Trivia: Despite a thick Australian accent in some of his earlier films, actor Mel Gibson was born in Peeksill, NY, to Irish Catholic parents on January 3rd, 1956. One of eleven children, Gibson didn't set foot in Australia until 1968, and only developed an Aussie accent after his classmates teased him for his American tongue. Mel Gibson's looks have certainly helped him develop a largely female following similar to the equally rugged Harrison Ford, but since his 1976 screen debut in Summer City, Gibson has been recognized as a critical as well as physiological success.Though he had, at one point, set his sights on journalism, Gibson caught the acting bug by the time he had reached college age, and studied at the National Institute of Dramatic Art in Sydney, Australia, despite what he describes as a crippling ordeal with stage fright. Luckily, this was something he overcame relatively quickly -- Gibson was still a student when he filmed Summer City and it didn't take long before he had found work playing supporting roles for the South Australia Theatre Company after his graduation. By 1979, Gibson had already demonstrated a unique versatility. In the drama Tim, a then 22-year-old Gibson played the role of a mildly retarded handy man well enough to win him a Sammy award -- one of the Australian entertainment industry's highest accolades -- while his leather clad portrayal of a post-apocalyptic cop in Mad Max helped the young actor gain popularity with a very different type of audience. Gibson wouldn't become internationally famous, however, until after his performance in Mad Max 2 (1981), one of the few sequels to have proved superior to its predecessor. In 1983, Gibson collaborated with director Peter Weir for the second time (though it was largely overlooked during the success of Mad Max 2, Gibson starred in Weir's powerful WWI drama Gallipoli in 1981) for The Year of Living Dangerously, in which he played a callous reporter responsible for covering a bloody Indonesian coup. Shortly afterwards, Gibson made his Hollywood debut in The Bounty with Oscar-winner Anthony Hopkins, and starred opposite Sissy Spacek in The River during the same year. He would also star in Mad Max Beyond Thunderdome (1985) alongside singer Tina Turner.After the third installment to the Mad Max franchise, Gibson took a two-year break, only to reappear opposite Danny Glover in director Richard Donner's smash hit Lethal Weapon. The role featured Gibson as Martin Riggs, a volatile police officer reeling from the death of his wife, and cemented a spot as one of Hollywood's premier action stars. Rather than letting himself become typecast, however, Gibson would surprise critics and audiences alike when he accepted the title role in Franco Zeffirelli's Hamlet (1990). Though his performance earned mixed reviews, he was applauded for taking on such a famously tragic script.In the early '90s, Gibson founded ICON Productions, and through it made his directorial debut with 1993's The Man Without a Face. The film, which also starred Gibson as a horrifically burned teacher harboring a secret, achieved only middling box-office success, though it was considered a well-wrought effort for a first-time director. Gibson would fare much better in 1994 when he rejoined Richard Donner in the movie adaptation of Maverick; however, it would be another year before Gibson's penchant for acting, directing, and producing was given its due. In 1995, Gibson swept the Oscars with Braveheart, his epic account of 13th century Scottish leader William Wallace's lifelong struggle to forge an independent nation. Later that year, he lent his vocal talents -- surprising many with his ability to carry a tune -- for the part of John Smith in Disney's animated feature Pocahontas. Through the '90s, Gibson's popularity and reputation continued to grow, thanks to such films as Ransom (1996) and Conspiracy Theory (1997). In 1998, Gibson further increased this popularity with the success of two films, Lethal Weapon 4 and Payback. More success followed in 2000 due to the actor's lead role as an animated rooster in Nick Park and Peter Lord's hugely acclaimed Chicken Run, and to his work as the titular hero of Roland Emmerich's blockbuster period epic The Patriot (2000). After taking up arms in the battlefield of a more modern era in the Vietman drama We Were Soldiers in 2002, Gibson would step in front of the cameras once more for Sixth Sense director M. Night Shyamalan's dramatic sci-fi thriller Signs (also 2002). The film starred Gibson as a grieving patriarch whose rural existence was even further disturbed by the discovery of several crop circles on his property.Gibson would return to more familiar territory in Randall Wallace's We Were Soldiers -- a 2002 war drama which found Gibson in the role of Lt. Col. Hal Moore, commander of the First Battalion, Seventh Cavalry -- the same regiment so fatefully led by George Armstrong Custer. In 2003, Gibson starred alongside Robert Downey Jr. and Robin Wright-Penn in a remake of The Singing Detective. The year 2004 saw Gibson return to the director's chair for The Passion of The Christ. Funded by 25 million of Gibson's own dollars, the religious drama generated controversy amid cries of anti-Semitism. Despite the debates surrounding the film -- and the fact that all of the dialogue was spoken in Latin and Aramaic -- it nearly recouped its budget in the first day of release.The actor stepped behind the camera again in 2006 with the Mayan tale Apocalypto and was preparing to product a TV movie about the Holocaust, but by this time, public attention was not pointed at Gibson's career choices. That summer, he was pulled over for drunk driving at which time he made extremely derogatory comments about Jewish people to the arresting officer. When word of Gibson's drunken, bigoted tirade made it to the press, the speculation of the actor's anti-Semitic leanings that had circulated because of the choices he'd made in his depiction of the crucifixion in Passion of the Christ seemed confirmed. Gibson's father being an admitted holocaust denier hadn't helped matters and now it seemed that no PR campaign could help. Gibson publicly apologized, expressed extreme regret for his comments, and checked himself into rehab. Still, the plug was pulled on Gibson's Holocaust project and the filmmaker's reputation was irreparably tarnished.

