Trivia: In the first ten years of his life, Raymond Burr moved from town to town with his mother, a single parent who supported her little family by playing the organ in movie houses and churches. An unusually large child, he was able to land odd jobs that would normally go to adults. He worked as a ranch hand, a traveling tinted-photograph salesman, a Forest service fire guard, and a property agent in China, where his mother had briefly resettled. At 19, he made the acquaintance of film director Anatole Litvak, who arranged for Burr to get a job at a Toronto summer-stock theater. This led to a stint with a touring English rep company; one of his co-workers, Annette Sutherland, became his first wife. After a brief stint as a nightclub singer in Paris, Burr studied at the Pasadena Playhouse and took adult education courses at Stanford, Columbia, and the University of Chunking. His first New York theatrical break was in the 1943 play Duke in Darkness. That same year, his wife Sutherland was killed in the same plane crash that took the life of actor Leslie Howard. Distraught after the death of his wife, Burr joined the Navy, served two years, then returned to America in the company of his four-year-old son, Michael Evan Burr (Michael would die of leukemia in 1953). Told by Hollywood agents that he was overweight for movies, the 340-pound Burr spent a torturous six months living on 750 calories per day. Emerging at a trim 210 pounds, he landed his first film role, an unbilled bit as Claudette Colbert's dancing partner in Without Reservations (1946). It was in San Quentin (1946), his next film, that Burr found his true metier, as a brooding villain. He spent the next ten years specializing in heavies, menacing everyone from the Marx Brothers (1949's Love Happy) to Clark Gable (1950's Key to the City) to Montgomery Clift (1951's A Place in the Sun) to Natalie Wood (1954's A Cry in the Night). His most celebrated assignments during this period included the role of melancholy wife murderer Lars Thorwald in Hitchcock's Rear Window (1954) and reporter Steve Martin in the English-language scenes of the Japanese monster rally Godzilla (1956), a characterization he'd repeat three decades later in Godzilla 1985. While he worked steadily on radio and television, Burr seemed a poor prospect for series stardom, especially after being rejected for the role of Matt Dillon on Gunsmoke on the grounds that his voice was too big. In 1957, he was tested for the role of district attorney Hamilton Burger in the upcoming TV series Perry Mason. Tired of playing unpleasant secondary roles, Burr agreed to read for Burger only if he was also given a shot at the leading character. Producer Gail Patrick Jackson, who'd been courting such big names as William Holden, Fred MacMurray, and Efrem Zimbalist Jr., agreed to humor Burr by permitting him to test for both Burger and Perry Mason. Upon viewing Burr's test for the latter role, Perry Mason creator Erle Stanley Gardner jumped up, pointed at the screen, and cried "That's him!" Burr was cast as Mason on the spot, remaining with the role until the series' cancellation in 1966 and winning three Emmies along the way. Though famous for his intense powers of concentration during working hours -- he didn't simply play Perry Mason, he immersed himself in the role -- Burr nonetheless found time to indulge in endless on-set practical jokes, many of these directed at his co-star and beloved friend, actress Barbara Hale. Less than a year after Mason's demise, Burr was back at work as the wheelchair-bound protagonist of the weekly detective series Ironside, which ran from 1967 to 1975. His later projects included the short-lived TVer Kingston Confidential (1976), a sparkling cameo in Airplane 2: The Sequel (1982), and 26 two-hour Perry Mason specials, lensed between 1986 and 1993. Burr was one of the most liked and highly respected men in Hollywood. Fiercely devoted to his friends and co-workers, Burr would threaten to walk off the set whenever one of his associates was treated in a less than chivalrous manner by the producers or the network. Burr also devoted innumerable hours to charitable and humanitarian works, including his personally financed one-man tours of Korean and Vietnamese army bases, his support of two dozen foster children, and his generous financial contributions to the population of the 4,000-acre Fiji island of Naitauba, which he partly owned. Despite his unbounded generosity and genuine love of people, Burr was an intensely private person. After his divorce from his second wife and the death from cancer of his third, Burr remained a bachelor from 1955 until his death. Stricken by kidney cancer late in 1992, he insisted upon maintaining his usual hectic pace, filming one last Mason TV movie and taking an extended trip to Europe. In his last weeks, Burr refused to see anyone but his closest friends, throwing "farewell" parties to keep their spirits up. Forty-eight hours after telling his longtime friend and business partner Robert Benevides, "If I lie down, I'll die," 76-year-old Raymond Burr did just that -- dying as he'd lived, on his own terms.

