Trivia: Throughout his acting career, Albert Finney has impressed critics with his protean ability to step into a role and wear a character's persona no matter the age, nationality, or métier. In stage, film, and television productions over more than 40 years, Finney has portrayed a Polish pope, a Belgian detective, an Irish gangster, a British miser, a gruff American lawyer, a Scottish King, a German religious reformer, and an Roman warrior -- all with convincing authenticity. Finney was born on May 9, 1936, in the working-class town of Salford, Lancashire, England. After graduating from the Royal Academy of Dramatic Arts in 1955, he performed Shakespeare and quickly earned a coveted spot as understudy for the great Laurence Olivier in Shakespeare productions at Stratford-upon-Avon. On one occasion, he stepped into Olivier's shoes to play the lead role in Coriolanus, a play about the downfall of a proud Roman soldier, and won recognition that led to film roles.Finney's upbringing in Lancashire, a region of mills and smokestacks, exposed him to the kind of social injustice and economic hardship that helped prepare him for his role as a nonconformist factory worker in the 1960 film Saturday Night and Sunday Morning, a milestone in the development of British realist cinema. Critics -- who hardly noticed him in the bit-part role he played in his first film, The Entertainer -- universally praised his vibrant performance in Saturday Night. This success earned him the lead role in director Tony Richardson's 1963 film Tom Jones, adapted by screenwriter John Osborne from the Henry Fielding novel of the same name. As the wenching country boy Jones, Finney was a bawdy, rollicking, uproarious success, helping the film win four Academy awards.Rather than abandon live stage drama, Finney continued to pursue it with the National Theatre Company at the Old Vic in London, performing in Shakespeare productions and plays by other authors. He won Tony nominations for Luther and A Day in the Death of Joe Egg, as well as a best actor Oliver for Orphans. When he made his next film in 1967, he starred opposite Audrey Hepburn in Stanley Donen's Two for the Road, a comedy-drama about marital mayhem, and again won high critical praise.If there was a pattern to the types of roles he selected, it was that there was no pattern. For example, after playing a 20th century art enthusiast in 1969's Picasso Summer, he took on the role of a 19th century Dickens character in Scrooge (1970), then played a bickering husband in Alpha Beta (1973), Belgian sleuth Hercule Poirot in Murder on the Orient Express (1974), a Napoleon-era Frenchman in The Duellists (1978), a werewolf hunter in Wolfen (1981), and a plastic surgeon/murder suspect in the ludicrous Looker (1981).After winning an Academy award nomination for his performance in 1982's Shoot the Moon, Finney delivered another outstanding performance in Peter Yates' 1983 film The Dresser, which earned five Oscar nominations, including a nomination for Finney as best actor. In the film, Finney plays a boozing Shakespearean actor whose life strangely parallels the tragic life of one of the characters he portrays, King Lear. In 1984, Finney won still another Oscar nomination, as well as a Golden Globe nomination, for his role as a self-defeating alcoholic in director John Huston's Under the Volcano. In the same year, critics praised him highly for his dynamic portrayal of Pope John Paul II in an American TV production.Finney continued to take on diverse and challenging roles in the late 1980s and during the 1990s, primarily in small, independent productions. Among the films that earned him more accolades were the Coen brothers' gangster epic Miller's Crossing (1990) -- for which Finney replaced actor Trey Wilson after his untimely death -- as well as A Man of No Importance (1994), The Browning Version (1995), and Simpatico (1999). Also in 1999, he won the BAFTA TV award for best actor for his role in A Rather English Marriage. 2000's Erin Brockovich exposed Finney to the widest audience he'd seen in years: playing the hangdog attorney Ed Masry, Finney proved to be the perfect comic foil to Julia Roberts' brassy heroine, and in the process secured himself Golden Globe and Academy award nominations for best supporting actor. Though a Golden Globe Award eluded him that year, he returned in two years and won for his portrayal of Winston Churchill in the made-for-television film The Gathering Storm.2003 saw Finney in his biggest role since Erin Brockovich. In Tim Burton's Big Fish, he played Edward Bloom in present-day scenes, while Ewan McGregor assumed the role of the eccentric storyteller in flashbacks. The actor once again proved to be a favorite of the Hollywood Foreign Press when he received yet another Golden Globe nomination for his work.2006 found the now veteran actor appearing in the Ridley Scott dramedy A Good Year, in which he played the uncle to a younger version of Russell Crowe through flashbacks. He also signed on to appear in Before the Devil Knows You're Dead, a thriller staring Philip Seymour Hoffman and Marisa Tomei. In 2007 he was cast as the mastermind behind the program that created Jason Bourne in The Bourne Ultimatum, a roll he reprised five years later in The Bourne Legacy.Over the years, Finney saw the end of two major performances in his personal life: his first marriage to Jane Wenham (1957-61) and his second marriage to Anouk Aimée (1970-1978). He has one son, Simon, from his first marriage.

