Trivia: An actor whose hulking presence belies his ability to slip quietly into an astonishing variety of roles, Vincent D'Onofrio is one of Hollywood's most unpredictable and compelling performers. Throughout his career, D'Onofrio has played a diverse range of characters, from Full Metal Jacket's fatally unhinged army recruit to a wholly convincing Orson Welles in Ed Wood to a bisexual porn star in The Velocity of Gary.Born in Brooklyn, NY, on June 30, 1959, D'Onofrio was raised in the diverse locales of Hawaii, Colorado, and Miami's Hialeah section. His career as an actor began on the stage, with study under Sonia Moore of New York's American Stanislavsky Theatre and Sharon Chatten at the Actors Studio. D'Onofrio's early years in the theater were filled with an obligatory helping of obscurity and miniscule paychecks (so miniscule that he worked for a time as a bouncer to help pay the bills). His fortunes began to shift in 1984, when he joined the American Stanislavsky Theatre as a performer. There, he appeared in such well-regarded productions as Of Mice and Men and David Mamet's Sexual Perversity in Chicago, and also made his Broadway debut in Open Admissions.D'Onofrio debuted onscreen in the straight-to-oblivion 1983 comedy The First Turn-On!, but it was not until his haunting portrayal of Pvt. Pyle (a role for which the actor gained 70 pounds) four years later in Stanley Kubrick's Full Metal Jacket that he earned much-deserved notice for his work. Defying easy categorization, D'Onofrio next appeared in the romantic comedy Mystic Pizza (1988), slimming down to his normal weight and giving a convincing portrayal as Lili Taylor's lovestruck boyfriend.Having thus given audiences a glimpse of his remarkable versatility, D'Onofrio spent the next few years making his presence felt in such films as JFK (1991), in which he played assassination witness Bill Newman; The Player (1992), which cast him in the pivotal role of ill-fated screenwriter David Kahane; and Nancy Savoca's Household Saints (1993), which, through a particularly odd feat of casting, had him playing the father of Lili Taylor. Although D'Onofrio worked at a prolific pace, it was not until he portrayed Conan the Barbarian author Robert E. Howard in the 1996 The Whole Wide World that he really had his screen breakthrough. A low-key romantic drama about the relationship between Howard and a schoolteacher (Renée Zellweger), the film allowed D'Onofrio to take center stage, rather than lend support to better-known co-stars. Critics roundly applauded his performance, but although the actor kept working steadily, he was by no means a Hollywood fixture. Eschewing the limelight, he turned in particularly memorable performances in Feeling Minnesota (1996) as Cameron Diaz's cuckolded fiancé and in the 1997 blockbuster Men in Black, which cast him as the film's resident bad guy.D'Onofrio had long since become an established actor by the 2000's, and he would remain a solid force on screen in such films as The Cell, Happy Accidents, Steal This Movie, andThumbsucker. D'Onofrio would also find just as much notoriety on the small screen, most notably as Detective Robert Goren on the phenomenally successful Law & Order spin-off Criminal Intent, and even step behind the camera, penning, helming and starring in the drama Mall.

Trivia: Born and raised in the Boston area, Erbe left her hometown to study drama at New York University. After making her TV debut as Lynn Redgrave's daughter on the short-lived TV sitcom Chicken Soup (1989), she returned to New York and was cast in the acclaimed 1990 Broadway production of The Grapes of Wrath. Erbe soon scored her first major film credit as Richard Dreyfuss' daughter in the Bill Murray comedy What About Bob? (1991) and alternated stage work as a member of the Steppenwolf Theatre Company and Atlantic Theatre Company with TV and films throughout the 1990s, most notably in Rich in Love (1992), George Wallace (1997), Kiss of Death (1995), The Addiction, (1995), and Stir of Echoes. Erbe also earned major acclaim on the HBO series Oz. As the 2000's unfolded for the actress, she found continued success in TV, playing the role of Detective Alexandra Eames on Law & Order: Criminal Intent.

