Trivia: From the mid- to late '80s, slender, carrot-topped, and luscious-lipped Molly Ringwald was the reigning teen queen of mainstream films. At the peak of her popularity, Ringwald was on the cover of Time magazine and even had groups of adolescent girl fans, called "Ringlets," who would emulate her every move.The daughter of jazzman Bob Ringwald, the leader of the Great Pacific Jazz Band, Ringwald was raised in Sacramento, CA, where she was born February 14, 1968. She started performing as a toddler, although not as an actress. She embarked on a very early and brief career as a singer after her parents discovered that she had a remarkable ability to perfectly match the tune and phrasing of almost any song she heard. Ringwald began singing jazz with her father at state fairs, and by the age of six, she already had a jazz album, I Wanna Be Loved By You--Molly Sings. In the meantime, Ringwald began to develop an interest in acting: she was four when she started hanging around the local community theater and five when she started getting small parts, including the role of a preacher's child in Truman Capote's The Grass Harp. At the age of eight, Ringwald appeared on The New Mickey Mouse Club. Encouraged by her talent and driven by her father's desire to get better bookings for his band, Ringwald's family moved to L.A.'s San Fernando Valley. In 1979, the actress won a part on Norman Lear's sitcom The Facts of Life. Ringwald only lasted a season before she was let go, but her television work paved the way for subsequent screen roles.In 1982, Ringwald made an auspicious film debut in Paul Mazursky's acclaimed Tempest, earning a Golden Globe nomination for her portrayal of John Cassavetes' daughter. In order to prepare for the role, Mazursky had Ringwald and her family move to a flat in New York's Greenwich Village to help her develop the necessary New York accent and attitude. Her performance in the film attracted the attention of screenwriter/aspiring director John Hughes who cast her as the protagonist of Sixteen Candles (1984), his wistful chronicle of suburban teenaged angst. The film was a hit, and so was Ringwald. Hughes would cast her in two more teen films, The Breakfast Club (1985) and Pretty in Pink (1986), both of which were hugely popular with teen audiences. In addition to a solid film career, Ringwald -- who had become a household name -- also occasionally appeared in television movies. Despite her continued success through the early '90s, Ringwald felt her life had reached a crossroads; by 1992, she decided to sell her house, put her personal effects in storage, pack up seven suitcases, and exchange life in the L.A. fast lane for a more romantic existence in Paris, where she was busy shooting Seven Sundays (released in 1994). Ringwald, who had learned French while attending a French high school in Los Angeles, remained there, dividing her time between reading (she has been a voracious reader since childhood when she and her siblings would read stories to her blind father), writing short stories and screenplays, cooking, and hanging out with her French husband. She occasionally continued to act in American and internationally produced films and television projects that include George Hickenlooper's Some Folks Call It a Sling Blade (1993), Stephen King's The Stand (1994), and Teaching Mrs. Tingle (1999). Ringwald also continued to do stage work, appearing in an acclaimed 1998 off-Broadway production of Paula Vogel's How I Learned to Drive. She spoofed her own iconic persona by appearing in the 2001 comedy Not Another Teen Movie, and in 2008 she was cast as the mother in the Fox Family series The Secret Life of the American Teenager.

Trivia: Played the title character in a Francis Ford Coppola-directed production of Gidget the Musical at age 16. Got her equity card for her New York debut in a production of Bye Bye Birdie. Originated the role of Wednesday Addams in the 2010 Broadway production of the musical The Addams Family.