Trivia: American entertainer Carol Burnett and her sister were both raised by their loving grandmother. It has long been a matter of public record that Burnett credits her grandmother for encouraging her to utilize her comic and musical talents to the fullest. Working her way through UCLA, she majored in English and Theater arts, gradually developing the poise and self-confidence to tackle an entertainment career. After nightclub work, Burnett was spotlighted on the variety programs of Steve Allen, Ed Sullivan, and Jack Paar, bringing down the house on Paar's program with the specialty ballad "I Made a Fool of Myself over John Foster Dulles." In 1956, Burnett co-starred with Buddy Hackett in the live TV sitcom Stanley, which unfortunately was scheduled opposite the indestructible Arthur Godfrey's Talent Scouts. A near-star several times over, Burnett finally grabbed the brass ring with her bravura performance in the 1959 off-Broadway musical Once Upon a Mattress, which led to a three-season stint as a regular on The Garry Moore Show. An Emmy award resulted from her contribution to Moore, and another Emmy followed for a 1962 joint appearance with Julie Andrews at Carnegie Hall. Some of her comedy of the era was the self-deprecating sort allotted to women who weren't raving beauties, but she transcended the cruelty of the jokes with an inner beauty that one would have to be blind to miss. As a slapstick comedienne Burnett was unrivalled, even by the sainted Lucille Ball, and on occasion she was allowed to drop the comic mask and deliver a heart-rending ballad. In 1962, CBS signed Burnett to a long term contract under the supervision of her then-husband, producer Joe Hamilton. After an uncomfortable few months in 1964 in which the producers of the Broadway production Fade Out Fade In sued Burnett for abandoning the play to appear in a weekly variety series The Entertainers, her post-Garry Moore career moved along unevenly. She was advised to sign for another series but avoided the option of situation comedy (she once insisted that she didn't want to be trapped playing someone named Agnes every week). In 1967, virtually out of desperation for a workable idea, The Carol Burnett Show premiered on CBS. Burnett patterned the program after Garry Moore's opening monologue, brief sketches with continuing characters, parodies, musical bits, and a closing all-star musical comedy production number. With such first-rate supporting talent as Harvey Korman, Vicki Lawrence, Lyle Waggoner and Tim Conway, The Carol Burnett Show was a ratings-grabber until its final telecast in 1978. Carol Burnett's life and career since then has been distinguished by as many valleys as peaks. Her film career never truly got off the ground, despite excellent performances in such pictures as Pete 'N' Tillie (1972) and A Wedding (1978). Nevertheless, Carol Burnett has more than earned her place in the pantheon of television giants.Burnett would remain active in the coming decades, starring in everything from the classic musical Annie to the sitcom Mama's Family, not to mention making inumerable appearances on shows like Touched By an Angel, Mad About You, Law and Order: Special Victims Unit, and Glee.

Trivia: Former child actress Aileen Quinn is best remembered for her ingratiating performance as Little Orphan Annie in the lavish 1982 screen version of the popular musical Annie. Her film career following the film was short and sweet, ending with her playing Princess Zora in the Muppets' version of The Frog Prince (1988).

Trivia: American actress Bernadette Peters was a five-year-old performer on Horn and Hardart's kiddie-talent radio program, and by age 11 was appearing on Broadway in Most Happy Fella. Peters achieved national fame in 1968 with her campy performance as Ruby, the 1930s-style chorus girl protagonist of the off-Broadway musical pastiche Dames at Sea. The role demonstrated only one aspect of her talents, but nonetheless threatened to typecast her as a squeaky-voiced dumb blonde. Bernadette scuttled that stereotype herself as leading lady in the 1969 Joel Grey musical George M. The following year she played Mabel Normand opposite Robert Preston's Mack Sennett in the musical comedy Mack and Mabel, which, though a failure, has become a staple of community theatres. (The amateur Mabels have an ongoing tendency to imitate Bernadette Peters). In 1976, Peters costarred with Richard Crenna on All's Fair, a Norman Lear TV sitcom that showed neither star to best advantage. Reluctant to leave her native New York City, Peters has nonetheless occasionally travelled to Hollywood for an off-and-on movie career. Hilarious as a babaloo-ing cabaret entertainer in Silent Movie (1976), the actress was even better as the long-suffering wife of goony Steve Martin in The Jerk (1977). She was reunited with Martin in Pennies From Heaven (1981), an uneven but fascinating attempt to juxtapose the fanatasies of 1930s popular music with the grim realities of Depression life. Offscreen, her relationship with Martin was intensely romantic for several years. Feeling unfulfilled in Hollywood, Bernadette Peters returned to Broadway in the mid 1980s, reclaiming her Dames at Sea prominence tenfold in such musicals as Sunday in the Park With George, Song and Dance, and Into the Woods, nearly unrecognizable in the latter in her heavy makeup as the wizened witch of "Hansel and Gretel" fame.Although she would became known primarily for her work on the stage, she would continue to appear on film and TV in a variety of projects such as Slaves of New York, opposite Clint Eastwood in Pink Cadillac, Woody Allen's Alice, and It Runs From the Family. She had a short recurring role on Ally McBeal, and also lent her voice to a number of animated projects including 2012's Dorothy of Oz.

