Trivia: Like Clark Gable, David Janssen lost quite a few film roles in the early stages of his career because his ears were "too big" and -- also like Gable-- he did pretty well for himself in the long run. The son of a former beauty queen-cum-stage mother, Janssen was virtually strong-armed into show business, appearing as a child actor on-stage and as a juvenile performer in such films as Swamp Fire (1946). Signed to a Universal contract in 1950, he showed up fleetingly in films both big-budget (To Hell and Back) and small (Francis Goes to West Point). Full stardom eluded Janssen until 1957, when he was personally selected by actor/producer Dick Powell to star in the TV version of Powell's radio series Richard Diamond, Private Detective. Though he didn't exactly become a millionaire (for several years he earned a beggarly 750 dollars per week), Janssen's saleability soared as a result of his three-year Diamond gig, and by 1960 he was earning top billing in such Allied Artists productions as King of the Roaring 20s (1960), in which he played gambler Arnold Rothstein, and Hell to Eternity (1960). In 1963, he landed his signature role of Dr. Richard Kimble on TV's The Fugitive. For the next four years, Janssen/Kimble perambulated throughout the country in search of the "one-armed man" who committed the murder for which Kimble was sentenced to death, all the while keeping one step ahead of his dogged pursuer, Lieutenant Gerard (Barry Morse). The final episode of The Fugitive, telecast in August of 1967, was for many years the highest-rated TV episode in history. There was little Janssen could do to top that, though he continued appearing in such films as Warning Shot (1967) and Green Berets (1969), and starring in such TV series as O'Hara, U.S. Treasury (1971) and Harry O (1974-1976). David Janssen died of a sudden heart attack at age 49, not long after completing his final TV movie, City in Fear (1980).

Trivia: Whitmore attended Yale, where he joined the Yale Drama School Players and co-founded the Yale radio station. After serving in World War II with the Marines, he did some work in stock and then debuted on Broadway in 1947's Command Decision. He entered films in 1949, going on to play key supporting roles; occasionally, he also played leads. For his work in Battleground (1949), his second film, he received a Best Supporting Actor Oscar nomination. He starred in the early '60s TV series "The Law and Mr. Jones." He won much acclaim for his work in the one-man stage show Give 'Em Hell, Harry!, in which he played Harry Truman; he reprised the role in the 1975 screen version, for which he received a Best Actor Oscar nomination. After 1980 his screen appearances were infrequent. He is the father of actor James Whitmore Jr.

Trivia: Born Florinda Bulcao, this tall, leggy, brunette Spanish-Indian leading lady is proficient in several languages. She worked in the PR department of the Brazilian national airline, then went to Paris and studied art at the Sorbonne for two years. While visiting Italy in 1967, she met director Luchino Visconti, who felt she had potential as a screen actress; besides recommending her to several other directors, he also cast her (as a prostitute) in his The Damned (1969). With her classic features she soon became a popular star in Europe, gaining international recognition after her appearance in De Sica's A Brief Vacation (1973).

