Trivia: Considered one of the best actors of his generation, Robert De Niro built a durable star career out of his formidable ability to disappear into a character. The son of artists, De Niro was raised in New York's Greenwich Village. The young man made his stage debut at age 10, playing the Cowardly Lion in his school's production of The Wizard of Oz. Along with finding relief from shyness through performing, De Niro was also entranced by the movies, and he quit high school at age 16 to pursue acting. Studying under Stella Adler and Lee Strasberg, De Niro learned how to immerse himself in a character emotionally and physically. After laboring in off-off-Broadway productions in the early '60s, De Niro was cast alongside fellow novice Jill Clayburgh in film-school graduate Brian De Palma's The Wedding Party (1969). He followed this with small movies like Greetings, Hi, Mom!, Sam's Song, and Bloody Mama.De Niro's professional life took an auspicious turn, however, when he was re-introduced to former Little Italy acquaintance Martin Scorsese at a party in 1972. Sharing a love of movies as well as their neighborhood background, De Niro and Scorsese hit it off. De Niro was immediately interested when Scorsese asked him about appearing in his new film, Mean Streets, conceived as a grittier, more authentic portrait of the Mafia than The Godfather. De Niro's appearance in the film made waves with critics, as did his completely different performance as a dying simple-minded catcher in the quiet baseball drama Bang the Drum Slowly (1973). Francis Ford Coppola was impressed enough by Mean Streets to cast De Niro as the young Vito Corleone in the early 1900s portion of The Godfather Part II. Closely studying Brando's Oscar-winning performance as Don Corleone in The Godfather, and perfecting his accent for speaking his lines in subtitled Sicilian, De Niro was so effective as the lethally ambitious and lovingly paternal Corleone that he took home a Best Supporting Actor Oscar for the role.De Niro next headed to Europe to star in Bernardo Bertolucci's opus, 1900 (1976) before returning to the U.S. to collaborate with Scorsese on the far leaner (and meaner) production, Taxi Driver. After working for two weeks as a Manhattan cabbie and losing weight, De Niro transformed himself into disturbed "God's lonely man" Travis Bickle. One of the definitive films of the decade, Taxi Driver earned the Cannes Film Festival's top prize and several Oscar nominations, including Best Picture and De Niro's first nod for Best Actor. Controversy erupted about the film's violence, however, when would-be presidential assassin John W. Hinckley cited Taxi Driver as a formative influence in 1981.De Niro and Scorsese would reteam for the lavish musical New York, New York (1977), and though the film was a complete flop, De Niro quickly recovered with another risky and ambitious project, Michael Cimino's The Deer Hunter (1978). One of the first wave of Vietnam movies, The Deer Hunter starred De Niro as one of three Pennsylvania steel-town friends thrown into the war's inferno who emerged as profoundly changed men. Though the film provoked an uproar over its portrayal of Viet Cong violence as (literally) Russian roulette, The Deer Hunter won several Oscars.Returning to the realm of more personal violence, De Niro followed The Deer Hunter with his and Scorsese's masterpiece, Raging Bull, a tragic portrait of boxer [%Ray La Motta]. Along with his notorious 60-pound weight gain that rendered him unrecognizable as the middle-aged Jake, De Niro also trained so intensely for the outstanding fight scenes that La Motta himself stated that De Niro could have boxed professionally. Along with his physical dedication, De Niro won over critics with his ability to humanize La Motta without softening him. Raging Bull received eight Oscar nominations, including Best Picture.Though he was well suited to star in Sergio Leone's epic homage to gangster films, Once Upon a Time in America (1984), Leone's tough, transcendent vision couldn't survive the studio's decision to hack 88 minutes out of the American release version. De Niro next took a breather from films to return to the stage, playing a drug dealer in the New York Public Theater production Cuba and His Teddy Bear. During his theater stint, De Palma made De Niro a movie offer he couldn't refuse when he asked him to play a small role in his film version of The Untouchables (1987). As the rotund, charismatic, bat-wielding Al Capone, De Niro was a memorable adversary for Kevin Costner's upstanding Elliot Ness, and The Untouchables