Trivia: According to her Rockford, Illinois, high-school yearbook, Barbara Hale hoped to make a career for herself as a commercial artist. Instead, she found herself posing for artists as a professional model. This led to a movie contract at RKO Radio, where she worked her way up from "B"s like The Falcon in Hollywood (1945) to such top-of-the-bill attractions as A Likely Story (1947) and The Boy With Green Hair (1949). She continued to enjoy star billing at Columbia, where among other films she essayed the title role in Lorna Doone (1952). Her popularity dipped a bit in the mid-1950s, but she regained her following in the Emmy-winning role of super-efficient legal secretary Della Street on the Perry Mason TV series. She played Della on a weekly basis from 1957 through 1966, and later appeared in the irregularly scheduled Perry Mason two-hour TV movies of the 1980s and 1990s. The widow of movie leading man Bill Williams, Barbara Hale was the mother of actor/director William Katt. Hale died in 2017, at age 94.

Trivia: Following his screen debut in 1949's Twelve O'Clock High, Richard Anderson was groomed for stardom at MGM. His stature in Hollywood seemed assured when he married the daughter of former MGM luminary Norma Shearer. But Anderson was -- by his own admission -- a less-than-noble figure in his younger days, losing both prestige and several plum film roles through his arrogance, his explosive temper, and his after-hours carousing. A kinder, mellower Richard Anderson resurfaced on television in the 1970s, gaining a modest but loyal fan following thanks to his weekly appearances as Oscar Goldman in The Six Million Dollar Man. Anderson also played Goldman on the spin-off series The Bionic Woman -- the result being that, for several years in the mid-1970s, he was simultaneously co-starring on two different TV series in the same role. Richard Anderson's additional TV-series stints included Mama Rosa (1950), Bus Stop (1961), Dan August (1970), Cover-Up (1984) and Dynasty (1986-87 season).

Trivia: The son of actors Bill Williams and Barbara Hale, curly-haired leading man William Katt is fond of noting that he made his movie "debut" while residing in his mother's womb during filming of Lorna Doone (1951). After attending Orange Coast College, Katt pursued a career as a musician. He then made his formal acting bow in summer stock and small TV roles. Among Katt's film credits are the role of the high-school jock date of telekinetic wallflower Sissy Spacek in Carrie (1977), and one-half of the title role in Butch and Sundance, The Early Days (1979). From 1981 through 1983, Katt played the reluctant-superhero protagonist (originally named Ralph Hinkley, redubbed Ralph Hanley after the '81 assassination attempt on Ronald Reagan) on TV's Greatest American Hero. Beginning in 1987, Katt played the recurring role of detective Paul Drake Jr. in the periodic Perry Mason TV movies, co-starring with his mother Barbara Hale, who resumed her "Della Street" characterization from the original 1961-66 Mason run. Katt also worked on the scripts of several of these latter-day Masons. More recently, William Katt was a regular on the 1991 Farrah Fawcett-Ryan O'Neal TV sitcom Good Sports.

Trivia: Philadelphia-born actress Holland Taylor majored in drama at Bennington College, and arrived in New York in 1966, hoping to take the theater world by storm. That didn't quite happen, despite Taylor making her Broadway debut in The Devils, starring Anne Bancroft, and working with Alan Bates in Butley (she was also in that notorious failure, Moose Murders). A protégée of legendary acting teacher Stella Adler, Taylor endured 14 years of disappointments interspersed with the occasional success, and played in one heavily hyped television series (CBS's Beacon Hill) that failed in less than a season, all of it broken up by work in the daytime drama The Edge of Night. Finally, in 1980, lightning struck when Taylor was cast in the series Bosom Buddies in the role of Ruth Dunbar, the acid-tongued advertising agency executive employing the two protagonists of the program, played by Tom Hanks and Peter Scolari. Taylor accepted the part despite some initial reluctance, mostly thanks to Adler's urging, but she proved almost as much of a breakout personality onscreen as Hanks and Scolari. Taylor took lines written with venom and added her own wry twists to their meanings and inflections, and made all of her scenes memorable. The series only lasted two full seasons, but when it folded, Taylor was being offered television and movie roles on a steady basis. Most of her subsequent series didn't last more than a season each, but Taylor's parts, usually as charmingly acerbic middle-aged women, stayed big and got larger, up through programs such as The Naked Truth, starring Téa Leoni. Taylor's big-screen appearances have included supporting roles in such diverse films as The Truman Show, Spy Kids 2, Legally Blonde, George of the Jungle, Romancing the Stone, The Jewel of the Nile, How to Make an American Quilt, Fame, She's Having a Baby, and To Die For. She's also had some choice parts in made-for-television movies, including playing Nancy Reagan in The Day Reagan Was Shot, but Taylor's most successful medium remains the television series. In recent years, she has proved a mainstay of producer David E. Kelley's stable of actors, taking on the recurring role of Judge Roberta Kittleson, a Boston jurist whose sex-drive is a match for her legal intellect, in the series The Practice (with a cross-over appearance in the same role on Ally McBeal), winning an Emmy for her work on the show's 1999 season. That series, which has included an episode featuring Taylor in a semi-nude scene, has not only given the middle-aged actress a chance to explore sides of her screen persona that other producers never even considered, but has transformed her into a sex symbol among the ranks of mature actresses, right up there with Kathleen Turner as Mrs. Robinson in the stage version of The Graduate.As the new century began she continued to work steadily in both movies and TV in projects such as Happy Accidents, playing the first-lady in The Day Reagan Was Shot, Legally Blonde, and Spy Kids 2. She returned to series television with a recurring role on Two and a Half Men, which was the most-watched sitcom on TV during part of its successful run. She also appeared in the big screen comedy Baby Mama.