Trivia: One of the most versatile American movie actors of the mid-20th century, Eddie Albert missed out on stardom but, instead, enjoyed a 50-year-plus screen career that encompassed everything from light comedy and zany satire to the most savage war dramas. Born Edward Albert Heimberger in Rock Island, IL, he attended the University of Minnesota. After working as everything from soda jerk to a circus acrobat (with a short stint as a nightclub and radio singer), Albert headed for New York City, where he scored a hit in the play Brother Rat, portraying military cadet Bing Edwards. He also starred in Room Service on-stage before heading to Hollywood, where he was signed by Warner Bros. to recreate his stage role in the 1938 film Brother Rat. Albert was known for his comedic work during the early years of his career -- his other early major credits included The Boys From Syracuse and Boy Meets Girl on-stage and On Your Toes (1939) onscreen. When he did appear in dramas, such as A Dispatch From Reuters (1940), it was usually as a light, secondary lead or male ingénue, similar to the kinds of parts that Dick Powell played during his callow, youthful days. Albert had an independent streak that made him unusual among actors of his era -- he actually quit Warner Bros. at one point, preferring to work as a circus performer for eight dollars per day. The outbreak of World War II sent Albert into the U.S. Navy as a junior officer, and he distinguished himself during 1943 in the fighting on Tarawa. Assigned as the salvage officer in the shore party of the second landing wave (which engaged in heavy fighting with the Japanese), his job was to examine military equipment abandoned on the battlefield to see if it should be retrieved; but what he found were wounded men who had been left behind under heavy fire. Albert took them off the beach in a small launch not designed for that task, earning commendations for his bravery. A bona fide hero, he was sent home to support a War Bond drive (though he never traded on his war experiences, and didn't discussing them in detail on-camera until the 1990s). When Albert resumed his acting career in 1945, he had changed; he displayed a much more serious, intense screen persona, even when he was doing comedy. He was also a much better actor, though it took ten years, and directors Robert Aldrich and David Miller, to show the movie-going public just how good he was. Ironically, when Albert did return to films, the roles weren't really there for him, so he turned to television and theatrical work during the early '50s. His best movie from this period was The Dude Goes West (1948), an offbeat comedy-Western directed by Kurt Neumann in a vein similar to Along Came Jones. The mid-'50s saw Albert finally achieve recognition as a serious actor, first with his Oscar-nominated supporting performance in William Wyler's hit Roman Holiday (1953) and then, three years later, in Robert Aldrich's brutal World War II drama Attack!, in which he gave the performance of a lifetime as a cowardly, psychopathic army officer. From that point on, Albert got some of the choicest supporting dramatic parts in Hollywood, in high-profile movies such as The Longest Day and small-scale gems like David Miller's Captain Newman, M.D. Indeed, the latter film, in which he played a more sympathetic disturbed military officer, might represent his single best performance onscreen. His ability at comedy wasn't forgotten, however, and, in 1965, he took on the starring role of Oliver Wendell Douglas (opposite Eva Gabor) in the TV series Green Acres, in which he got to play the straight man to an array of top comic performers for six seasons. The show developed a cult following among viewers, ranging from small children to college students, and became a pop-culture institution. The movie business had changed by the time Albert re-entered films in 1971, but he still snagged an Oscar nomination for his work (in a difficult anti-Semitic role) in Elaine May's The Heartbreak Kid (1972). He also remained one of Robert Aldrich's favorite actors, and, in 1974, the director gave him a choice role as the sadistic warden, in The Longest Yard. He had another hit series in the mid-'70s with Switch, in which he and Robert Wagner co-starred as a pair of private investigators whose specialty was scamming wrongdoers. Albert was still working steadily into the early '90s, when he was well into his eighties. From the mid-'40s, the actor had acquired a deep, personal interest in politics, and produced a series of educational films intended to introduce grade-school students to notions of democracy and tolerance. By the '60s, he was also deeply involved in the environmental movement. Albert was married for decades to the Mexican-American actress Margo (who died in 1985); their son is the actor Edward Albert.

Trivia: Bearing more than a passing physical resemblance to her famous father Sir Charles Chaplin, graceful, versatile Geraldine Chaplin is an internationally respected leading and character actress. The eldest daughter from Charles Chaplin's marriage to Oona O'Neill, the daughter of famed playwright Eugene O'Neill, she spent her first eight years in Hollywood, but then moved with her family to Switzerland when her father was persecuted by the U.S. government for his political beliefs. In her new home, Ms. Chaplin attended private schools and was trained in classical ballet at the Royal Ballet School in London with the English Royal Ballet. She made her film debut in the elder Chaplin's Limelight (1952) as a dancer. She also played a small role in her father's last film, Countess From Hong Kong (1964). She had her first major adult role in 1965 playing Omar Shariff's wife, Tonya, in Doctor Zhivago. Much of the film was shot in Spain and it was there that Chaplin began a long romance with director Carlos Saura, who featured her in several films. She has subsequently worked with some of Europe's finest directors. She has also worked with American directors, most notably Robert Altman, who first utilized her in Nashville (1975) as the chatty, shallow BBC reporter Opal. In addition to her busy film career, Chaplin also appeared on-stage and in television miniseries such as Gulliver's Travels (1996) and The Odyssey (1997). Though she has often played leads, the diminutive, willowy, and offbeat beauty with the haunting blue eyes claims she is more comfortable in character roles.

Trivia: Though hardly the easiest actor in the world to properly cast, Hurd Hatfield can claim at least two unforgettable film portrayals. Born in New York and educated at Columbia University, Hatfield was trained at England's Chekhov Drama School (Michael Chekhov, not Anton) and made his stage debut in London. He was personally selected by eccentric filmmaker Albert Lewin to play the title role in the 1945 movie version of The Picture of Dorian Gray. It was an astonishing performance, one that proved virtually untoppable for Hatfield; nothing he would do in his sporadic film appearances of the 1940s and 1950s came close to this personal triumph. After several years on stage, Hatfield was cast as Pontius Pilate in Nicholas Ray's filmization of The King of Kings (1961) -- another brilliant, matchless characterization. Perceived as a "cold fish" in his leading-man days, Hatfield was able to use his sang-froid to his advantage in such roles as Paul Bern in Harlow (the 1965 Carol Lynley version) and the middle-aged sex deviate in The Boston Strangler (1968). The best of Hurd Hatfield's most recent screen appearances was his portrayal of an inconvenient and troublesome grandparent in Crimes of the Heart (1986).

