Trivia: The son of legendary martial artist Bruce Lee and his wife Linda, Brandon Lee did not plan to become an action star like his father. A professionally trained actor, he hoped to play mostly dramatic roles. But, like the older Lee, he was a skilled martial artist and used this talent to break into the movie business. Brandon's tragic death on the eve of his dramatic film breakthrough was both eerily reminiscent of his father's untimely demise and a tremendous loss to movie fans.Born on February 1, 1965 in Oakland, CA, Lee spent his early years in Hong Kong, where he learned Cantonese and studied the martial art of Jeet Kun Do. He was only eight when his father died suddenly of a brain edema, and his mother moved Lee and his younger sister Shannon back to the States. They settled first in Seattle and then in Rolling Hills, CA, where Lee acquired the reputation of a troubled, wild child. He dropped out of high school twice, and was expelled from the private Chadwick School in Palos Verdes only months before graduation. After finally receiving his diploma from Miraleste High School, he studied drama at Boston's Emerson College and commuted to New York for private acting lessons at the Lee Strasberg Institute.In 1985, after getting his feet wet in several off-Broadway plays, Lee moved to Hollywood. He worked as a script reader before landing a role in the television film Kung Fu: The Movie (1987) with David Carradine. Lee then returned to Hong Kong to appear in the Cantonese film Legacy of Rage (Long zai jiang hu) (1987). Starring roles opposite Ernest Borgnine in Laser Mission (1990) and Dolph Lundgren in Showdown in Little Tokyo (1991) soon followed. His next U.S. vehicle, Rapid Fire (1992), had audiences on their feet with its nonstop fighting sequences (which Lee choreographed himself).Thus, the actor was poised for true stardom when he landed the lead in director Alex Proyas' The Crow. It was his dream project: An adaptation of James O'Barr's graphic novel, The Crow promised to combine Lee's captivating stunts with a brooding gothic atmosphere and a tight revenge-driven story line. He was shooting his character's death scene on location in Wilmington, NC, when an improperly cleaned prop gun fired a dummy tip into his midsection. The tip tore through Lee's abdomen and lodged in his spine. After losing a considerable amount of blood, he died on the operating table at New Hanover Regional Medical Center at 1:04 P.M. on March 31, 1993.Lee, who had planned to marry his longtime girlfriend that April, was laid to rest next to his father at Lakeview Cemetery in Seattle. His friend Polly Bergen held a memorial service for Lee at her California home. Over 400 people showed up to pay their respects to the young actor, including Kiefer Sutherland, Steven Seagal, David Hasselhoff, and David Carradine. After much deliberation, Proyas and his production team finished The Crow as a tribute to its star. Distributed by Miramax, the film opened in 1994 and sold out theaters across the nation. It amassed quite a following, inspiring a television show and two sequels and transforming Lee into a cult hero.

Trivia: Actor Ernie Hudson received his training at Wayne State, Yale School of Drama and the University of Minnesota. Following a hitch with the Marines, Hudson appeared in such stage productions as The Great White Hope, The Cage and Daddy Goodness. He made his earlier film appearance in 1976's Leadbelly. Most of us know Hudson best as Winston Zeddmore in the two Ghostbusters films, a role he repeated in Ray Parker Jr.'s "Ghostbusters" music video. His best--and most controversial--screen assignment was the The Hand That Rocks the Cradle (1992); Hudson played retarded handyman Solomon, virtually the only character in the film who doesn't buy into the "perfect" facade of homicidal baby-sitter Rebecca DeMornay. On TV, Ernie Hudson has been seen as Smythe in Highcliffe Manor (1977), undercover officer "Night Train" Lane in The Last Precinct (1986), and kleptomaniac cop Toby Baker in Broken Badges (1990). He had a memorable supporting part in the 1992 thriller The Hand That Rocks the Cradle, and appeared in Heart and Souls as well as the comedy Airheads. In 1994 he was cast in a prominent role in the action film The Crow, and followed that up in 1995 with part in Congo. In 1997 he started work on the HBO drama Oz, playing the warden of the meanest, cruelest inmates imaginable for six seasons. He co-starred with Sandra Bullock in the 2000 comedy Miss Congeniality. He continued to work steadily in projects as diverse as Snoop Dogg's Hood of Horror, The Ron Clark Story, and 2010's Smokin' Aces 2: Assassin's Ball.

Trivia: Michael Wincott's filmography contains a veritable rogues' gallery of brooding villains and charismatic scalawags. Interestingly, he consistently wins high marks for his performances but remains largely unknown outside of a growing circle of devoted fans. He was born in London, Ontario, and trained at the prestigious Juilliard School. He launched his professional career on the New York Stage, appearing in such productions as The Plough and the Stars, When You Comin' Back, Red Ryder, and 'Tis a Pity She's a Whore. He also appeared in a few Broadway dramas, including Sam Shepard's premiere production of States of Shock. He made his feature film debut in a Canadian production, Wild Horse Hank (1979). Some of his more memorable roles include his reprisal of his Broadway performance as a zoned-out rocker in Oliver Stone's film adaptation of Eric Bogosian's Talk Radio (1988). In villainous roles, Wincott projects a charismatic intensity that eclipses the actor behind the them, which is perhaps one reason why major stardom has eluded him. He was riveting as Top Dollar, the supervillain in The Crow (1994). Wincott's brother, Jeff Wincott, is also an actor.