Trivia: Already something of an established actor in his native Australia, Heath Ledger first came to the attention of American audiences in 1999 with his winning turn in the teen comedy 10 Things I Hate About You, playing the rebellious Patrick Verona in the update of The Taming of the Shrew.Born in Perth, Western Australia on April 4, 1979, Ledger first became interested in acting while attending the all-boys Guilford Grammar School. He began his career performing onstage with the Guildford Theatre Company and was soon appearing in substantial roles on Australian television shows. The 1996 series Sweat featured him as a gay cyclist, while the following year's Roar cast him as a medieval Celtic prince--and also won him the beginnings of a fan base. After moving across the Pacific to Los Angeles, Ledger landed his lead role in 10 Things I Hate About You opposite Julia Stiles in 1999. The movie proved to be a summer hit, and it succeeded in introducing Ledger to a legion of new fans. That same year, he starred in Two Hands, an Australian action comedy that cast him as a Sydney teenager who finds himself in debt to an underworld kingpin, played by Bryan Brown. The film premiered at that year's Sundance Film Festival. Following a prominent role in Roland Emmerich's The Patriot (2000), Ledger brought Excalibur sensibilities into the new millenium with A Knight's Tale (2001). With its tradition shattering blend of modern slang and music balanced with the classic tale of jousting mayhem, A Knight's Tale served as an exciting star vehicle for the popular young actor. The young actor also garnered a fair amount of praise for his supporting role as a deeply depressed prison employee in the Oscar-winning film Monsters Ball (2001). Though the film did not fare well critically or otherwise, Ledger nonetheless proved himself a versatile actor in The Four Feathers (2002), in which he starred as a cowardly officer-in-training who resigns from the British Army shortly before being shipped off to Sudan. In the same vein, though The Order (2003) was shunned by critics, Ledger was praised for his intense performance as a tortured, knowledge-seeking priest. Australia's Ned Kelly (2003) featured a then 24-year-old Heath in the title role of sixteen-year-old outlaw Ned Kelly, and placed him among a skilled cast including Six Feet Under star and fellow Australian Rachel Griffiths, the Oscar-winning Geoffrey Rush, Orlando Bloom, and Naomi Watts. In 2005, Ledger captivated Hollywood with his sensitive turn as Ennis Del Mar in the gay-themed modern western Brokeback Mountain. Impressing audiences with his portrayal of the soft-spoken and tortured character struggling with his love for fellow cowboy Jack Twist (Jake Gyllenhaal), he went on to garner multiple awards for the role, including Best Actor wins from numerous film critics associations, as well as a coveted Oscar nomination.Ledger was busy in 2005 following Brokeback, with lead roles in the period films Casanova and The Brothers Grimm, as well as a turn as a heroin-addicted husband in Candy. His own engagement to Brokeback costar Michelle Williams made headlines and produced a daughter in late 2005, though the two ended their relationship the following year. Ledger had completed his role as The Joker in The Dark Knight (due out in July 2008) and was filming Terry Gilliam's The Imaginarium of Dr. Parnassus when he was found dead in a New York City apartment building on January 22, 2008. It turned out that his final performance would be the most celebrated of his career. His turn as Gotham City's most deranged criminal helped make The Dark Knight one of the biggest box office hits in movie history, and earned him posthumous nominations for Best Supporting Actor from both the Screen Actors Guild and the Academy.