Trivia: After attending State University of New York at Purchase, Jay O. Sanders made his off-Broadway debut in a 1976 production of Shakespeare's Henry V. Three years later, he graduated to Broadway in Loose Ends. Sanders' first major film role was Charles Rawlings, the husband of novelist Marjorie Rawlings (Mary Steenburgen) in Cross Creek (1980). He went on to spend a year in the role of feckless resident physician Dr. Gene Pfeiffer in TV's After MASH (1982). He later portrayed Steven Kordo in the 1987-88 (and last) season of the serialized prime time weekly Crime Story. In the 1990s, Jay O. Sanders played real-life "political prisoner" Terry Anderson in the made-for-TV film Hostages (1993), and was also seen in such theatrical features as JFK (1991) and Angels in the Outfield (1994). Bit roles in such Hollywood comedies as For Richer or Poorer and The Odd Couple II helped keep Sanders a familiar face to moviegoers between frequent independent roles. Meanwhile, the busy character actor also found steady work narrating audio books and television shows such as Nova and Wide Angle. In 2011 he joined the cast of Law & Order: Criminal Intent as Captain Joseph Hannah, but by then the show was in its tenth and final season. Guest appearances on such high-profile television series' as Pan Am, Blue Bloods, and Person of Interest were quick to follow.

Trivia: Character actor Jamey Sheridan has had a prolific acting career in theater, television, and film productions. Born in California to a family of actors, he made it to Broadway and earned a Tony nomination in 1987 for his performance in the revival of Arthur Miller's All My Sons. After several TV movie appearances, he landed a reoccurring role as lawyer Jack Shannon on Shannon's Deal, which ran for one season in 1990. His later television roles include Dr. John Sutton on Chicago Hope (from 1995-1996) and Captain Deakins on Law & Order: Criminal Intent (since 2001). Sheridan started his film career in the late '80s with small roles, and by the '90s he was playing the token family man, a role he would continue in both film and television. He was also capable of playing villains, as he did in the 1994 miniseries adaptation of Stephen King's The Stand. Other interesting roles include Marty Stouffer in Wild America and the psychotic neighbor in Video Voyeur: The Susan Wilson Story. After a long history of performing Shakespeare on the stage, Sheridan appeared in Campbell Scott's production of Hamlet in 2000 as well as the Hamlet-inspired modern noir film Let the Devil Wear Black in 1999. He's also given fine supporting performances in The Ice Storm, Cradle Will Rock, Life as a House, and numerous TV movies. In teh early 2000s Sheriden frequently alternated between film and television, though it was his role on the popular detective series Law and Order: Criminal Intent that offered him the most exposure. It was during his five year run on that show that he was diagnosed with Bell's palsy, a nerve disorder that temporarily causes partial facial paralysis, and the writers ultimately incorporated that condition into the show. In 2011 Sheridan joined the cast of the Showtime drama Homeland, which centered on a Marine sergeant and war hero who returns home to the U.S. after eight years missing in Iraq, only to be pursued by a CIA officer who's convinced he's been turned into a terrosit by Al-Qaeda.Sheridan and his wife, actress Colette Kilroy, have two children.

Trivia: Although he had been appearing in both film and television productions since the mid-'80s, it took nearly two decades for actor Courtney B. Vance to finally receive recognition. The Detroit native was bitten by the acting bug while a student at Harvard, and though he had originally intended to study history, he felt the lure of the stage and was soon appearing in productions at Harvard before eventually joining the Boston Shakespeare Company. After graduation, Vance continued his acting career at the Yale School of Drama, and it was there that he first gained notice for his role opposite James Earl Jones in the August Wilson drama Fences. In 1987, Vance made his film debut in the war drama Hamburger Hill, and though he remained true to his stage roots in the ensuing years, screen roles kept rolling in. The actor climbed the credits throughout the 1990s with a series of supporting roles in The Hunt for Red October (1990), Beyond the Law (1992), and The Adventures of Huck Finn (1993). 1995 proved something of a breakthrough year for the rising star, with roles in Panther, Dangerous Minds, and The Last Supper offering him more screen time than ever. In 1996, Vance held his own as a minister opposite Denzel Washington and Whitney Houston in The Preacher's Wife. Drawing from his own faith -- which had recently been reawakened by the suicide of his father -- for the role, Vance also had memorable performances in Cookie's Fortune in 1999 and Space Cowboys the following year. He portrayed Martin Luther King Jr. in the dramatic miniseries Parting the Waters (2000) and made another solid impression on television viewers the next year with a role in the popular series Law & Order: Criminal Intent.Vance would stick with the series for five years, concurrently appearing on the long-running medical drama ER. By the time he had finished his run on both programs, he was on to the science fictions series Flash Forward from 2009-2010, before signing on to appear alongside Michael Biehn in the post-apocalyptic horror flick The Divide in 2011.