Trivia: For several years, the name of British actor Tim Curry was known only to the privileged few who'd seen his performance as transvestite mad scientist Dr. Frank N. Furter in the stage and screen versions of The Rocky Horror Picture Show. By one of those wondrous quirks of fate, the 1975 Rocky Horror film was resuscitated from its disappointing initial run and became the archetypal "midnight movie," and for nearly two decades its faithful fans have lined up in front of theaters in bizarre costumes and makeup, toting toilet paper and toast (suitable for throwing at the screen). Unlike these fans, Curry was not content to relive his past triumphs, but moved on to such prestige assignments as the role of Mozart in the Broadway production of Amadeus and the part of William Shakespeare in a TV movie biography. A polished farceur, Curry was seen at his best in comedy film roles, notably the repressed music teacher in Oscar (1991) and the supercilious concierge in Home Alone 2: Lost in New York (1992). But audiences must have their villains, and Curry has aimed to please in such insidious roles as Cardinal Richelieu in 1993's Three Musketeers (possibly the most lascivious Richelieu ever -- so much so that Milady De Winter pulls out a knife and threatens to "change his religion.") Curry's heart remained in the theater, and for an unfortunately short period in the early '90s he excelled in the Peter O'Toole role in a musical stage version of the 1982 film My Favorite Year. He has also contributed his vocal talents to such animated cartoon series as Peter Pan and the Pirates, winning an Emmy for his con brio portrayal of Captain Hook. Curry's reputation preceded him when he was hired to give voice to a nasty character on Hanna-Barbera's Paddington Bear cartoon series in 1988; appropriately, even the character's name was Mr. Curry.In 1990 Curry played one of pop culture's scariest clowns when he took the part of Pennywise in a small-screen adaptation of It, and a few years later he was the fiendish Cardinal Richelieu in The Three Musketeers. He continued to work steadily in projects as diverse as Congo, Muppet Treasure Island, McHale's Navy, and Addams Family Reunion where he took over the part of Gomez Adams after the passing of Raul Julia. He became well-known to a whole new generation of fans doing voices for The Wild Thornberrys, Rugrats, and Jimmy Neutron at the beginning of the 2000s. He was eventually cast as Mr. Salamone, the forever put-upon hotel employee who is subjected to the whims of little Eloise in a series of made-for-TV movies based on the enduringly popular children's books. In 2010 he appeared in John Landis' comedy Burke & Hare.

Trivia: Towering, breathtakingly limber interpretive dancer Geoffrey Holder was born in Trinidad and educated at Queens Royal College. Holder's first professional dancing gig was in his brother Boscoe's travelling troupe. He toured the West Indies and Puerto Rico before making his New York stage debut in the 1954 Broadway musical House of Flowers. Heading his own troupe from 1956 onward, Holder appeared as both an ensemble dancer and as soloist and choreographer in "outside" productions. He made his dramatic bow in 1957 in the near-mime role of Lucky in Waiting for Godot. His subsequent stage work has earned him numerous awards, including two Tonys--one for direction, the other for costume design--for 1974's The Wiz. His film roles leaned towards the exotic, e.g. Baron Samedi in the 1973 Bond thriller Live and Let Die (1973) and Punjab in Annie (1981), and he provided the narration for Tim Burton's Charlie and the Chocolate Factory in 2005. He is best known to TV fans for his series of mid-1970 Seven Up commercials, in which he elegantly and laughingly extoled the virtues of "Un-Cola Nuts." Outside of his theatrical and film accomplishments, Holder is an accomplished painter, his works having been showcased in several major international exhibitions and was also the author of many books, including a 1974 volume on Caribbean cooking. He was married to dancer Carmen de Lavallade. Holder died in 2014 at age 84.

