Trivia: Raven-haired, well-scrubbed Canadian actress Barbara Parkins made her film bow in the 1961 British crime drama 20,000 Eyes. Parkin's most fondly remembered role was the much-married Betty Harrington in the American TV series Peyton Place, which ran from 1964 through 1969. She reprised Betty for a 1985 "reunion" TV movie, and played a variation of the character in the 1967 theatrical feature Valley of the Dolls. While her stardom pretty much ended with the 1960s, she has remained most active in made-for-TV features, playing Anna Held in Ziegfeld: The Man and His Women (1978) and the Duchess of Windsor in To Catch a King (1984). In 1991, Barbara Parkins returned to the weekly-TV grind on the Canadian-filmed dramatic anthology Scene of the Crime, essaying a different role in each episode.

Trivia: American actress Patty Duke (born December 14, 1946) was groomed almost from infancy for a starring career by her manager/guardian John Ross. She studied at the Quintano School for Young Professionals and earned her Equity card at age seven, appearing in numerous TV productions and in such Hollywood films as I'll Cry Tomorrow (1955), The Goddess (1958) (playing young Kim Stanley, the "Marilyn Monroe" character in that film), and Happy Anniversary (1959). Duke also appeared as a quiz-show contestant, and was later compelled to testify as to her honesty during the cheating scandals of 1958 and 1959. Just before her 13th birthday, Duke made her stage debut in the role of Helen Keller in The Miracle Worker; the production won the girl instant stardom and later an Academy Award for the film version of Miracle Worker (1962). Manager John Ross very carefully monitored Duke's public appearances, making certain the world saw her as a sweet, uncomplicated young lady. The truth was that Duke was terribly unhappy, feeling pressured into performing and into suppressing her own emotions. That's not what the world saw in the three seasons of The Patty Duke Show (1963-1966), a sitcom wherein the young actress literally talked to herself in the dual role of cousins Patty and Cathy Lane. She became cynical with stardom in a hurry, and in a bold act of defiance, 18-year-old Duke married a man twice her age, director Harry Falk Jr. Her first grown-up role as a Judy Garland type in Valley of the Dolls (1967) was panned, and it was suggested that she'd lost her talent. The next few years she was cast in a series of unsuccessful films but made a strong comeback with the 1969 TV movie My Sweet Charlie, which won her the first of three Emmys; the others being for the miniseries Captains and the Kings(1976) and a remake of The Miracle Worker (1979) in which she played the role of Annie Sullivan, co-starring with Melissa Gilbert as Helen Keller. In 1972 she married actor John Astin. He raised her son, Sean Astin (actually the biological son of music promoter Michael Tell), as his own; they had Mackenzie Astin together. Duke also briefly changed her professional name to Patty Duke Astin. The Astins worked together prolifically for the duration of their marriage (which eventually ended in divorce). Building up her self-confidence and completely rebuilding her reputation in the '80s, Patty Duke served from 1985 through 1988 as president of the Screen Actor's Guild (the second woman to do so), starred in three separate network sitcoms, and wrote her harrowing best-selling memoirs, Call Me Anna, which in 1990 was adapted into a TV movie that she co-produced and starred in.In 2002, Duke returned to the stage to play Aunt Eller in a production of Oklahoma!, and appeared as a guest on The Oprah Winfrey Show in 2007 to discuss living with bipolar disorder. The actress replaced Carol Cane as Madame Morrible in the San Francisco production of Wicked in 2009, and joined the cast of The Protector (a short-lived drama from Lifetime) in 2011. Her final role was in a 2015 episode of the Disney channel show Liv and Maddie, fittingly playing a set of identical twins. Duke died in 2016, at age 69.