Trivia: Frequently mislabeled as a performance artist, Eric Bogosian is a writer and an actor known for his comedic monologues and social commentary. Born on the East Coast and educated in the Midwest, he wrote and performed numerous one-man shows around New York during the late '70s and early '80s. After doing shows in art spaces like The Kitchen, he eventually had his solo work Fun House committed to video. The 1987 production was taped in front of a live audience. During this time he had also started acting in other people's projects, including Robert Altman's made-for-TV movie The Caine Mutiny Court Martial. The next year, he teamed with Oliver Stone for the film version of his off-Broadway show Talk Radio, starring himself as D.J. Barry Champlain. As a cinematic expansion of his original monologue, the film earned Bogosian a Silver Bear award at the Berlin Film Festival and a nomination at the Independent Spirit awards. His next big one-man show, Sex, Drugs, and Rock & Roll, was also made into a film, published in book form, and released on CD by Capitol. During the early '90s, he appeared as a television guest star on Law & Order and The Larry Sanders Show, and continued to publish his writing. In 1994, he finished work on the play Suburbia, which was later adapted to film by director Richard Linklater. As an actor, he had supporting roles in Dolores Claiborne, Under Siege 2, and Deconstructing Harry, followed by numerous cameos and vocal appearances. After finishing the play Griller, he went back to solo shows with Wake Up and Smell the Coffee, which was committed to film by InDigEnt. After Simon & Schuster published his novel Mall, he appeared in several TV movies and feature films, including the CBS miniseries Blonde, Atom Egoyan's Ararat, and the summer blockbuster Charlie's Angels: Full Throttle.

Trivia: A veteran of film and television, Chris Noth is probably best known for his work on Law and Order and HBO's Sex and the City, the latter of which featured him as the charming but terminally untrustworthy Mr. Big, erstwhile boyfriend/bad habit of the series' heroine, Carrie Bradshaw (Sarah Jessica Parker). Hailing from Madison, WI, where he was born November 13, 1954, Noth moved around a lot throughout his childhood, living in England, Yugoslavia, and Spain. Returning to the States, he studied with the storied acting coach Stanford Meisner before being accepted into the prestigious Yale School of Drama.Noth got his start on the stage and in television performing at the American Shakespeare Festival in Stratford, CT, and appearing in productions with theater companies across the country, including the Manhattan Theater Club and Los Angeles' Mark Taper Forum. Working in television beginning in 1982, he did a number of shows before breaking into film with small parts in Off Beat (1986) and the Diane Keaton comedy Baby Boom (1987). Noth's big break came in 1989, when he was chosen to play Det. Mike Logan on Law and Order. Noth portrayed the young policeman for five seasons, winning both critical nods and fans, many of whom were saddened when his Law and Order contract was not renewed in 1995. Noth continued to work on television and did minor work in films such as Naked in New York (1994) before getting his next big break in the form of Sex and the City (1998). As Big, he was one of the few male characters who could hold his own in the presence of the series' strong female protagonists, played by Parker, Cynthia Nixon, Kim Cattrall, and Kristin Davis. The show proved to be an enormous critical and commercial hit, in the process winning Noth more fans. He would reprise the role for subsuquent big screen adaptations of the show, in addition to other films like My One and Only and Lovelace. Noth would also enoy successful turns on Law & Order: Criminal Intent, The Good Wife, and Titanic: Blood and Steel.