Trivia: British actress Joely Richardson is the daughter of actress Vanessa Redgrave and director Tony Richardson, the granddaughter of actors Michael Redgrave and Rachel Kempson, niece of actors Corin and Lynn Redgrave, and sister of actress Natasha Richardson. Thus, it would be fair to say that Richardson has acting in her genes. Her film credits range from Peter Greenaway's arthouse favorite Drowning By Numbers (1988) -- in which she is one of three murderesses, all named Cissy Colpitts -- to the abortive musical I'll Do Anything (1993) to the winning 1996 remake of 101 Dalmatians. She has repeatedly demonstrated a capacity for tackling difficult subjects, as was the case with Sister My Sister (1994), which cast her as a maid caught up in an incestuous lesbian love affair with her sister, and Hollow Reed (1996), in which she played the divorced mother of a young boy who is abused by her live-in boyfriend. In 2000, she was seen in a number of projects, including the romantic comedy Return to Me and the revolutionary war drama The Patriot. In 2003, Richardson landed a starring role as Dr. Sean McNamera's (Dylan Walsh) frustrated wife on F/X's popular nighttime drama, Nip/Tuck. A quick transition to The Tudors followed when Nip/Tuck went off the air in 2010, and following a turn as Young Queen Elizabeth I in Roland Emmerich's Shakespearian conspiracy drama Anonymous (2011), Richardson could been seen as the mysterious Anita Vanger in David Fincher's The Girl with the Dragon Tattoo.

Trivia: The latest in an illustrious line of actors to convince American audiences that the British make the cinema's most sinister and cold-hearted villains, Jason Isaacs earned the vicarious enmity and disgust of filmgoers everywhere in his role as the vile Colonel Tavington in the 2000 summer blockbuster The Patriot. Actually an incredibly versatile performer whose previous characterizations included a priest, a brilliant scientist, and a drug dealer, the tall, blue-eyed actor won admiration and respect for his performance, and soon found himself being hailed in the American press as one of the most exciting British imports of the early 21st century.The third of four sons of a Liverpool merchant, Isaacs was born in his father's hometown on June 6, 1963. He initially planned to go into law -- a white-collar profession that would have fit nicely with those of his brothers, who became a doctor, lawyer, and accountant -- but was swayed by acting early in the course of his law studies at Bristol University. Although he first became interested in acting in part because "it was a great way to meet girls," Isaacs soon found deeper meaning in the theater (in one interview he was quoted as saying "I could release myself into acting in a way that I was not released socially") and duly dropped out of Bristol to hone his skills at London's Central School of Speech and Drama. Once in London, Isaacs began landing professional work almost immediately, appearing on the stage and on television. He made his big-screen debut in 1989 with a minor turn as a doctor in Mel Smith's The Tall Guy and that same year won a steady role on the TV series Capital City. Isaacs exhibited his versatility in several more TV series and on-stage in such productions as the Royal National Theatre's 1993 staging of Tony Kushner's Pulitzer Prize-winning Angels in America. He also began to find more work onscreen, receiving his first nod of Hollywood recognition in his casting in the Bruce Willis blockbuster Armageddon (1998). Initially called upon to take a fairly substantial role, Isaacs was eventually cast in a much smaller capacity as a planet-saving scientist so that he could accommodate his commitment to Divorcing Jack (1998), a comedy thriller he was making with David Thewlis. After portraying a priest opposite Julianne Moore and Ralph Fiennes in Neil Jordan's acclaimed adaptation of Graham Greene's The End of the Affair, Isaacs got his biggest international break to date when he was picked to portray Colonel Tavington, the resident villain of Roland Emmerich's Revolutionary War epic The Patriot. Starring opposite Mel Gibson, who (naturally) played the film's hero, Isaacs made an unnervingly memorable impression as a man whose pastimes included infanticide, rape, and church- burning, emerging as one of summer 2000s most indelible screen presences. Although his work in the film earned him comparisons to Ralph Fiennes' portrayal of evil Nazi Amon Goeth in Schindler's List and talks of a Best Supporting Actor Oscar nomination, the actor was not content to be typecast in the historical scum mold. Thus, he logically signed on to play none other than a drag queen for his next project, Sweet November (2001), a romantic comedy-drama starring Charlize Theron and Keanu Reeves. For his lead portrayal in the 2007 miniseries The State Within, Isaacs received a Golden Globe nomination for Best Performance in a Miniseries or Motion Picture Made for Television. Over the next several years, Isaacs appeared in films like Green Zone and Harry Potter and the Deathly Hollows, Part 2. He would also star in TV series like Case Histories and Awake.

