Trivia: Although she initially gained fame for her real-life role as Brad Pitt's girlfriend, Gwyneth Paltrow went on to build a solid reputation as one of the leading actresses of her generation. Repeatedly summoning comparisons to such classic presences as Grace Kelly, the blonde, blue-eyed Paltrow has won acclaim for her parts in a number of films, most notably Shakespeare in Love, for which she won a Best Actress Oscar in 1999.The daughter of actress Blythe Danner and producer/director Bruce Paltrow, Paltrow was born in Los Angeles on September 28, 1972. When she was 11, her family moved to Massachusetts so that her father could direct summer stock productions -- it was there that the actress began to receive theatrical training under her parents' tutelage. Schooled at Manhattan's exclusive Spence School, Paltrow went on to study anthropology at the University of California before deciding to drop out to pursue her acting career. She got her first screen role in the 1991 movie Shout and in the same year she played the young Wendy in Steven Spielberg's Hook.Two years later, Paltrow made her first significant impression with a chilling turn as a young con artist in Flesh and Bone. She went on to minor but memorable roles in Mrs. Parker and the Vicious Circle (1994) and Jefferson in Paris (1995) before earning her first true taste of fame with her part as Brad Pitt's wife in Seven (1995). Unfortunately, she got more attention for her status as the actor's girlfriend than for her work in the film, becoming one of the world's most photographed arm ornaments.However, the actress was able to come into her own the following year with the title role in Douglas McGrath's adaptation of Emma. She won acclaim for her work and her flawless British accent, and the same year she could be seen in two more films: The Pallbearer, with David Schwimmer, and Paul Thomas Anderson's Hard Eight. However, it was not until 1998 -- having broken off her engagement with Pitt the previous year -- that Paltrow became better-known for her acting than for her ability to look good in designer evening gowns. That year, she had starring roles in no less than five films. Although both Hush and A Perfect Murder proved disappointments, and Great Expectations received mixed reviews, Paltrow's two English excursions, the comedy Sliding Doors and John Madden's Shakespeare in Love, netted positive receptions. The latter film drew particular acclaim, eventually winning seven Academy Awards, including Best Picture and Best Actress for Paltrow.The following year, she had the lead in another high-profile project, Anthony Minghella's The Talented Mr. Ripley. Starring opposite Matt Damon, Jude Law, and Cate Blanchett, Paltrow took part in a film that boasted one of the most photogenic collections of young stars that audiences had seen that year and it further enhanced her reputation as one of the most celebrated members of her generation to step in front of a camera. As photogenic as she may be, however, Paltrow's healthy sense of humor would give the delicate actress the gusto she needed to take on the role of a 300-pound object of funnyman Jack Black's affection in the Farrelly brothers' cheerfully offensive Shallow Hal in 2001. With roles in The Anniversary Party, Possession, and Wes Anderson's The Royal Tenenbaums that same year, Paltrow's versatility and popularity showed no signs of waning - even if the subsequent flight attendant comedy View From the Top didn't even climb high enough at the box office to take a nosedive.Of course the failure of View From the Top could not be placed squarely on the shoulders of Paltrow, and given the film's troubled production history it's a small wonder that the film was released at all. If that film had simply been a glazed-over comedy that gave its starlet little chance to shine, Paltrow would close out the year with a commendable and notably heavier performance in Sylvia. A film based on the life of literary legend Sylvia Plath, Sylvia couldn't have been more different than A View From the Top and provided Paltrow with a role she could truly sink her teeth into. Both her performance as well as the film itself fared fairly well through the duration of its limited art-house run, despite the fact that Plath's real life daughter Frieda Hughes publicly denounced the endeavor. The film also provided Paltrow with the opportunity to appear onscreen opposite her real-life mother Danner, who also played her ill-fated character's mother in the film.In the wake of her accolades from Sylvia, Paltrow closed out 2003 by wedding Coldplay singer Chris Martin. The new family would soon expand five months later with the birth of their first child, a girl they bestowed with the unique moniker Apple Martin. But family life didn't slow Paltrow's film career too much. By Autumn she could be seen opposite Jude Law in the sci-fi actioner Sky Captain and the World of Tomorrow, and before the close of the year, audiences could catch her in director John Madden's Proof. Paltrow played a supporting role in the drama Infamous in (2006), and co-starred with Joaquin Phoenix in the 2008 romantic drama Two Lovers. Paltrow appeared in Iron Man (2008) and Iron Man 2 (2011) as the loyal assistant of zillionaire and hero du jour Tony Stark. The actress played a brief but vital role in Steven Soderbergh's Contagion in 2011, and reprised her role of Pepper Potts for the summer blockbusters The Avengers in 2012 and Iron Man 3 in 2013.