Trivia: Tall, gangly, and oddly handsome, stage, screen, and television actor Jeff Goldblum is an unlikely sex symbol. But for many women, especially those fond of eccentric intellectual types, he fits the role perfectly. Known for the range of quirky, often otherworldly characters he has portrayed, Goldblum is adept at playing lead and supporting roles in dramas and comedies alike. A native of Pittsburgh, PA, where he was born October 22, 1952, Goldblum moved to New York at the age of 17 to pursue an acting career. He got his start at Sanford Meisner's distinguished Neighborhood Playhouse, and in the '70s began performing in a wide variety of on and off-Broadway productions. When he was 22, Goldblum made his film debut with a small role as a rapist in Michael Winner's brutal revenge drama Death Wish (1974). He was performing on-stage in the El Grande de Coca Cola review when Robert Altman gave him a small part in California Split (1974) and a slightly larger role in Nashville (1975). Afterwards, Goldblum was steadily employed as a bit player in both major and minor features, turning in one of his most notable performances as a nervous houseguest struggling to remember his mantra in the Los Angeles-set segment of Annie Hall (1977). In 1980, Goldblum branched out into television, starring opposite Ben Vereen in the short-lived television detective comedy Tenspeed and Brown Shoe. As Brown Shoe, Goldblum played an uptight stockbroker trying to make it as a hardboiled private detective. Although the role may have given him greater recognition, the actor gained his first really favorable reviews playing a tabloid magazine reporter in The Big Chill (1983). This led to leading roles in such films as Into the Night (1985), where Goldblum played an aerospace engineer opposite Michelle Pfeiffer, and Silverado (also 1985), which cast him as a villainous gambler. In 1986, he had his first hit movie with David Cronenberg's terrifying sci-fi-horror film The Fly (1986), playing a driven scientist whose research turns him into a gruesome mutant. His co-star was his then-wife, Geena Davis, whom he met while they were on the set of the comedy-thriller Transylvania 6-5000 (1985). The couple divorced in the early '90s and Goldblum then embarked on a highly publicized relationship with actress Laura Dern that broke up in the mid-'90s.In 1989, Goldblum made a favorable transatlantic impression in the British romantic comedy The Tall Guy, playing a perpetually unemployed actor who is cast as the lead of a musical about the Elephant Man. He continued to work steadily throughout the subsequent decade, appearing in films of markedly varying quality. He found great success in Steven Spielberg's Jurassic Park, playing a mathematician in one of the decade's biggest blockbusters. In 1996, Goldblum again explored blockbuster territory with a leading role as a computer genius in Independence Day. He reprised his role from Jurassic Park in that film's sequel 1997 sequel, The Lost World: Jurassic Park. He starred opposite Eddie Murphy in the notorious bomb Holy Man.At the beginning of the next decade Goldblum worked primarily in independent films such as Burr Steers' debut Igby Goes Down, and playing the romantic and professional rival to Bill Murray in Wes Anderson's The Life Aquatic with Steve Zissou. In 2006 he scored a role in his most mainstream film in quite sometime as part of the impressive ensemble in Barry Levinson's satire Man of the Year. In 2009, Goldblum joined the cast of Law & Order: Criminal Intent in the show's eighth season to play the role of Detective Zach Nichols. 2010 found the actor co-starring with Harrison Ford and Diane Keaton for the showbiz comedy Morning Glory. In 2014, he re-teamed with Anderson in The Grand Budapest Hotel. The following year, he appeared opposite Johnny Depp in Mortdecai and began filming his role in the long-awaited Indepdendence Day sequel, due in 2016.

Trivia: From the catwalk to the silver screen, model-turned-actress Julianne Nicholson has a way of turning heads. A freckled starlet whose fresh-faced beauty and boundless energy have no doubt served her well in juggling multiple projects in film and television, Nicholson first made a name for herself in a trio of independent dramas before achieving recognition among the masses with a role in the 1999 Stephen King miniseries Storm of the Century. Born and raised the oldest of four siblings living in Medford, MA, Nicholson dabbled in modeling following graduation from high school. Later studies at New York's Hunter College found the aspiring actress waiting tables in the Big Apple to support herself, though it didn't take long for Nicholson to throw caution to the wind and take up acting full time. Following her appearance in Storm of the Century Nicholson returned to features for a slew of supporting roles, and in 2000, she made her first foray into weekly television as a college student with the gift of second sight in The Others. Despite the series' short lifespan, Nicholson escaped relatively unscathed, resurfacing later the same year with an Independent Spirit Award-nominated role in the indie drama Tully. Back on the small screen Nicholson offered a breath of fresh air to Ally McBeal when she joined the cast of the popular series in 2001, with a brief leap back to the big screen in I'm With Lucy preceding a stint with a stethoscope on the 2002 medical drama Presidio Med. Cast opposite Jay Mohr as the bride-to-be in the 2004 feature Seeing Other People, Nicholson proved without a doubt that she had more than enough charm to carry the small comedy before moving on to a supporting role in the wide-release romantic comedy Little Black Book and getting meatier television roles on Law & Order: Criminal Intent, Boardwalk Empire, and The Good Wife.

