Trivia: Possessing a special talent for totally immersing himself in his roles, Bill Paxton did not always get the recognition he deserves. Tall, rangy, and boyishly good looking, Paxton's career was a curiosity that found the character actor-turned-filmmaker succeeding in intermittently pulling the rug from under filmgoers' feet with a constantly expanding sense of maturity and range.Paxton's interest in films emerged during his teens when he began making his own movies with a Super-8 camera. He formally entered the entertainment industry in 1974 as a set dresser for Roger Corman's New World Pictures. Paxton made his acting debut as a bit player in Crazy Mama (1975), and afterward, the young thespian moved to New York to hone his skills. Following performances in a couple of horror quickies, Paxton formally launched his Hollywood career with a tiny part in Ivan Reitman's Stripes (1981) and this led to a steady if not unremarkable career in film and television during the '80s. In addition to acting, Paxton made short independent films such as Fish Heads, (1982) which became a favorite on NBC's Saturday Night Live. Paxton's acting career got a much-needed boost in 1985 when he was cast as Ilan Mitchell-Smith's obnoxious big brother Chet Donolley in John Hughes' Weird Science. Some of Paxton's more memorable subsequent roles include that of a cocky intergalactic soldier in James Cameron's Aliens (1986), a crazed vampire in Kathryn Bigelow's Near Dark, and sickly astronaut Freddie Hayes in Ron Howard's Apollo 13. In 1996, Paxton landed a starring role, opposite Helen Hunt, in the special-effects blockbuster Twister; his career took an upward turn and Paxton got more leads than ever. Though few audiences saw it in its limited release, critics were quick to praise Paxton's turn as con-artist Traveler in the 1997 movie of the same name. Following a doomed voyage on the Titanic the same year, the workhorse actor once again intrigued filmgoers as a small-town dweller struggling with his conscience after stumbling into over a million dollars in usually flamboyant director Sam Raimi's strikingly subdued A Simple Plan. A quiet and intense performance enhanced by a talented cast including Billy Bob Thornton and Bridget Fonda, the psychological crime drama once again provided further proof that Paxton's impressive range of emotion stretched beyond what many filmgoers may have previously suspected. Though subsequent performances in Mighty Joe Young (1998) and U-571 (2000) did little to backup the promise shown in A Simple Plan, Paxton still had a few tricks up his sleeve, as evidenced by his directorial debut Frailty (2002), a surprisingly competent and genuinely frightening tale of religious fervor and questionable sanity. Though cynical filmgoers may have initially viewed the trailer-touting praises of former collaborators Raimi and James Cameron as favors from old friends, the taut tale of a father who claims that God has provided him with a list of "demons" that he and his sons must cast from the earth blind-sided critics and filmgoers with its disturbingly minimalistic yet complex psychological thriller that recalled the thematic elements of previous efforts as Michael Tolkin's The Rapture (1991). His performance as a loving father who reluctantly embarks on God's mission was a vital component of the films emotional impact, and was once again proof that this former supporting player still had a few tricks up his sleeve.Though he hadn't paid much attention to television since his early career, in 2006, Paxton took on the lead role in HBO's Big Love, playing a polygamous husband with three wives. The show was a hit and garnered critical acclaim, including three Golden Globe nominations for Paxton. When the show wrapped up after five seasons, Paxton joined the miniseries Hatfields & McCoys, earning his only Emmy nomination of his career for the role. In 2014, Paxton took on a recurring role in Marvel's Agents of S.H.I.E.L.D., playing the villainous John Garrett. He also played Sam Houston in 2015 miniseries Texas Rising. In 2017, his new network show Training Day (a small-screen version of the film) aired only three episodes before Paxton suddenly died of complications from surgery at age 61.