Trivia: David Patrick Kelly specializes in playing sleazeballs, oily little punks, and crazies in actioners and urban dramas. While Kelly excels at such roles, they do not fully represent his training and potential. A former student of Stella Adler in New York and mime Marcel Marceau in Paris, Kelly first made his name on the New York stage, appearing in everything from musicals to experimental theater. Producer Joel Silver started him down the road to movie villainy when he cast him in Walter Hill's The Warriors (1979) and then 48 Hrs. (1982). Kelly has subsequently appeared in several more Hill films, including Last Man Standing (1997). Kelly also played supporting roles in two Spike Lee films, Malcolm X (1992) and Crooklyn (1994).

Trivia: Bai Ling, whose name translates into English as "White Spirit," was born in China on October 10, 1970. Ling was born into a creative family -- her father was a musician and teacher, while her mother had been a stage actress -- but she was primarily raised by her grandmother after Ling's parents ran afoul of Chinese authorities during the Cultural Revolution. At the age of 14, Ling was enlisted in the People's Liberation Army, where she served as an entertainer, singing and dancing for the troops. However, the authoritarian atmosphere of the Army didn't suit Ling, who found herself accused of insubordination for use of tobacco and alcohol. After the end of her hitch with the Army, Ling joined a theater group in Beijing, where she appeared in traditional Chinese plays as well as dramas from the West. Ling began receiving small roles in Chinese films, and in 1988, Ling starred in Hu Guang, and attended the film's screening at the Moscow Film Festival; however, she was warned not to discuss political matters, particularly those related to the then-recent Tiananmen Square protests (in which Ling took part). Ling traveled to New York City at the age of 21 to study at New York University's Department of Film, and to hone her craft at the Lee Strasberg Theater Institute; Ling arrived in New York not knowing a word of English, but soon mastered the language through daily immersion. In 1994, Ling landed her first American film role, as the villainous Myca in the dark fantasy The Crow, and she also auditioned for Oliver Stone's Vietnam war drama Heaven & Earth. While Ling didn't get the part, Stone was impressed enough to cast her in his film Nixon as Richard Nixon's interpreter during his first visit to China. Ling's next film project turned out to be highly controversial; she appeared as a lawyer defending an American journalist on assignment in China in 1997's Red Corner. The film's highly unflattering depiction of the Chinese legal system (and the nation's widespread human rights abuses) caused the picture to be banned in both China and Korea; Ling also found her contracts canceled to appear in a pair of Chinese films, and Chinese officials revoked her passport shortly afterward (in 1999, she was granted United States citizenship). Afterward, Ling continued to receive steady work in supporting roles, appearing in Wild Wild West, Anna and the King -- for which she cut off most of her waist-length hair. Her career's upward trajectory continued as the new millennium dawned, landing her roles in Spike Lee's She Hate Me and the highly stylized Sky Captain and the World of Tomorrow. Ling also scored a cameo role in Star Wars: Episode III - Revenge of the Sith, though most of her screen time was lost in editing. Ling was quoted as saying she felt she was cut because she'd subsequently graced the pages of Playboy magazine (as the first woman from the People's Republic of China to appear on its cover), but director George Lucas claimed her part was cut simply due to story and runtime. Prominent roles followed, however, including a part in Southland Tales, the 2006 film by Donnie Darko director Richard Kelly. She also made a splash on reality TV, appearing on the show But Can They Sing.

Trivia: Known to many as the Candyman, character actor Tony Todd is known for his extreme height (6'5") and deep voice. The Washington D.C. native cut his teeth with numerous TV appearances throughout the 80's, and went on to appear in movies like Platoon, The Rock, and of course, Candyman. He would also enjoy major arcs on shows like 24 and Chuck.

Trivia: Typically cast as a criminal or a cop, beefy, bald, American character actor Jon Polito has appeared on stage, television, and in feature films, notably the Coen brothers' Miller's Crossing (1990) and Barton Fink (1991). Polito can be recognized for his pencil-thin moustache. He launched his career on Broadway in 1977. In 1981, Polito debuted in the feature film The Killing Hour and then portrayed mobster Tommy Lucchese on the television series The Gangster Chronicles.

Trivia: Matty, the Moron and the Madonna was the intriguing title of the first off-Broadway play to feature American actor Lou Criscuolo. After this 1964 debut, Criscuolo seldom missed a theatrical season, appearing in productions as celebrated as Man of La Mancha and as obscure as Hurry Harry. The actor's film roles were generally of the "colorful ethnic character bit" variety in such films as King Kong Lives (1975), Enormous Changes at the Last Minute (1983), Weeds (1987), From the Hip (1987), Once Around (1991), 29th Street (1991) and Weekend at Bernie's (1991). Operating from both coasts, Criscuolo could be seen in such TV series as The Edge of Night, as Danny Micelli; Popi (1976), as Mr. Maggio; and Just Friends (1979), as health spa owner Milt D'Angelo. Lou Criscuolo almost had an actual starring part on a 1977 TV series titled Instant Family, an Odd Couple rip-off co-starring William Daniels, but the show never got past the pilot stage.