Trivia: Tall, slim, and possessing impossibly large cheekbones, English actress Saffron Burrows first came to the attention of international audiences with her role in Circle of Friends (1995). Burrows, who had made her screen debut two years earlier in Jim Sheridan's In the Name of the Father, was cast as one of Minnie Driver's titular circle, an Irish girl who makes the mistake of getting involved with an older, morally suspect Englishman (Colin Firth).Thanks to the film's great success, Burrows found herself steadily employed, though not always in films of great quality. In 1999, she earned the label of "star on the rise" thanks to leading roles in four different films. Two of these, Wing Commander and Deep Blue Sea, were big-budget action films, while the others were art-house dramas directed by Mike Figgis. The first, The Loss of Sexual Innocence, cast Burrows as identical twins separated at birth, while the second, Miss Julie, was an adaptation of August Strindberg's play that featured Burrows as the title character, a wealthy young woman who enters into a ruinous affair with a servant.Later gravitating toward television with roles in Boston Legal, My Own Worst Enemy, Law & Order: Criminal Intent, Bones, Agents of S.H.I.E.L.D., Burrows continued to hone her skills as a journalist by penning articles for such prominent British publications as The Guardian and The Times of London while she wasn't plying her trade in front of the cameras.

Trivia: The daughter of first generation Italian-Americans, Mary Elizabeth Mastrantonio was born in Oak Park, IL. Oak Park was also the home town of Ernest Hemingway; some of his "don't mess with me" spirit seems to have been passed on by osmosis to Mastrantonio, who has made her career playing a number of feisty, strong-willed women. Trained for an operatic career, she studied voice at the University of Illinois, Champaign, and had one of her first gigs in an Opryland production of Showboat. Once in New York, Mastrantonio was hired for the 1981 revival of West Side Story, and was lauded in the press for her peppery portrayal of Viola in a New York Shakespeare Festival staging of Twelfth Night.Mastrantonio's first film was Scarface (1983), in which she played Al Pacino's sister (the incestuous subtext was just as pronounced here as in the original 1931 version). She then essayed the role of Benito Mussolini's embittered daughter Edda in the TV miniseries Mussolini: The Untold Story, which starred George C. Scott in the title role. In both of these productions, Mastrantonio tended to be overshadowed by her male co-stars, but she more than held her own opposite such heady company as Paul Newman and Tom Cruise in The Color of Money (1986), an assignment which won her both a Best Supporting Actress Oscar nomination and a Golden Globe nomination.After appearing in a few more films -- most notably The Abyss, in which she played Ed Harris' estranged engineer wife -- she starred as Maid Marian in Kevin Costner's Robin Hood: Prince of Thieves in 1991. As a mark of the impression the actress had made in strong, self-reliant roles, her transformation into a damsel in distress during the film's final scenes were greeted with audible audience groans. Unfortunately, following the huge commercial -- if not critical -- success of the film, Mastrantonio's visibility receded; over the next few years she could be seen in a number of relatively obscure films, perhaps the most notable of which was Two Bits (1995) with Al Pacino. However, in 1999 Mastrantonio reemerged in the public -- or at least art house -- consciousness, thanks to lead roles in My Life So Far, in which she played Colin Firth's wife, and John Sayles' Limbo, in which she portrayed another strong-willed woman, an itinerant lounge singer who meets an uncertain fate in deepest, darkest Alaska.In the years to come, Mastrantonio would appear in many successful projects to come, most notably on the TV series Without a Trace and Law & Order: Criminal Intent.

