Trivia: A singer almost from the time she learned to talk, American actress Shirley Jones was entered by her vocal coach in the Miss Pittsburgh contest at age 18. The attendant publicity led Jones to an audition with Rodgers and Hammerstein for potential stage work. Much taken by Jones' beautifully trained voice, the producers cast her as the leading lady in the expensive, prestigious film production of their theatrical smash Oklahoma! (1955). In 1956 Jones starred in another Rodgers and Hammerstein film adaptation, Carousel; this and her first film tended to limit her to sweet, peaches 'n' cream roles for the next several years. Thankfully, and with the full support of director Richard Brooks, Jones was able to break away from her screen stereotype with her role as a vengeful prostitute in Elmer Gantry (1960) -- a powerfully flamboyant performance that won her an Academy Award. Alas, filmgoers preferred the "nice" Shirley, and it was back to goody-goody roles in such films as The Music Man (1962) and A Ticklish Affair (1963) -- though critics heartily praised Jones' performances in these harmless confections. It was again for Brooks that Shirley had her next major dramatic film role, in 1969's The Happy Ending, which represented one of her last movie appearances before her four-year TV stint as the glamorous matriarch of The Partridge Family. This popular series did less for Shirley than it did for her stepson, teen idol David Cassidy, but The Partridge Family is still raking in ratings (and residuals) on the rerun circuit. Her unhappy marriage to the late actor Jack Cassidy long in the past, Jones found domestic stability as the wife of actor/agent Marty Ingels, with whom she wrote a refreshingly candid dual biography. The actress also played a recurring character on The Drew Carey Show (1998-1999), and appeared in numerous documentaries throughout the 2000s. Jones had a supporting role in 2006's Grandma's Boy, and guest roles on shows like Cougar Town and Raising Hope.

Trivia: A performer whose career soared and peaked in the early '70s, multifaceted entertainer David Cassidy dramatically redefined the term "teen idol," as others including Paul Anka and Neil Sedaka had before him. In his heyday, Cassidy culled an untoward number of admirers, including legions of starstruck teenage girls. The son of actors Jack Cassidy and Evelyn Ward (and the stepson of Shirley Jones), David landed his first major break on the blockbuster '70s musical sitcom The Partridge Family (1970-1974), opposite Jones, Susan Dey, and Danny Bonaduce. Based very loosely on the experiences of the real-life family vocal band the Cowsills, the now-iconic series told of a widowed mother and her brood of rowdy kids, who became national pop stars overnight, and eked out a life touring in a colorful schoolbus and performing all over the country. Cassidy -- 20 years old when the series premiered -- played the eldest Partridge boy, 16-year-old David. Series producers took advantage of the program's success by marketing the Partridges as a real-life recording group, fronted by David (who was not a professional musician); this worked, and brought Cassidy Grammy Awards and the largest celebrity fan club in the history of recorded music. The triumphs were somewhat short-lived, however, and by 1975 (a year after Family folded) Cassidy's popularity with the younger market had declined, as new and fresher talent took his place. He responded by branching out into acting roles, in films such as A Chance to Live (1978), The Narc (1978), and The Night the City Screamed (1980), and in time established an agreeable presence as a musical theater star, on Broadway and in London's famed West End.Cassidy's overall popularity rebounded in the mid- to late '90s. Thanks in no small part to a nostalgia craze and to presence on VH1, he landed an assignment opening the 75-million-dollar show EFX at the MGM Grand, which in turn gave him the clout to mount and produce his own revue in Vegas, a tribute to Sinatra and co. christened The Rat Pack Is Back (1999). In the following decade, Cassidy began touring once again, signed a new record deal, and issued a series of albums including Then and Now (2001) and Touch of Blue (2003). Busy as ever, he topped TV GUIDE's list of the 25 Greatest Teen Idols in 2005.

Trivia: Howard Cosell was not an actor, but rather a lawyer-turned-sportscaster who became one of the great characters of the 1970s and 1980s. His loud, nasally commentary on sporting events, particularly football, often bordered on the obnoxious, making him the sportscaster Americans loved to hate. He translated his popularity to the big screen, often parodying his public persona in cameo appearances. A native of Winston-Salem, NC, born Howard Cohen, Cosell worked as a sports and entertainment attorney after receiving his law degree from New York University Law School. In 1953, Cosell entered television after he inaugurated a show in which Little League baseball players would interview their Major League heroes. That year, he began a part-time career as an announcer for various sporting goods on the ABC radio and television networks. He found the work to his liking and, in 1956, abandoned his law practice to become a full-time commentator. Cosell would remain with ABC until his retirement in 1992. His most famous gig was as an anchor on the network's showing of Monday Night Football from 1970 to 1983. He made his first film appearance playing himself in Woody Allen's Bananas (1971). He would appear in another Allen film, Broadway Danny Rose, 13 years later. On television, Cosell attempted to break away from sportscasting with the short-lived Saturday Night Live With Howard Cosell, a live variety show produced by the head of the ABC sports department. Obviously out of his league, he gamely attempted to host the show's uneasy blend of comedy, sports, and musical acts (in one episode, Cosell himself tried croaking out a tune, with help from pal Andy Williams), but the concept of the show was too broad, audiences didn't watch, and it was mercifully cancelled. Between 1983 and 1985, Cosell had greater success hosting Sportsbeat.