became De Niro's first hit in almost a decade. De Niro followed The Untouchables with his first comedy success, Midnight Run (1988), costarring as a bounty hunter opposite Charles Grodin's bail-jumping accountant.Though he earned an Oscar nomination for his touching performance as a patient in Penny Marshall's popular drama Awakenings (1990), movie fans were perhaps more thrilled by De Niro's return to the Scorsese fold, playing cruelly duplicitous Irish mobster Jimmy "The Gent" opposite Ray Liotta's turncoat Henry Hill in the critically lauded Mafia film Goodfellas (1990). De Niro worked with Scorsese again in the thriller remake Cape Fear (1991), sporting a hillbilly accent and pumped-up physique. It was Scorsese and De Niro's biggest hit together and earned another Oscar nod for the star. De Niro subsequently costarred as a geeky cop in the Scorsese-produced Mad Dog and Glory (1993).De Niro also revealed that he had learned a great deal from his work with Scorsese with his own directorial debut, A Bronx Tale (1993). A well-observed story of a boy torn between his father and the local mob, A Bronx Tale earned praise, but De Niro was soon back to working with Scorsese, starring as Vegas kingpin Sam Rothstein in Casino (1995) -- based on the story of real-life handicapper Frank "Lefty" Rosenthal -- staged with Scorsese's customary visual brilliance and pairing De Niro with his Raging Bull brother and Goodfellas associate Joe Pesci.Appearing in as many as three films a year after 1990, De Niro was particularly praised for his polished reserve in Michael Mann's glossy policer Heat (1995), which offered the rare spectacle of De Niro and Pacino sharing the screen, if only in two scenes. After indifferently received turns in The Fan (1996), Sleepers (1996), and Cop Land (1997), De Niro stepped outside his comfort zone to play an amoral political strategist in Barry Levinson's sharp satire Wag the Dog (1997) and a dangerously dimwitted crook in Quentin Tarantino's laid-back crime story Jackie Brown (1997). De Niro was front and center -- and knee deep in self-parody -- in the comedy Analyze This (1999), aided and abetted by a nicely low-key Billy Crystal as his reluctant psychiatrist. De Niro would continue to lampoon his own tough-guy image in the sequel Analyze That, as well as the popular Meet the Parents franchise. As the decade wore on, De Niro took on roles that failed to live up to his acclaimed earlier work, such as with lukewarm thrillers like The Score, Godsend, Righteous Kill, and Hide and Seek. However, De Niro continued to work on his ambitious and long-planned next foray behind the camera, the acclaimed CIA drama The Good Shepherd.He continued to work steadily in a variety of projects including Stardust, What Just Happened, and Everybody's Fine. He became a Kennedy Center honoree in 2009. He reteamed with Ben Stiller for Little Fockers in 2010, and played a corrupt politician in Machete that same year. In 2011 he appeared opposite Bradley Cooper in the thriller Limitless, which seemingly laid the groundwork for their reteaming as father and son in the 2012 comedy Silver Linings Playbook. For his work in that movie, De Niro earned an Oscar nomination for Best Supporting Actor.

Trivia: A versatile character actor whose intense demeanor and slightly off-kilter delivery served him well in both comedies and dramas, Christopher Walken was at once one of the busiest and most respected actors of his generation, appearing in as many as five films in a year while still finding time for stage and occasional television work.Walken was born Ronald Walken in Queens, NY, on March 31, 1943, the youngest of three sons of Paul and Rosalie Walken; Paul ran a bakery, while Rosalie was convinced her sons had talent and was determined they take advantage of it. Ronald landed his first job in front of a camera at the age of 14 months when he posed for a calendar photo with a pair of kittens. Like his siblings, he received dance lessons as a youngster, and, by the age of ten, was making frequent appearances on television and radio shows, and was a regular on a short-lived sitcom, The Wonderful John Acton. Ronald and his brothers also enrolled at New York's Professional Children's School, and he spent a summer as a junior lion tamer with a circus, later recalling that the lion was quite old and docile.In 1961, Walken enrolled at Hofstra University. But, little more than a year later, he landed a role in the Broadway-bound musical Best Foot Forward (which starred one of his former classmates, Liza Minelli), and decided to leave