Trivia: Born in New York and raised in Vermont, actress Elizabeth Perkins headed for Chicago after high school, where she was trained at the Goodman School of Drama. In a busy three-year period (1984-1987), Perkins co-starred in the touring company of Neil Simon's Brighton Beach Memoirs, married Chicago-based actor Terry Kinney (they have since split), was featured on Broadway, and made her film debut in About Last Night... (1986). The actress went on to play Tom Hanks' vis-à-vis in Big (1988), the terminal cancer patient with whom William Hurt begins a relationship in The Doctor (1992), and the "She" to Kevin Bacon's "He" in He Said, She Said (1991). The biggest box-office hit with which Elizabeth Perkins has been associated was 1994's The Flintstones, in which she portrayed the long-suffering Wilma.Though supporting roles in such projects as From the Earth to the Moon, 28 Days, and The Ring Two kept Perkins busy over the next decade, it couldn't help but feel like her career momentum had stalled out a bit by the mid-2000s. Fortunately for comedy fans, television writer/producer Jenji Kohan (Gilmore Girls) recognized her talent, and in 2005 Perkins began a successful four year run on the hit television series Weeds. Cast as the busybody neighbor of a suburban single mother-turned-pot dealer played by Mary-Louise Parker, the talented comic actress earned three Emmy nominations for her role in the series, though the actual award sadly slipped through her fingers each time. Nevertheless, the success appeared to reinvigorate Perkins' small screen career, with roles in Vince Uncensored, teh Closer, and How to Live WIth Your Parents for the Rest of Your Life following in quick succession.

Trivia: Rarely can it be said that an actor is so recognized and of such prominence that a game can be played by connecting him to just about any other celebrity simply through referencing his resumé. Any film buff has most likely participated in a round of Six Degrees of Kevin Bacon, and it's likely that if their opponent was an avid cinephile they came out on the losing end of the match. This should come as no surprise, considering Bacon's extensive and diverse body of work. Born in Philadelphia, PA, in 1958, Bacon received his education at The Circle in the Square (where he became the youngest student to appear in a production) and Manning Street Actor's Theater after leaving home at the age of 18. Two years later, Bacon made his feature debut as the smarmy Chip Diller in director John Landis' beloved frat-house epic Animal House. Following in the next few years with minor roles in such seemingly forgettable films as Hero at Large and Friday the 13th (both 1980), Bacon would re-create his off-Broadway role of a drug-addicted male prostitute in Forty Deuce the same year that he made a memorable appearance as the troubled Timothy Fenwick in Barry Levinson's Diner (1982). Though he had appeared in a few major films and displayed an intriguing range of abilities, it was 1984's Footloose that brought Bacon his breakthrough role. As the big-city boy crusading against the puritanical constraints against dancing imposed by a well-meaning but overbearing fundamentalist minister, Bacon became a teen icon -- an image that, though it propelled him to stardom, would prove difficult to shed. Following Footloose's success with a series of curious failures such as Quicksilver (1986) and White Water Summer (1987), it was on the set of Lemon Sky (also 1987) that Bacon would meet future wife Kyra Sedgwick; the couple exchanged wedding vows the following year. Though he would appear in a few other failed-but-interesting, audience-pleasing thrillers such as Tremors (1989) and Flatliners (1990) in the following years, it was with his role in conspiracy theorist Oliver Stone's JFK (1991) that Bacon found his career revived and began to shed his heartthrob image. Narrowly escaping the Brat Pack trappings of his '80s contemporaries, subsequent roles after JFK may not have all scored direct hits at the box office for Bacon, but audiences were now well aware of his talents and thirsted for more. Bacon would again prove his substantial range in the true story of a brutalized prison inmate opposite Gary Oldman in 1995's Murder in the First. His performance as the disillusioned and broken prisoner, accentuated by his famished and frail skeletal figure, was followed by an equally challenging reality-based role as a member of the troubled Apollo 13 (1995) lunar mission team in director Ron Howard's widely praised film. Proving that he could play sleaze as successfully as slice-of-life, Bacon took a turn for the worse as the sadistic reform-school guard responsible for the rape of a trio of young boys in Sleepers (1996) and as a cop investigating accusations of rape in director John McNaughton's raunchy sex-thriller Wild Things. Bacon's entertaining turn as a receptive father tangled in a mind-bending murder mystery in Stir of Echoes (1999) gained positive reviews, though the intelligent and subtle shocker withered in the shadow of another similarly themed thriller, The Sixth Sense. Though he wasn't visible for the majority of the film, Bacon fell into psychotic territory as the malicious genius consumed by his discovery of the key to invisibility in Paul Verhoeven's sadistic Hollow Man (2000). After an uncredited supporting role in the independent comedy Novocaine, Bacon once again went for the throat in Trapped; and though audiences were generally entertained by the film, it ultimately fell victim to a quick death at the box office due to poor timing (numerous stories of child abductions had been making headlines at the time Trapped was released). Of course with an actor such as Bacon, it was only a matter of time before he once again tackled a substantial dramatic role, and with the release of Mystic River in 2003 audiences found him doing just that. Adapted from the novel of the same name by author Dennis Lehane and directed by Clint Eastwood, Mystic River provided audiences with a brutal, slow-burning study in the effects of violence and the nature of revenge, withBacon's turn as a sympathetic detective playing pitch perfect opposite a mournful performance by Sean Penn. That same year, Bacon showed up in an uncredited role in the Jane Campion thriller In the Cut before taking the lead in the emotional drama The Woodsman.Bacon would continue to work on a variety of projects over the coming years, appearing in everything from the tense period thriller Where the Truth Lies to the ensemble rom-com Crazy, Stupid, Love, to the superhero flick X-Men: First Class. Soon however, the actor found himself hungry for a more substantial project, and he found it with the Billy Bob Thornton directed drama Jane Mansfield's Car in 2012, which found him acting alongside heavyweights like Robert Duvall and John Hurt. In 2013, Bacon turned to television, headlining Fox's drama The Following.In addition to his film work, Bacon has frequently toured with brother Michael, playing upbeat country-folk rock under the alliterate moniker the Bacon Brothers.