Trivia: One of Hollywood's few celebrators of the "Southern bad boy" image, country musician turned actor-screenwriter-director Billy Bob Thornton consistently engenders a reputation -- via chosen onscreen parts and fervent tabloid reports of his allegedly wild off-camera life -- as an iconoclastic American hellraiser with lightning in his veins. But appearances can deceive, for Thornton also reveals depth and complexity as one Hollywood's most articulate interviewees, graced with intelligent, sensitive observations, cultural allusions, and poignant reflections on his experiences as a thespian and film artist. Moreover, this acute insight evidences itself equally in Thornton's craftsmanship as a screenwriter and director. Though his behind-the-camera projects have become increasingly rare over time, his few directorial outings evince surprising control, refinement, insight, and taste. Born in Hot Springs, AR, on August 4, 1955, Thornton grew up dirt poor in the nearby backwoods community of Alpine. Despite his father's gainful employment as a history teacher, Thornton was forced to live with his parents and grandparents in a house without electricity or indoor plumbing. After high-school graduation, Thornton landed a steady job and got married; neither the job nor the marriage lasted, as Thornton divorced two years later and returned to college to study psychology; however, that didn't last, either -- he decided that his heart lay in rock & roll, and tried and failed to make it in New York. So Thornton returned to his job for awhile until he and Epperson renewed their dedication to a music career. Eventually, he would travel to California to write screenplays. It was a difficult time for Thornton who, in addition to living in poverty, also suffered a near-fatal heart attack. Thornton eventually turned to acting, making his screen debut in the straight-to-video Hunter's Blood in 1987. Subsequent roles in many forgettable movies followed (including Troma's Chopper Chicks in Zombietown), as did an appearance on the Burt Reynolds sitcom Evening Shade; the actor simultaneously weathered several marriages through the '80s and '90s, to Toni Lawrence, Cynda Williams, and Pietra Dawn Cherniak. Then, in 1990, Thornton caught the attention of critics when he wrote and appeared in Carl Franklin's critically acclaimed directorial debut, One False Move (1991). A dark crime drama set in a small Arkansas town, the film provided a suitable antecedent to Some Folks Call It a Sling Blade, a 1993 short that Thornton scripted. The George Hickenlooper-directed piece stars Thornton as Karl Childers, a mentally retarded, soft-spoken man, institutionalized for murder, who delivers a reflective monologue to a reporter (Molly Ringwald) just prior to his release from the psychiatric institution where he resides. (Thornton allegedly invented the Childers character years prior, while shaving and talking to himself in the mirror.) The effort won a number of positive notices and Thornton subsequently appeared in Jim Jarmusch's Dead Man in 1995 and (with Epperson), co-authored the screenplay for A Family Thing (1996), a gentle Southern drama starring Robert Duvall as a Caucasian man who discovers that he is half black.After years of relative obscurity as an actor and screenwriter, Thornton made a great cultural impact with the low-budget, independent drama Sling Blade. A feature-length expansion of the Hickenlooper short, and a sequel of sorts to that work, the picture finds Karl Childers returning to the outside world for the first occasion in decades, and attempting to begin a new, quiet life in a small Southern town. In the story, Karl befriends a local woman, her little boy, and a gay storekeeper (John Ritter), and finds lodging and steady income, but runs headfirst into Doyle Hargraves (Dwight Yoakam), a psychotically abusive lout who turns life for the mother and son into a waking nightmare. Bit by bit, Karl's old demons awaken and he feels himself being drawn back into the sphere of retributive violence. When Sling Blade premiered during the late 1996 holiday season, it swept away the hearts of audiences and critics worldwide and heralded the arrival of a major new talent. Journalists waxed rhapsodic in their praise. For Thornton's work on the film, he won a Best Adapted Screenplay Oscar, as well as a Best Actor Oscar nomination. The 1996 triumph of Sling Blade brought Thornton a whirlwind of opportunities. He followed his success with a key supporting role in Robert Duvall's The Apostle (1998) as a hardened racist, a turn in Primary Colors (1998) as a James Carville-like campaign manager with a penchant for exhibitionism, and a role in Armageddon as NASA's executive director. Also in 1998, he received another Best Actor nomination for his work in Sam Raimi's A Simple Plan, the story of two brothers (Thornton and Bill Paxton) who descend into the depths of distrust and paranoia after stumbling upon four million dollars in the woods; it allowed Thornton to plumb the darker areas of the backwoods psyche as only he could do so well. The following year, Thornton starred in Mike Newell's Pushing Tin (1999), a comedy about two dueling air traffic controllers (Thornton and John Cusack). He also returned to his duties behind the camera, directing, writing, and starring in Daddy and Them, a comedy drama about the ups and downs of an eccentric Alabama family. In addition to Daddy and Them, Thornton signed on to act in a number of projects during 2000, including Wakin' Up in Reno, a romantic comedy about two white-trash couples; and South of Heaven, West of Hell, an ensemble Western that marked the directorial debut of country singer Dwight Yoakam. Thornton then delivered a pair of impressive dramatic performances in the first