college. Spending the next several years working in a variety of musicals -- both in New York and on the road -- the young actor appeared in a 1964 touring production of West Side Story, and there met actress and dancer Georgianne Thon. The two began dating, and eventually married in 1969. While appearing in a revue starring model-turned-singer Monique Van Vooren in 1965, Walken was told by the headliner he looked more like a Christopher than a Ronald; he decided to take her advice, and adopted Christopher Walken as his stage name. In 1966, he made his first appearance in a non-singing role as Phillip, the King of France, in a Broadway production of The Lion in Winter. By the end of the decade, Walken was devoting his energies to stage dramas, although he continued to keep up with his dance training.Walken made his movie debut with 1968's Me and My Brother -- a film directed by acclaimed photographer and experimental filmmaker Robert Frank -- and, in 1972, scored his first starring role in the low-budget sci-fi thriller The Mind Snatchers. Walken first caught the attention of critics with his performance as a bohemian ladies' man in Paul Mazursky's Next Stop, Greenwich Village, and landed a small but memorable role in Woody Allen's Annie Hall as suicidal preppie Duane. But Walken's real breakthrough came in 1978, with his role as Nick in The Deer Hunter. Playing a small-town boy who is irreversibly scarred by his experiences in Vietnam, the role won Walken an Oscar for Best Supporting Actor, and made him a bankable and recognizable name. He soon committed to director Michael Cimino's follow-up, which proved to be the infamous box-office and critically-panned flop Heaven's Gate, and later showed off both his acting and dancing skills as a villainous pimp in the musical drama Pennies From Heaven. While Walken remained a critical favorite, he fell short of becoming a major box-office draw due to the disappointing returns of many of his post-Deer Hunter films. But, by his own admission, Walken was always an actor who liked to work, and he maintained a busy schedule of both stage and screen roles. His willingness to take on edgy film characters with questionable commercial appeal (such as At Close Range, King of New York, and Communion) helped earn the actor a loyal cult following, and small but showy roles in True Romance and Pulp Fiction gave Walken's screen career a serious boost in the early '90s. By the time Walken turned 60, he had written, directed, and starred in an off-Broadway comedy called Him; received another Oscar nomination for his performance in Catch Me if You Can; appeared in films as varied as Sleepy Hollow, The Affair of the Necklace, and The Country Bears; and got to prove he was still a great dancer with his much-talked-about appearance in the music video "Weapon of Choice" by Fatboy Slim.Walken became one of the most popular recurring guest-hosts on Saturday Night Live creating recurring characters such as The Continental, and appeared in a host of classic skits including getting to deliver the catch phrase, "I need more cowbell!"As the 2000s progressed, Walken continued to take work in a variety of films from The Rundown, and Man on Fire, to Gigli, The Wedding Crashers, and the Adam Sandler comedy Click, all the while maintaining his status as one of the quirkiest and most gifted supporting actors of his time. In 2006 he took on a supporting role opposite Robin Williams in the Barry Levinson directed satire Man of the Year as a political consultant. He was in the musical remake of Hairspray, playing the husband of the character played by John Travolta in drag, and the comedy Balls of Fury in 2007. In 2010 he earned rave reviews for his work in the Martin McDonagh's play A Behanding in Spokane on Broadway, and the next year he worked with Todd Solondz, playing the father in Dark Horse.

Trivia: After studying Drama at Oberlin College and Boston University, wiry-nosed, melancholy character actor John Cazale established himself as one of the off-Broadway scene's most intensely fascinating talents. He won Obie Awards for his stage performances in The Indian Wants the Bronx and The Line. At the invitation of his close friend Al Pacino, Cazale tried out for a role in The Godfather (1972), landing the part of Fredo Corleone. He was subsequently seen in The Godfather Part II (1974) and Dog Day Afternoon (1975). Looking far older than his forty-two years, John Cazale made his last appearance in The Deer Hunter (1978), which co-starred his then-fiancée Meryl Streep, but died of cancer before it was released.