Trivia: Having spent much of his youth on his father's Missouri cattle ranch, it is not surprising that supporting and leading actor of stage, screen, and television Chris Cooper has specialized in playing cowboys, ranchers, and other hardworking men. His rugged Everyman demeanor has best been put to use by filmmaker John Sayles, who cast him in a number of his films, beginning with 1987's Matewan.Cooper's interest in the theater began in his late teens, when he designed and constructed sets for a community group. Following high school, he studied agriculture and acting at the University of Missouri before moving to New York City in hopes of making it on the stage. It took awhile, but by 1980 he was starring in productions like Of the Fields Lately, The Ballad of Soapy Smith, and Cobb, in which he played the title role. His film debut came in 1980, in Nicholas Roeg's Bad Timing: A Sensual Obsession. He didn't get his big break until seven years later, when Sayles cast him as Joe Kenehan, a member of the coalminer's union who is sent to a tiny mountain town to organize the workers in Matewan (1987). He again worked with Sayles in City of Hope (1991) and then in Lone Star (1996), for which he won great acclaim playing the enigmatic Sam Deeds, the prodigal son of a tiny Texas town's sheriff who solves a mystery and comes to grips with his relationship with his late father. Subsequently, Cooper -- who had also made his mark on the small screen as cowboy July Johnson in Lonesome Dove (1989) -- appeared as a deputy in a A Time to Kill (1996), Robert Redford's younger brother in The Horse Whisperer (1998), and Ethan Hawke's brother-in-law in Great Expectations. In 1999, the actor again demonstrated his impressive range, first playing a coalminer in October Sky and then turning in a chilling performance as Kevin Spacey's unbalanced neighbor in American Beauty. If Cooper was somewhat lost in the shuffle of 2002's Interstate 60, his Oscar winning performance in that same years' Adaptation would find Cooper receiving lavish praise for his portrayal of a lively orchid hunter. Cast opposite Meryl Streep, Cooper's toothless performance was in turns hilarious, sad and poetic, providing the perfect showcase for his impressive range. In 2003, Cooper was nominated for Best Supporting Actor by the Screen Actors Guild for his turn as a soft-spoken horse trainer in Seabiscuit. Cooper worked steadily through the early 2000s, largely in a supporting capacity. He won no small amount of praise for his work in Syriana and Capote (both 2005), and showed demonstrated his range as an actor in 2007, when he co-starred in The Kingdom, Married Life, and Breach. Cooper lent his voice to Spike Jonze's remake of Maurice Sendak's classic children's novel Where the Wild Things Are, and joined Ben Affleck for a supporting role in The Town, a 2010 crime thriller based on author Chuck Hogan's novel Prince of Thieves. Cooper found more success, however, for his role in Amiga (2010) John Sayles' war drama, in which he played an American military colonel deeply prejudiced against Filipinos. The actor took on a decidedly less serious role as a dastardly villain extraordinaire in The Muppets (2011).