Trivia: British lead actor, onscreen from the '60s.

Trivia: Smirking, wiry-nosed British character actor Ron Moody matriculated from standup comic to one of the most delightfully despicable "professional villains" in show business. The son of a plasterer, Moody didn't embark on his acting career until he was 29; before that, he'd planned to become either an economist or sociologist. After plenty of stage and TV work as an improvisational humorist, Moody made his film debut in 1957; he attained stardom in 1959 when he was selected to head the cast of the London company of Leonard Bernstein's Candide. He was best known to American audiences of the 1960s through his tongue-in-cheek villainous portrayals on such British TV series as The Avengers. Moody went on to earn an Academy Award nomination for his bravura performance as Fagin (a character that he'd played for years on the London stage) in Oliver! (1968); two years later, he gave an equally good showing as Uriah Heep in the all-star British TV production of David Copperfield. In 1980, Moody starred in the American TV series Nobody's Perfect as bumbling Clouseau-like detective Roger Hart. He continued to act well into older age, appearing in films like A Kid in King Arthur's Court and had a run on the British soap Eastenders. Despite his frequent on-screen perfidy, Ron Moody remained a comedian at heart -- as well as a staunch advocate of lessening the violence quotient in action films. Moody also continued to associate with the role that earned him his most acclaim, appearing at reunions and in documentaries for Oliver!, including 2004 appearance for a British series, where, at age 80, he performed a dance from the film. Moody died in 2015, at age 91.

Trivia: Educated at Sweet Briar College, Diana Muldaur began her New York stage career in 1963, appearing in three Broadway plays--Seidelman and Son, Poor Biros and A Very Rich Woman--back to back. She also played a regular role in the Manhattan-based soap opera The Secret Storm. In 1968, Muldaur appeared in her first film, The Swimmer. Exuding a serenity and maturity beyond her years, she was generally cast in cool, sophisticated roles, often as a deliberate contrast to her less-polished male co-stars: for example, she was a regular on the TV series McCloud (1970-77) cast as rambunctious Marshal Sam McCloud's(Dennis Weaver) low-key lady friend Chris Coughlin. Conversely, she was vitriol personified as barracuda lawyer Rosalind Shays in LA Law (1989-91)--at least she was until her character took a spectacular season--ending plunge down an empty elevator shaft. Other TV programs that have utilized Muldaur on a weekly basis have included The Survivors (1970), Black Beauty (1972), Born Free (1974), The Tony Randall Show (1976), Hizzoner (1979), Fitz and Bones (1981) and A Year in the Life (1987). In addition, she is among the few actors who have shown up in both the original Star Trek (in two guest-star assignments) and Star Trek: The Next Generation (as Dr. Katherine Pulaski). Undoubtedly one of her more enjoyable (and least taxing) assignments was as the voice of Dr. Leslie Thompson on Batman: The Animated Series. Equally busy when not performing before the cameras, Muldaur is a past member of the SAG board of the directors. Diana Muldaur is the widow of actor James Mitchell Vickery.

Trivia: The daughter of a contractor father and an artist mother, Kate Mulgrew was the second oldest of eight children. At 18, Mulgrew headed to New York to study acting with Stella Adler. She spent a grueling year or so pounding on casting-agency doors and making ends meet as a waitress and model. Then, on the same day in 1975, she landed two plum roles: Emily Webb in a stage revival of Our Town, and Mary Ryan on the new ABC TV soap opera Ryan's Hope. Four years later, she was tapped to play Kate Columbo, the previously never-seen wife of dishevelled TV detective Columbo (Peter Falk), on the prime-time series Mrs. Columbo, later retitled Kate Loves a Mystery. Columbo himself would never be seen on Mrs. Columbo; for that matter, few viewers saw Kate Mulgrew, since the rather ill-conceived series never built up much of an audience. Despite this setback, the actress persevered, starring in the 1981 miniseries The Manions of America and appearing in such theatrical features as A Stranger is Watching (1982), Remo Williams (1985) and Throw Mama from the Train (1987). She went on to co-star with James Garner in the short-lived weekly Man of the People (1991), and in 1995 joined the ever-growing "Star Trek" family as Captain Kathryn Janeway in Star Trek Voyager (she replaced Genevieve Bujold, who dropped out of the role in the middle of filming the first episode). Her significant TV guest appearances include a Boston councilwoman who carries on a torrid romance with Sam Malone (Ted Danson) in a 1986 episode of Cheers, and an alcoholic broadcast journalist on a 1992 installment of Murphy Brown; this last-named performance earned her a Tracey Humanitarian Award. Throughout her film and TV career, she has periodically returned to the stage, most recently in an all-star Broadway revival of Peter Schaffer's Black Comedy. In recognition of twenty years' worth of "artistic contributions," Kate Mulgrew was made an Honorary Doctor of Letters by Seton Hall University.Her career changed forever when she was cast as Captain Kathryn Janeway on Star Trek: Voyager, becoming the first woman to lead one of the ships in the durable sci-fi franchise. The program ran for seven years. She was in 1998's Riddler's Moon, 2002's big-screen effort Star Trek: Nemesis. In 2011 she was part of the Star Trek documentary The Captains.

