Trivia: American actor Sterling Hayden was a Hollywood leading man of the '40s and '50s who went on to become a character actor in later years. At age 16 he dropped out of school to become a mate on a schooner, beginning a life-long love affair with the sea; by age 22 he was a ship's captain. Extremely good looking, he modeled professionally to earn enough money to buy his own vessel; this led to a movie contract with Paramount in 1940. Within a year he was famous, having starred in two technicolor movies, Virginia (1941) and Bahama Passage (1942); both featured the somewhat older actress Madeleine Carroll, to whom he was married from 1942-46. With these films, Paramount began trumpeting him as "The Most Beautiful Man in the Movies" and "The Beautiful Blond Viking God." Shortly after making these two films he joined the Marines to serve in World War II. After the war he landed inconsequential roles until a part as a hoodlum in The Asphalt Jungle (1950) demonstrated his skill as an actor. After this his career was spotty, marked for the most part by inferior films (with some notable exceptions, such as Dr. Strangelove [1964]) and frequent abandonment of the screen in favor of the sea. It was said that Hayden was never particularly interested in his work as an actor, vastly preferring the life of a sailor. His obsession with the sea and his various voyages are described in his 1963 autobiography, Wanderer, in which he also expresses regret for having cooperated with the House Un-American Activities Commission during the early '50s McCarthy-Era "witch trials." He published a novel in 1976, Voyage: A Novel of 1896; it was named as a selection of the Book of the Month Club.

Trivia: Nineteen-year-old Leander Berg billed himself as Gene Berg when he made his professional debut as a skater in Sonja Henie's LA-based ice show. He was still Gene Berg when, while serving in World War II, he was featured as a dancer in the 1942 Broadway revue This is the Army. It wasn't until the 1948 stage musical Lend an Ear that Gene Berg reemerged as Gene Nelson. Signed to a 20th Century-Fox contract in 1947, Nelson co-starred in several of that studio's Technicolor song-and-dance fests, then moved on to the musical unit at Warner Bros. His best-known filmusical assignment was as high-kickin' cowpoke Will Parker in the 1955 superproduction Oklahoma. After briefly attempting to establish himself in dramatic roles, Nelson turned to directing. He called the shots in several Sam Katzman productions of the 1960s, notably the Elvis Presley vehicles Kissin' Cousins (1963) and Harum Scarum (1965), and the 1965 Hank Williams Sr. biopic Your Cheatin' Heart. He also directed dozens of TV episodes, working on such weeklies as The Rifleman, The Donna Reed Show and Mod Squad. There was talk that a serious injury in the mid-1950s had forced Gene Nelson to forego dancing in favor of directing; if so, he was sufficiently recovered in the 1970s, displaying his still-impressive terpsichorean skills in the Broadway musicals Follies and Good News.

Trivia: The wide eyes and cool smile of actress/model Phyllis Kirk graced many a magazine cover before she made her film debut in 1950. While her deep, sultry voice precluded most of the typical ingénue roles, Kirk nonetheless achieved film fame as a woman in peril, in André De Toth's 1953 3-D horror classic House of Wax. Born Phyllis Kirkegaard in Plainfield, NJ, on September 18, 1926, Kirk shortened her name after moving to the Big Apple during her teens to formally train as a thespian. She officially launched her career with a series of supporting turns on Broadway, then migrated to Hollywood in the early '50s, where she landed parts in such films as Johnny Concho (1956, opposite Frank Sinatra) and The Sad Sack (1957, opposite Jerry Lewis). During the '50s, Kirk appeared on television semi-frequently as well, guest-starring in dozens of live and prerecorded anthology series, and briefly appearing as Red Buttons' wife on the comedian's weekly variety series, The Red Buttons Show. From 1957 through 1959, Kirk starred as the inquisitive Nora Charles on the TV version of The Thin Man (Peter Lawford played her detective hubby Nick Charles). After 1960, Kirk concentrated on stage acting, but devoted the preponderance of her time to various social causes, such as establishing two inner-city preschools in south Los Angeles after the Watts riots. Kirk continued to crop up on television, however, as a celebrity contestant on such quiz shows as To Tell the Truth and Password. In 1965, she hosted an erudite ABC daytime talk show, The Young Set. A hip injury obliged Phyllis Kirk to curtail her acting career; she married a former CBS news executive and turned to the production end of the business, as a public-relations liaison for several TV specials of the 1970s.Following two decades of big- and small-screen inactivity, 79-year-old Phyllis Kirk died of a post-cerebral aneurysm at the Motion Picture and Television Hospital in Woodland Hills, CA, on October 19, 2006.