Trivia: While attending the American Academy of Dramatic Arts, John Savage helped organize a children's theatre troupe, giving non-profit performances at various housing projects. When next heard from, Savage had won a Drama Circle award for his starring performance in a Chicago-New York revival of One Flew Over the Cuckoo's Nest. In films and television from 1972, Savage reached a watershed in 1975, starring as cub reporter Jim Malloy in the TV series Gibbsville and both starring in and composing the music for the theatrical feature Sister-in-Law. His career continued to flourish as the 1970s drew to a close: he played paraplegic war veteran Steven in the Oscar-winning The Deer Hunter (1978), hippie convert Claude in Hair, guilt-ridden police officer Karl Hettinger in The Onion Field (1979) and the suicidal, physically challenged Roary in Inside Moves (1980). For reasons unknown, Savage's star began fading in the 1980s, despite such choice roles as a cynical photojournalist in Oliver Stone's Salvador (1986). Most of John Savage's footage as Andrew Hagen in 1990's The Godfather III unfortunately wound up on the cutting room floor.

Trivia: Sydney Pollack -- one of Meryl Streep's collaborators time and again -- once proclaimed her the most gifted film actress of the late 20th century. Most insiders would concur with this assessment. To avid moviegoers, she represents the essence of onscreen dramatic art. Like Hoffman (and De Niro), she demonstrates a transcendent ability to plunge into her characters and lose herself inside of them, transforming herself physically to meet the demands of her roles. A luminous blonde with nearly translucent pale skin, intelligent blue eyes, and an elegant facial bone structure, Streep sustains a fragile, fleeting beauty that allows her to travel the spectrum between earthily plain (Ironweed), and ethereally glamorous and radiant (Manhattan, Heartburn).Born June 22, 1949, in Summit, NJ, Streep took operatic voice lessons, and subsequently cultivated a fascination with acting while she attended Bernards High School. Upon graduation, Streep studied drama at Vassar, Dartmouth, and Yale, where she appeared in 30 to 40 productions with the Yale Repertory Theater. With a five-star education and years of collegiate stage work under her belt, Streep headed for the New York footlights and launched her off-Broadway career. Streep's performance in Tennessee Williams' 27 Wagons Full of Cotton, for which she received a Tony nomination, constitutes a particularly strong theatrical highlight from this period. She made her television debut in Robert Markowitz's The Deadliest Season (1977). That year she also appeared onscreen for the first time in Fred Zinnmann's Julia (1977) as Anna Marie, opposite heavyweights Jane Fonda, Vanessa Redgrave, and Hal Holbrook. The following year, Streep picked up an Emmy for her performance in Marvin J. Chomsky's miniseries Holocaust. She first teamed with De Niro in Michael Cimino's The Deer Hunter (1978).Around this time, Streep became involved with the diminutive performer John Cazale, whom she met on the set of the Cimino film. Tragically, this marriage was ill-fated from day one, Cazale's frail body ridden with bone cancer. Forty-two at the time, he passed away in March 1978, nine months prior to the premiere of The Deer Hunter. Streep later wed Don Gummer, who was not associated with Hollywood in any capacity.Streep next appeared as Woody Allen's ruthless lesbian ex-wife in his elegiac comedy drama Manhattan (1979) and Alan Alda's Southern mistress in the scathing political satire The Seduction of Joe Tynan. Her shattering interpretation of the scarred and torn Joanna Kramer opposite Dustin Hoffman in Robert Benton's heartbreaking divorce saga Kramer vs. Kramer (1979), earned her a Best Supporting Actress Oscar in 1980 -- which she famously left on top of a toilet at the festivities -- alongside a plethora of L.A. Film Critics Association, New York Film Critics Circle, and Golden Globe Awards for the Allen, Benton, and Alda films.Streep continued her ascent over the next decade by establishing herself as Hollywood's top box-office draw and a critical darling. Her double performance in the innovative Karel Reisz/Harold Pinter triumph The French Lieutenant's Woman (1981), her gut-wrenching interpretation of the titular Holocaust survivor in Alan J. Pakula's haunting adaptation Sophie's Choice (1982), and her thoughtful evocation of Karen Silkwood in Mike Nichols' drama Silkwood were highlights of the period. In the latter, she portrays a real-life victimized nuclear-plant worker who mysteriously disappears just prior to turning in crucial evidence against her employers.Streep's decision to headline Sydney Pollack's lush epic Out of Africa (1985), as Karen Blixen, sustained her reputation. She would go on over the next decade to appear in projects like but Ironweed, Heartburn, She-Devil, Postcards from the Edge, and Death Becomes Her. In 1994, she again surprised her fans when she appeared as a muscular expert whitewater rafter who must fight a raging river and two dangerous fugitives to save her family in the action thriller River Wild (1994). In interviews, she said she did the film because she wanted to have an adventure like Harrison Ford and to overcome a few of her own fears.Streep returned to