Trivia: American actor James Arness had an unremarkable Minneapolis childhood, but his wartime experiences shattered that normality - literally. During the battle of Anzio, Arness' right leg was peppered with machine gun bullets, and when the bones were set they didn't mend properly, leaving him with a slight but permanent limp. The trauma of the experience mellowed into aimlessness after the war. Arness became a "beach bum," lived out of his car, and worked intermittently as a salesman and carpenter. Acting was treated equally lackadaisically, but by 1947 Arness had managed to break into Hollywood on the basis of his rugged good looks and his 6'6" frame. Few of his screen roles were memorable, though one has become an object of cult worship: Arness was cast as the menacingly glowing space alien, described by one character as "an intellectual carrot," in The Thing (1951). For a time it looked as though Arness would continue to flounder in supporting roles, while his younger brother, actor Peter Graves, seemed destined for stardom. John Wayne took a liking to Arness when the latter was cast in Wayne's Big Jim McLain (1953). Wayne took it upon himself to line up work for Arness, becoming one of the withdrawn young actor's few friends. In 1955, Wayne was offered the role of Matt Dillon in the TV version of the popular radio series Gunsmoke. Wayne turned it down but recommended that Arness be cast and even went so far as to introduce him to the nation's viewers in a specially filmed prologue to the first Gunsmoke episode. Truth be told, Arness wasn't any keener than Wayne to be tied down to a weekly series, and as each season ended he'd make noises indicating he planned to leave. This game went on for each of the 20 seasons that Gunsmoke was on the air, the annual result being a bigger salary for Arness, more creative control over the program (it was being produced by his own company within a few years) and a sizeable chunk of the profits and residuals. When Gunsmoke finally left the air in 1975, Arness was the only one of the original four principals (including Amanda Blake, Milburn Stone and Dennis Weaver) still appearing on the series. Arness made plans to take it easy after his two-decade Gunsmoke hitch, but was lured back to the tube for a one-shot TV movie, The Macahans (1976). This evolved into the six-hour miniseries How the West Was Won (1977) which in turn led to a single-season weekly series in 1978. All these incarnations starred Arness, back in the saddle as Zeb Macahan. The actor tried to alter his sagebrush image in a 1981 modern-day cop series, McClain's Law -- which being set in the southwest permitted Arness to ride a horse or two. It appeared, however that James Arness would always be Matt Dillon in the hearts and minds of fans, thus Arness obliged his still-faithful public with three Gunsmoke TV movies, the last one (Gunsmoke: The Last Apache) released in 1992. In between these assignments, James Arness starred in a 1988 TV-movie remake of the 1948 western film classic Red River, in which he filled the role previously played by his friend and mentor John Wayne.

Trivia: Following her training in regional theatre and radio, red-headed actress Amanda Blake was signed by MGM in 1949, where she was briefly groomed for stardom. Among her MGM assignments was 1950's Stars in My Crown, in which she was cast for the first time opposite James Arness. Film fame eluded Amanda, especially after her sizeable role in the 1954 version of A Star is Born was almost completely excised from the release print. By 1955, she had to make do with appearances in such epics as the Bowery Boys' High Society. Amanda's fortunes took a turn for the better later in 1955, when she won the role of Miss Kitty, the euphemistically yclept "hostess" of the Long Branch Saloon on the TV western Gunsmoke, which starred James Arness as Marshal Matt Dillon. She remained with Gunsmoke until its next-to-last season in 1974. After Gunsmoke, Amanda went into semi-retirement save for a handful of film projects like the made-for-TV Betrayal (1974), the theatrical releases The Boost (1988) and B.O.R.N (1989), and the 1987 reunion project Gunsmoke: Return to Dodge. Amanda Blake died in 1989 at the age of sixty.

Trivia: The younger brother of actor Dana Andrews, Steve Forrest served in World War II while his brother (17 years Steve's senior) was starring in such films as The Purple Heart (1944) and Laura (1944). Upon his return to America, Steve went to Hollywood to pay a social call on Dana, decided he liked the movie colony, and opted to stick around for a while. Though he'd previously played bits in such films as Crash Dive (using his given name of William Andrews), Forrest never seriously considered acting as a profession until enrolling at UCLA. He tried regional theatre work and scriptwriting then received a brief but showy bit part in MGM's The Bad and the Beautiful (1952). This led to further film work in second leads then several years' worth of villainous roles. When asked why he accepted so many bad-guy assignments, Forrest would cite the comment once made to him by Clark Gable: "The hero gets the girl but the heavy gets the attention". By 1969, however, Forrest felt as though he'd worn out his welcome as a heavy, and began regularly turning down roles, holding out for heroic parts. In 1975, he was cast as Lieutenant Dan "Hondo" Harrison on the popular TV action series S.W.A.T., which might have run for years had it not been axed under pressure from the anti-violence brigades. More recently, Steve Forrest lampooned his rugged, rough'n'ready image in the 1987 film comedy Amazon Women of the Moon.In the years to follow, Forrest would remain beloved for his man's man presence on screen, appearing occasionally on shows like Colombo and Murder, She Wrote. Forrest passed away in 2013 at the age of 87.