Trivia: After spending the 1980s playing a series of drug addict and character parts, Samuel L. Jackson emerged in the 1990s as one of the most prominent and well-respected actors in Hollywood. Work on a number of projects, both high-profile and low-key, has given Jackson ample opportunity to display an ability marked by both remarkable versatility and smooth intelligence.Born December 21, 1948, in Washington, D.C., Jackson was raised by his mother and grandparents in Chattanooga, TN. He attended Atlanta's Morehouse College, where he was co-founder of Atlanta's black-oriented Just Us Theater (the name of the company was taken from a famous Richard Pryor routine). Jackson arrived in New York in 1977, beginning what was to be a prolific career in film, television, and on the stage. After a plethora of character roles of varying sizes, Jackson was discovered by the public in the role of the hero's tempestuous, drug-addict brother in 1991's Jungle Fever, directed by another Morehouse College alumnus, Spike Lee. Jungle Fever won Jackson a special acting prize at the Cannes Film Festival and thereafter his career soared. Confronted with sudden celebrity, Jackson stayed grounded by continuing to live in the Harlem brownstone where he'd resided since his stage days. 1994 was a particularly felicitous year for Jackson; while his appearances in Jurassic Park (1993) and Menace II Society (1993) were still being seen in second-run houses, he co-starred with John Travolta as a mercurial hit man in Quentin Tarantino's Pulp Fiction, a performance that earned him an Oscar nomination. His portrayal of an embittered father in the more low-key Fresh earned him additional acclaim. The following year, Jackson landed third billing in the big-budget Die Hard With a Vengeance and also starred in the adoption drama Losing Isaiah. His versatility was put on further display in 1996 with the release of five very different films: The Long Kiss Goodnight, a thriller in which he co-starred with Geena Davis as a private detective; an adaptation of John Grisham's A Time to Kill, which featured him as an enraged father driven to murder; Steve Buscemi's independent Trees Lounge; The Great White Hype, a boxing satire in which the actor played a flamboyant boxing promoter; and Hard Eight, the directorial debut of Paul Thomas Anderson.After the relative quiet of 1997, which saw Jackson again collaborate with Tarantino in the critically acclaimed Jackie Brown and play a philandering father in the similarly acclaimed Eve's Bayou (which also marked his debut as a producer), the actor lent his talents to a string of big-budget affairs (an exception being the 1998 Canadian film The Red Violin). Aside from an unbilled cameo in Out of Sight (1998), Jackson was featured in leading roles in The Negotiator (1998), Sphere (1998), and Deep Blue Sea (1999). His prominence in these films added confirmation of his complete transition from secondary actor to leading man, something that was further cemented by a coveted role in what was perhaps the most anticipated film of the decade, Star Wars: Episode I - The Phantom Menace (1999), the first prequel to George Lucas' Star Wars trilogy. Jackson followed through on his leading man potential with a popular remake of Gordon Parks' seminal 1971 blaxploitation flick Shaft. Despite highly publicized squabbling between Jackson and director John Singleton, the film was a successful blend of homage, irony, and action; it became one of the rare character-driven hits in the special effects-laden summer of 2000.From hard-case Shaft to fragile as glass, Jackson once again hoodwinked audiences by playing against his usual super-bad persona in director M. Night Shyamalan's eagerly anticipated follow-up to The Sixth Sense, Unbreakable (2000). In his role as Bruce Willis' brittle, frail antithesis, Jackson proved that though he can talk trash and break heads with the best of them, he's always compelling to watch no matter what the role may be. Next taking a rare lead as a formerly successful pianist turned schizophrenic on the trail of a killer in the little-seen The Caveman's Valentine, Jackson turned in yet another compelling and sympathetic performance. Following an instance of road rage opposite Ben Affleck in Changing Lanes (2002), Jackson stirred film geek controversy upon wielding a purple lightsaber in the eagerly anticipated Star Wars II: Attack of the Clones. Despite rumors that the color of the lightsaber may have had some sort