambitions in The Big Tease, Kevin Allen's light-hearted hairdressing mockumentary. Full-blown appreciation finally came the actor's way the following year, when he starred as the title character of Goodman's The Tao of Steve. A wry comedy about a late-twentysomething slacker whose savvy dating philosophy allows him to win over the ladies despite a gut whose bounty is matched only by the amount of pot he consumes, the film was a great success at the 2000 Sundance Festival, where Logue was awarded a Special Jury Prize for Outstanding Performance.The growing appreciation that surrounded Logue's work was reflected in the number of projects the actor was involved with that same year. Appearing in no less than six movies, including the summer blockbuster The Patriot, Logue was soon being touted as one of the industry's more promising -- to say nothing of hard-working -- talents.

Trivia: Endowed with the kind of dark, puppy-eyed, lanky looks that have often gotten him cast as sensitive, shy young men, actor Josh Charles first became known to audiences as sensitive, shy prep school boy Knox Overstreet in Dead Poets Society (1989). A native of Baltimore, where he was born September 15, 1971, Charles made his entrance into acting through stand-up comedy, which he began performing at the age of eight. He made his film debut in fellow-native son John Waters' Hairspray (1988), and following the success of Dead Poets Society the next year, earned a reputation as a member of the '90s version of the Brat Pack.Charles' subsequent film appearances were sporadic and in projects of wildly varying quality; ranking among his better-known work are Don't Tell Mom the Babysitter's Dead (1991), Threesome (1994), and the made-for-television Norma Jean and Marilyn (1996). In 1998, Charles was cast as one of the leads in the highly acclaimed TV show Sports Night, a sitcom revolving around the goings-on of a late night cable sports news program. Though Sports Night did indeed gain positive critical notice and a loyal fanbase for its smart writing and multi-dimensional characters, it was unfortunately cancelled before it really had a chance to fully develope. Hollywood did however take notice of Charles' talents as an actor, and the quality and substance of the roles he was being offered slowly began to rise. Following a pair of low-key roles in such indie dramas as Meeting Daddy (2000) and Our America (2002), Charles was cast in the high-profile action thriller S.W.A.T. Over the next several years, Charles would remain active on screen, appearing on TV series like In Treatment and The Good Wife and films like The Ex and Weakness.

Trivia: Displaying the type of understated, dark-eyed good looks that make him a natural candidate for an art house pinup, Paul Rudd impressed filmgoers throughout the latter half of the 1990s with his talent for turning in performances marked by thoughtful insight and an unassuming charisma. Since his turn as Alicia Silverstone's endearingly self-righteous stepbrother in the 1995 film Clueless, Rudd has enjoyed a sort of low-key fame that has allowed him to branch out both in film and on the stage.The son of British-born parents, Rudd came into the world via Passaic, NJ, on April 6, 1969. Because of his father's job in the airline industry, Rudd and his family traveled a great deal, eventually settling in Kansas City, KS. After graduating from high school, Rudd attended the University of Kansas, where he majored in theater. Following his graduation, he was accepted as a student at the American Academy of Dramatic Arts/West in Los Angeles. His studies there led to a three-month theater workshop at Oxford University's British Drama Academy, where he was tutored by the producer and editor Michael Kahn. During his time in England, Rudd also co-produced the Globe Theatre's Bloody Poetry, in which he starred as the poet Percy Shelley, and then performed the title role of Hamlet, in a production directed by Ben Kingsley. Back in the States, Rudd made his television debut in 1992, in the series Sisters. As Ashley Judd's boyfriend Kirbie Philby, Rudd stayed with the show until 1995. During this time, he also appeared in other television productions, including the short-lived series Wild Oats (1994). In 1995, he made his big-screen debut in Amy Heckerling's Clueless, a film that met with a lavish dose of unanticipated success. Although much of the limelight was reserved for the film's star Alicia Silverstone, Rudd also received a fair amount of press, as well as the adulation of a new generation of fans who warmed to the actor's unconventional appeal. The same year, he played the lead in the sixth Halloween installment, Halloween: The Curse of Michael Myers. The year 1996 proved to be one of hits and misses, as it included his leading part in the straight-to-video Overnight Delivery, co-starring Reese Witherspoon, and the highly successful William Shakespeare's Romeo + Juliet, in which he played against type as the arrogant Dave Paris. The same year, Rudd starred in the obscure but critically praised Canadian independent The Size of Watermelons, before going on to make the equally obscure, critically trashed The Locusts (1997). Theatrically, however, 1997 provided positive experience in the form of a Broadway production of Alfred Uhry's The Last Night of Ballyhoo, in which Rudd had a lead role. There were further positive experiences for Rudd in 1998, as in addition to his principal role in the well-received The Object of My Affection, he starred in the high-profile Lincoln Center production of Twelfth Night, which co-starred Helen Hunt and was directed by Nicholas Hytner, his Object director. Rudd continued his theater work the following year, with Neil LaBute's Bash, an off-Broadway show that also featured Calista Flockhart and Ron Eldard. In addition, he had a starring role in 200 Cigarettes, a film remarkable for both its enviable ensemble cast (including Christina Ricci, Ben Affleck, and Martha Plimpton) and the overwhelmingly desultory reviews it received. However, even the most savage of critics were able to single out Rudd for praise, further reflecting the actor's ability to make a favorable impression in even the most unfavorable of films.After a turn as Nick Caraway in a made-for-television adaptation of F. Scott Fitzgerald's The Great Gatsby, Rudd showed off his ability pull off broad-comedy in the largely improvised 2001 parody film Wet Hot American Summer. He changed gears considerably for his next project, The Shape of Things which saw him reteam with director LaBute.In 2004, Rudd again flexed his skills as a comedic scene-stealer with a supporting role in the 70s-era Will Ferrell vehicle Anchorman: The Legend of Ron Burgundy. Keenly aware that he was very much on to a good thing, Rudd kept the laughs coming in Tennis, Anyone...? and The Baxter before hitting yet another comedy homerun in the 2005 Steve Carrell comedy The 40 Year Old Virgin. The movie moved Rudd several notches up on the radar of comedy fans, and he followed it up with memorable turns in many more laugh-fests over the coming years, including Knocked Up in 2007, Forgetting Sarah Marshall in 2008, Role Models in 2009, and I Love You, Man in 2009. Having made himself a favorite comic actor in the industry, Rudd was soon able to pick and choose increasingly perfect roles for his style, starring in 2010's Dinner for Schmucks with Steve Carrell in 2010, and Our Idiot Brother with Zooey Deschanel in 2011. The following year, on the heels of the big screen comedy Wanderlust and a recurring role on television's Parks and Recreation, Rudd reprised his role from Knocked Up in writer/director Judd Apatow's semi-sequel This is 40.