Trivia: While many of Earl Holliman's bucolic screen characters tended to shy away from "book learnin," Holliman himself is a graduate of UCLA. Making his film debut with a one-line bit as a bellboy in Martin and Lewis' Scared Stiff (1953), Holliman went on to featured and co-starring roles in westerns and military dramas, usually cast as a hot-headed rustic with a streak of manic unpredictability. His larger film roles include the comic-relief cook in Forbidden Planet (1956), Katharine Hepburn's girl-happy brother in The Rainmaker (1956)--a performance that earned him a Golden Globe nomination--and Matt Elder in the John Wayne starrer Sons of Katie Elder (1965). A nearly inescapable presence on television, Holliman turned in some impressive work on the many live TV anthologies of the 1950s. His portrayal of a shipwrecked marine in the 1958 Kraft Theatre production "The Sea is Boiling Hot," in which he carried on a one-sided debate with monolingual Japanese officer Sessue Hayakawa, led to his being cast in a similar solo turn in the 1959 Twilight Zone pilot episode "Where is Everybody?" His series-TV credits include the roles of gunslinger-turned-hotelier Sundance in Hotel de Paree (1959), bronco buster Mitch Guthrie in Wide Country (1962), Palm Springs private eye Matthew Durning in PS I Luv U (1991) and barkeep Darden Towe in Delta (1992). Undoubtedly his most famous TV assignment was as Angie Dickinson's superior officer Lt. Bill Crowley in the weekly Police Woman (1974-78). Most recently Earl Holliman made a most welcome guest appearance as Lea Thompson's Wisconsinite dad in the TV sitcom Caroline in the City.

Trivia: American actor Buck Taylor was the son of western comical sidekick Dub "Cannonball" Taylor. Buck was born in 1938, coincidentally the same year that Taylor pere made his film debut in You Can't Take it with You. True to his heritage, Buck showed up in the occasional western, notably Cattle Annie and Little Britches (1980) and Triumphs of a Man Called Horse (1983). For the most part, Taylor's film roles fell into the "young character" niche, notably his appearances in Ensign Pulver (1964), The Wild Angels (1966) (as motorcycle punk Dear John), and Pickup on 101 (1972). Buck Taylor will probably be seen on TV in perpetuity thanks to his recurring role as Newly O'Brian on the marathon TV western Gunsmoke, a role which he recreated for a 1987 Gunsmoke reunion film.

Trivia: Of Dene, Cree, Métis and Nakota descent.One of three siblings.Tantoo is a nickname given by her grandmother.Holds an honorary degree from the University of Rochester.One of the founding members of the Saskatchewan Native Theatre Company.In 2009, was recognized as a Member of the Order of Canada for her contributions to Aboriginal performing arts.

Trivia: A familiar presence on the Chicago theatrical scene, American character actress Fran Ryan has kept busy in films since the late 1960s. Often cast as tight-lipped "battle-ax" types (albeit with the proverbial twinkle in the eye), Ryan was an invaluable presence in several Disney films. On TV, she has thrice found herself in the unenviable position of last-minute replacement: she took over the role of Doris Ziffel from Barbara Pepper during the 1969-70 season of Green Acres; as Miss Hannah, she succeeded Kitty Russell (Amanda Blake) as proprietress of the Long Branch Saloon in the 1974-75 season of Gunsmoke; and on the Saturday-morning kiddie show Sigmund and the Sea Monsters (1974-77), she replaced the departing Mary Wickes as the series' requisite wisecracking housekeeper. Fran Ryan's other TV-series credits include The Doris Day Show (1968-69 season, as housekeeper Aggie Thompson), No Soap, Radio (1982, as hotelier Mrs. Belmont) and The Wizard (1987, as yet another housekeeper, this one named Tillie).