of mythical undertone, Jackson laughingly assured fans that it was a simple matter of his suggesting to Lucas that a purple lightsaber would simply "look cool," though he was admittedly surprised to see that Lucas had obliged him Jackson eventually saw the final print. A few short months later filmgoers would find Jackson recruiting a muscle-bound Vin Diesel for a dangerous secret mission in the spy thriller XXX.Jackson reprised his long-standing role as Mace Windu in the last segment of George Lucas's Star Wars franchise to be produced, Star Wars Episode III: Revenge of the Sith (2005). It (unsurprisingly) grossed almost four hundred million dollars, and became that rare box-office blockbuster to also score favorably (if not unanimously) with critics; no less than Roger Ebert proclaimed it "spectacular." Jackson co-headlined 2005's crime comedy The Man alongside Eugene Levy and 2006's Joe Roth mystery Freedomland with Julianne Moore and Edie Falco, but his most hotly-anticipated release at the time of this writing is August 2006's Snakes on a Plane, a by-the-throat thriller about an assassin who unleashes a crate full of vipers onto a aircraft full of innocent (and understandably terrified) civilians. Produced by New Line Cinema on a somewhat low budget, the film continues to draw widespread buzz that anticipates cult status. Black Snake Moan, directed by Craig Brewer (Hustle and Flow) dramatizes the relationship between a small-town girl (Christina Ricci) and a blues player (Jackson). The picture is slated for release in September 2006 with Jackson's Shaft collaborator, John Singleton, producing.Jackson would spend the ensuing years appearing in a number of films, like Home of the Brave, Resurrecting the Champ, Lakeview Terrace, Django Unchained, and the Marvel superhero franchise films like Thor, Iron Man, and The Avengers, playing superhero wrangler Nick Fury.

Trivia: Primarily a supporting and character actor, Philip Baker Hall has also played the occasional lead on stage, screen, and television. Hall made his film debut playing a priest in Cowards (1970). He then appeared in three television series during the mid-'70s, including Man From Atlantis (1977). He became best known during the '80s for his portrayal of Richard Nixon in Robert Altman's brilliant Secret Honor (1984), for which Hall also wrote the screenplay. Though the film garnered mixed reviews, the actor's portrayal of Nixon was hailed as a tour de force. Through the '80s and '90s, Hall continued to work steadily in films and on television; his talents were perhaps best, and most famously, utilized by director Paul Thomas Anderson, who cast Hall in substantial roles in Hard Eight (1996), Boogie Nights (1997), and Magnolia (1999), the last of which saw the actor in fine form as a game show host dying of cancer. Hall also had a memorable turn as a private investigator who is far too convinced of the infallibility of his own instincts in Anthony Minghella's The Talented Mr. Ripley (1999); that same year, he gave a strong performance as CBS producer Don Hewitt in Michael Mann's The Insider. Clearly, Hall had no intention of slowing down, and he would spend the next several years remaining extremely active, appearing in such films as The Matador, Rush Hour 3, The Lodger, 50/50, and Mr. Popper's Penguins.

Trivia: One of the screen's most versatile and woefully under-appreciated character actors, John C. Reilly has appeared in a series of films united only in their complete lack of similarity. To date, he has been used most intelligently by director Paul Thomas Anderson, who has cast him in Hard Eight, Boogie Nights, and Magnolia.A native of Chicago, where he was born May 24, 1965, Reilly broke into film in 1989, the year he starred in Casualties of War and We're No Angels, both of which featured Sean Penn and a less than stellar reception. Reilly subsequently spent the early '90s appearing in films of every conceivable genre, from the Tom Cruise testosterone extravaganza Days of Thunder (1990) to Woody Allen's Shadows and Fog (1992) to What's Eating Gilbert Grape (1993). Thanks to his unglamorous appearance, Reilly also did an obligatory turn as a backwoods psycho, popping up alongside Kevin Bacon in The River Wild (1994) long enough to freak out Meryl Streep and her family.1996 marked the beginning of Reilly's collaboration with director Anderson. That year, he starred as a none-too-bright loser stranded in Vegas in Hard Eight, Anderson's feature-length