Trivia: Chevy Chase is often considered one of the most likeable comedic personalities of his generation, even though the immediate popularity he achieved following a single season on Saturday Night Live never translated into more than a couple hit movies, and none after the 1980s. The prematurely balding, intelligent, fast-talking Chase created a couple classic characters, notably Irwin M. Fletcher (aka Fletch) and Vacation's Clark Griswold, but his career is often thought of as plagued by misfires and missed opportunities, rather than touched by comic brilliance.Born on October 8, 1943, in New York City, Cornelius Crane Chase became known as "Chevy" when his grandmother nicknamed him after Chevy Chase, the wealthy Maryland community. The 6'4" future writer and actor was valedictorian of his high school class before attending Bard College, where he earned a B.A. in English. With a pre-celebrity resumé as varied as any (tennis pro, truck driver, bartender), Chase spent his twenties as a comedy writer for such outlets as the Smothers Brothers and National Lampoon, the latter of which eventually led to a lucrative franchise of Vacation movies. Chase's first stint as a performer was with the New York comedy video workshop Channel One, which evolved into the 1974 film Groove Tube. This afforded Chase the necessary exposure to be hired by Lorne Michaels for the first season of Saturday Night Live in 1975.Initially hired on as a writer, Chase soon began appearing in front of the camera as the anchor of the popular Weekend Update segment of the ensemble variety show. With the catchphrase opening "Good evening, I'm Chevy Chase and you're not," and aided by his bumbling impersonation of President Gerald Ford, the actor quickly assumed breakout status, earning Emmys for both his writing and acting. He left after a single season to pursue film opportunities, but did not really strike gold until Caddyshack (1980), in which he played a rich golf pro who oozed confidence and a dry sarcastic wit three steps ahead of anyone else. These would become Chase's trademarks.During the filming of his next project, Modern Problems (1981), Chase was nearly electrocuted when a gag involving landing lights attached to his body short-circuited. The experience sunk him into a deep depression. But he recovered his stride in 1983 with the release of National Lampoon's Vacation, the first of four in an eventual series of epic misadventures of the Griswold family (European Vacation [1985], Christmas Vacation [1989], Vegas Vacation [1997]). As daffy father Clark, Chase turned the film into a huge hit, harnessing a likable befuddlement that kept the series going even as the sequels were increasingly less well received and tiresomely slapstick.Chase's other big hit came in 1985, when he starred as the title character in Fletch, the film widely considered the actor's best and most complimentary of his sharp talent for wordplay. As an undercover newspaper reporter with a quick answer -- not to mention a goofy disguise -- for every situation, Chase created a classic comic hero with a genius for confusing his adversaries. He reprised the role in the lesser sequel Fletch Lives (1989).Chase achieved moderate success by pairing with other Saturday Night Live alums in the mixed-bag comedies Spies Like Us (1985) and Three Amigos! (1986); though these had dedicated fans, they didn't achieve the critical praise of Fletch or Vacation. Despite an all-star cast, Caddyshack II (1988) went nowhere, and by the beginning of the 1990s, Chase had slipped from his status as a reliable comedic performer. Such well-documented failures as Nothing But Trouble (1991) and Cops and Robbersons (1994) became his crosses to bear during a decade that also saw the colossal failure of his Fox comeback variety show, which was canceled two months after it premiered in 1993. Chase was also arrested for drunk driving in 1995, just one incident in a career sometimes checkered by drug and alcohol abuse. In later years, Chase has preferred family oriented films, starring in such features as Man of the House (1995) (opposite Jonathan Taylor Thomas) and the kiddie-on-holiday flick Snow Day (2000). This stance prompted Chase to turn down the comeback-worthy role that won Kevin Spacey an Oscar in American Beauty (1999); had he accepted, it might have resulted in a very different film. As Chase's work has shifted more to the supporting role variety, including Dirty Work (1998) and Orange County (2002), he has seemed more comfortable. A series of appearances in such innocuous comedies as Bad Meat, Goose on the Loose, and Doogal found Chase continuing to plateau, and in 2006 the former SNL heavyweight would take to the lab to help save the world in the children's superhero adventure Zoom. In 2009 Chase was cast as a casually racist and sexist member of the study group at the heart of NBC's sitcom Community, and that program gave him some of the best reviews he'd had in quite some time. He appeared in the 2010 comedy Hot Tub Time Machine, and in 2011's Stay Cool.

Trivia: Born in Connecticut and raised in New York City, Annabella Sciorra began her formal acting training at 13 years old, when she began attending the prestigious Hagen-Berghoff theatrical studios. By the time she was an adult, Sciorra was able to make a well-received film debut as an angst-ridden, Italian-American, Brooklyn-raised bride in 1989's True Love. Before long, the young actress found herself starring largely in wife and girlfriend roles opposite Hollywood A-listers including Tim Robbins, Robin Williams, and Richard Gere. Sciorra's supporting roles in Reversal of Fortune (1990) and The Hard Way (1991) were so successful, in fact, that they led to her breakout performance as Angie Tucci, the Italian-American woman in love with the African-American protagonist, played by Wesley Snipes, in director Spike Lee's groundbreaking urban drama Jungle Fever (1991). Sciorra's skill led to a slew of roles throughout the 1990s, most of them character parts; from Mr. Wonderful to The Hand That Rocks the Cradle to Romeo Is Bleeding, the actress proved her ability, though it wouldn't be until 1997's Cop Land that Sciorra's talent as a supporting actress was showcased to her fans' satisfaction. After a powerful performance as Annie Nielson, who contemplates suicide after the death of her husband and children in What Dreams May Come (1998), Sciorra participated in a variety of moderately faring movies until 2001, when she made her debut as tough-as-nails Italian-American Gloria Trillo in the third season of HBO's hit series The Sopranos.