Trivia: American actor Bert Convy excelled in baseball while attending North Hollywood High School and was signed upon graduation by the Philadelphia Phillies. After two years' stagnation in the Phillies' farm system, Convy gave up baseball and attended UCLA, where he became a member of a briefly popular singing group called the Cheers. A 1959 stint with the songs-and-laughs Billy Barnes Revue led to small TV and movie parts, notably a brief bit as a murder victim in the Roger Corman "C minus" horror classic Bucket of Blood (1959). Convy's star ascended on Broadway in the 1960s, when he originated two memorable musical comedy roles: Perchik in Fiddler on the Roof, and Clifford Bradshaw in Cabaret. He was a popular variety-show guest star in that decade, but despite starring appearances in several TV pilots he was unable to get his own prime time series. However, thanks to his ingratiating personality and smooth speaking voice, Convy developed into the perfect daytime game show host, headlining such quizzers of the 1970s and 1980s as Tattletales (which won him an Emmy), Super Password, The Third Degree and Win, Lose or Draw. This last program was co-produced by Convy's close friend Burt Reynolds, who had previously arranged for Convy to obtain good secondary roles in several of Reynolds' films. Convy finally cracked prime time TV with a continuing role on the 1972 mystery series The Snoop Sisters; four years later, The Late Summer-Early Fall Bert Convy Show was briefly telecast by CBS, with Convy presiding over a motley crew of sketch comics. From 1977 to 1986, Convy was a frequent guest star on the long-running TV anthology series The Love Boat, seemingly popping up in every other episode when the series is rerun today. Convy co-starred in the very short-lived TV sitcom It's Not Easy in 1983, and hosted the 1984 Candid Camera clone People Do the Craziest Things. In 1989, the actor learned that he had a brain tumor, and in 1990 suffered a series of severe strokes. One year later, Bert Convy was dead at the age of 58.

Trivia: Actor Dub Taylor, the personification of grizzled old western characters, has been entertaining viewers for over 60 years. Prior to becoming a movie actor, Taylor played the harmonica and xylophone in vaudeville. He used his ability to make his film debut as the zany Ed Carmichael in Capra's You Can't Take it With You (1938). He next appeared in a small role in the musical Carefree(1938) and then began a long stint as a comical B-western sidekick for some of Hollywood's most enduring cowboy heroes. During the '50s he became a part of The Roy Rogers Show on television. About that time, he also began to branch out and appear in different film genres ranging from comedies, No time for Sergeants (1958) to crime dramas, Crime Wave (1954). He has also played on other TV series such as The Andy Griffith Show and Please Don't Eat the Daisies. One of his most memorable feature film roles was as the man who brought down the outlaws in Bonnie and Clyde. From the late sixties through the nineties Taylor returned to westerns.

Trivia: The son of vaudeville and burlesque performers, George O'Hanlon made his own stage bow as a dancer at age 16 -- only to be fired after a few weeks over a salary dispute. O'Hanlon made the rounds in summer stock and burlesque, then registered with Hollywood's Central Casting as a film extra in the early '30s. While hoofing away in the choruses of many a Warner Bros. musical, O'Hanlon took acting lessons at the Bliss-Hayden theater in Beverly Hills. His big break came when he was hired by fledgling director Richard Bare for a U.S.C.-subsidized short subject, So You Want to Give Up Smoking (1942). After the war, O'Hanlon and Bare teamed for a series of shorts for Warners release; informally titled Behind the Eight Ball, these one-reel gems starred O'Hanlon as benighted "everyman" Joe McDoakes. This popular series ran from 1946 through 1955, amassing a total of 56 entries, three of which were nominated for Academy Awards. Outside of his McDoakes assignments, O'Hanlon appeared as Gillis in 45 episodes of the 1950s TV sitcom The Life of Riley, and also wrote and directed several installments of such TV weeklies as The Roaring 20s, 77 Sunset Strip, and Petticoat Junction. He played supporting roles in films like The Hucksters (1946), The Tanks are Coming (1951), and Kronos (1957), and directed the 1959 Tommy Noonan/Pete Marshall vehicle The Rookies. Children of the 1960s will remember George O'Hanlon as the voice of George Jetson on the Hanna-Barbera prime-time cartoon series The Jetsons.