Trivia: While his name might suggest a birthplace somewhere in France -- or at the very least Quebec -- actor Rene Auberjonois was born in New York City. However, his well-to-do parents were of noble European blood, thus French was the language of choice in his household. Despite his first-born-American status, Auberjonois was shunned by many of his schoolmates as a foreigner, and teased for having a "girl's" name. As a defense mechanism, Auberjonois became the class clown, which somehow led naturally to amateur theatricals. The influence of such neighborhood family friends as Burgess Meredith and Lotte Lenya solidified Auberjonois' determination to make performing his life's work. He was cast in a production at Stratford (Ontario)'s Shakespeare company by John Houseman -- another neighbor of his parents' -- and after moving with his family to England, Auberjonois returned to complete his acting training at Carnegie-Mellon University. There he decided to specialize in character parts rather than leads -- a wise decision, in that he's still at it while some of his handsomer and more charismatic Carnegie-Mellon classmates have fallen by the wayside. Three years with the Arena Stage in Washington, D.C. led Auberjonois to San Francisco's American Conservatory Theatre, of which he was a founding member. Movie and TV work was not as easy to come by, so the actor returned to New York, where he won a Tony for his Broadway role in the musical Coco. An introduction to director Robert Altman led Auberjonois to his first film, M*A*S*H (1970), in which he introduced the character that would later be fleshed out on TV as Father Mulcahy (with William Christopher in the role). He worked in two more Altman films before he and the director began to grow in opposite directions. More stage work and films followed, then TV assignments; Auberjonois' characters ranged from arrogant dress designers to snooty aristocrats to schizophrenic killers on film, while the stage afforded him more richly textured roles in such plays as King Lear and The Good Doctor. In 1981, Auberjonois was cast as Clayton Endicott III, the terminally fussy chief of staff to Governor Gatling on Benson. Like so many other professional twits in so many other films, Auberjonois' job was to make life miserable for the more down-to-earth hero, in this case Robert "Benson" Guillaume. Blessed with one of the most flexible voiceboxes in show business, Auberjonois has spent much of his career providing voice-overs for cartoon characters in animated projects like the Disney's The Little Mermaid, The Legend of Tarzan, Justice League, and Pound Puppies. In 1993, Rene Auberjonois assured himself a permanent place in the hearts of "Trekkies" everywhere when he was cast as Odo (complete with understated but distinctive "alien" makeup) on the weekly syndicated TV show Star Trek: Deep Space Nine, which he appeared on until 1999.Auberjonois would remain extremely active on screen in the years to come, appearing in movies like The Patriot, and on shows like Boston Legal.

Trivia: A popular British character actor, Tom Wilkinson specializes in playing men suffering from some sort of emotional repression and/or pretensions of societal grandeur. Active in film and television since the mid-'70s, Wilkinson became familiar to an international audience in 1997 with his role as of one of six unemployed workers who strip for cash in Peter Cattaneo's enormously successful comedy The Full Monty. That same year, he was featured in Gillian Armstrong's Oscar and Lucinda, and as the rabidly unpleasant father of Lord Alfred Douglas, Oscar Wilde's young lover in Wilde. Wilkinson was also shown to memorable effect as a theater financier with acting aspirations in Shakespeare in Love (1998); also in 1998, he acted in one of his few leading roles in The Governess, portraying a 19th century photographer with an eye for the film's title character (Minnie Driver). Though he would appear in such popular mainstream films as Rush Hour (1998) and The Patriot (2000) over the next few years, it was his role in director Todd Field's emotionally intense In the Bedroom that earned Wilkinson (as well as co-star Marisa Tomei) an Oscar nod. After that success, his career began to really take off, and in just the next few years, he would appear in over a dozen films in roles of varying size. In 2003, he starred in HBO movie Normal as a married, middle-aged man who decides to start living his life as a woman and eventually have a sex-change operation. Acting alongside Jessica Lange, Wilkinson earned both Emmy and Golden Globe nominations for his brave and moving performance. In addition, he would also play a menacing, licentious patron of the arts in Girl With a Pearl Earring (2003) and an experimental doctor erasing his patient's memories in Eternal Sunshine of the Spotless Mind (2004), written by Charlie Kaufman and starring Jim Carrey.Now an established star thanks to his impressive body of work, Wilkinson was called upon to appear in a number of high profile Hollywood hits, and could always be counted on to deliver in spades. Still, Wilkinson had the talent and foresight to always offset each blockbuster with at least one low-key, character-driven drama, and for every scenery-chewing Batman Begins villain, a serious-minded Separate Lies lawyer or Ripley Under Ground Scotland Yard detective would be quick to follow. After doing battle with Beelzebub in 2005's frightening, fact-based horror film The Exorcism of Emily Rose, Wilkinson would once again shift gears with impressive grace to portray the patriarch of a Texas family whose attempts to maintain order over his wildly dysfunctional family lead to a wild night on the town that ultimately helps him to restore his perspective in Night of the White Pants. Later that same year Wilkinson would pull back a bit for a supporting role in The Last Kiss - a romantic comedy drama starring Scrubs' Zach Braff and directed by Tony Goldwyn. 2007 brough WIlkinson yet another role that earned him uniformly strong reviews. His mentally unhinged lawyer in Michael Clayton garnered him a slew of year end accolades including Golden Globe, Screen Actors Guild, and Oscar nominations for Best Supporting Actor. That same year he became part of the Woddy Allen family with a starring role in Cassandra's Dream. In 2008 he appeared as Ben Franklin in the award-winning HBO miniseries John Adams, as well as Valkyrie and RocknRolla. He reteamed with Michael Clayton mastermind Tony Gilroy for 2009's Duplicity, playing the CEO of a multinational corporation, and appeared in The Ghost Writer for director Roman Polanski the next year. In 2012 he was part for the all-star British ensemble put together for The Best Exotic Marigold Hotel.