year of the new millennium. Agreeing to appear in Joel and Ethan Coen's neo noir The Man Who Wasn't There without so much as looking at the script (Thornton immediately accepted the role based on his creative respect for the Coens), the gangly actor earned a Golden Globe nomination for his turn as a barber who gets in over his head while attempting to execute a seemingly simple blackmail scheme. Subsequently cast alongside Bruce Willis in Barry Levinson's summer 2001 crime comedy Bandits, that film fared only marginally better than Thornton's sophomore directorial effort Daddy and Them.Thornton's performance in the redemption-themed drama Monster's Ball more than redeemed him in the eyes of the public and press. In that picture, Thornton offers a sensitive portrayal of a conflicted soul who attempts to come to terms with his love for an African-American woman in the face of his racist father's hateful teachings. After once again chasing redemption in the Sundance premiere Levity, Thornton joined the Coen brothers for the disappointing romantic comedy Intolerable Cruelty. In December of that same year, Thornton appeared in a role that only the gutsiest actors would take: the title character in Terry Zwigoff's (jet) black comedy, Bad Santa. Though gleefully, deliberately offensive, the picture never sacrifices its sharp sense of humor or its acid insight, and (perhaps as a result) became a massive runaway hit -- the definitive sleeper of 2003. At about the same time, Thornton cameoed as a slimy, philandering U.S. president who attempts to thwart the amorous conquest of Hugh Grant's prime minister, in the British romantic comedy Love Actually (2003).In 2004, Thornton essayed the role of Davy Crockett in the historical action-epic The Alamo (2004). He was instrumental in bringing Bad Santa scribes John Requa and Glenn Ficarra on board for exhaustive rewrites of Richard Linklater's Bad News Bears remake (2005). Thornton then starred in director Todd Phillips' remake of Robert Hamer's 1960 comedy School for Scoundrels, which debuted in September 2006. Despite some scattered exceptions, the film received mostly negative reviews. Not long after, Thornton essayed the title role in the spectacular drama The Astronaut Farmer, issued in February 2007. This film cast the actor as Charlie Farmer, a retired NASA astronaut-cum-farmer who raises the ire of government authorities by building a spacecraft in his barn. Subsequent roles included a sadistic gym teacher in Mr. Woodcock (2007), an issue-ridden Hollywood studio head in The Informers (2008), and a manure salesman in The Smell of Success (2009). Not long after, Thornton announced his return to directing with the eagerly-anticipated drama Jayne Mansfield's Car. In 2011 he voiced Jack, of Jack and Kill fame, in the hit animated film Puss In Boots. In 2014, Thornton took a lead role in the massively popular TV series Fargo, nabbing an Emmy nomination in the process. Later in the year, he had a supporting role in the film The Judge.

Trivia: The granddaughter of Henry Fonda, daughter of Peter Fonda, and niece of Jane Fonda, Bridget Fonda was to the celluloid manor born. Although her famous lineage may have initially helped her when she was starting out, she has evolved into a strong performer in her own right, noted for the grit, spirit, and complexity of her performances.Born January 27, 1964, in Los Angeles, Fonda had her first film experience at the age of five, when she accompanied her father to the set of Easy Rider. That aside, she didn't see her father much during her early years, but the two still managed to form a bond. After her parents' divorce in 1972, Fonda went to live with her mother, actress Susan Brewer, in Los Angeles. She first became involved with the theatre when she was cast in a school production of Harvey. Sustaining her interest in acting through her teenage years, Fonda went on to study drama at New York's famed Lee Strasberg Institute. Although she suffered severe stage fright during her first two years, she was able to overcome her fears, and, upon leaving the institute two years later, she began to find work on the stage.Fonda made her film debut with a non-speaking role in the 1982 comedy Partners, and it was not until 1988 that she had her first speaking role in a feature film. That year, she appeared in both You Can't Hurry Love and Shag, the latter opposite Phoebe Cates as one of a group of girls looking for a good time in Myrtle Beach. The following year, Fonda earned her first measure of acclaim with her portrayal of real-life good-time girl Mandy Rice-Davies in Michael Caton-Jones' Scandal. The combined impact of her favorably reviewed performance in that film and her lead in another 1989 film, Strapless, effectively gave Fonda a small bit of land on the Hollywood map.In the early 1990s, Fonda began to work steadily in features, starting with a small but memorable role as a reporter in The Godfather Part III (1990). She went on to star in such films as Cameron Crowe's Singles (reportedly, Crowe wrote Fonda's role specifically for her), Single White Female (1992), Bodies, Rest, and Motion (1993), Point of No Return (1993), and It Could Happen to You (1994). Having demonstrated her talents in a number of romantic comedies, the most successful being Singles and It Could Happen to You, Fonda surprised and delighted many an observer when she took on the role of a perpetually stoned, ill-fated beach bunny in Jackie Brown (1997). The following year, she portrayed another atypical character in A Simple Plan, earning raves as Bill Paxton's pregnant, increasingly crazed wife. Over the next several years, Fonda would be selective about her projects, appearing memorably in Jackie Brown, Lake Placid, and on the Chris Isaak Show.

