Trivia: American actress Sandra Dee began her career as a model at age 12, and later moved on to TV commercials. Her film break came when producer Ross Hunter balked at Natalie Wood's lofty salary demands and decided to use a newcomer to play Lana Turner's daughter in Imitation of Life (1959). The result for Dee was a long-term contract at Universal, although one of her biggest moneymakers was the 1959 Warner Bros. film A Summer Place. In 1961, Dee married singer/actor Bobby Darin, with whom she appeared in three lightweight but money-making comedies. After her divorce from Darin in 1967, Dee could no longer convey her patented perky-teen charm, and her career began a downhill slide, although the decline was occasionally slowed a bit by such curious highlights as the pseudo-hip sex comedy Doctor, You've Got to Be Kidding (1967) and the nail-biting psychological scare film The Dunwich Horror (1970). Out of movies completely by 1971, Dee retreated to private life, occasionally popping up on TV and granting interviews with nostalgia-happy young film buffs. Much of the actress' latter-day fame rested upon a single song in the Broadway smash Grease: the satiric, 1950s-style, rock ballad titled "Look at Me, I'm Sandra Dee."

Trivia: The scion of a prosperous California ranching family, actor Cliff Robertson took up drama in high school simply because it was the only "legal" way to cut classes. After wartime service, Robertson entered Ohio's Antioch College, beginning his professional career as a radio announcer. His first extensive stage work consisted of two years with the touring company of Mister Roberts. He made it to Broadway in 1952 in a play directed by Joshua Logan, and in 1955 made his film debut in the Logan-directed movie version of Picnic. As Joan Crawford's schizophrenic boyfriend in Autumn Leaves (1955), Robertson achieved the critical acceptance that would enable him to seek out choice film roles. In 1963, Robertson became the first American actor to portray a living American president when he was selected to play John F. Kennedy in PT 109; one year later, he showed up as a paranoid Nixon type in The Best Man. Equally busy on television, Robertson was universally applauded for his grueling performance as an alcoholic in the 1958 TV staging of Days of Wine and Roses, and in 1965 won an Emmy for a guest appearance on the dramatic anthology Bob Hope Chrysler Theatre. Having lost the film version of Wine and Roses to Jack Lemmon, Robertson made certain that he'd star in the filmization of his 1961 TV drama The Two Worlds of Charly Gordon by buying up the story rights. The result was the 1968 film Charly, in which Robertson played a retarded adult turned into a genius by a scientific experiment -- for which he won an Academy Award. In 1977, Robertson made headlines when he was one of the whistle-blowers in the embezzlement scandal involving Columbia executive David Begelman -- a fact that did more harm to Robertson's career than Begelman's. Robertson continued to act into the 2000s, including the recurring role of Ben Parker in the Spider-Man franchise reboot. He died of natural causes a day after his 88th birthday in 2011.

Trivia: Philadelphia-born James Darren came to Hollywood armed with far more impressive credentials than most teen idols, notably several years' training with Stella Adler. Signed to a Columbia Pictures contract in 1956, Darren was developed into a popular leading man-and, briefly, a recording artist. Columbia required him to show up in everything from 1958's Gidget to a 1965 episode of TV's The Flintstones (as "Jimmy Darrock"). In 1966, Darren was cast as Dr. Tony Newman on the Irwin Allen sci-fi TVer Time Tunnel, wherein he was given the unenviable task of reacting in alarm to miles and miles of 20th Century-Fox stock footage. After Time Tunnel folded in 1967, Darren's career was one of a few peaks and several valleys. Though he'd never really been away, Darren made what was labelled a comeback in 1982 in the solid supporting role of Officer Jim Corrigan on the weekly William Shatner TV vehicle T.J. Hooker. Since that time, James Darren has received a number of plum guest-star assignments on various TV dramatic and comedy programs, and has directed individual installments of such programs as Police Story.

Trivia: A veteran vaudevillian, American actor Arthur O'Connell made his legitimate stage debut in the mid '30s, at which time he fell within the orbit of Orson Welles' Mercury Theatre. Welles cast O'Connell in the tiny role of a reporter in the closing scenes of Citizen Kane (1941), a film often referred to as O'Connell's film debut, though in fact he had already appeared in Freshman Year (1939) and had costarred in two Leon Errol short subjects as Leon's conniving brother-in-law. After numerous small movie parts, O'Connell returned to Broadway, where he appeared as the erstwhile middle-aged swain of a spinsterish schoolteacher in Picnic -- a role he'd recreate in the 1956 film version, earning an Oscar nomination in the process. The somewhat downtrodden-looking O'Connell was frequently cast as fortyish losers and alcoholics; in the latter capacity he appeared as Jimmy Stewart's boozy attorney mentor in Anatomy of a Murder (1959), and the result was another Oscar nomination. O'Connell continued appearing in choice character parts on both TV and films during the '60s (he'd graduated to villainy in a few of these roles), but avoided a regular television series, holding out until he could be assured top billing. The actor accepted the part of a man who discovers that his 99-year-old father has been frozen in an iceberg on the 1967 sitcom The Second Hundred Years, assuming he'd be billed first per the producers' agreement. Instead, top billing went to newcomer Monty Markham in the dual role of O'Connell's father (the ice had preserved his youthfulness) and his son. O'Connell accepted the demotion to second billing as well as could be expected, but he never again trusted the word of any Hollywood executive. Illness forced O'Connell to cut down on his appearances in the mid '70s, but the actor stayed busy as a commercial spokesman for a popular toothpaste. At the time of his death, O'Connell was appearing solely in these commercials -- by his own choice. For a mere few hours' work each year, Arthur O'Connell remained financially solvent 'til the end of his days.