Trivia: While most recognizable for his portrayal of Leonardo Di Caprio's doomed Italian sidekick in Titanic (1997), actor Danny Nucci had over three dozen film and television credits on his resumé before he even auditioned for the blockbuster. Born in Klagenfurt, Austria, and raised just outside of Venice, Italy, Nucci is the second child of a French Moroccan mother and an Italian father. His family relocated to the States when Nucci was only seven years old. They lived temporarily in Queens, NY, (where Nucci attended P.S. 144 in Forest Hills and P.S. 90 in Kew Gardens) before settling in California's San Fernando Valley. Nucci caught the acting bug as a student at Ulysses S. Grant High School in Van Nuys, CA, when the drama teacher recruited him for a production of West Side Story. Soon afterward, he volunteered to answer phones at a Variety Club charity telethon just for the chance to be on television, which was his first break.Forty auditions later, Nucci began his professional acting career at age 14 with a bit part on the ABC soap opera General Hospital. Roles on Richard Pryer's kids show Pryor's Place, Family Ties, and in the teen science fiction film The Explorers (1985) quickly followed. Yet, Nucci suffered a temporary emotional set back when he did not make the cast of Rob Reiner's Stand by Me (1986), after being called back several times. Devastated, he took a five-year hiatus from feature films in order to polish his skills on the small screen. He appeared on Hotel, The Twilight Zone, Growing Pains, Magnum, P.I., and Tour of Duty, and in numerous television films (including a stint as Keanu Reeves' younger brother in 1986's Brotherhood of Justice), as well as garnered three Young Artist Award nominations. Nucci's performance in the 1987 CBS Schoolbreak Special An Enemy Among Us was so powerful that the network showed the telefilm during prime time. He then played Gabriel Ortega on Falcon Crest from 1988 to 1989 -- earning his fourth Young Artist Award nomination for his performance -- before returning to features as Chris Young's sidekick in the teen comedy Book of Love (1991). This led to a small role in Frank Marshall's Alive (1993), the true story of a Uruguayan rugby team that is stranded in the Andes after a plane crash, starring Ethan Hawke, Vincent Spano, and Illeana Douglas. Work in several television films, B-movies, and independent features ensued, including A Matter of Justice (1993), Ray Alexander: A Taste for Justice (1994), and Blind Justice (1994).Nucci's big break arrived when casting directors tapped him to play Petty Officer Rivetti in Tony Scott's box-office smash Crimson Tide (1995). He held his own opposite the film's stars, Denzel Washington and Gene Hackman, impressing producer Jerry Bruckheimer who immediately cast Nucci as a Navy SEAL in Michael Bay's The Rock with Sean Connery, Nicolas Cage, and Ed Harris. He then appeared as a doomed deputy in the Arnold Schwarzenegger vehicle Eraser (1996), before proving his comedic talent as a paparazzo stalking Bette Midler and Dennis Farina in That Old Feeling (1997).After rapping up his role as Fabrizio De Rossi in 1997's Titanic (which instantly became the world's highest-grossing film), Nucci returned to independent features like the thriller Love Walked In (1998) and the comedy Friends & Lovers (1999). He then joined the supporting cast of producer David E. Kelley's only unsuccessful television series, Snoops. After the show's cancellation, television producer Jonathan Axelrod (who is married to Nucci's Alive co-star, Illeana Douglas) tapped Nucci to star in the CBS sitcom Some of My Best Friends. Based on the independent film Kiss Me, Guido (1997), the show featured Nucci as Frank Zito, a big-hearted wannabe actor from Queens who unknowingly moves in with a gay roommate played by Jason Bateman. Though called "pretty darn funny" by the New York Times, the series was ultimately canceled. Yet, Nucci immediately bounced back with the Sci Fi Channel miniseries Firestarter 2: Rekindled (2002), the sequel to Mark Lester's blockbuster adaptation of the Stephen King novel. The four-part series, which stars Marguerite Moreau, Malcolm McDowell, and Dennis Hopper, gained such a following that the network decided to develop it into a regular series.In the meantime, Nucci completed filming on Monika Mitchell's Break a Leg (2003) with his girlfriend, actress Paula Marshall, before moving on to appear in such acclaimed films as World Trade Center, as well as TV series like The Booth at the End.