Trivia: Known for his outrageous, divinely comedic performances on stage and screen, Nathan Lane has led a career encompassing Broadway, television, and film. Born Joe Lane in Jersey City, New Jersey on February 3, 1956, Lane took his stage name from Nathan Detroit, the character he played to great acclaim in the 1992 Broadway version of Guys and Dolls.Lane made his film debut in 1987's Ironweed, and he spent the rest of the 1980s and early 1990s playing secondary roles in films like Joe Versus the Volcano (1990), Frankie and Johnny (1991), and Addams Family Values (1993). During this time, his stage career was thriving; in addition to his celebrated turn in Guys and Dolls (for which he won a Tony nomination, as well as Drama Desk and Outer Critics Circle Awards), he frequently collaborated with playwright Terrence McNally, who cast him in a number of his plays, including The Lisbon Traviata, in which Lane played an opera queen, and Love! Valour! Compassion!, in which he starred as Buzz, an HIV-positive musical aficionado who provides much of the play's comic relief and genuine anger. The actor won particular acclaim for his portrayal of the latter character, taking home Obie and Drama Desk Awards, as well as other honors, for his work.In 1994, the same year that he starred in the stage version of Love! Valour! Compassion! (his role was played in the film version by Jason Alexander), Lane gained fame of a different sort, lending his voice to Timon, a hyperactive meerkat in Disney's animated The Lion King. He reprised the role for the extremely successful movie's 1998 sequel. Two years after playing a meerkat, Lane finally became widely visible to screen audiences as Robin Williams' flamboyantly limp-wristed lover in The Birdcage, Mike Nichols' remake of La Cage aux Folles. The film helped to establish Lane--who was at the time starring on Broadway in A Funny Thing Happened on the Way to the Forum--as a comic actor worthy of big-screen exposure, and in 1997 he was given his own vehicle to display his talents, Mouse Hunt. Unfortunately, the film was a relative disappointment, as was Encore! Encore!, a 1998 sitcom that cast the actor as a Pavorotti-like opera singer alongside Glenne Headly and Joan Plowright. However, Lane continued to work steadily, appearing both on stage and in film. In 1999, he could be seen in At First Sight and Get Bruce, a documentary about comic writer Bruce Vilanch. The same year, he could also be heard in Stuart Little, a live action/animated adaptation of E.B White's celebrated children's book.Over the coming years, Lane would appear in several films, including a new big screen adaptation of The Producers and the fairy tale Mirror Mirror.