the depth and multifacetedness of her early roles -- with much concomitant success -- when she took a more low-key role as a dowdy, Earthbound farm wife who finds Illicit love with an itinerant photographer (Clint Eastwood) in The Bridges of Madison County. Following the critical and commercial heights of Bridges, Streep picked up yet another Oscar nomination for her performance as a terminally ill wife and mother in Carl Franklin's One True Thing (1998).Streep then signed on to replace Madonna as the lead in 1999's Music of the Heart, tackling what outwardly appeared to be a cookbook Hollywood plot (a teacher on a mission to teach violin to a class of inner-city youth in Harlem) with absolute commitment, teaching herself to play the violin by practicing six hours a day for eight weeks. In the new millennium, Streep hit audiences with the back-to-back with lauded performances in Adaptation and The Hours, earning an Oscar nomination for the former and a Golden Globe nomination for the latter.On the heels of this success, Streep won an Emmy in 2004 for her participation in longtime friend and collaborator Mike Nichols' Angels in America mini-series. She soon afterward won even greater audience and critic approval for her biting role as a corporate and political conspirator in Jonathan Demme's remake of the 1962 thriller The Manchurian Candidate. Streepfollowed this up with a part in the lighthearted comedies Prime, A Prairie Home Companion, and The Devil Wears Prada.In 2007 Streep starred in a pair of timely dramas about the Iraq War, Lions for Lambs and Rendition, before returning to the musical comedy milieu with 2008's Mamma Mia!. The adaptation of the smash stage musical shattered box-office records, becoming the highest grossing film in the history of the United Kingdom, and the biggest American hit of her illustrious career. She followed that up with the lead role in John Patrick Shanley's adaptation of his award-winning play Doubt, a performance that earned her fifteenth acting nomination from the Academy, as well as nods from the Screen Actors Guild, and the Hollywood Foreign Press.The renowned actress was nominated yet again for the Academy Award and the Screen Actors Guild the following year for her turn as Julia Child in the comedy Julie & Julia, a role that also garnered her a win for Best Actress from the New York Film Critics as well as the Golden Globes. That same year she played the lead for Nancy Myers in the box office hit It's Complicated, only to dive directly back into the Oscar spotlight again the next year with her acclaimed performance as English Prime Minister Margaret Thatcher in 2012's The Iron Lady. The role garnered Streep her 17th Academy Award nomination -- resulting in her third win, this time for Best Actress, in addition to Best Actress wins from the New York Film Critics Circle and the Golden Globes. She was back in the Oscar race in 2014, securing yet another nomination in the Best Supporting Actress category for her work as the wicked witch in Rob Marshall's big-screen adaptation of the musical Into the Woods.

Trivia: George Dzundza's face slowly sank into the collective subconscious of American culture after nearly 30 years before the cameras. Audiences may be hard-pressed to name him, though his familiar face is like that of a distant cousin one has never met but keeps stumbling across while thumbing through old family photo albums. From his turn as an enraged, cheated-on spouse in the horror classic Salem's Lot (1979) to a recent turn as Robert De Niro's partner in 2002's City by the Sea, you can't get away from Dzundza once you've put a name to the face. Aggressively pursued by the president of the Stagers Society (who threatened to have him expelled lest he audition for an upcoming production) at college orientation, a nervous Dzundza hastily agreed and quickly landed the part. A quick rise through the theater circuit soon landed Dzundza some prime supporting roles on the small screen, and it wasn't long until he was gaining exposure on such diverse shows as Starsky and Hutch and The Waltons. In 1975, Dzundza made his film debut with a role in The Happy Hooker, and through the remainder of that decade and well into the '80s he frequently alternated between television and film. Following appearances in The Deer Hunter and Salem's Lot, Dzundza was cast as the lead in the short-lived sitcom Open All Night, and through the remainder of the decade he landed roles in such high-profile theatrical releases as Best Defense (1984), No Mercy (1986), and No Way Out (1987). It wasn't until 1990 that Dzundza would make a return to weekly television, though his role as Sgt. Max Greevey on Law & Order certainly made up for lost time. Even if he did leave the series after only one season, the decision ultimately served him well and his feature career subsequently flourished. As Dzundza's career advanced into the '90s, it also evolved and found him branching out by lending his voice to such animated television efforts as Superman and Batman: Gotham Knights. A short-lived stint opposite Christina Applegate followed with Jesse in 1998, and after moving back to features with roles in Instinct (1999) and City by the Sea, Dzundza settled nicely into the role of Father Tom "Grizz" Grzelak in the popular television series Hack in 2002.