Trivia: An actress with a knack for light comedy, Amy Adams was born in Italy and raised in Castle Rock, Colorado. After high school, she studied dance and worked in regional dinner theater until age 20, when she moved to Minnesota with her family after being spotted by a visiting Minneapolis producer and recruited to work in his dinner theater there. She landed her first film role in the satiric 1999 comedy Drop Dead Gorgeous, which was, appropriately enough, set in Minnesota. After appearing in the independent comedy Psycho Beach Party, Adams made guest appearances on a number of television series, including That 70s Show, Buffy the Vampire Slayer, and The West Wing; she was also cast as a regular in Manchester Prep, a TV spin-off of the hit film Cruel Intentions. Manchester Prep, however, was never aired when its network decided that the show's sexual content was too strong for television, although several episodes were eventually re-edited into a direct-to-video feature entitled Cruel Intentions 2. 2002 proved to be a very busy year for Adams, who appeared in no fewer than four features, including the eagerly anticipated Catch Me if You Can, featuring Leonardo DiCaprio and Tom Hanks.Adams took a 2 year break following Catch Me If You Can, reemerging in 2004 to appear with Fred Savage in the low-key comedy/drama The Last Run. The next year she took a substantial role in the romantic comedy The Wedding Date, but the part that proved to be a career-shaping one was the very innocent, very pregnant Ashley in Phil Morrison's independent film Junebug. Adams was adored by audiences and praised by critics for her quirky, sensitive performance, and she netted a Best Supporting Actress nomination in the process.The young actress rounded out 2005 with a brief series of regular appearances on the wildly popular TV comedy The Office. In 2006 Amy co-starred in the NASCAR comedy Talladega Nights: The Ballad of Ricky Bobby, alongside Will Ferrell and Sacha Baron Cohen. 2007 provided a big boost to her lead-actress stock in the form of Disney's Enchanted, a Splash-like confection in which Adams played a fairytale princess inadvertently plopped into the alternate universe of modern-day New York City. The family-friendly Thanksgiving release racked up considerable praise and millions of box-office dollars. Adams picked up her second Academy Award nomination in 2008 for her work in John Patrick Shanley's adaptation of his award winning play Doubt. In addition to that honor, she scored nods from the Screen Actors Guild, and the Hollywood Foreign Press. The following year, Adams teamed with Doubt star Meryl Streep again, to play a young amateur chef who attempts to cook every recipe in a massive cookbook by Julia Child (Streep) in the Nora Ephron-directed Julie and Julia.The following year, Adams played the romantic interest of Mark Wahlberg in the Oscar contender The Fighter, earning tremendous critical acclaim both for her tough performance and spot-on Boston accent. Then in 2011, Adams teamed up with funnyman Jason Segel for a much anticipated relaunching of Jim Henson's beloved Muppets franchise. In 2012 she played the controlling wife of a cult leader in Paul Thomas Anderson's drama The Master, and captured her fourth Best Supporting Actress nomination in just eight years for her work in that film. In 2013 she took on the legendary part of Lois Lane in the Superman reboot Man of Steel.