directorial debut. Reilly earned wide praise for his work in the film, which went largely unseen by audiences. The same couldn't be said of Reilly and Anderson's second collaboration, Boogie Nights, the following year. One of the most critically lauded films of 1997, it featured Reilly as another loser, a dim porn actor with dreams of becoming a magician/songwriter.Thanks to the film's success, Reilly finally earned a bit of long-overdue recognition, as was evidenced by his subsequent casting in Terrence Malick's adaptation of The Thin Red Line (1998). The actor's visibility further increased the following year, thanks to prominent roles in no less than four films. One of these was Magnolia, Anderson's follow-up to Boogie Nights. Like his previous film, Magnolia boasted a large ensemble cast of first-rate actors; among them, Reilly stood out as a lonely police officer who becomes involved with an emotionally unstable woman.With his career continuing to build momentum, Reilly was next cast alongside George Clooney and Mark Wahlberg in the 2000 big-budget adaptation of the best-selling book The Perfect Storm. However, his biggest year to date came in 2002. Not only could Reilly be seen in prominent roles in four high-profile films, but his scene-stealing turn in the musical Chicago netted him his first Academy Award nomination. Riding high on his escalating stardom, Reilly spent 2003 hard at work on three big releases, The Aviator, Dark Water, and Criminal. Of Reilly's 2004 projects, Criminal arrived first - in September of that year. A remake of the late Argentinian director Fabian Bielinsky's debut crime, the American version tells the story of a couple of scammers (Reilly and Diego Luna) who con members of the Beverly Hills upper-crust, the picture (brought to fruition by Steven Soderbergh) received average to positive reviews. On the enthusiastic end, The Los Angeles Times's Carina Chocano called the picture "funny, original and very well observed," and The Philadelphia Inquirer's Carrie Rickey remarked, "Gregory Jacobs' zircon remake of that glowing Argentine gem Nine Queens is the film equivalent of Chinese boxes or Russian matrushka dolls. If you've never played with them before, then there's a prize inside for you." Less enthused was The Charlotte Observer's Lawrence Toppmann, who compared the film somewhat unfavorably to its original: "a watered-down version of the same pleasures." Issued in December 2004, Martin Scorsese's The Aviator fared immeasurably better (with critics and at the box) and left in its wake the most enduring legacy of Reilly's 2004 efforts. As Noah Dietrich, the individual who manages Howard Hughes's (Leonardo di Caprio) business affairs, Reilly contributed to a strong ensemble cast that included Cate Blanchett and the splendid Alan Alda. Dark Water, Walter Salles's gothic horror opus, hit cinemas in July 2005. As the real estate agent who leases young mother Jennifer Connelly a possessed New York City apartment, Reilly delivers effective and substantial menace, even as the motion picture divided critics. In 2006, Reilly starred in two key A-list releases. Released in June 2006, Bob Altman's Garrison Keillor cinematization A Prairie Home Companion lays out a "genial" Altmanesque tapestry of the backstage shenanigans at a fictionalized version of Prairie, that transpire between the cast members. Reilly (who established himself with such force in Altman protege Paul Anderson's similar films) portrays Lefty, one half of a cowboy duo opposite Woody Harrelson's Dusty; they bicker throughout the film and ultimately perform a dirty-lyrics musical number together. The picture opened, almost unanimously, to glowing reviews. The supporting cast includes Keillor, Meryl Streep, Lindsay Lohan, and Kevin Kline. Reilly showcased his versatility by following up his work in the Altman film by co-starring opposite Will Farrell in the NASCAR comedy Talladega Nights: The Ballad of Ricky Bobby.In 2007 he was the lead in the musical biopic spoof Walk Hard: The Dewey Cox Story, also singing a number of song spoofs for the movie. The next year he reteamed with Will Farrell in Step Brothers. He had a major role in Cirque Du Freak in 2009. It was easy to find the well-respected character actor on screen in 2011, a year in which he appeared in the winning comedy Cedar Rapids, Roman Polanski's adaptation of the award-winning play Carnage, and the husband of Tilda Swinton in the psychological drama We Need to Talk About Kevin.