Trivia: A true "army brat," Texas-born Sharon Tate moved from city to city, and from nation to nation during her formative years. She was living in Verona, Italy, when she was elected her high school's homecoming queen -- one of many such honors bestowed on the dazzlingly beautiful Tate. After extras work in Italian films, Tate decided to try her luck in Hollywood. She appeared in such TV series as The Beverly Hillbillies and was featured in films like The Wheeler Dealers (1963) and The Sandpiper (1963). While starring in the British horror spoof The Fearless Vampire Killers: Or Pardon Me, But Your Teeth Are in My Neck (1967), Sharon fell in love with the film's director, Polish-born Roman Polanski. She became Polanski's wife shortly after completing her best screen role, as the pill-popping, suicidal young starlet in Valley of the Dolls (1967). Her last major film assignment was a comedy lead in the Matt Helm espionager The Wrecking Crew (1969). On August 9, 1969, a pregnant Sharon Tate and several of her house guests were brutally murdered by members of cult leader Charles Manson's "family."

Trivia: Energetic red-haired leading lady Susan Hayward (born Edythe Marrener) specialized in portraying gutsy women who rebound from adversity. She began working as a photographer's model while still in high school, and when open auditions were held in 1937 for the role of Scarlett O'Hara in Gone With the Wind, she arrived in Hollywood with scores of other actresses. Unlike most of the others, however, she managed to become a contract player. Her roles were initially discouragingly small, although she gradually work her way up to stardom. For her role in Smash-Up: The Story of a Woman (1947) -- the first in which she played a strong-willed, courageous woman -- Hayward received the first of her five Oscar nominations; the others were for performances in My Foolish Heart (1950), With a Song in My Heart (1952), I'll Cry Tomorrow (1956), and I Want to Live (1958), winning for the latter. Although the actress maintained her star status through the late '50s, the early '60s saw her in several unmemorable tearjerkers, and although she formally retired from films in 1964, that retirement was not a permanent one - as she later returned to the screen for a few more roles including parts in a couple of telemovies and one theatrical feature during the early 1970s. Her ten-year marriage to actor Jess Barker ended in 1954 with a bitter child-custody battle, and she died in 1975 after a two-year struggle with a brain tumor, one of several cast and crew members from 1956's The Conqueror to be stricken with cancer later in life.

Trivia: Primarily a stage actress, Lee Grant has also been distinguished for her feature film and television work. She was born Lyova Rosenthal in New York City and received her training at Juilliard. The daughter of an actress and model, Grant was only four when she debuted in a show at the Metropolitan Opera. Grant joined the American Ballet at age 11, graduated from high school at 14, and then received a scholarship to the Neighborhood Playhouse where she was seen by stage director Sidney Kingsley who cast her as a young shoplifter in his 1949 Broadway production Detective Story. The role won Grant a Critics Circle Award. She reprised the role in the 1951 film version and earned an Oscar nomination and the Cannes Festival's Best Actress award. Her promising film career abruptly derailed when the House Un-American Activities Committee tried forcing Grant to testify against her already blacklisted playwright husband, Arnold Manoff. She refused and was promptly blacklisted. Though her stage career thrived, it would be 12 years before Grant would be able to get substantial roles in television or movies. By the time she returned to the media in the mid-'60s, she was relegated to character roles wherein she typically played ambitious, tough, and beautiful women. During the second season of the sudsy television drama Peyton Place (1964-1969), Grant won an Emmy for her portrayal of Stella Chernak. In 1970, Grant won her second Oscar nomination for Hal Ashby's The Landlord and her first Oscar for Shampoo (1975). But for yet another Oscar nomination in Voyage of the Damned (1976), Grant the actress spent the rest of the decade making cameo appearances in big-budget disaster pictures. She remained busy in films like Damien: Omen II, Little Miss Marker, Bare Essence, Teachers, and The Big Town. In the '90s, Albert Brooks cast her as a prosecuting attorney in the afterlife in Defending Your Life, and appeared in the well-regarded biopic Citizen Cohn. She continued to work steadily in projects such as It's My Party, Robert Altman's Dr. T & The Women, and David Lynch's Mulholland Dr. Grant became a movie director in 1980 with the moving Tell Me a Riddle. Subsequent directorial efforts include A Matter of Sex (1984) and Reunion (1994).

