Trivia: American actor Robert Conrad was a graduate of Northwestern University, spending his first few years out of school supporting himself and his family by driving a milk truck and singing in a Chicago cabaret. Conrad befriended up-and-coming actor Nick Adams during this period, and it was Adams who helped Conrad get his first Hollywood work in 1957. A few movie bit parts later, Conrad was signed for a comparative pittance by Warner Bros. studios, and in 1959 was cast as detective Tom Lopaka on the weekly adventure series Hawaiian Eye. Upon the 1963 cancellation of this series, Conrad made a handful of Spanish and American films and toured with a nightclub act in Australia and Mexico City. Cast as frontier secret agent James West in The Wild Wild West in 1965, Conrad brought home $5000 a week during the series' first season and enjoyed increasing remunerations as West remained on the air until 1969. There are those who insist that Wild Wild West would have been colorless without the co-starring presence of Ross Martin, an opinion with which Conrad has always agreed. The actor's bid to star in a 1970 series based on the venerable Nick Carter pulp stories got no further than a pilot episode, while the Jack Webb-produced 1971 Robert Conrad series The D.A. was cancelled after 13 episodes. When Roy Scheider pulled out of the 1972 adventure weekly Assignment: Vienna, Conrad stepped in--and was out, along with the rest of Assignment: Vienna, by June of 1973. Conrad had better luck with 1976's Baa Baa Black Sheep, aka Black Sheep Squadron, a popular series based on the World War II exploits of Major "Pappy" Boyington. Cast as a nurse on this series was Conrad's daughter Nancy, setting a precedent for nepotism that the actor practiced as late as his tenth TV series, 1989's Jesse Hawkes, wherein Conrad co-starred with his sons Christian and Shane. Though few of his series have survived past season one, Conrad has enjoyed success as a commercial spokesman and in the role of G. Gordon Liddy (whom the actor admired) in the 1982 TV movie Will, G. Gordon Liddy. As can be gathered from the Liddy assignment, Conrad's politics veered towards conservatism; in 1981, he and Charlton Heston were instrumental in toppling Ed Asner and his liberal contingent from power in the Screen Actors Guild. As virile and athletic as ever in the 1990s, Robert Conrad has continued to appear in action roles both on TV and in films; he has also maintained strong ties with his hometown of Chicago, and can be counted upon to show up at a moment's notice as a guest on the various all-night programs of Chicago radio personality Eddie Schwartz.

Trivia: Born in Grodek, Poland, the erudite actor received an M.A. in psychometrics and a law degree before he turned to performing as half of a comedy team known as Ross & West. On film, he was notable and frightening in Experiment in Terror (1962). Following an undistinguished but busy TV career in the '50s, Martin became one of television's most brilliant chararacter actors. As a regular on the charades-like game shows The Ad-Libbers (1951), Pantomime Quiz (1950-1963), and Stump the Stars (1962-63), he had the chance to show off his lightning mind and acting facility. After playing a supporting role on The Sheriff of Cochise (1956-1960), he costarred as Andamo on Mr. Lucky (1959-60). Martin finally found his niche as TV's "man of a thousand faces" -- Secret Service agent Artemus Gordon -- on the humorous cult spy spoof/western/science fiction series The Wild, Wild West (1965-1969) with Robert Conrad as James West. The show gave him an opportunity to display his acting virtuosity, as he used multiple disguises and accents in almost every episode. Sidelined by a major heart attack near the end of the series and replaced by look-alike Charles Aidman, Martin did mostly guest shots and cartoon voiceovers thereafter. His directing credits include Here's Lucy (1968-74).

Trivia: Though hardly the easiest actor in the world to properly cast, Hurd Hatfield can claim at least two unforgettable film portrayals. Born in New York and educated at Columbia University, Hatfield was trained at England's Chekhov Drama School (Michael Chekhov, not Anton) and made his stage debut in London. He was personally selected by eccentric filmmaker Albert Lewin to play the title role in the 1945 movie version of The Picture of Dorian Gray. It was an astonishing performance, one that proved virtually untoppable for Hatfield; nothing he would do in his sporadic film appearances of the 1940s and 1950s came close to this personal triumph. After several years on stage, Hatfield was cast as Pontius Pilate in Nicholas Ray's filmization of The King of Kings (1961) -- another brilliant, matchless characterization. Perceived as a "cold fish" in his leading-man days, Hatfield was able to use his sang-froid to his advantage in such roles as Paul Bern in Harlow (the 1965 Carol Lynley version) and the middle-aged sex deviate in The Boston Strangler (1968). The best of Hurd Hatfield's most recent screen appearances was his portrayal of an inconvenient and troublesome grandparent in Crimes of the Heart (1986).

Trivia: Supporting actress Priscilla Morrill spent most of her career on television, appearing in telemovies, as a semi-regular, and a guest star. Fans of The Mary Tyler Moore Show may remember her for playing Edie, the estranged wife of newsroom chief Lou Grant. She made her first professional appearance on stage in an off-Broadway production of Julius Caesar opposite John Carradine. While on Broadway, Morrill appeared in such dramas as Still Life, Night of the Iguana, and The Relapse. Though she had been on television since the early '60s, she did not make her feature film debut until she landed a small role in Clint Eastwood's Breezy (1973). After that, she rarely appeared in feature films; she did, however, appear in many television movies, including The Love Canal and The Trial of Jean Harris. Morrill's guest-starring appearances include such shows as Newhart, The Outer Limits, and Bagdad Cafe. Morrill occasionally landed regular roles on television sitcoms such as And Baby Makes Five, but none of these lasted more than a few months.