Trivia: Whether following in the footsteps of the seemingly irreplaceable Robert Reed as the all-wise patriarch of the Brady clan or raising the ire of a nation of embittered office workers as the blissfully malevolent Lumbergh in Mike Judge's popular workplace comedy Office Space, longtime character actor Gary Cole can always be depended on to bring life to his varied and oddly endearing characters, despite their sometimes questionable motivations. Even in his earliest role as Snoopy in a high school production of You're a Good Man Charlie Brown, the Park Ridge, IL, native knew his destiny lay on the stage; from that moment straight through Cole's higher education at Illinois State University, his dedication to the theater never wavered. So dedicated was Cole that, during his third year at I.S.U., the eager up-and-comer dropped out to help found the Remains Theater. Transferring over to Chicago's acclaimed Steppenwolf Theater in 1985, Cole quickly made a name for himself in such productions as Cat on a Hot Tin Roof and Balm in Gilead. Though Cole had essayed a handful of television roles in the early '80s, it wasn't until his breakthrough role as a suspected murderer in the 1984 made-for-television feature Fatal Vision that audiences truly began to take notice. Cole's role as the drug-addicted son of an alcoholic father in the 1986 made-for-TV drama Vital Signs showed that he undoubtedly had the chops to make it on the small screen. Despite an increase in television roles, the ambitious actor continued to impress on the stage as well. Cole's first taste of weekly series life came with his role as a former cop who finds redemption as a late-night radio talk show host in the 1989 series Midnight Caller. In the following decade, he would expand his career into feature film territory. Cole's silver-screen career began with a role as a Secret Service agent in the Clint Eastwood thriller In the Line of Fire (1993), and his natural skills onscreen lent a surprising amount of depth to the supporting role. A few supporting television performances were quick to follow, and in 1995, Cole cracked up audiences with his role as suburban philosopher Mike Brady in the hit comedy The Brady Bunch Movie. Cole would reprise the role in the following year's sequel A Very Brady Sequel, but not before returning to series work as the sheriff in the short-lived, but well-loved, oddity American Gothic. As his feature career gained momentum, Cole still remained loyal to the stage and small screen. In 1998, a role in the acclaimed HBO miniseries From the Earth to the Moon found him going as strong as ever, and on the heels of supporting roles in A Simple Plan and I'll Be Home for Christmas, Cole played what was perhaps his most widely recognized role to date in Office Space (1999). Cast as by-the-books corporate figurehead William "Bill" Lumbergh, Cole delivered a performance that was pure comic gold for anyone who has weathered the never-ending drone of life in cubicle-land. In 2001, Cole loaned his voice to the hit "Adult Swim" cartoon Harvey Birdman, Attorney at Law, playing several characters, including Birdman himself. The next year, Cole continued to dabble in animated television with his performance as the titular character's father in the hit series Kim Possible. Back on the big screen, he took the role of the villainous heavy in the Eddie Murphy/Owen Wilson comedy I Spy and returned to the role of Mike Brady in the made-for-television sequel, The Brady Bunch in the White House. In 2003, he was cast in the recurring role of new Vice President "Bingo Bob" Russell for the fifth season of the critically acclaimed dramatic series The West Wing. The popular character actor could also be seen in supporting capacity in the 2004 comedies Win a Date with Tad Hamilton! and Dodgeball: A True Underdog Story.Cole maintained his status as a talented comic with a series of vocal performances on the animated television show The Family Guy, while showcasing his versatility by appearing in the sequel to the American version of The Ring. In 2006 he played opposite Will Ferrell in the NASCAR comedy Talladega Nights: The Ballad of Ricky Bobby. He appeared in the spy drama Breach, and lent a scary presence to the pot comedy Pineapple Express. He became a part of the HBO series Entourage for that show's final two seasons, and in 2011 he was in the hit family comedy Hop.

Trivia: Was an Army brat and traveled around with her parents from base to base. Got the acting bug after appearing in a 6th grade play. Started acting professionally in theater as a chorus girl and landed a part in The Best Little Whorehouse in Texas on Broadway in 1978. Other Broadway credits include: Titanic; Assassins; All My Sons; A Streetcar Named Desire; and Good People. Big TV break came when she was cast as Jean Weir, the lovable mom on Freaks and Geeks in 1999. In 2012 was cast as Lena Dunham's mother on Girls and appeared as Katharine McPhee's mom on Smash, along with her real-life husband Dylan Baker who played McPhee's dad. Is a founding member of New York-based theater company The Drama Dept. and is a member of Actor's Studio.

Trivia: Lettered in baseball, basketball and football in high school. First stage role was in college, playing the lead role in King Lear. Served four years in the Air Force after college, including a stint in Vietnam in 1967-68. Was a radio disc jockey in Texas. Made his film debut in 1976's Keep My Grave Open. Appeared in legendary sports movies Hoosiers (1986), Major League (1989) and Rudy (1993). Character name in both Basic Instinct and The Sopranos was Capt. Talcott.