Trivia: Before his motion picture career DeCorsia was a radio actor ("March of Time," "That Hammer Guy," "The Shadow"). He made his film debut in 1948 with The Lady from Shanghai. DeCorsia generally played lead villain roles (Enforcer, Naked City, Slightly Scarlet) or he occasionally parodied those villainous types (Kettles in the Ozarks, Dance With Me Henry).

Trivia: The son of a Lithuanian coal miner, American actor Charles Bronson claimed to have spoken no English at home during his childhood in Pennsylvania. Though he managed to complete high school, it was expected that Bronson would go into the mines like his father and many brothers. Experiencing the world outside Pennsylvania during World War II service, however, Bronson came back to America determined to pursue an art career. While working as a set designer for a Philadelphia theater troupe, Bronson played a few small roles and almost immediately switched his allegiance from the production end of theater to acting. After a few scattered acting jobs in New York, Bronson enrolled in the Pasadena Playhouse in 1949. By 1951, he was in films, playing uncredited bits in such pictures as The People Against O'Hara (1951); You're in the Navy Now (1952), which also featured a young bit actor named Lee Marvin; Diplomatic Courier (1952); Bloodhounds of Broadway (1952), as a waiter(!); and The Clown (1953). When he finally achieved billing, it was under his own name, Charles Buchinsky (sometimes spelled Buchinski). His first role of importance was as Igor, the mute granite-faced henchman of deranged sculptor Vincent Price in House of Wax (1953). The actor was billed as Charles Bronson for the first time in Drum Beat (1954), although he was still consigned to character roles as Slavs, American Indians, hoodlums, and convicts. Most sources claim that Bronson's first starring role was in Machine Gun Kelly (1958), but, in fact, he had the lead in 1958's Gang War, playing an embryonic version of his later Death Wish persona as a mild-mannered man who turned vengeful after the death of his wife. Bronson achieved his first fan following with the TV series Man With a Camera (1959), in which he played adventurous photojournalist Mike Kovac (and did double duty promoting the sponsor's camera products in the commercials). His best film role up until 1960 was as one of The Magnificent Seven (1960), dominating several scenes despite the co-star competition of Yul Brynner, Steve McQueen, Eli Wallach, and others. Most of Bronson's film roles after Seven remained in the "supporting-villainy category," however, so, in 1968, the actor packed himself off to Europe, where American action players like Clint Eastwood and Lee Van Cleef were given bigger and better opportunities. Multiplying his international box-office appeal tenfold with such films as Guns for San Sebastian (1967), Once Upon a Time in the West (1968), Cold Sweat (1970), and The Valachi Papers (1971), Bronson returned to Hollywood a full-fledged star at last. His most successful films of the 1970s were Death Wish (1974) and its sequels, a series of brutal "vigilante" pictures which suggested not so subliminally that honest people would ultimately have to dole out their own terminal justice to criminals. In many of his '70s films, Bronson co-starred with second wife Jill Ireland, with whom he remained married until she lost her fight against cancer in 1990. Bronson's bankability subsequently fell off, due in part to younger action stars doing what he used to do twice as vigorously, and because of his truculent attitude toward fans. He did little but television work after 1991's The Indian Runner (Sean Penn's directorial debut), with Death Wish 5: The Face of Death (1994) his only feature since. Bronson's onscreen career would soon draw to a close with his role as law enforcing family patriarch Paul Fein in the made-for-cable Family of Cops series.On August 30, 2003 Charles Bronson died of pneumonia in Los Angeles. He was 81.

Trivia: American actor Jay Novello began his film career with Tenth Avenue Kid (1938). Small, wiry and mustachioed, Novello found a home in Hollywood playing shifty street characters and petty thieves; during the war he displayed a friendlier image as a Latin-American type, appearing as waiters and hotel clerks in innumerable Good Neighbor films set south of the border. Once the war was over, it was back to those scraggly little characters, even in such period pieces as The Robe (1953), in which Novello played the unsavory slave dealer who sold Victor Mature to Richard Burton. Adept in TV comedy roles as meek milquetoasts and henpecked husbands, Novello was a particular favorite of Lucille Ball, who used the actor prominently in both I Love Lucy (first as the man duped by the "Ethel to Tillie" seance, then as a gondolier in a later episode) and The Lucy Show (as a softhearted safecracker). Jay Novello remained active in films into the '60s, as scurrilous as ever in such fantasy films as The Lost World (1960) and Atlantis, the Lost Continent (1961); he also stayed busy in such TV programs as The Mothers in Law, My Three Sons and McHale's Navy, playing a recurring role in the latter series as a resourceful Italian mayor.