Trivia: Georgia-born leading lady Cassie Yates has kept busy in films and TV since 1976. Yates' TV-series roles have included detective Jennifer Dempsey in Ron Moody's 1980 sitcom Nobody's Perfect and Diane Wyman, wife of would-be private eye Press Wyman (Judd Hirsch) in Detective in the House (1985). Soap opera fans will remember Yates as Sarah Curtis in the 1987 episodes of Dynasty. Cassie Yates' most appealing film role was as the philandering friend of Nastassja Kinski in the 1982 remake of Unfaithfully Yours.

Trivia: Lead actress, onscreen from the '80s.

Trivia: The son of African American stage actor Al Freeman (1884-1956), Al Freeman Jr. made his film debut in 1960's The Rebel Breed. In 1967, Freeman co-starred with Shirley Knight in the film version of Leroi Jones' off-Broadway play Dutchman, earning excellent notices for his portrayal of a black subway passenger victimized by a crazed white woman. Three years later, he co-starred with Patty Duke in the landmark TV movie My Sweet Charlie (1970), playing a volatile New York City lawyer stranded in a jerkwater Texas town with a white unwed mother (Duke). Freeman is best known to daytime-drama fans for his lengthy stint as Lt. Ed Hall on One Life to Live a role that won him an Emmy in 1978. Freeman wrote the screenplay for director Ivan Dixon's Countdown at Kusini (1976), and directed the 1971 feature A Fable. More recently, Al Freeman Jr. portrayed Elijah Muhammed in Spike Lee's Malcolm X (1992)

Trivia: Cec Linder was born in Poland, began his acting career in his adopted country of Canada, then established himself by playing American characters in British films. The actor's most famous movie role was James Bond's CIA counterpart Felix Leiter in 1965's Goldfinger. From 1960 through 1964, Linder portrayed Peter Ames on the CBS TV soap opera The Secret Storm, and later replaced William Prince in the role of Ben Travis on The Edge of Night. Shortly before his death at the age of 61, Cec Linder essaying the recurring part of a district attorney in several of the American made-for-TV Perry Mason feature films.

Trivia: Director John MacKenzie worked in both films and television. His best-known film was The Long Good Friday (1980). Born in Edinburgh, Scotland, he got his start directing feature films during the 1970s.

Trivia: Patrick O'Neal made his first stage appearance in 1944 in his home state of Florida. While still a teenager, O'Neal was assigned to direct Signal Corps training shorts. Following his training at the Actors Studio and Neighborhood Playhouse, O'Neal entered the virgin territory of live TV, making appearances on such early anthologies as Gruen Playhouse. He played the romantic lead in his first film, 1954's The Mad Magician, thereafter settling into stuffed-shirt or villainous roles. It was fun to watch the usually reserved O'Neal make a meal of a mad-killer part obviously intended for Vincent Price in Chamber of Horrors (1966). It was also amusing to watch him bring a reluctant, droopy-eyed approach to the silly secret agentry of the 1967 spy spoof Matchless (1967). After appearing with Doris Day in Where Were You When the Lights Went Out (1966), O'Neal essayed the occasional role of dashing foreign correspondent on TV's The Doris Day Show (1968-73). Additional television assignments for O'Neal included his co-starring stint with Hazel Court in the 1957 comedy-melodrama series Dick and the Duchess (1957), the top-billed role of pathologist Daniel Coffee in the impressively produced videotaped medical series Diagnosis Unknown (1960), the straight-laced supporting role of lawyer Samuel Bennett in Kaz (1978) and the JR-type part of evil businessman Harlan Adams during the first (1983-84) season of Emerald Point NAS (Robert Vaughn took over the role in 1980). Making his Broadway debut in 1961, O'Neal appeared opposite Bette Davis the following year in his favorite part, the discredited, debauched Reverend Shannon in Tennessee Williams' Night of the Iguana. Going public by admitting his alcoholism in the 1970s, O'Neal appeared in a number of public-service announcements on behalf of AA; he also provided voiceovers for innumerable commercial products. When not performing, Patrick O'Neal pursued a successful second career as a restaurateur.

Trivia: Supporting actor, onscreen from the '70s.