Trivia: Combining low-key, average-Joe charisma with a bottomless capacity for shrewd comic timing, Donal Logue earned a reputation in the late '90s as one of the decade's most compelling -- and prolific -- character actors. First winning notice and a dedicated cult following for his portrayal of Jimmy McBride, a cab driver featured in a series of MTV promos, Logue went on to work in a string of films good, bad, and ugly before finally landing his first major starring role in Jenniphr Goodman's 2000 Sundance favorite The Tao of Steve. The son of Irish immigrants, Logue was born in Ottawa, Canada, on February 27, 1966. Raised largely in the Southwestern United States, he went on to attend Harvard, where he studied history and began to nurture an interest in theater. Although Logue had long aspired to be a writer, a stint at the British-American Drama Academy in London strengthened his dedication to acting, and after graduating from college, he began performing on the stage. Logue got his first break in the early '90s, when he began doing the notorious Jimmy the cab driver segments for MTV and won a small role in Robert Redford's Sneakers (1992). Supporting work in films ranging from Little Women (1994) to 3 Ninjas Knuckle Up (1995) to the American remake of Diabolique (1996) followed, as did work on several TV series. In 1999, film audiences were finally given a greater opportunity to see what Logue was capable of when he turned in a scene-stealing performance as a slobby L.A. limo driver with half-baked acting ambitions in The Big Tease, Kevin Allen's light-hearted hairdressing mockumentary. Full-blown appreciation finally came the actor's way the following year, when he starred as the title character of Goodman's The Tao of Steve. A wry comedy about a late-twentysomething slacker whose savvy dating philosophy allows him to win over the ladies despite a gut whose bounty is matched only by the amount of pot he consumes, the film was a great success at the 2000 Sundance Festival, where Logue was awarded a Special Jury Prize for Outstanding Performance.The growing appreciation that surrounded Logue's work was reflected in the number of projects the actor was involved with that same year. Appearing in no less than six movies, including the summer blockbuster The Patriot, Logue was soon being touted as one of the industry's more promising -- to say nothing of hard-working -- talents.

Trivia: A veteran actor with a charming drawl, South Carolina native Leon Rippy began his acting career in the early '80s, making very minor appearances in very big films, like a store clerk in The Color Purple and an FBI agent in Firestarter. Rippy would continue to appear in several projects over the coming years, often taking on a number of roles every year. He notably played a prosecutor in 1988's Illegally Yours, and an Army sergeant in 1990's Moon 44, one of seven collaborations Rippy would make with director Roland Emmerich. The '90s would find the actor just as active as ever, appearing in the usual plethora of movies and TV shows, including high-profile appearances in 2000's The Patriot and on the series Walker, Texas Ranger. The new millennium would bring even more prominent work for the now silver-haired actor, with a starring role on the HBO western series Deadwood, which Rippy would appear on from 2004 to 2006. He soon took on another starring role on the police drama Saving Grace with Holly Hunter, playing Earl, a tough-talking, tobacco-spitting messenger from God. Although he was away from screens for nearly a half-decade after Saving Grace came to an end, he returned in the Johnny Depp project The Lone Ranger.