Trivia: Character actor James Bell has appeared in many films during his 40-year film career. He was usually cast as a sympathetic character. The Virginia-born Bell first attended the Virginia Polytechnic Institute before making his theatrical debut in 1921. Eleven years later he made his film debut in I Am a Fugitive from a Chain Gang. Most of the films he appeared in were made during the '40s and '50s.

Trivia: Actor Dub Taylor, the personification of grizzled old western characters, has been entertaining viewers for over 60 years. Prior to becoming a movie actor, Taylor played the harmonica and xylophone in vaudeville. He used his ability to make his film debut as the zany Ed Carmichael in Capra's You Can't Take it With You (1938). He next appeared in a small role in the musical Carefree(1938) and then began a long stint as a comical B-western sidekick for some of Hollywood's most enduring cowboy heroes. During the '50s he became a part of The Roy Rogers Show on television. About that time, he also began to branch out and appear in different film genres ranging from comedies, No time for Sergeants (1958) to crime dramas, Crime Wave (1954). He has also played on other TV series such as The Andy Griffith Show and Please Don't Eat the Daisies. One of his most memorable feature film roles was as the man who brought down the outlaws in Bonnie and Clyde. From the late sixties through the nineties Taylor returned to westerns.

Trivia: In films since 1952, character actor Timothy Carey gained a cult following for his uncompromising portrayals of sadistic criminals, drooling lechers, and psycho killers. His definitive screen moment occurred in Stanley Kubrick's The Killing (1955), in which, as two-bit hoodlum Nikki Arane, he gleefully shot down a race horse. Kubrick used Carey again in Paths of Glory (1957), this time in the sympathetic role of condemned prisoner Private Ferol. Equally impressed by Carey's work was director John Cassavetes, who gave the actor a leading role in Killing of a Chinese Bookie (1976). In 1963, Carey spoofed his unsavory screen image in Beach Blanket Bingo, playing leather-jacketed cyclist South Dakota Slim, who expresses his affection for leading lady Linda Evans by strapping her to a buzzsaw. He went on to menace the Monkees in Head (1968), bellowing out incomprehensible imprecations as Davy, Mike, Micky, and Peter cowered in confused terror. One of his juiciest film roles was as a rock-singing evangelist in The World's Greatest Sinner (1962), which he also produced, directed, and wrote. In his later years, Timothy Carey occasionally occupied his time as an acting teacher.

Trivia: Throughout his film career, Richard Benjamin trafficked in neurotic, high-strung, self-involved upper-middle-class characterizations. While attending the New York High School of Performing Arts, Benjamin made his first professional stage appearances, and reportedly showed up in a handful of movie bit roles. He continued his theatrical training at Northwestern University, where he met actress Paula Prentiss, whom he married in 1961. At first, Hollywood was more interested in Paula than in Dick; thus, while Paula was co-starring with Jim Hutton at MGM, her husband was still performing on stage. In 1965, Benjamin directed the London production of Neil Simon's Barefoot in the Park; the following year, he made his Broadway acting bow in Simon's The Star Spangled Girl, earning a Theatre World Award in the bargain. Co-starring with wife Paula, Benjamin appeared in the 1967 TV situation comedy He and She, which gained a loyal cult following but was considered too New Yawk-ish for the hinterlands. Even so, He and She made Benjamin a name-above-the-title star, and it was in this capacity that he made his film adult screen appearance as angst-driven collegiate Neil Klugman in Goodbye Columbus (1969). He went on to play Major Danby in the all-star Catch-22 (1969), monumentally insensitive husband Jonathan Balser in Diary of a Mad Housewife (1970), the self-abusive (in every sense of the phrase) title character in Portnoy's Complaint (1972), the hero-by-default in Westworld (1973), ulcerated agent Ben Clark in The Sunshine Boys (1976) and erstwhile vampire hunter Dr. Jeff Rosenberg in Love at First Bite (1980). Benjamin participated in another cult-TV item in 1978, when he starred in the 6-episode sci-fi lampoon Quark. In 1982, he made his film directorial bow with My Favorite Year (1982), a rollicking nostalgiafest inspired by TV's Golden Age. Since that time, Benjamin has favored directing over performing.

Trivia: General purpose actor Harry Lauter began showing up in films around 1948. Long associated with Columbia Pictures, Lauter appeared in featured roles in such major releases as The Big Heat (1953), Hellcats of the Navy (1957) and The Last Hurrah (1958). He also acted in the studio's "B"-western and horror product. Making occasional visits to Republic, Lauter starred in three serials: Canadian Mounties vs. the Atomic Invaders (1953), Trader Tom of the China Seas (1954) and King of the Carnival (1956), Republic's final chapter play. On TV, he co-starred with Preston Foster in Waterfront (1954) and was second-billed as Ranger Clay Morgan in Tales of the Texas Rangers (1955-59). After appearing in Escape from the Planet of the Apes (1971), Harry Lauter retired from acting to concentrate on painting and managing his art and antique gallery.