Trivia: Despite spending the first 25 years of his life in Adelaide, Australia, Anthony LaPaglia is best known for playing street-savvy Italian New Yorkers. This was not, however, LaPaglia's original plan. Rather than testing the waters of show business, LaPaglia traveled to the United States intending to pursue a full-time teaching career. As luck would have it, however, one of LaPaglia's odd jobs was a small role in Cold Steel (1987), a low-budget detective drama. LaPaglia began pursuing theater and television in his spare time -- one of his more notable early performances was in 1988's Frank Nitti: The Enforcer -- and considered himself a full-time actor by 1989, when he made his feature-film debut in Slaves of New York. It was 1990, however, when the young actor earned critical recognition for his role as an exceedingly polite mobster in Betsy's Wedding.LaPaglia continued to build his résuméthroughout the early '90s, most of which he spent playing either kindly policemen or good-hearted mobsters, and was delighted to work alongside a variety of noted actors so early in his career. Among those actors were Alan Alda in Betsy's Wedding, Michael Keaton in One Good Cop (1991), and Nathan Lane, Sharon Stone, and Kevin Bacon in He Said, She Said (1992). Later in 1992, LaPaglia could be found playing his first leading role in George Gallo's gangster farce 29th Street. Though the film did not fare particularly well, audiences were nonetheless impressed with LaPaglia's intensity, and he played a more serious gangster with great success opposite Susan Sarandon in The Client (1994). The actor switched gears for his next handful of films; in Mixed Nuts (1994) he played a disillusioned Santa Claus, while Empire Records (1995) found him as a down-on-his-luck store manager, and the Australian-helmed Brilliant Lies (1996) featured him as the defendant in a sketchy sexual-harassment case.Despite a smattering of mediocre films between 1995 and the early 2000s, LaPaglia continued to earn critical acclaim for many of his endeavors, such as Steve Buscemi's directorial debut, Trees Lounge (1996), for which LaPaglia joined a star-studded supporting cast, as well as for his role as a detective in Spike Lee's Summer of Sam (1999). Luckily for him, 2000 and 2001 proved excellent for his career, as it was during this period that he played a wealthy businessman in The House of Mirth and an adulterous police detective in Lantana. In addition to receiving international success, Lantana earned LaPaglia the prestigious Best Actor award from the Australian Film Institute, as well as a nomination from the Film Critics Circle. In the meantime, he was adding several major television credits to his résumé, including a starring role as the head of the FBI's Missing Persons Squad on CBS's Without a Trace, and a recurring role on the long-running sitcom Frasier, a performance for which he would receive an Emmy in 2002. Far removed from his fledgling days as a teacher, 2002 also found LaPaglia working with Val Kilmer for The Salton Sea; Sigourney Weaver for The Guys; Robert De Niro and Billy Crystal in Analyze That; and Eric Stoltz in Happy Hour. In 2003, after filming Manhood with Janeane Garofalo and the late John Ritter, LaPaglia agreed to star in director Josh Sternfeld's Winter Solstice (2004).Over the next several years, LaPaglia would appear in a number of big screen projects, like Balibo (2009), Overnight (2012) and A Good Marriage (2014).