Trivia: A former showgirl and nightclub singer, Janice Rule was signed to a Warner Bros. contract in 1951. It would be nearly ten years before Rule's truly worthwhile roles would outnumber her inconsequential parts. She all but cornered the market in bitter, neurotic socialites in the 1960s, playing such parts as the small-town wealthy shrew who drunkenly swallows a string of valuable pearls in The Chase (1966) and Burt Lancaster's vitriolic ex-mistress in The Swimmer (1968). Playing these profoundly disturbed screen characters must have been cathartic for Ms. Rule, who took time off from acting in the late 1970s to become a professional psychoanalyst. From 1961 through 1979, Janice Rule was married to actor Ben Gazzara.

Trivia: Direct from the University of Michigan, actress Martha Scott made her first professional appearance with the Globe Theatre troupe, performing abridged versions of Shakespeare at the 1933-34 Chicago World's Fair. Scott then worked extensively in stock and on radio before making her celebrated Broadway bow as Emily Webb in the original 1938 production of Thornton Wilder's Pulitzer Prize-winning Our Town. She repeated the role of Emily in the 1940 film version, earning an Oscar nomination despite the fact that the film's tacked-on happy ending rendered Scott's famous "back from the dead" monologue pointless. Scott's subsequent film assignments, notably Cheers for Miss Bishop (1941) and One Foot in Heaven (1941), found her portraying characters far older than herself with total credibility. Having previously played both the wife and the sister of Charlton Heston (nine years her junior) on stage and TV, Scott portrayed Heston's mother on the big screen in The Ten Commandments (1955) and Ben-Hur (1959). Her television resumé includes the 1954 anthology Modern Romance, which she hosted, and the roles of Mrs. Patricia Shepard and Margaret Millington in, respectively, Dallas and Secrets of Midland Heights. Her most intriguing TV assignment was the 1987 Murder She Wrote episode "Strangest of Bargains," wherein, with the help of extensive stock footage, Scott, Jeffrey Lynn and Harry Morgan reprised their roles from the 1949 film Strange Bargain. Dabbling in producing in the 1970s, Scott served as co-producer of the 1978 Broadway play First Monday in October, functioning in the same capacity when the play was turned into a film in 1981. Martha Scott was married for many years to musician Mel Powell.

Trivia: Trained at the RSC, Scottish actor Nicol Williamson made his professional bow with the Dundee rep in 1960. The following year, he performed with the Arts Theatre at Cambridge, and also made his London debut. His first major success came in 1964 with John Obsorne's Inadmissible Evidence. He won a Tony award for his performance in the Osborne play when it transferred to Broadway in 1965, and three years later repeated his characterization for the film version. Williamson's 1968 staging of Hamlet, which like Evidence played in both London and New York, was immensely popular and enormously controversial; some recall the night when, halfway through a soliloquy, Williamson brusquely apologized for his "bad" performance and stormed offstage. In films from 1964, Williamson played a cocaine-benumbed Sherlock Holmes in The 7 Percent Solution (1977), an introspective Little John in Robin and Marian (1978) and an eccentric Merlin in Excalibur (1981). His TV credits on both sides of the Atlantic included such roles as Lennie in Of Mice and Men, Lord Mountbatten in The Last Viceroy, King Ferdinand in the 1995 TV movie Christopher Columbus, and Richard Nixon in a 1974 dramatization of the White House Tapes. Williamson also appeared in a number of one-man shows, including the off-Broadway Nicol Williamson's Late Show and a 1994 play based on the life of John Barrymore. Nicol Williamson was married to actress Jill Townsend.

Trivia: Actor David Ackroyd is no relation to comedian Dan Aykroyd, despite the misguided (and misspelled) efforts of certain TV "experts" to link the two. Since the mid-1960s, Ackroyd has worked steadily as a stage, film and TV performer. Having toiled as a regular or semi-regular on such daytime dramas as Another World and Secret Storm, Ackroyd moved on to nighttime serial work in 1979 as the first Gary Ewing on CBS' Dallas (a role later played by Ted Shackleford). The following year, he appeared in his first theatrical film, Mountain Men (1980). David Ackroyd's weekly TV-series characterizations have included Frederich Bhaer on 1979's Little Women and Dr. Boyer on 1984's AfterMASH.

Trivia: Costar Betti has been onscreen from the '70s.