Trivia: Lithe, dark-haired Fred Coby (born Frederick G. Beckner Jr.) turned into freakish Rondo Hatton in the 1946 horror melodrama The Brute Man, a chiller so tasteless and badly made that Universal sold it outright to Poverty Row company PRC. Coby stayed with PRC for Don Ricardo Returns (1946), a Zorro rip-off written by actor Duncan Renaldo and based on Johnston McCulley, the creator of the original. Although handsome -- Coby's slight resemblance to Tyrone Power may have won him the role in the first place -- Don Ricardo was too cheaply made to have any impact on the moviegoing audience. He spent the remainder of his career as a stunt performer and bit player.

Trivia: In films from 1932, American actress Ruth Lee was an expert at portraying middle-America matriarchs. One of Lee's largest roles was as the "June Cleaver" mother in the classic 1939 promotional feature The Middleton Family at the World's Fair. From 1939 to 1943, Lee was a regular in the Robert Benchley one-reelers at both MGM and Paramount, superbly cast as the gently bellicose Mrs. Benchley. Ruth Lee remained active until 1962, when she essayed a minor role in Sergeants Three.

Trivia: Thomas Jackson's first stage success was in the role of the non-speaking Property Man in the original 1912 production of Yellow Jacket. He was starring as police detective Dan McCorn in the lavish Broadway production Broadway when he was tapped to repeat his role in the even more spectacular 1929 film version. For the rest of his career, which lasted into the 1960s, Jackson more or less played variations on Dan McCorn, notably as the soft-spoken "copper" Flaherty in 1931's Little Caesar. When he wasn't playing detectives, Thomas Jackson could be seen in dozens of minor roles as newspaper editors, bartenders, doctors and Broadway theatrical agents.

Trivia: Diminutive, raspy-voiced German actor Fritz Feld first gained prominence as an assistant to Austrian impresario Max Reinhardt. Feld came to the U.S. in 1923 in the touring company of Reinhardt's The Miracle. Once he reached California, Feld formed the Hollywood Playhouse in partnership with Joseph Schildkraut; here he staged hundreds of productions featuring up-and-coming L.A. talent, including his future wife, actress Virginia Christine. In films on a sporadic basis since the 1920s, Feld began working onscreen regularly around 1936, eventually toting up over 400 movie appearances (not to mention his more than 700 TV stints and 1000-plus radio programs). He was cast as Viennese psychiatrists, Italian duellists, Teutonic movie directors, Russian orchestra leaders, and French maitre d's. It was in 1947's If You Knew Susie that Feld developed his signature "schtick": the sharp "Pop!" sound effect created by smacking his open mouth with the flattened palm of his hand. In the 1960s and 1970s, Feld was a favorite of moviemakers who'd grown up watching his vintage screen appearances; he was virtually a regular at the Disney studios, appeared in many of Jerry Lewis' projects, was given fourth billing in Gene Wilder's The World's Greatest Lover (1977), and was seen in Mel Brooks' Silent Movie (1976) (where his trademarked "Pop!" was conveyed via subtitle) and The History of the World, Part One (1981) (as the head waiter at the Last Supper). Among Fritz Feld's least characteristic screen appearances were his performance as a hearty Northwoods trapper in the 1976 "four-waller" Challenge to Be Free and his poignant cameo as the alcoholic who offers down-and-out Faye Dunaway a match in Barfly (1987).

Trivia: In films since 1932, Charles Cane seldom rose above the status of bit player, usually cast as patrolmen and desk sergeants. After a featured role as a teamster in Bob Hope's My Favorite Blonde (1942) Cane went off on a new career tangent, playing scores of truck drivers. Active until 1961, he was briefly billed as Charles R. Cane in the mid-1950s.

Trivia: A successful screen actress in addition to her work as a prominent public relation executive, Shirley O'Hara Krims found fame on the silver screen with a series of films in the '30s and '40s before redefining her career in the '70s. Born in Rochester, MN, Krims was quickly signed to RKO after relocating to Hollywood at the tender age of 18. Her early appearances came in such films as Tarzan and the Amazons (1945) and the film that provided Frank Sinatra with his first feature role, Higher and Higher (1944). An avid supporter of American soldiers during World War II, Betty Davis presented Krims with a Support for America award for her work with the USO's Hollywood Canteen. After turning toward television in the '50s and '60s, Krims became the public relations director for Burbank Studios (later acquired by Warner Bros.). Krims was also a noted philanthropist, and through the Publicists Guild, the former actress supported such organizations as Operation Children. Married to Jimmy McHugh Jr. early in life, Krims would later wed Oscar-nominated screenwriter Milton Krims. In late December of 2002, Shirley O'Hara Krims died from complications of diabetes in Calabasas, CA. She was 78.