Trivia: The acting career of Adam Baldwin -- no relation to the famous Baldwin brothers Alec, William, and Stephen -- has been filled with ups and downs as he aspires to the stardom that as yet, seems to elude him. Due to his muscular 6'4" frame, the handsome Baldwin is frequently cast as hulking bad guys and psychopathic killers. He has been involved with films since he appeared in My Bodyguard (1980), the story of a victimized teenager seeking the protection of the school bully (Baldwin) who is believed to have killed his brother. While he did a fine job as the taciturn, deeply traumatized young man who affects a violent facade to conceal his inner pain, it was his costar Matt Dillon who became famous. Baldwin then went on to play supporting roles in three lesser films before playing the lead in the 1986 bomb Bad Guys, where he dyed his naturally dark hair bright blond and played a young cop who becomes a wrestler after he is suspended from the force. One year later he appeared in his most memorable role as the psychopathic war-loving soldier Animal in Stanley Kubrick's Full Metal Jacket (1987). In 1992, Baldwin played a drunken, abusive stepfather in Radio Flyer. He continued to work steadily in projects such as How to Make an American Quilt and Independence Day. He had the title role in the 1999 retelling of Dr. Jekyll and Mr. Hyde. As the new century began he was part of the cast of the short-lived but much beloved sci-fi series Firefly as Jayne, a character he would return to in Serenity, the big-screen version of that show. He voiced Jonah Hex and Superman in various animated projects, and in 2007 landed the part of Major John Casey on the NBC series Chuck, about a geeky dude who becomes a super spy. He could be seen on big screens in the thriller InSight in 2011.

Trivia: Born July 6th, 1983, Gregory Smith's first acting role was at age 14 months -- in a Tide commercial. He is a dual citizen of the United States and Canada and has developed impressive credits from both countries. Born July 6th, 1983, Gregory Smith's first acting role was at age 14 months -- in a Tide commercial. He is a dual citizen of the United States and Canada and has developed impressive credits from both countries. In his younger days, those credits include roles Harriet the Spy (1996), in which he worked opposite Michelle Trachtenberg, My Teacher Ate My Homework (1997), and The Patriot (2000).After working in the CBS drama series Kate Brasher (which was cancelled after six episodes), Smith joined the cast of Everwood in its first season. Aired on the WB Network, the show follows a widower who returns to the small town of Everwood, Colorado, with his teenage son Ephram (Smith) and young daughter. Smith, as Ephram, earned significant praise for his turn as an alienated teen, and took home a Young Artist award for Best Performance in a TV series (Comedy or Drama) Leading Young Actor in 2003. Everwood. When Everwood concluded after a five season run, Smith returned to the big screen for films including the adaptation of author Susan Cooper's fantasy adventure The Seeker: The Dark is Rising (2007), Straight Edge (2007), and the black comedy Leslie, My Name is Evil (2009). Smith found television success once more in 2010, when he took on the role of Dov Epstein in Rookie Blue, a popular Canadian police procedural. As Rookie Blue continued to gain popularity, Smith worked with actors Daniel Craig and Rachel Weisz in Dream House (2011), a psychological thriller from director Jim Sheridan.

Trivia: With her flowing golden locks and expressive, curiously mature eyes, young Mika Boorem has gained an impressive acting track record since her television debut at the age of nine in television's popular Touched By an Angel.Born in Tucson, AZ, in August of 1987, Boorem does her best to balance the strenuous schedules that often accompany movie shoots with her education and the valuable time she spends with her friends and family. Nominated twice for a Young Artist Award for her roles in Jack Frost (1998) and The Patriot (2000), Boorem began acting on stage at the age of six before signing with an agent and appearing in commercials and on television. After appearing as a young Ally McBeal in the pilot episode of the popular series, the youngster went on to appear in such features as Along Came a Spider, Hearts in Atlantis, and Riding in Cars With Boys.

Trivia: With her sunny smile and youthful exuberance, Skye McCole Bartusiak brightened the silver screen with her debut in the 1999 Stephen King miniseries Storm of the Century. Born in September of 1992 in Houston, TX, moved on to such popular features as The Cider House Rules (1999) and The Patriot, playing Mel Gibson's young daughter. In 2001 Bartusiak appeared in such popular features as Don't Say a Word and Riding in Cars With Boys. She had a recurring role in season 2 of 24, and continued to work in episodic television, TV films and indie features as she grew up. Her final feature role was in Sick Boy (2012). Bartusiak died in 2014 at age 21.