Trivia: Born in Connecticut and raised in New York City, Annabella Sciorra began her formal acting training at 13 years old, when she began attending the prestigious Hagen-Berghoff theatrical studios. By the time she was an adult, Sciorra was able to make a well-received film debut as an angst-ridden, Italian-American, Brooklyn-raised bride in 1989's True Love. Before long, the young actress found herself starring largely in wife and girlfriend roles opposite Hollywood A-listers including Tim Robbins, Robin Williams, and Richard Gere. Sciorra's supporting roles in Reversal of Fortune (1990) and The Hard Way (1991) were so successful, in fact, that they led to her breakout performance as Angie Tucci, the Italian-American woman in love with the African-American protagonist, played by Wesley Snipes, in director Spike Lee's groundbreaking urban drama Jungle Fever (1991). Sciorra's skill led to a slew of roles throughout the 1990s, most of them character parts; from Mr. Wonderful to The Hand That Rocks the Cradle to Romeo Is Bleeding, the actress proved her ability, though it wouldn't be until 1997's Cop Land that Sciorra's talent as a supporting actress was showcased to her fans' satisfaction. After a powerful performance as Annie Nielson, who contemplates suicide after the death of her husband and children in What Dreams May Come (1998), Sciorra participated in a variety of moderately faring movies until 2001, when she made her debut as tough-as-nails Italian-American Gloria Trillo in the third season of HBO's hit series The Sopranos.

Trivia: Nick Chinlund's handsome, rugged exterior makes him an ideal candidate for roles in such high-profile, high-octane releases as Con Air and Tears of the Sun, so casting directors may be tempted to steer him toward films that make use of his somewhat imposing physical presence; nonetheless, the talented stage and screen actor also possesses the chops needed to highlight such little-seen indies as Amy's Orgasm and Chutney Popcorn. That rare combination offers great potential for crossover appeal, so audiences on both sides of the blockbuster spectrum can find reasons for appreciating an actor of Chinlund's caliber. The New York native started out as a jock, but his aspirations on the court were sidelined by a college basketball injury; however, it didn't take long for him to see the silver lining in his career-halting accident, and he soon veered toward acting. Though Chinlund would remain at Brown University in the following years, a shift toward drama classes soon convinced him that his future didn't lie on the well-polished planks of the basketball court, but the well-worn boards of the theater stage. Roles in such Williamstown Theater Festival productions as Mother Courage and Little Oedipus helped the fresh-faced hopeful make a name for himself in the theater community, and shortly after graduation, Chinlund opted to kick-start his feature career by making the move to Los Angeles. In addition to an impressively creepy early role in a pair of X-Files episodes entitled "Irresistable" and "Orison," Chinlund also made a mark in such features as Lethal Weapon 3, Bad Girls, and Eraser. While small-screen roles in episodes of Third Watch and Buffy the Vampire Slayer found Chinlund continuing to make a name for himself among television viewers, his performances in such character-driven dramas as A Brother's Kiss and Once in the Life saw the emerging actor eschewing more action-oriented fare in favor of roles in more down-to-earth features. Though supporting roles in Training Day, Below, and Tears of the Sun did find Chinlund's visibility rising among the multiplex set, it was his participation in such efforts as Goodnight, Joseph Parker (in which he played the eponymous character) that seemed to draw him the most praise from critics. In 2004, Chinlund rejoined Below director David Twohy for a role opposite action icon Vin Diesel in the eagerly anticipated Pitch Black sequel, The Chronicles of Riddick.

Trivia: Born in New York, but raised in Paris. Began studying acting at the age of 10. Studied ballet for seven years; she later played a ballerina in the Batman film The Dark Night (2008). Other talents include singing; recorded the duet "Sensiblement Modifies" with French singer Stanislas.

Trivia: Brunette beauty America Olivo has worked hard throughout her career to be the ultimate show business triple-threat, with skills in acting, singing, and modeling. A studied mezzo-soprano, Olivo has lent her vocal talents to various projects, like the pop group Soluna. She also earned her B.A. in acting from the Juilliard School in New York, and soon launched a career onscreen, appearing in episodes of the medical drama House and in the action-thriller, B-movie throwback Bitch Slap in 2009. That same year, Olivo graced the cover of Playboy magazine, posing for a multiple-page pictorial in the issue.