Trivia: One of the most original, versatile, and steadily employed actors in Hollywood, Philip Seymour Hoffman made a name for himself playing some of the most dysfunctional characters in movie history. Although he had been acting for years, most audiences were first introduced to the actor in the award-winning Boogie Nights, where he played a nebbishy soundman with a jones for Mark Wahlberg's Dirk Diggler. Imbuing his character with both humor and poignant complexity, Hoffman was one of the more memorable aspects of an unforgettable film.Born in Fairport, NY, in 1968, Hoffman trained at New York's Tisch School of Drama. Before breaking into film, he did a host of theater work, performing in New York, Chicago, and on a European tour. He made his film debut in the 1992 film Scent of a Woman, a critically acclaimed picture starring Al Pacino and Chris O'Donnell. Roles in a number of films of varying quality followed, including My New Gun (1992) and When a Man Loves a Woman (1994). The actor then nabbed a sizable role in Jan de Bont's 1996 tornado thriller Twister and the same year began an ongoing working relationship with Paul Thomas Anderson by appearing in his directorial debut Hard Eight. The crime drama, which also starred Gwyneth Paltrow and Samuel L. Jackson, received positive critical attention, although it didn't create more than a minor blip at the box office. However, Hoffman's next feature and second collaboration with Anderson, Boogie Nights (1997), was both a critical and financial success, scoring a host of Academy Award nominations and simultaneously reviving the careers of some of its stars, such as Burt Reynolds and Mark Wahlberg, while providing a breakthrough for others, such as Heather Graham and Hoffman himself. He next appeared in the Robin Williams comedy Patch Adams (1998), and the same year starred in two critically acclaimed independent films, Todd Solondz's Happiness and Brad Anderson's Next Stop Wonderland. The prolific actor added an appearance in The Big Lebowski (also 1998) to his already impressive resumé. In addition to his burgeoning acting career, Hoffman won favorable notices for his directing debut with the off-Broadway In Arabia, We'd All Be Kings. Hoffman came into his own with three notable performances in 1999. He reunited with Paul Thomas Anderson to play empathic hospice nurse Phil Parma, one of the emotional anchors in Magnolia. His portrayal of upper-crust snob Freddie Miles in The Talented Mr. Ripley earned him strong notices from many critics. Hoffman's peers awarded him with a Screen Actors Guild nomination for his role as a cross dresser in Flawless opposite Robert De Niro. He returned to the Broadway stage with fellow Anderson regular John C. Reilly to play very different brothers in Sam Shepard's True West. They took a risk by switching the lead roles every three days. Their hard work earned critical raves, and each was nominated for a Tony award. In 2000, Cameron Crowe cast Hoffman as Crowe's childhood hero Lester Bangs in Almost Famous, and David Mamet tapped him to be part of the impressive ensemble in State and Main.Hoffman maintained his status as one of the most respected and hardest-working actors in the new decade by delivering an excellent supporting turn in Red Dragon as an unctuous tabloid reporter. That same year he co-starred in Spike Lee's 25th Hour, and played the bad guy for old collaborator Paul Thomas Anderson in the offbeat romantic comedy Punch-Drunk Love. 2002 also saw the release of Love Liza, a very low-budget film scripted by Hoffman's brother and directed by actor Todd Louiso that starred Phil as a grieving husband addicted to huffing gas fumes. The next year found Hoffman starring as a gambling addict in the small scale Canadian drama Owning Mahowny, and turning in a memorable supporting performance as an amoral preacher in the big screen adaptation of Cold Mountain. Hoffman was in theaters again at the beginning of 2004 as the best friend in the Ben Stiller comedy Along Came Polly. He was also part of yet another outstanding ensemble in the small screen adaptation of Richard Russo's Pulitzer prize-winning novel Empire Falls.In 2005, Hoffman took the role of a lifetime when he assumed the title role in Bennett Miller's Capote. The film had critics in agreement that Hoffman's portrayal of complex and idiosyncratic real-life author Truman Capote was the stuff of Hollywood legend. Hoffman not only mastered the character's distinct body-language and speech but also hauntingly interpreted the subtle psychological and emotional self that made the character whole-leading many to declare that he very nearly made the film everything it was. The performance earned him the Oscar for Best Actor, as well as a Golden Globe and countless other accolades. The attention also provided a boost in profile for the actor who had for so long proved his worth in the background. After playing the bad guy in the third Mission Impossible movie opposite Tom Cruise, Hoffman had a remarkable 2007, a year that saw him play a central part in three well-regarded films. His conniving brother in Sidney Lumet's Before the Devil Knows You're Dead was a model of self-loathing fermenting into fatal action. In addition to a Golden Globe nomination for Best Actor, his highly-educated, emotionally fractured brother to Laura Linney's neurotic sister in The Savages offered him the chance to play numerous subtle and sharply observed scenes with her, the first meeting of these two revered performers. But it was his turn as the intense CIA operative in Charlie Wilson's War that won Hoffman the most widespread praise including Golden Globe and Oscar nominations for Best Supporting Actor.Hoffman continued to solidify his status as one of his generation's finest actors in 2008 with two very different roles. By choosing to play the lead in Charlie Kaufmann's directorial debut Synecdoche, New York, Hoffman again displayed his fearlessness, as well as his desire to work with the very best writers and directors he can find. That willfully difficult film never connected with mainstream audiences, but that was not true at all for Hoffman's other picture of 2008, Doubt. John Patrick Shanley's cinematic adaptation of his own award-winning play earned acting nominations for Hoffman and his three costars (Meryl Streep, Amy Adams, and Viola Davis) from both the Screen Actors Guild, and the Academy.Over the following years, Hoffman would continue to appear in a variety of interesting films, like Pirate Radio, The Ides of March, and Moneyball. In 2012 he again collaborated with Paul Thomas Anderson, playing a cult leader in the drama The Master opposite Joaquin Phoenix. For his work in that movie, Hoffman got a Best Supporting Actor nomination from both the Screen Actors Guild and the Academy of Motion Picture Arts and Sciences. The following year, he appeared in the smash The Hunger Games: Catching Fire as rebel Gamemaker Plutarch Heavensbee. Sadly, personal problems cut his illustrious career short, as Hoffman was found dead in his apartment of an apparent drug overdose at age 46.