Trivia: Bald, lanky, laconic American actor Hank Worden made his screen debut in The Plainsman (1936), and began playing simpleminded rustics at least as early as the 1941 El Brendel two-reel comedy Love at First Fright. A member in good standing of director John Ford's unofficial stock company, Worden appeared in such Ford classics as Fort Apache (1948) and Wagonmaster (1950). The quintessential Worden-Ford collaboration was The Searchers (1955) wherein Worden portrayed the near-moronic Mose Harper, who spoke in primitive, epigrammatic half-sentences and who seemed gleefully obsessed with the notion of unexpected death. Never a "normal" actor by any means, Worden continued playing characters who spoke as if they'd been kicked by a horse in childhood into the '80s; his last appearance was a recurring role in the quirky David Lynch TV serial Twin Peaks. In real life, Hank Worden was far from addled and had a razor-sharp memory, as proven in his many appearances at Western fan conventions and in an interview program about living in the modern desert, filmed just before Worden's death for cable TV's Discovery Channel.

Trivia: Trained as a dancer by Marge Champion's father Ernest Belcher, Iris Adrian began her performing career at age 13 by winning a "beautiful back" contest. Working as a New York chorus girl (she briefly billed herself as "Jimmie Joy"), Iris's big break came with the 1931 edition of The Ziegfeld Follies, which led to featured nightclub and comedy revue work in the U.S. and Europe. In the Kaufman/Hart Broadway play The Fabulous Invalid, Adrian raised the temperatures of the tired businessmen in the audiences by performing a strip-tease--this at a time (the late 1930s) when the standard burlesque houses had been banned from New York by Mayor LaGuardia. Brought to films by George Raft, Adrian made her first screen appearance in Raft's 1934 vehicle Rhumba. This led to dozens of supporting roles in subsequent feature films; Iris' standard characterization at this time was the brassy, gold-digging dame who never spoke below a shout. Often appearing in one-scene bits, Adrian received more sizeable roles in Laurel and Hardy's Our Relations (1936), Bob Hope's The Paleface (1948), Milton Berle's Always Leave Them Laughing (1949) and Jerry Lewis' The Errand Boy (1961). Through the auspices of director William Wellman, who had a fondness for elevating character actors to larger roles, Adrian gave a rollicking performance as Bonnie Parker wannabe Two Gun Gertie in 1942's Roxie Hart. She launched her TV career in 1949 on Buster Keaton's LA-based weekly comedy series. Some of her most memorable work for the small screen was on the various TV programs of Jack Benny, Adrian's favorite comedian and co-worker. Throughout the 1960s and 1970s, Iris Adrian kept very active in the comedy films of the Walt Disney studio, including That Darn Cat (1965) and The Love Bug (1968); and in 1978, she was superbly cast in the regular role of the sarcastic secretary for a New York escort service on The Ted Knight Show.

Trivia: "A very funny guy -- funnier than most gave him credit for," as one director described him, lanky, slow-moving Guy Wilkerson is fondly remembered for playing comedy sidekick Panhandle Perkins in the 1942-1945 PRC Texas Rangers film series, a low-rent competition for Republic Pictures' popular Three Mesquiteers Westerns. As Panhandle, Wilkerson's comedy was never intrusive and often used merely as a slow-witted counterpoint to the action. In Hollywood from at least 1937 (some sources claim he appeared onscreen as early as the 1920s), Wilkerson had honed his skills in minstrel shows, burlesque, and vaudeville, but away from his sidekick duties at PRC, he was usually seen playing less humorous characters, notably ministers or undertakers. Appearing in hundreds of feature films and television series over three decades, Guy Wilkerson was last seen in the crime thriller The Todd Killings in 1971, the year of his death from cancer.

Trivia: Open-faced, prominently chinned character actor Lyle Latell began surfacing in films in the late 1930s. Only occasionally did Latell rise above the status of bit player; he was most often seen as a wisecracking reporter, griping military man or cheerful cabbie. From 1945 through 1947, Latell was a regular in RKO's Dick Tracy "B"-picture series, playing Tracy's assistant Pat Patton. Lyle Latell was married to Mary Foy, one of the "Seven Little Foys" of vaudeville fame.