Trivia: Wanted to become an actor after watching auditions of her high-school production of Guys and Dolls during after-school detention; auditioned for the role of Miss Adelaide and got the part. In 1988, made her off-Broadway debut in the musical Lucky Stiff. Graduated from Fordham University with a degree in history more than 20 years after she first enrolled. Active supporter of Broadway Cares/Equity Fights AIDS, a non-profit fundraising organization that brings awareness in the fight against AIDS.

Trivia: Was president of his high-school class. Sang backup for The Young Rascals pop group in the 1960s. Became a New York City fireman in 1977 to support his pursuit of an acting career. Made his feature-film debut in 1985's Turk 182, playing a firefighter. Is a colon-cancer survivor and supports several cancer-research organizations.

Trivia: One of the most unique and distinguished of all Hollywood actors, Roy Scheider first hit his career peak in the 1970s, and will forever be associated with the "American film renaissance" of that decade thanks to his prominent billing in four vital motion pictures from the period: The French Connection (1971), Klute (1971), Jaws (1975), and All That Jazz (1979). As this list demonstrates, Scheider exhibited versatility in choice of material. He also, however, established a trademark persona that carried him from project to project: that of a slightly sardonic, wizened everyman who nonetheless evinced an unmistakable degree of sensitivity and emotional fragility beneath a tough exterior. Born November 10, 1932, in Rutgers, New Jersey, Scheider attended Rutgers University, as well as Franklin and Marshall College, where he studied history; meanwhile, an early boxing injury (in the New Jersey Diamond Gloves Competition) left Scheider with a broken nose that would soon become one of his trademarks. He subsequently joined the United States Air Force and served three years, ascending to the rank of first lieutenant, then returned to Franklin and Marshall for drama work, beginning with a much-acclaimed performance in Shakespeare's Richard III. Scheider inaugurated his professional career as a thespian by cutting his chops on the New York stage, as Mercutio in the New York Shakespeare Festival's 1961 production of Romeo and Juliet, and appeared in a couple of shoestring-budget cheapies (such as the 1963 Curse of the Living Corpse). Additional movie roles followed, but the actor really only made his breakthrough in 1971, with two of the said parts -- in Klute (as the pimp of hooker Bree Daniels) and in William Friedkin's groundbreaking cop thriller The French Connection (as Buddy Russo, the somewhat low-key and subdued partner of Gene Hackman's manic Popeye Doyle). An additional cop role, in The Seven-Ups (1973), followed, but by this point, Scheider had reportedly grown concerned that he would be pegged and typecast as a policeman and decided to branch out with an offbeat turn in the romantic comedy Sheila Levine Is Dead and Living in New York (1975). When that picture unequivocally flopped, Steven Spielberg helped rescue Scheider (and in many ways put the actor on the proverbial map) by casting him as the lead, Police Chief Martin Brody, in the blockbuster shocker Jaws (1975). After this, roles proliferated; Scheider evoked a death-wish-laden Bob Fosse in the gonzo musical drama All That Jazz (1979, a part he inherited from Jaws co-star Richard Dreyfuss), and also chalked up a series of leads in Hitchcockian thrillers including Jonathan Demme's The Last Embrace (1979) and Robert Benton's Still of the Night (1982). Scheider remained equally active through the 1980s and '90s, though his choice of projects waxed slightly more uneven, ranging from the inspired (1986's 52 Pick-Up, 1990's The Russia House) to the abysmal (1986's The Men's Club). The actor retained a firm hold on his craft, however, and delivered some of the finest work of his career late in the game, with prominent roles in David Cronenberg's 1991 Naked Lunch (as a wiseacre physician) and Bart Freundlich's family-themed psychodrama The Myth of Fingerprints (1997, as a seriously deranged father with a seedy and twisted past). The 1990s also found Scheider embarking on a television career for the first time, with a regular role as Captain Nathan Hale Bridger in Steven Spielberg's sci-fi adventure series seaQuest DSV (1993-1996). Scheider would return to television a decade later, with a recurring portrayal of Fyodor Chevchenko on the prime-time drama Third Watch; in the mean time, the actor continued to tackle roles in additional features and even direct-to-video movies, including Time Lapse (2001), Red Serpent (2002), Wes Craven Presents Dracula II: Ascension (2003), and The Poet (2007). By the mid-2000s, Scheider contracted multiple myeloma and began to suffer from related health problems; he died in February 2008 of complications from a staph infection. The actor was 75.