Trivia: Screen siren, opinionated diva, and one of the few actresses in Hollywood who can claim to be both a Paul Verhoeven muse and a MENSA member, Sharon Stone is nothing if not a legend in her own right. Beginning with her notorious disinclination to wear underwear during a police interrogation in Basic Instinct, Stone went on to become one of the most talked about actresses of the '90s, earning both admiration and infamy for her on- and off-screen personae.Almost as famous as Stone's glamorous image are her working-class roots. Born in the Northwest Pennsylvania town of Meadville on March 10, 1958, Stone grew up a bookworm in a large family. Highly intelligent in addition to being a local beauty pageant queen, she won a scholarship to Pennsylvania's Edinboro University when she was 15 years old. After studying creative writing and fine arts, she decided to pursue a modeling career, and after moving to New York, she signed on with the Eileen Ford agency. Stone became a successful model by the late '70s, appearing in print and television ads for Clairol, Revlon, and Diet Coke.In 1980, Stone branched out into acting, making her screen debut as the "pretty girl on train" in Woody Allen's Stardust Memories. Following this role, she spent the '80s appearing in one forgettable film after another, often cast as the stereotypical blonde bimbo. She finally got a break in 1990, when she appeared as Arnold Schwarzenegger's kickboxing secret-agent wife in Verhoeven's Total Recall. Any recognition she gained for that role, however, was more than eclipsed by the notoriety she earned for her starring turn in her second Verhoeven feature, Basic Instinct. The 1992 film, in which Stone portrayed a bisexual author/sexual adventurer who may or may not be a serial killer, did her a huge favor by making her a star but also a sizable disservice by further typecasting her in blonde seductress roles. Stone's subsequent effort, the erotic thriller Sliver (1993), was an example of this: the actress attracted notice less for her acting than for her willingness to simulate masturbation. Her role in the following year's The Specialist was also fairly limiting -- an action flick co-starring Sylvester Stallone, it called for Stone to run around in a tight dress in heels when she wasn't seducing various characters.In 1995, Stone managed to break into the "serious actress" arena with her performance in Martin Scorsese's Casino. Cast as an ex-prostitute, she won an Oscar nomination and a Golden Globe for her work, as well as the general opinion that she was capable of dramatic acting. Stone branched out further that same year with The Quick and the Dead, a revisionist Western directed by Sam Raimi in which she starred as a tough-talking, hard-drinking broad bent on revenge. Unfortunately, the film was a relative flop, as were her subsequent 1996 films, Diabolique, a remake of the 1954 French film by Clouzot and Last Dance, a drama that featured Stone as a woman on death row. By this point winning more notice for her off-screen role as an arbiter of fashion and old-school Hollywood glamour than for her onscreen acting work, Stone next lent her voice to the animated Antz in 1998. The film proved to be a success, unlike the actress's other projects that year, the lackluster Barry Levinson sci-fi thriller Sphere and The Mighty. The latter film, which Stone produced as well as starred in, was a heartfelt story about two adolescent misfits; although it did win a number of positive reviews, audiences largely kept their distance. The same couldn't be said of Stone's next film, a 1999 remake of Gloria; not only did audiences stay away from it, critics savaged it with vituperative glee. Never one to let a bad review get her down, Stone soon rebounded, receiving a more positive reception for her performance in The Muse and then starring as Jeff Bridges' long-suffering wife in Simpatico. If her roles in the years that followed weren't as high profile, that's certainly not to say that they were any less challenging. After taking a turn towards the small screen in the lesbian-themed made-for-cable drama If These Walls Could Talk 2, Stone broke for comedy with Alfonso Arau's Picking Up the Pieces and essayed the role of an unpredictable bad girl in Beautiful Joe (all 2000). Having veered increasingly towards family-oriented fare in recent years, the trend continued with vocal work for Harold and the Purple Crayon. Of course, all was not child's play in Stone's career, and with the release of Cold Creek Manor the following year, audiences were indeed in for a frightful chill. A series of continual highs and lows marked Stone's career path in successive years. In 2004, the actress appeared as Laurel Hedare opposite Halle Berry in Catwoman. Though eagerly anticipated, the effects-heavy vehicle opened that July to abysmal reviews and devastating box office returns. Despite Stone's confession that she was toning down her oft cited diva-like ways after suffering a brain aneurysm in 2001, rumors of outrageous behavior on the film's set began to circulate. She fared much better on all fronts when she essayed a role as one of Bill Murray's ex-girlfriends in Jim Jarmusch's Golden Palm winner Broken Flowers (2005) - and walked away with the most memorable and endearing role in the picture - a role that showcases her skills as a disciplined thespian. Stone then contributed a cameo (as did many stars) to that same year's disappointing Martin Short vehicle Jiminy Glick in LaLa Wood Early 2006 gave rise to another embarrassment, as Stone appeared (at the age of 48!) in the sequel Basic Instinct 2: Risk Addiction. Despite a somewhat respectable pedigree (the gifted Michael Caton-Jones helmed the picture) the public and press scoffed. Incredibly, Stonespoke of a possible third entry in the franchise, and even explored the option of assuming the position of director. No such luck: much to the chagrin of viewers who relish Hollywood stars in humi roles, the picture failed to materialize. But soon after, a couple of potential triumphs surfaced, defiantly challenging the tabloids hungry for a 'losing streak' in Stone's career. She joined an exemplary cast in Emilio Estevez's hotly anticipated November 2006 release Bobby, an ensemble piece that intertwines multiple substories in the Ambassador Hotel just prior to RFK's assassination. She also appears in Nick Cassavetes's Alpha Dog (2007), alongside an A-list cast that includes newbie Emile Hirsch and Bruce Willis. The picture dramatizes the true story of a drug dealer in his early twenties who gets in over his head; Stone plays the traumatized mother of the child he kidnaps, a boy who is in hock for a massive drug tab. Universal slated it for release in January 2007. In that same year's drama When a Man Falls in the Forest, directed by Ryan Eslinger, she plays a kleptomaniacal Midwestern housewife. The cast also stars Timothy Hutton, Dylan Baker and Pruitt Taylor Vince. She continued to work steadily in projects such as Streets of Blood, Largo Winch II, and the biopic Lovelace.Wed to MacGyver producer Michael Greenberg from 1984 to 1987, and George Englund, Jr. (Cloris Leachman's son) prior to that, Stone married her third husband, San Francisco Examiner editor Phil Bronstein, in early 1998, with whom she adopted a son. They divorced in early 2004. She runs an LA-based production shingle, Chaos Productions.