Trivia: Red-headed, freckle-faced Martin Milner was only 15 when he made his screen debut in Life With Father (1947), and would continue to play wide-eyed high schoolers and college kids well into the next decade. His early film assignments included the teenaged Marine recruit in Lewis Milestone's The Halls of Montezuma (1951) and the obnoxious suitor of Jeanne Crain in Belles on Their Toes (1952). His first regular TV series was The Stu Erwin Show (1950-1955), in which he played the boyfriend (and later husband) of Stu's daughter Joyce. More mature roles came his way in Marjorie Morningstar (1957) as Natalie Wood's playwright sweetheart and in The Sweet Smell of Success (1957) as the jazz musician targeted for persecution by Winchell-esque columnist Burt Lancaster. Beginning in 1960, he enjoyed a four-year run as Corvette-driving Tod Stiles on TV's Route 66 (a statue of Milner and his co-star George Maharis currently stands at the Corvette Museum in Bowling Green, KY). A longtime friend and associate of producer/director/actor Jack Webb, Milner was cast as veteran L.A.P.D. patrolman Pete Malloy on the Webb-produced TV weekly Adam-12, which ran from 1968 to 1975. His later TV work included a short-lived 1970s series based on Johan Wyss' Swiss Family Robinson. Later employed as a California radio personality, Martin Milner continued to make occasional TV guest appearances; one of these was in the 1989 TV movie Nashville Beat, in which he was reunited with his Adam-12 co-star Kent McCord. He made an appearance on the short-lived series The New Adam-12 and had recurring roles on shows like Life Goes On and Murder, She Wrote. Milner died in 2015, at age 83.

Trivia: Upon graduating from Nichols College, Charles Ruppert entered the professional world as a salesman. When he decided to switch to acting, Ruppert changed his name to Drake. In films from 1939, Drake was signed to a Warner Bros. contract and appeared in such films as The Man Who Came to Dinner (1941), The Maltese Falcon (1941), Now, Voyager (1942), Dive Bomber (1942), Air Force (1943), and Mr. Skeffington (1944). Freelancing in the mid-'40s, he played the romantic lead in the Marx Brothers flick A Night in Casablanca (1946). Once he moved to Universal in 1949, Drake proved that the fault lay not in himself but in the roles he'd previously been assigned to play. He was quite personable as Dr. Sanderson in Harvey (1950) and thoroughly despicable as the cowardly paramour of dance-hall girl Shelley Winters in Winchester '73 (1950). One of his most unusual performances was as the ostensible hero of You Never Can Tell (1951), who after spending two reels convincing the viewer that he's a prince of a fellow, turns out to be the villain of the piece. Drake did some of his best work at Universal as a supporting player in the vehicles of his offscreen pal Audie Murphy. In 1955, Drake turned to television as one of the stock-company players on Robert Montgomery Presents; three years later, he was star/host of the British TV espionage weekly Rendezvous. Charles Drake prospered as a character actor well into the early 1970s.

Trivia: British actor Robert Harris is best known for his ability to bring Shakespearean roles to life. Though most of his career was spent on stage, Harris also appeared in many feature films and occasionally on television. A graduate of the Royal Academy of Dramatic Art, the London-born Harris took his first professional bow at the Westminister Theater following a 1932 production of J.M. Barrie's The Will. Harris made his Broadway debut in Noel Coward's Easy Virtue. Harris's film credits include The Fuzzy Pink Nightgown (1957), The Alamo (1960), The Life and Death of Colonel Blimp (1943).

Trivia: American author Jacqueline Susann has penned many popular novels. Before becoming a writer, she was a popular Broadway actress. Her notorious book Valley of the Dolls was adapted into a feature film in 1967.

Trivia: Lead actor, onscreen from the '60s.