Trivia: Rutanya Alda, born Rutanya Skrastins in Riga, Latvia, has been steadily appearing in American films since the late '60s. Alda, who was known as Ruth Alda in her earlier films, has also performed on stage and television in the U.S.

Trivia: Hefty Brooklyn-born actress Shirley Stoler couldn't have escaped being a Cult Figure if she wanted to. Stoler's most colorful screen roles included the sadistic, sexually supercharged prison-camp commandant in Wertmullers Seven Beauties (1976), as Spike the Bartender in Frankenhooker (1990), and as pawnshop owner Edie Wulgemuth in Miami Blues (1990) (in the latter film, she expresses her displeasure with sleazy con man Alec Baldwin by cutting off his fingers with a machete!). It was par for the course for Stoler, who'd first made her mark on the cinematic world with a chilling and compeling performance as homicidal 200-pounder Martha Beck in the 1970 sleeper The Honeymoon Killers. Prior to that, Stoler was a veteran of the ground-breaking La Mama and Living Theatre performance companies; her resume also included several Broadway productions and a number of TV guest shots. A comparatively laid-back Shirley Stoler can be seen in a few scattered pictures like The Deer Hunter (1978, as John Savage's mother) and Malcolm X (1992); she also evinced signs of normality as Dottie Jessup on the 1980 TV series Skag. Stoler died of heart failure in 1999.

Trivia: A specialist in still-waters-run-deep roles, the deceptively placid-looking Amy Wright is a graduate of Beloit College. After graduation, Wright worked as a drama instructor, then appeared in regional theater before establishing herself at New York's Circle Repertory. She made her off-Broadway debut in Strindberg's The Stronger, then took Broadway by storm in 1980 in a role especially written for her by Lanford Wilson in The Fifth of July. In films from 1975, Wright has been nothing short of brilliant as Sabbath Lily Hawks in Wise Blood (1979), creepy groupie Shelley in Woody Allen's Stardust Memories (1980), William Hurt's uptight sister, Rose, in The Accidental Tourist (1988), and strident beauty contestant Missy Mahoney in Miss Firecracker (1989). Making the transition to middle-aged character roles with élan, she has also been seen as Goody Gotwick in Demi Moore's remake of The Scarlet Letter (1995). Amy Wright is the mother of two children by her longtime companion, actor Rip Torn.

Trivia: Stage actor Joe Grifasi was 33 when he made his inaugural movie appearance during the lengthy opening wedding sequence in 1978's The Deer Hunter as the bandleader. The actor has since been seen in such films as Still of the Night (1982) and Presumed Innocent (1990), appearing in the latter as Tommy Molto. In 1990, Joe Grifasi was cast in the regular role of TV-station public relations man Tony Pro on the brief TV series WIOU. A graduate of the Yale School of Drama, Grifasi first gained professional experience on the New York stage. In addition to his acting credits, Grifasi frequently appears in television commercials.

Trivia: Character actor Kurtwood Smith was educated at Stanford University, then worked briefly as a drama teacher before distinguished himself on the San Francisco theatrical circuit. Making his first fleeting film appearance in Roadie, Smith toiled away in quiet, mild-manner roles until finding his niche in oily villainy as the drug lord in Robocop (1987). The actor was at his all-time nastiest as Mr. Perry, the ultra-judgmental father who drives his sensitive son (Robert Sean Leonard) to suicide in Dead Poet's Society (1989). More character roles followed over the next decade until Smith found fame as Red, the comedically tough dad in the sitcom That '70s Show.He continued to work steadily into the next decade tackling parts in film as diverse as the comedy Teddy Bears' Picnic, the drama Girl, Interrupted, and Cedar Rapids, where he played an ethically compromised real estate salesman.