Trivia: Made her television debut as the title character in Cindy, a retelling of Cinderella with an all African-American cast. In 1978, made her professional stage debut in the original Broadway cast of Ain't Misbehavin', receiving a Tony Award nomination for Best Featured Actress in a Musical. Made her feature film debut in 1982's Hard Feelings. Was nominated for a Genie Award in 1983 for Best Performance by a Foreign Actress in Hard Feelings. Between 2002 and 2011, played the recurring role of Sister Peg in Law & Order: Special Victims Unit. In 2011, won the Los Angeles Drama Critics Circle Award for Solo Performance for her performance in the one-woman play The Night Watcher. A former board-member of the Sundance Institute and Manhattan Theatre Club, she currently serves on the Council of the Dramatists Guild of America.

Trivia: Diminutive American actor Phil Leeds has been trafficking in comedy character roles for well over 50 years. When not showing up on Broadway or on tour, Leeds has been a regular visitor to television. He was seen on a weekly basis as an ensemble player on the DuMont Network's 1950 variety series Front Row Center; as Moscow apartment dweller Vladimir in Ivan the Terrible (1976); as delicatessen habitue Lou Gold in Singer and Sons (1990); and as "The Kid," a 75-year-old con man, in Double Rush (1995). A relative latecomer to films, Phil Leeds has made up for lost time with a steady stream of select character roles; notably his poignantly amusing cameo as the long-dead husband in the hospital emergency room in Ghost (1990), eagerly anticipating a reunion with his about-to-die widow.

Trivia: Actress Rita Karin was born and raised in Poland. Both of her parents were killed during the Holocaust. At that time she was studying in the Moscow State Jewish theater. In 1945, she moved to Germany where she narrated a documentary about American troops freeing concentration camp prisoners, The Mills of Death for the U.S. Information Agency. Following the war, Karin and her spouse Norbert Horowitz founded a traveling Yiddish theater group for those surviving the Holocaust. In 1949, Karin moved to New York and became a well-respected member of the Yiddish theater community. She also worked on- and off-Broadway, in television, and in a few films from the early '70s though the early '90s.

Trivia: African-American supporting actor Paul Butler has appeared onscreen from the '80s.

Trivia: A native of New Rochelle, NY, character actor Steven Gilborn built his reputation on the basis of an extensive number of series appearances, on programs including The Wonder Years, The West Wing, Law & Order, The Practice, and particularly Ellen, as Ellen DeGeneres' sweet-natured though slightly mixed-up father. He typically specialized in portrayals of slightly distinguished everyman types, often with a professional angle. Prior to acting, Gilborn received his bachelor's in English from Swarthmore and his Ph.D. in literature from Stanford, then in 1970 decided to enter the dramatic sphere and never turned back. Alongside his series work, he made feature appearances in projects including the 1995 Brady Bunch Movie and the 2000 Nurse Betty (as a physician on a soap opera). He grew even more prolific on-stage, in regional productions including The Tempest, Much Ado About Nothing, and Awake and Sing.

Trivia: British character actor Richard Warner appeared onscreen from the '60s, he often played small-town cops.

Trivia: Able to boast a 64-year-career on stage, screen, and television, actor Tom McDermott was most proud of the work he did toward improving opportunities and working conditions for minorities in the theater. His love of acting began in high school and though he received no formal training in the craft, was talented enough to break into the Chicago theater scene in a production of George Bernard Shaw's Candida. From there he went on to become a regular performer on and off-Broadway. He started appearing on television in the 1950s and went on to perform on a wide assortment of programs ranging from Captain Video to One Life to Live. McDermott did not make his feature film debut until Over the Brooklyn Bridge (1983). From there he went on to sporadically play character roles in such films as Ghostbusters (1984) and Liebstraum (1991). He made his final screen appearance in Nicholas Hytner's version of Arthur Miller's play The Crucible (1996).

Trivia: South Carolina native Leeza Gibbons got a degree in journalism from the University of South Carolina before becoming an anchor of the showbiz news show Entertainment Tonight in 1984. Gibbons became a household name almost instantly, interviewing celebrities and reporting on the latest Hollywood news and gossip long before the age of TMZ. Gibbons' striking screen presence also led to her appearing in acting roles in feature films such as Robocop, though the anchor most often made cameo appearances as herself -- as she did in 1991's He Said, She Said. In 1994, Gibbons began hosting her own daytime talk show, Leeza, which ran until 2000. She also started hosting a number of radio shows in 2004 and participated in the popular reality show Dancing with the Stars in 2007. She won the seventh season of the Celebrity Apprentice in 2015, playing for her own charity, Leeza's Care Connection.