Trivia: British actress Julia Ormond had several solid years of stage work to her credit -- not to mention the starring role in the made-for-cable Catherine the Great biography Young Catherine (1991) -- when, at 27, she co-starred in the expensive HBO biopic Stalin (1992). Most of the publicity guns were aimed at Robert Duvall's heavily accented portrayal of the Soviet dictator, but at least one observer singled out Ormond's performance as the long-suffering Mrs. Stalin as one of the highlights of the picture. That observer was director Edward Zwick, then preparing his own big-budget theatrical feature Legends of the Fall. Thanks to her excellent showing in the formidable company of Fall co-stars Anthony Hopkins, Brad Pitt, Aidan Quinn, and Henry Thomas, Ormond found herself, on the verge of 30, as Hollywood's ingénue du jour. Born in Epsom, Surrey, on January 4, 1965, Ormond was a child when her parents, a businessman and a laboratory technician, divorced. A self-admitted tomboy who excelled at field hockey, she became involved with the theater in school plays, and, following a stint at art school (both of her grandparents were abstract artists), she studied drama at London's Webber-Douglas Academy of Dramatic Arts. Following graduation, she landed her first professional work in TV commercials, and then acted in a series of plays until she had her breakthrough with Catherine the Great.Before 1995, her Hollywood breakthrough year, was over, the graceful, silken-haired Ormond had played Guinevere opposite Sean Connery's King Arthur in First Knight and had been cast in the title role of Sydney Pollack's ill-advised remake of Sabrina. When asked by Premiere magazine what her future plans were, Ormond replied, "Along with Godzilla and the rest of the acting community, I'd like to direct." But although she did set up her own production company, the actress opted to stick with working in front of the camera, starring in Bille August's much-publicized filmization of Peter Hoeg's best-selling Smilla's Sense of Snow (1997). Unfortunately, the film proved to be a virtual nonentity both at the box office and amongst critics, and Ormond disappeared from the radars for a couple of years, only popping up to star in Nikita Mikhalkov's Sibirsky Tsiryulnik (1999). In 2000, she reemerged in front of Hollywood cameras alongside Vince Vaughn in Prime Gig, a drama about the life, loves, and losses of a California telemarketer. She was interviewed for the documentary Searching for Debra Winger over the next few years she did show up in diverse productions ranging from David Lynch's Inland Empire to the failed thriller I Know Who Killed Me. In 2008 she was the mother in Kit Kittredge: An American Girl, and appeared in the sprawling biopic Che. Two years later she was in the award-winning TV movie Temple Grandin, and the year after that she portrayed Vivien Leigh in My Week With Marilyn.

Trivia: Supporting player David Alan Basche did some of his earliest work on the small screen, with guest appearances on such smash series as Law & Order, Frasier, and CSI: Crime Scene Investigation. He broke through to full acclaim, however, not on television but on the big screen -- by essaying the role of Todd Beamer, one of the more famous victims of September 11th Flight 93, in Paul Greengrass' Oscar-winning docudrama United 93 (2006). Basche then signed for the lead in the much different I'll Believe You (2007) -- a comedy drama about a hick-town radio host who picks up signs of extraterrestrial activity via an on-air distress signal. Basche's next project involved taking a regular supporting role in the Brooke Shields-headlined prime-time drama Lipstick Jungle -- a Sex and the City-style romp (from the same author, Candace Bushnell) that traces the vicissitudes in the lives of New York's "Three Most Powerful Women." In 2011 he appeared in The Adjustment Bureau.

Trivia: Sheffer is his wife's maiden name, which he took after they married. Hobbies include carpentry, hiking and camping. Avid fan of European soccer, with his favorite team being the Tottenham Hotspur. Favorite NFL team is the San Francisco 49ers. Favorite college-football team is the University of Alabama. Played a gay doctor on the daytime soap, As the World Turns. He enjoyed the role of Reid Oliver, and took the attitude that "if we are going to do this, then let's do this! Let's show two men dating, and falling in love, and wherever it goes." Involved in fund-raising for Doctors Without Borders. Acting idols are Jack Nicholson, Johnny Depp and Daniel Day Lewis.