Trivia: Nightclub comedian Joey Bishop managed to get a lot of mileage out of a dour facial expression, an air of perpetual doom-and-gloom, and the mumbled catchphrase "Son of a gun!" Bishop climbed on the Philadelphia nightclub carousel as one of the Bishop Brothers, a singing group comprised of three friends who were neither Bishops nor brothers. As a solo comic in the early 1950s, Bishop caught the eye of Frank Sinatra, whose influence enabled Joey to secure bigger and better club engagements. Bishop was signed to a Warner Bros. movie contract in 1956; his best showing during this period was as the ill-fated Jewish army private in The Naked and the Dead (1957). He continued accepting occasional film roles into the 1990s in such productions as Texas Across the River (1966) and Betsy's Wedding (1990). In 1961, Bishop starred as put-upon press agent Joey Barnes on an episode of The Danny Thomas Show titled "Everything Happens to Me"; this served as the pilot for The Joey Bishop Show, which lasted from 1961 through 1965, weathering numerous cast, concept and network changes. Having proven himself a suitable substitute host for such late-night gurus as Jack Paar and Johnny Carson, Bishop emceed ABC's nightly The Joey Bishop Show, with Regis Philbin as Joey's "Ed McMahon" and an endless stream of borscht-belt comics and "Rat Pack" intimates as guest stars. After The Joey Bishop Show closed out its two-year run in 1969, Bishop returned to the guest-star treadmill; in later years, he popped up on everything from infomercials to home-shopping programs. Bishop died in October 2007 at the age of 89.

Trivia: His father was a playwright and stage producer. At age nine he began singing professionally; two years later he teamed up with Eddie Cantor in vaudeville. Over the next decade or so he established himself as a major entertainer and songwriter in nightclubs and on Broadway. Jessel appeared sporadically onscreen; his only moderately busy period as a film actor was 1926-30. In 1945 he began producing musical films for Fox. He was known for his charity work, traveling widely and giving lectures and performances to raise funds for various causes; for such activities, in 1969 he was awarded the Jean Hersholt Humanitarian Award, a special Oscar. Jessel often entertained U.S. troops overseas. For a time he was married to actress Norma Talmadge. He authored two volumes of memoirs, So Help Me (1943) and This Way, Miss (1955).

Trivia: Stocky, frequently bespectacled, eventually balding, and prematurely gray, Richard Dreyfuss is an unlikely candidate for a movie star. Even so, he has been one of Hollywood's most versatile, charismatic, and energetic leading men since the mid-'70s. Born in Brooklyn, NY, on October 29, 1947, Dreyfuss moved to Los Angeles with his family when he was nine. There he became friends with Rob Reiner and began acting in school productions and at the Beverly Hills Jewish Community Center. He attended San Fernando Valley State College, but was expelled after getting into a heated argument with a professor over Marlon Brando's performance in Julius Caesar (1953). Not wanting to be drafted for Vietnam, he registered as a conscientious objector and spent two years as a clerk at a Los Angeles hospital instead of enlisting. During this time, Dreyfuss started getting a few acting jobs on network television series such as Bewitched and Big Valley; he had his first film role in 1967's The Graduate, speaking the lines "Shall I call the cops? I'll call the cops" to Dustin Hoffman. He continued playing bit parts in a couple more films, but did not get his first big break until he played Baby Face Nelson in the bloody biopic Dillinger (1973). A memorable leading role as an intelligent, contemplative teen in George Lucas' American Graffiti (1973) earned Dreyfuss critical acclaim, as did his portrayal of an entrepreneurial Jewish youth in The Apprenticeship of Duddy Kravitz (1974). In 1975, the actor's career exploded when he starred as an arrogant shark expert in Steven Spielberg's Jaws. He worked for Spielberg again two years later, playing an average Midwestern working stiff who learns that we are not alone in the universe in Close Encounters of the Third Kind. Further success followed that same year when Dreyfuss portrayed a failed actor in Neil Simon's romantic comedy The Goodbye Girl. His performance won him an Oscar, making him, at the age of 29, the youngest performer ever to receive the Best Actor honor. After that, Dreyfuss was in demand and, until 1981, he continued to find steady work in a number of films. However, none of these proved particularly popular, and the actor's career began to nosedive. Matters were worsened by his reported drug use and Hollywood party antics; in 1982, he was involved in a car accident and arrested for possession of cocaine. Fortunately, Dreyfuss managed to turn his life around, and after appearing in the rarely seen Buddy System (1984), made a big comeback in Paul Mazursky's hit comedy Down and Out in Beverly Hills (1986), starring opposite Bette Midler and Nick Nolte. With his reputation restored, Dreyfuss went on to appear in lead and supporting roles in numerous films of varying quality. Highlights included Rosencrantz and Guildenstern Are Dead (1990), Postcards From the Edge (1990), What About Bob? (1991), and Quiz Show (1994). In 1996, Dreyfuss played one of his finest roles as a high school music teacher who sacrifices his dream of becoming a famous composer to help his students in Mr. Holland's Opus (1996). The role earned Dreyfuss an Oscar nomination. That same year, he won acclaim of a different sort, lending his voice to a sarcastic centipede in Tim Burton's animated adaptation of Roald Dahl's James and the Giant Peach. He went on to appear in Sidney Lumet's Night Falls on Manhattan (1997) and to star in Krippendorf's Tribe in 1998. The following year, he could be seen as titular Jewish gangster Lansky, a made-for-TV biopic scripted by David Mamet.In 2001, with his film career struggling a bit, Dreyfuss took his first stab at series television since 1964's short-lived sitcom Karen. The hour-long CBS drama The Education of Max Bickford starred the actor as a college history professor opposite Marcia Gay Harden and received largely positive reviews from critics. However, despite the accolades, the show failed to garner a substantial audience and was cancelled after one season.The following years would see Dreyfuss continuing to appear on screen, appearing most notably in movies like W., Leaves of Grass, and Red, and on TV shows like Weeds and Parenthood.