Trivia: American actor Robert Ridgely's first television job was the part of Kimbro in the 1962 wartime drama The Gallant Men. He later played a Ted Baxter-ish anchor man on Domestic Life (1984), and was earlier featured as an unctuous talent-show emcee in Jonathan Demme's Melvin and Howard (1979). Ridgely showed up in a brace of Mel Brooks films during the early '90s, including Life Stinks (1991) and Robin Hood: Men in Tights (1993), and was featured in Michael Keaton's Multiplicity and Tom Hanks' That Thing You Do! Although he was always busy in front of the cameras, the actor was best-known as one of show business' most prolific and versatile voice-over artists. Ridgely's extensive TV-cartoon resumé included the title roles in Flash Gordon: The Greatest Adventure of All (1979), Tarzan, Lord of the Jungle (1980), and Thundarr the Barbarian (1982) Ridgely made his final film appearances in Boogie Nights and Fire Down Below (both 1997). He died of cancer in 1997 at the age of 65.

Trivia: A versatile actress who can bring a keen emotional edge to either comic or dramatic roles, Melora Walters is best known for her work with director Paul Thomas Anderson, who, more than anyone, seems to have known how to best utilize her gifts onscreen. Melora Walters began her career in acting doing off-Broadway theater in New York before she began to make a name for herself in television, in 1989 scoring a small recurring role as Debbi on the popular sitcom Roseanne. After making her film debut in an undistinguished low-budget thriller, 1988's Underground Terror, Walters earned her Screen Actors Guild card for her work as Gloria in the 1989 hit Dead Poets Society. Over the next several years, Walters made a number of appearances on episodic television shows, including such hits as The Wonder Years, Seinfeld, and NYPD Blue, while playing small roles in several forgettable films, as well as occasional high-profile items such as Cabin Boy, Ed Wood, Eraser, and the critically respected indie film Twenty Bucks. In 1996, Walters was cast in a small role in a little-seen independent film called Hard Eight. However, the film's director, first-time feature filmmaker Paul Thomas Anderson, was impressed enough to cast her in a much meatier role in his second feature. Walters played Jessie St. Vincent, a soft-hearted second-string porn actress in the breakthrough hit Boogie Nights, and the film made a name for both Anderson and Walters. Walters' new notoriety helped her land a regular role as Felicity on the television drama series L.A. Doctors, but the show only lasted a single season. Thankfully, Anderson once again had plans for Walters, and cast her as Claudia, a cocaine-addled woman on the verge of emotional collapse in Magnolia; hers was one of the strongest performances in one of the year's most eagerly anticipated films, and the critical response to her intense portrayal led to a string of leading roles in independent films, including Rain, Desert Saints, and Jupiter City. She continued to work steadily, bouncing between Hollywood projects and indie fare like Wisegirls, Runaway Jury, Cold Mountain, Melvin Goes to Dinner, and The Butterfly Effect. In 2006 she was cast in the HBO drama series Big Love as Wanda Hendricks. After her run on that show came to an end, she could be seen in I Melt With You, and she made cameo in Paul Thomas Anderson's The Master.