Trivia: Born July 21st, 1943, Tony-winning American stage and film actor Edward Herrmann used his Fulbright scholarship to study at London's Academy of Music and Dramatic Art; several years of regional theatre led to movie and TV work. In 1977 Herrmann offered the first of his many interpretations of Franklin D. Roosevelt in the TV movie Eleanor and Franklin (He'd later be a singing FDR in the theatrical feature Annie [1982]). The actor was frequently dissatisfied with his own performances, feeling that with a little more time he could do much better. Such was the case of his portrayal of baseball great Lou Gehrig in the TV drama A Love Affair: The Eleanor and Lou Gehrig Story (1979), though Herrmann was proud of the fact that he learned to pitch and bat southpaw, something that a previous movie Gehrig, Gary Cooper, never quite mastered. His occasional villainous movie appearances notwithstanding, Edward Herrmann is to most viewers the very embodiment of intelligence and integrity; he was decidedly well cast as the erudite host of several historical documentaries on the A&E Network. In 2000, Herrmann joined the cast of Gilmore Girls as patriarch Richard Gilmore, and continued appearing in supporting roles in movies, including the headmaster in The Emperor's Club (2002), film censor Joseph Breen in The Aviator (2004) and an accountant in Factory Girl (2006). Once Gilmore Girls ended in 2007, Herrmann returned to episodic TV, with runs on Grey's Anatomy and a recurring gig on The Good Wife. In 2014, he returned to his familiar role of FDR one last time, voicing the president in the Ken Burns documentary The Roosevelts: An Intimate History. Herrmann died in 2014, at age 71.

Trivia: Peter Marshall has been best-known, since the mid-'60s, as the popular host of The Hollywood Squares game show for 15 years. Audience members are, thus, surprised when they learn that Marshall was a legitimate actor for more than 15 years before he ever set foot on the set of The Hollywood Squares and came from a family that counts several well-known figures among its members. Born Pierre LaCock (or la Cocque) in 1927 in Huntington, WV, he was the son of a pharmacist and the younger brother of Joanne la Cocque, who moved from being a successful model to a movie star in the 1940s and 1950s under the name Joanne Dru. He began singing in big bands as a teenager during the 1940s, then took a job as a page at NBC, and moved through different varieties of employment before finding himself broke and in Los Angeles in 1949. He hooked up with a slightly older contemporary, Tommy Noonan, in a comedy duo called Noonan & Marshall; the duo made several appearances on the Ed Sullivan Show and got cast in a handful of films at the outset of the 1950s. Marshall's obvious talent for comedy was augmented by his good looks and he had a sporadically successful, busy career over the next 15 years as an actor, working in a variety of stage and film vehicles, among them a London production of Bye Bye Birdie and the abortive Warner Bros. sequel to Mister Roberts, Ensign Pulver. Perhaps his best performance was as the young officer trapped underground with a group of allied and enemy troops in Edgar G. Ulmer's World War II drama The Cavern. That film, made in 1965, was the last screen performance that Marshall was able to give as an anonymous working actor. In 1966, NBC and the sponsors were looking for a host for a new program called The Hollywood Squares, in which well-known actors and comedians were invited to give comical (and often comically wrong answers) to leading, sometimes double-entendre questions. Somebody at the network noticed Marshall's photograph on top of a pile of publicity materials, liked what they saw and the fact that he'd acted and had also done comedy, and called him in. Starting in October 1966, and lasting until 1981, he was the host of the extraordinarily popular program, which became a kind of pop culture fixture for decades. He ceased his career as a working actor, although he did co-write the screenplay for (and appear in) Maury Dexter's notorious 1968 anti-marijuana drama Maryjane, starring an overage Fabian. He also hosted a syndicated variety show during the 1970s and was a frequent guest as a host, singer, or dancer, on programs like The People's Choice Awards. Since The Hollywood Squares, he has appeared onscreen (usually as a game show host) and done comedy in films such as Annie, and poked fun at his own image on the Fox network comedy series In Living Color. He also has a recording career, and starred in HMS Pinafore with the London Symphony Orchestra. Marshall remains busy in his seventies and his son, Pete LaCock, is a well-known major league baseball player.

Trivia: Hefty American character actress Lu Leonard began her movie and TV career around 1949. During the politically incorrect 1950s, Leonard was subject to all sorts of on-screen humiliations due to her size and harridan demeanor; she even suffered the ignominy of playing the wife of Larry Fine in the 1956 Three Stooges 2-reeler Husbands Beware. After years of virtual anonymity, she was bombarded with excellent reviews and positive audience response for her portrayal of a hatchet-faced admitting nurse in the 1985 Dudley Moore vehicle Micki and Maude. Lu Leonard subsequently enjoyed a burst of TV fame as William Conrad's wise-lipped secretary Gertrude in Jake and the Fatman (1987).