Trivia: A talented stage actor who made a name for himself in Broadway and off-Broadway productions, John Benjamin Hickey has also appeared on such popular television shows as Sex and the City and Homicide: Life in the Streets. Simultaneously making a bid for the big screen with roles in The Ice Storm (1997) and Love! Valour! Compassion! (1997), Hickey began gaining momentum in such big budget efforts as The Bone Collector and The General's Daughter (both 1999). After leaning back toward his stage roots with television's Hamlet in 2000, Hickey appeared in Alan Cumming and Jennifer Jason Leigh's searing showbiz satire The Wedding Party in 2001. He worked steadily in small parts in movies such as Changing Lanes, Flightplan, and Infamous, and landed a major role for Clint Eastwood in the 2006 World War II drama Flags of Our Fathers. He appeared in Freedom Writers, Transformers: Revenge of the Fallen, and the remake of The Taking of Pelham 1 2 3 before landing a major role in the Showtime series The Big C opposite Laura Linney.

Trivia: A comedic actor whose legacy is deeply intertwined with his long-standing involvement as a performer on NBC's Saturday Night Live, Fred Armisen graduated to on-camera work via an unlikely and wholly circuitous route. He studied film production at New York City's School of Visual Arts, then enjoyed a stint as a drummer in several punk bands including Trenchmouth and Those Bastard Souls, and performed with the Chicago production of the Blue Man Group. Shortly thereafter, Armisen authored a comedic short, Fred Armisen's Guide to Music and SXSW, which found him tooling through the South by Southwest Music Festival and conducting Sacha Baron Cohen-style parodistic interviews with legitimate musicians (most fully unaware of the joke being played). Upon playing at underground film festivals, that short turned the heads of HBO executives and prompted the network not only to sign Armisen as a regular correspondent on their music seires Reverb (a look at blossoming talent in the world of music), but to give him comedic interstitial segues in between regular programs, entitled Fred.From there, it was only a short leap to SNL stardom, and executive producer/creator Lorne Michaels brought Armisen in for a multi-season tenure beginning in 2002. On that program, as in his comedy shorts and standup acts, Armisen displayed a proclivity for sinking so completely into character that it became frequently difficult to separate the actor from the role; recurring characterizations included Martin Scorsese, Liberace, Tony Danza, Vicente Fox, and others. Armisen also landed supporting roles and cameo appearances in big-screen comedies; these included Anchorman: The Legend of Ron Burgundy (2004), the same year's Eurotrip (in a memorable bit as a creepy gay Italian), Tenacious D in the Pick of Destiny (2006), and Aqua Teen Hunger Force Colon Movie Film for Theaters (2007). In 2008, Armisen tackled a supporting role in the workplace comedy The Promotion, starring Seann William Scott, John C. Reilly, and Jenna Fischer.He continued to land small roles in big-screen comedies such as Easy A, Cop Out, and Confessions of a Shopoholic, but his first big success outside of SNL came when he teamed up with longtime friend and musician Carrie Brownstein to create, write, and star in Portlandia, a sketch-comedy show about Portland that aired on IFC. The series earned critical raves, and enough buzz to earn a second season.Though he married Mad Men actress Elizabeth Moss in 2009, their union lasted just ten months, and his next high-profile relationship was with his fellow SNL castmate Abby Elliot.

Trivia: Tanzania native Marin Hinkle is best known for her role as bookstore proprieter Judy Brooks on ABC's Once and Again, though her breakthrough performance was on long-running soap opera Another World. After the cancellation of Once and Again in 2002, Hinkle went on to find success in the sitcom world, co-starring with Charlie Sheen and Jon Cryer on CBS' popular Two and a Half Men, and appeared on a variety of prime-time dramas including ER, House, and Law & Order. Though Hinkle is primarily a television actress, she has had small roles in several films; her credits include Frequency, I Am Sam, Friends With Money, Weather Girl, The Next Big Thing, and Rails & Ties.

