Trivia: American actor Robert Conrad was a graduate of Northwestern University, spending his first few years out of school supporting himself and his family by driving a milk truck and singing in a Chicago cabaret. Conrad befriended up-and-coming actor Nick Adams during this period, and it was Adams who helped Conrad get his first Hollywood work in 1957. A few movie bit parts later, Conrad was signed for a comparative pittance by Warner Bros. studios, and in 1959 was cast as detective Tom Lopaka on the weekly adventure series Hawaiian Eye. Upon the 1963 cancellation of this series, Conrad made a handful of Spanish and American films and toured with a nightclub act in Australia and Mexico City. Cast as frontier secret agent James West in The Wild Wild West in 1965, Conrad brought home $5000 a week during the series' first season and enjoyed increasing remunerations as West remained on the air until 1969. There are those who insist that Wild Wild West would have been colorless without the co-starring presence of Ross Martin, an opinion with which Conrad has always agreed. The actor's bid to star in a 1970 series based on the venerable Nick Carter pulp stories got no further than a pilot episode, while the Jack Webb-produced 1971 Robert Conrad series The D.A. was cancelled after 13 episodes. When Roy Scheider pulled out of the 1972 adventure weekly Assignment: Vienna, Conrad stepped in--and was out, along with the rest of Assignment: Vienna, by June of 1973. Conrad had better luck with 1976's Baa Baa Black Sheep, aka Black Sheep Squadron, a popular series based on the World War II exploits of Major "Pappy" Boyington. Cast as a nurse on this series was Conrad's daughter Nancy, setting a precedent for nepotism that the actor practiced as late as his tenth TV series, 1989's Jesse Hawkes, wherein Conrad co-starred with his sons Christian and Shane. Though few of his series have survived past season one, Conrad has enjoyed success as a commercial spokesman and in the role of G. Gordon Liddy (whom the actor admired) in the 1982 TV movie Will, G. Gordon Liddy. As can be gathered from the Liddy assignment, Conrad's politics veered towards conservatism; in 1981, he and Charlton Heston were instrumental in toppling Ed Asner and his liberal contingent from power in the Screen Actors Guild. As virile and athletic as ever in the 1990s, Robert Conrad has continued to appear in action roles both on TV and in films; he has also maintained strong ties with his hometown of Chicago, and can be counted upon to show up at a moment's notice as a guest on the various all-night programs of Chicago radio personality Eddie Schwartz.

Trivia: Born in Grodek, Poland, the erudite actor received an M.A. in psychometrics and a law degree before he turned to performing as half of a comedy team known as Ross & West. On film, he was notable and frightening in Experiment in Terror (1962). Following an undistinguished but busy TV career in the '50s, Martin became one of television's most brilliant chararacter actors. As a regular on the charades-like game shows The Ad-Libbers (1951), Pantomime Quiz (1950-1963), and Stump the Stars (1962-63), he had the chance to show off his lightning mind and acting facility. After playing a supporting role on The Sheriff of Cochise (1956-1960), he costarred as Andamo on Mr. Lucky (1959-60). Martin finally found his niche as TV's "man of a thousand faces" -- Secret Service agent Artemus Gordon -- on the humorous cult spy spoof/western/science fiction series The Wild, Wild West (1965-1969) with Robert Conrad as James West. The show gave him an opportunity to display his acting virtuosity, as he used multiple disguises and accents in almost every episode. Sidelined by a major heart attack near the end of the series and replaced by look-alike Charles Aidman, Martin did mostly guest shots and cartoon voiceovers thereafter. His directing credits include Here's Lucy (1968-74).

Trivia: Like many Chicago born-and-bred actors, Harvey Korman cut his acting teeth at that city's Goodman Theatre. He sold aluminum siding door-to-door while waiting for his Big Break, taking the occasional Broadway walk-on, TV commercial and cartoon voice-over. His earliest significant TV exposure came about during his four seasons (1963-67) as a regular on The Danny Kaye Show. He went on to join The Carol Burnett Show in 1967, remaining with the series until its 1977 demise and winning four Emmies in the process. Korman's versatility was only part of his appeal; it was also a stitch to watch him try to maintain a straight face while enduring the antics of fellow comic actor Tim Conway. One recurring sketch on the Burnett series, "The Family," later spun off into the TV series Mama's Family. While Korman had played Mama's (Vicki Lawrence) vituperative son-in-law Ed on the Burnett Show "Family" sketches, his principal contribution to Mama's Family was confined to his weekly introductory comments as "Alastair Quince"; he also directed a 1983 special based on the "Family" principals, Eunice. Most of Korman's other TV-series projects were lukewarm single-season affairs like The Harvey Korman Show (1978), Leo and Lizz in Beverly Hills (1986) and The Nutt House (1989). Korman's finest film work can be found in his antic appearances in the films of Mel Brooks, especially his portrayal of greedy land baron Hedley Lamarr in 1974's Blazing Saddles. One of his later projects was the voice of the Dictabird in the 1994 box-office hit The Flintstones -- a piquant piece of casting, inasmuch as Korman had supplied the voice of "The Great Gazoo" in the original Flintstonesanimated television series of the 1960s. Korman died of unspecified causes in May 2008.

Trivia: Craggy character actor Roy Engel made his first film appearance in the 1949 noir classic D.O.A. He quickly established himself as a regular in such science fiction films as The Flying Saucer (1950), Man From Planet X (1951), and The Colossus of New York (1958). When not dealing with extraterrestrials, he could be seen playing sheriffs, bartenders, and the like in such Westerns as Three Violent People (1955) and Tribute to a Bad Man (1956). Among Roy Engel's last films was Kingdom of the Spiders (1977) which combined elements of both sci-fi and Westerns.

Trivia: Alice Nunn was a character actress who enjoyed a 24-year career on-stage, in movies, and on television. Born in Jacksonville, FL, in 1927, she was bitten by the performing bug early in life; she was in school productions of such works as My Sister Eileen and attended the Wesleyan Conservatory and School of Fine Arts. Nunn later trained at the American Theater Wing and worked in radio as a continuity director before getting her break in New Faces of 1956. A singing comedienne who resembled a young Pert Kelton crossed with Sheila James, Nunn worked on-stage with Shelley Berman and Nancy Walker, and made her screen debut on television in episodes of Petticoat Junction. She later became a regular denizen of '60s sitcoms, playing comically strong-willed, often slightly belligerent women. Fans of 1960s sitcoms may remember her from Camp Runamuck as Mahala May Gruenecker, the head counselor of Camp Divine and the nemesis of series star Arch Johnson's Commander Wivenhoe; she was the perfect foil to Johnson's hulking macho boys camp leader, locking horns with him every week in much the same way that Margaret Rutherford had with Alastair Sim in the movie The Happiest Days of Your Life. Nunn's first feature film was Johnny Got His Gun (1971), in which she was one of the nurses. She was also a regular cast member of the Tony Orlando and Dawn variety show, but many of her film roles were bits, such as "Fat Lady" in Mame (1974) and "Passenger with Dog" in Airport 1975. She occasionally got bigger roles, such as the put-upon servant Helga in Mommie Dearest (1981), and is probably best remembered by 1980s filmgoers and Tim Burton fans for her portrayal of "Large Marge," the lady truck driver who frightens the hero in Pee-Wee's Big Adventure (1985). If Nunn hadn't been so good at comedy, and exploiting the funny side of her imposing girth and presence, she might have been an older rival to Shirley Stoler, but it was not to be -- she died of heart failure in the summer of 1988, at age 60.