Trivia: Actor Joby Baker was at his busiest as a young TV leading man in the early 1960s, making guest appearances in such series as Dr. Kildare and Cain's Hundred. Baker also played comedy relief in Elvis Presley's Girl Happy (1966), and began a long association with Walt Disney Studios, where he appeared in Bullwhip Griffin (1966), Blackbeard's Ghost (1967) and Superdad (1974). In 1968, Baker was topbilled on Good Morning World, a sitcom about a pair of frantic disc jockeys named Lewis and Clark (Ronnie Schell of Gomer Pyle fame was Clark). Then followed over a decade of character roles, culminating with a regular stint as Colonel Marvin on the 1980 series Six O'Clock Follies, an ill-advised sitcom set in Saigon during the Vietnamese war. In addition to his acting credits, Joby Baker was a professional painter of note; several of his abstract works were exhibited in major Los Angeles art galleries.

Trivia: He entered films in his late teens, debuting onscreen in 1956 and playing juvenile roles in a number of Hollywood films in the late '50s. In the early '60s he ran a Montessori pre-school, then returned to cinema as a producer, director, editor, writer, and actor in his own low-budget productions, beginning with The Young Sinner (1965); made outside the Hollywood system, the films featured Laughlin billed under a variety of pseudonyms behind the camera, including T.C. Frank, Donald Henderson, and Lloyd E. James. He hit paydirt in 1971 with Billy Jack, about a loner who resorts to vigilante violence in the search for justice; made for $800,000, the film was a massive box-office hit, leading to an equally successful sequel. Following this, Laughlin attempted enormous expansion of his business enterprises with unsuccessful results. He made one more Billy Jack film, then largely disappeared after the '70s. He is married to actress Delores Taylor, who appeared in several of his films.

Trivia: American actress Jo Morrow made her first film appearance at age 16. Signed to a Columbia contract in 1958, she played such teen-queen roles as Mary Lou in Gidget and a rock 'n' roll-loving foreign princess in Juke Box Rhythm (1959). She was also featured in the Columbia releases The Legend of Tom Dooley (1959), 13 Ghosts (1960), Our Man in Havana (1960) and Three Worlds of Gulliver (1960). She retired in 1962, then returned to films ten years later in a brace of lower-rung horror films, Terminal Island (1972) and Dr. Death, Seeker of Souls (1973). Jo Morrow's last film role to date was as a barmaid in 1973's Blume in Love.

Trivia: American actress Yvonne Craig trained for a ballet career from age 10 onward. While in high school, Yvonne was accepted by George Balanchine for the School of American Ballet, but she chose instead to tour with the Ballet Russe. Stopping over in Los Angeles, Ms. Craig was approached by a producer asking if she'd like to be in movies. She turned him down, but was more responsive to Hollywood after she later broke her contract with the Ballet Russe. Yvonne's first film was The Young Land (1957), but it remained on the shelf for two years, thus Eighteen and Anxious (1957) was the moviegoers' first introduction to the actress. The Young Land earned Yvonne a contract with Columbia pictures, where because of her exotic looks and flowing black hair she was cast in teen-aged "femme fatale" roles, such as the seductress in The Gene Krupa Story (1960) (though quite thin, she was actually larger than her frail Krupa co-star Sal Mineo, which caused a minor crisis when the script called for Mineo to hold Yvonne in his arms). Amidst movie assignments of off-and-on quality, Yvonne tested for West Side Story, but lost out to Natalie Wood. She did, however, hold the distinction of appearing with Elvis Presley twice in It Happened at the World's Fair (1962) and Kissin' Cousins (1964). In 1967, Yvonne was called upon to replace an incapacitated Mary Ann Mobley as Batgirl (aka Barbara Gordon) on the once-popular TV series Batman. Ms. Craig did her best in a sketchily written part, and was proud of the fact that she handled her motorcycle-riding scenes without a double, but Batman was on its last legs, and was cancelled in early 1968. When acting roles became repetitive--and few and far between--Yvonne drifted out of show business, making her last film in 1971. She co-produced industrial shows for a time, then went into the real estate business, where she did quite well for herself. Though she did appear (at the producer's request) in a low-budget video film in 1991, Yvonne Craig elected not to play the Hollywood Game anymore, and was content to limit her public appearance to film-fan conventions and Batman retrospectives. In 2009, she returned to show business, voicing a character in the animated Olivia series. Craig died in 2015, at age 78.

Trivia: Raw-boned blonde leading man Doug McClure came to films in 1957, but it was television that made him a star. He played secondary roles on such MCA series as The Overland Trail (1960) and Checkmate (1961-62) before striking paydirt as Trampas on the long-running (1962-71) western series The Virginian. During his first flush of stardom, McClure played leads in two Universal remakes, Beau Geste (1966) and The King's Pirate (the 1967 remake of Errol Flynn's Against All Flags). He also dashed through a trio of British-filmed Edgar Rice Burroughs derivations, The Land That Time Forgot (1974), At the Earth's Core (1976) and The People That Time Forgot (1977). He perpetuated his athletic, devil-may-care image into his brief 1975 TVer, Search (1975). In the late 1980s, Doug McClure reemerged as an agreeable comic actor, playing an Eastwoodish movie-star-cum-small-town-mayor in the syndicated sitcom Out of This World (1987-88).