Trivia: Red-headed, ruddy-faced American supporting actor Ken Swofford made his movie debut in 1964's Father Goose. Swofford hit his peak on television in the 1970s and 1980s, playing explosive, loudmouthed, stuffy types. He was brilliant as Winchell-like columnist Frank Flannagan in the weekly 1975 version of Ellery Queen, then went on to essay subtler variations of this character in Switch (1975-78) and The Eddie Capra Mysteries (1978-79). He was one of the singular delights of the syndicated version of Fame (1983-87), as the kids' perennial nemesis, vice-principal Morloch. Off camera, the affable Swofford got along famously with his young Fame co-stars, and was one of the series' biggest boosters on the promotional-tour circuit. More recently, Ken Swofford was seen in the recurring role of Lt. Capalano in Murder She Wrote (1984-96).

Trivia: American comic actor Larry Hankin was first seen on a major coast-to-coast basis in 1969. He was one of the members of a young, hip comedy troupe (including David Steinberg and Lily Tomlin) on an odd 45-minute TV variety series The Music Scene. Before this program, Hankin had a small part in the 1968 film domestic comedy How Sweet it Is (1968); after Music Scene, the actor had the misfortune to appear in the legendary all star fiasco The Phynx (1970), which never did get a general release. Hankin remained a supporting player, having a few moments here and there in such films as Thumb Tripping (1972), Ratboy (1986), She's Having a Baby (1988) and Planes, Trains and Automobiles (1991). TV fans could see Larry Hankin in the occasional guest role in series like All in the Family.

Trivia: Dance star, lead actress, onscreen from the late '70s.

Trivia: Thesp Shawnee Smith's name might not be a household word, but her face will register with thousands of sci-fi and horror aficionados thanks to her supporting turns in the big-screen remakes of The Blob (1988) and Carnival of Souls (1998). Smith's recurring role as Amanda, a young woman tormented by the clown-like serial killer Jigsaw, in the popular Saw series, broadened her exposure, even as it threatened to further typecast her as a woman in peril and fix her reputation as a horror queen. Yet the actress's resume demonstrates far greater versatility than this, and it may surprise fans to discover that she claims several decades of credits in multiple genres.Born on July 3, 1970, in Orangeburg, South Carolina, Smith debuted on the big screen at 11, as a dancer, in mogul Ray Stark's multimillion-dollar production of Annie (1982). A bit part in Michael Tuchner's acclaimed telemovie Not My Kid (1985) followed, at the age of fourteen; the picture drew solid Nielsen ratings and favorable critical responses, but Smith's only amounted to a bit part. She maintained greater visibility in the late eighties, with two significant roles: Rhonda Altobello in Carl Reiner's 1987 Mark Harmon-starrer Summer School. While most critics dismissed the film, it charmed a handful of others (such as Kevin Thomas and Rita Kempley) and did outstanding box office for a programmer, grossing several times its original budget. The very same could be said of Chuck Russell's 1988 remake The Blob, and then some: in addition to delighting nostalgia-hungry moviegoers (and some critics), it purportedly acquired a loyal following, becoming - in time - something of a cult film. Over the nineties and into the 2000s, Smith evinced a predilection for slightly deeper and more intelligent fare, but kept a somewhat low onscreen profile for several years, usually (though not always) with bit parts in lower budget indie dramas. Smith also appears in director Paul Quinn's Never Get Outta the Boat, which dramatizes the lives of several recovering addicts. She landed a regular role as Linda, a not-so-bright nurse's aide, on the 1998 CBS sitcom Becker, starring Ted Danson, and stuck with the series until it wrapped in 2004.When Smith's horror film quotient skyrocketed in the early 2000s (with the Saw role) it temporarily eclipsed her involvement in more substantial fare, even as her screen activity per se crescendoed. In the vein of earlier slasher film franchises, the initial Saw entry and its sequels did exemplary box office and obtained a rabid following; surprisingly, the pictures drew a favorable response in some critical quarters, as well.

Trivia: When she was 11, Amanda Peterson made her film debut as a dancer in the musical Annie (1982). She next had a supporting role in the short-lived family drama Boone (1983-1984). Her subsequent film career was launched with the teen comedy hit Can't Buy Me Love, in which she starred opposite Patrick Dempsey. Her later career focused on television movies such as Hell Hath No Fury (1991) and I Posed for Playboy (1991). She retired from the entertainment industry after 1994's WindRunner. Peterson died in 2015, days before her 44th birthday.