Trivia: Gaining notice for his bullying role opposite Haley Joel Osment in the massively popular 1999 supernatural sleeper hit The Sixth Sense, Trevor Morgan has quickly risen through the ranks to appear in some of Hollywood's biggest blockbusters. Born in Chicago, IL, in November 1986, Morgan found his calling early in life when, at the age of six, he told his parents that he wanted to become an actor. Soon after his family relocated to California in order to pursue his youthful dreams, young Morgan began to win roles in television commercials and in such popular series as Baywatch and Touched By an Angel in 1997. Making his feature debut in Family Man the same year, he began to realize his dreams, taking roles in Barney's Big Adventure and the made-for-television In the Doghouse the year before his role in The Sixth Sense gained him positive notice and widespread recognition. Nominated for Best Performance in TV Movie or Pilot at the Young Artist Awards for his turn as a child genius leading a double life in Disney's Genius the same year, Morgan appeared again alongside Osment in I'll Remember April (1999) before turning up as Mel Gibson's son in The Patriot in 2000. Soon after, Morgan would have his biggest adventure yet, facing off against dinosaurs in Jurassic Park III (2001).

Trivia: In terms of chosen material, actor Logan Lerman scored points at an early age for tackling some of the most difficult parts imaginable for a preteenager. His first major role was that of Jason, the put-upon young son of a harried single mother (Drew Barrymore) and a heroin addict (Steve Zahn) in Penny Marshall's coming-of-age period picture Riding in Cars with Boys (2001). Not long after, Lerman signed to portray the eight-year-old version of the central character in the controversial (and critically reviled) sci-fi melodrama The Butterfly Effect (2004) -- a part that found his character strangled, beaten, sexually abused, and fallen prey to a host of other atrocities. Then, after these arresting and emotionally challenging debuts, Lerman dropped down a few notches as far as the intensity of the material he sought out. From 2004-2005, Lerman co-starred in the short-lived drama series Jack & Bobby, playing Bobby, who was destined to one day become President of the United States. He also played an average young boy determined to band together with his buddies and save some rare owls in the family-friendly picture Hoot and portrayed the son of Christian Bale in James Mangold's Western remake 3:10 to Yuma. In the Joel Schumacher thriller The Number 23 (2007), Lerman played Robin Sparrow, the son of a seemingly normal man (Jim Carrey) driven around the bend by a numerical mystery. He went on to appear in Gamer before scoring his most-high profile part taking on the role of Percy Jackson, the hero of a popular series of fantasy novels, in Percy Jackson & the Olympians: The Lightning Thief. He followed that up by tackling the role of D'Artagnan in the 2011 version of The Three Musketeers before returning to smaller fare in The Perks of Being a Wallflower.

Trivia: Was a professional tennis player, and gave lessons to executives in Los Angeles prior to his acting career.Has been acting since 1993.Decided to become a standup comedian in 2002 after being on stage for the first time.Is very active on social media.Is an avid golf player.

Trivia: Memorable to fans of international cinema as the spy recruiter who schooled Nikita in the fine art of assassination, international actor Tchéky Karyo has been racking up memorable screen credits for over 20 years. Whether a fan of mainstream American action movies or obscure foreign arthouse fare, many viewers have likely seen the versatile Karyo and likely remember the characters he portrayed. Born in Istanbul, Turkey, in 1953 and raised in Paris, Karyo studied drama at the Cyrano Theater before moving on to essay numerous classical stage roles at the Daniel Sorano Company. Upon joining the National Theater of Strasbourg, Karyo refined his versatility by alternating between contemporary fare and such classical Shakespearian works as Macbeth and Othello. Soon becoming one of France's most popular actors, Karyo, with over 50 film and television credits to his name, found that his popularity wasn't limited by international borders through roles in such films as The Return of Martin Guerre (1982), The Bear (1988), and director Luc Besson's influential La Femme Nikita (1990). Fans of historical film may recognize Karyo from his roles as Vincent Van Gogh (Vincent and Me) and famed prophet Nostradamus (Nostradamus) in addition to roles in such historical films as 1492: Conquest of Paradise (1992) and The Patriot (2000).Becoming a familiar face to American filmgoers in the 1990s, Karyo could play everything from low-key and comically philosophical (Addicted to Love [1997]) to an over-the-top bad guy (Bad Boys [1995]) to a Russian defense minister (GoldenEye [1995]) with equal conviction no matter how large, small, or varied the role might be. After an audacious turn as a loose-hinged policeman in the hyperkinetically tasteless Dobermann (1997), Karyo appeared frequently in such English-language films as Wing Commander (1999), The Messenger: The Story of Joan of Arc (1999, re-teaming the actor with Nikita helmer Besson), Saving Grace (2000), and Kiss of the Dragon (2001). In addition to his nomination for a César for his role in La Balance (1982), Karyo was the recipient of the Jean Gabin Prize in recognition of his talent in 1986.