Trivia: Expressive comic actress Conchata Ferrell attended drama classes at West Virginia University and Marshall University. Ferrell's first off-Broadway appearance was as good-natured hooker April Green in Lanford Wilson's Hot L Baltimore (1972), a role she would reprise in the short-lived 1975 TV sitcom version. In 1973, she won an Obie Award for her performance in The Sea Horse. Her first major film role was feisty frontier widow Elinore in the 1981 western Heartland, a performance that earned her a "Wrangler Award" from the Cowboy Hall of Fame. She has also been seen in Network (1976), Mystic Pizza (1988) and Edward Scissorhands (1991), to name but a few. As active on TV as elsewhere, Conchata Ferrell has played such regular TV-series roles as female cop Wilhelmina "The Fox" Johnson in BJ and the Bear (1979), café owner Vangie Cruise in McClain's Law (1981), nurse Joan Thor in the original ER (1984), zoo secretary Kate Galindo in A Peaceable Kingdom (1989), entertainment lawyer Susan Bloom in LA Law (1991-92 season, earning an Emmy nomination in 1992), and cynical psychologist/advice columnist Dr. Madeline Stoessinger in Hearts Afire (1993-95).

Trivia: Though he is most famous for the supremely theatrical best-selling 1970s album Bat Out of Hell, Meat Loaf has been acting almost as long as he has been singing. Born Marvin Lee Aday in Dallas, accounts regarding his stage name place its origins in either a childhood nickname or a high school football incident. Either way, by the time Meat Loaf moved to Los Angeles at age 20 to pursue music, the moniker had stuck. After the first band he formed broke up, Meat Loaf found work on stage in the road company of the notorious late-'60s rock musical Hair. Landing in New York in the early '70s, Meat Loaf continued to do theater while trying to make it in the music world. After playing the part on stage, Meat Loaf made his movie debut as the ill-fated Eddie in the flop-turned-midnight movie classic The Rocky Horror Picture Show (1975). Two years later, Meat Loaf's music took precedence with the release of Bat Out of Hell (1977). Powered by several dramatic singles, Bat Out of Hell became one of the all-time top-selling albums. Various problems, including writer's block, though, turned Meat Loaf's focus back to movies in the late '70s. After appearing in the comedy flop Americathon (1979), Meat Loaf starred in Alan Rudolph's comedy Roadie (1980). While he managed to make several albums in the 1980s, none of them came close to Bat Out of Hell's popularity. Meat Loaf's 1980s movies, including the vehicle Dead Ringer (1982) and the Anthony Michael Hall thriller Out of Bounds (1986) did not fare well, either. Meat Loaf filed for bankruptcy, but his slide towards obscurity began to reverse itself in the early '90s. Meat Loaf's presence in the Steve Martin evangelist comedy-drama Leap of Faith (1992) signaled his arrival as an estimable character actor. His music career also revived by the best-selling Bat Out of Hell II: Back to Hell (1993), Meat Loaf once again turned his attention to singing; his mid-'90s albums suffered the same fate as his 1980s oeuvre. By the late '90s, Meat Loaf, often credited as Meat Loaf Aday, returned to acting in an eclectic mix of films. Along with co-starring as a criminal in the Patrick Swayze actioner Black Dog (1998), Meat Loaf played supporting roles in the Sharon Stone-Kieran Culkin drama The Mighty (1998), the offbeat ensemble piece Outside Ozona (1998), and the Spice Girls romp Spice World (1998). Finding a balance between movies and music, Meat Loaf did a segment of VH1's Storytellers that resulted in a 1999 CD and earned positive notices for his performances as a bigoted sheriff in Crazy in Alabama (1999) and the physically freakish but genuinely sympathetic Robert Paulsen in David Fincher's controversial Fight Club (1999). It was this cultish role that guaranteed him supporting work in both high-octane genre fare (Formula 51, The Salton Sea) as well as uncompromising indies (Focus) for the next decade or so.

Trivia: Actress and comedian Cheri Oteri emerged from obscurity into the proverbial limelight in the mid-'90s. 1995 brought with it the performer's definitive breakthrough; that year, Oteri -- then a member of the L.A. comedy troupe The Groundlings -- was tapped by Saturday Night Live to join its regular cast of players. She remained with SNL for five years, and cultivated an enthusiastic response for such recurring bits as impersonations of Ross Perot and Debbie Reynolds. Oteri transitioned to film roles around 2000, coincident with her Saturday Night Live departure; as a cinematic performer, she specialized in richly comic characterizations in gag-laden farces such as Scary Movie (2000), Dumb and Dumberer: When Harry Met Lloyd (2003), and Shrek the Third (2007). In 2006, Oteri teamed up with Donnie Darko wunderkind Richard Kelly for that helmer's epic dystopian comedy Southland Tales.