Trivia: Actor Yul Vázquez fit the bill for Hispanic or generalized ethnic roles in Hollywood productions, but worked to some degree against the grain by seeking out some of the more atypical and offbeat assignments within this type. He debuted in the Arne Glimcher-directed period musical drama The Mambo Kings (1992) -- as a member of the 1950s band at the center of the story -- then followed it up with bit parts and supporting roles in big-screen productions including Fresh (1994), Nick of Time (1995), Bad Boys II (2003), and War of the Worlds (2005), as well as occasional guest appearances on such series programs as Seinfeld and Law & Order. In 2007, Vázquez joined the cast of Ridley Scott's period crime melodrama American Gangster, alongside Denzel Washington and Russell Crowe.

Trivia: Tall, chiseled-face character actor Robert John Burke has been acting since the 1970s, but he is best known to art house audiences as a regular member of New York-based director Hal Hartley's stock company of decidedly non-Hollywood actors. Born on Long Island, Burke studied acting at S.U.N.Y. Purchase in the early '70s. After he graduated from college, Burke began acting in TV, appearing on such shows as As the World Turns and Happy Days. Though he made his feature film debut in The Chosen (1981), Burke devoted his energies in the early '80s to an experimental teaching program designed to involve students directly in the arts. Burke returned to movies and TV in the latter half of the 1980s with roles in actioner Wanted Dead or Alive (1986), TV movie comedy Pass the Ammo (1989), and late-'80s dance trend vehicle Lambada (1989). Burke's fortunes began to change when he was cast in the lead role of an enigmatic ex-con who returns to his Long Island hometown in the then-unknown Hartley's first feature, The Unbelievable Truth (1990). Shot on a shoestring budget in 11 days, The Unbelievable Truth garnered positive notice for Hartley's distinctly offbeat, dark comic sensibility and his stars' deadpan, wry performances. Burke followed The Unbelievable Truth with a supporting part in the Oscar-nominated 1930s coming of age film Rambling Rose (1991) and a high-profile starring role replacing Peter Weller as the imposing eponymous cyborg law enforcer in Robocop 3 (1992). Burke stayed busy from then on, alternating between independent movies and Hollywood projects. Working with Hartley again, Burke starred as one of a pair of brothers searching for their ballplayer-turned-anarchist father in the quirky yet appealing Simple Men (1992); he played a smaller role in Hartley's troubled romance triad Flirt (1995). Burke also acted more than once with the far less celebrated independent filmmaker Eric Schaeffer, appearing in Schaeffer's industry insider comedy My Life's in Turnaround (1993) and self-indulgent romantic comedy If Lucy Fell (1996). Outside of the New York independent scene, Burke played Reese Witherspoon's African gamekeeper father in the children's adventure A Far Off Place (1993), joined the distinguished cast populating Tombstone (1993) (the Kurt Russell version of the Wyatt Earp Western legend), appeared in Oliver Stone's third Vietnam movie, Heaven and Earth (1993), and starred as the cursed obese lawyer in Stephen King's horror yarn Thinner (1996). Continuing to show his versatility in both comedy and drama, Burke joined the supporting cast of the light-hearted buddy chase movie Fled (1996) and starred as Natasha Gregson Wagner's father in the bayou love story First Love, Last Rites (1997). Burke returned to TV in the late '90s in two acclaimed HBO productions, the ambitious miniseries From the Earth to the Moon (1998) and the wrenching Vietnam War docudrama A Bright Shining Lie (1998). At the start of the 2000s, Burke reunited with Hal Hartley for the Cannes Film Festival entry No Such Thing (2001). Drawing upon his varied experience, not to mention his formidable mien, Burke played the mammal/lizard Beast to Sarah Polley's Beauty in Hartley's singular reworking of the fairy tale romance.

Trivia: The multi-talented Romany Malco's first break in the entertainment industry came when his rap group, College Boyz, had a hit song titled "Victim of the Ghetto." With the encouragement of the multi-faceted John Leguizamo, Malco tried his hand at acting. In a relatively short period of time, he scored a main role on Level 9, and landed the title role in the made-for-TV biopic Too Legit: The MC Hammer Story. He reached a much wider audience as Jay, one of the co-workers/friends of The 40-Year-Old Virgin. His supporting role as Conrad Shepard on Showtime's satirical sitcom Weeds earned him more strong notices. He continued working in comedy with a supporting turn in Baby Mama starring former Saturday Night Live anchorwomen Tina Fey and Amy Poehler. He would also continue to find success on the small screen, with shows like No Ordinary Family and The Good Wife.