Trivia: A general purpose performer with slightly more distinction to his face and voice than most of his ilk, American actor Norman Burton quietly entered films in the 1960s. Many of his early films were more artistic than profitable, as witness the experimental Wild Seed (1965). Burton was spotted in brief character parts in a few box-office hits, notably Planet of the Apes (1968) (he was the simian Hunt Leader) and The Towering Inferno (1974) (as Will Giddings). In the James Bond actioner Diamonds are Forever (1970), Burton succeeded Jack Lord, Rik Van Nutter et. al. in the role of Bond's American CIA contact Felix Leiter. On TV's New Adventures of Wonder Woman series of the late 1970s, Burton had the recurring role of Joe Atkinson, the boss of anti-subversive operative Diana Prince (aka Wonder Woman). Still answering casting calls into the 1990s, Norman Burton was one of many film veterans appearing in the zany 1994 biopic Ed Wood.

Trivia: During his first wave of national fame in the mid '70s, American composer/arranger Marvin Hamlisch was a much sought-after talk show guest, due to his quick wit and infectious personality. The son of a prominent Viennese musician, Hamlisch was working on Broadway even while attending college, as Barbra Streisand's rehearsal pianist for Funny Girl. After some minor theatrical composing, Hamlisch met producer Sam Spiegel, which led to Hamlisch's first film scoring assignment, the teeny-bopper musicale Ski Party. Working quickly and inexpensively, Hamlisch created a demand for himself in the world of medium-budget "personal" film productions like Frank and Eleanor Perry's The Swimmer (1968) and Woody Allen's Bananas. In 1972, he was the accompanist/arranger of Groucho Marx' S.R.O. Carnegie Hall appearance, which led to even more valuable showbiz contacts. When Hamlisch finally hit it big in 1974, he hit it BIG -- winning three Academy Awards in a single evening, one for The Sting (1973) and two for The Way We Were (1973). America literally fell in love with this grinning, bespectacled, slightly dishevelled young man who seemed so comfortable with, yet so shy about, his limitless talent. From the night of that Oscar ceremony onward, producers fell over themselves entreating Hamlisch to add prestige to their projects; frequently, as in the case of the 1975 TV bomb Beacon Hill, Hamlisch's music was the only recommendation. Marvin Hamlisch has remained active in all branches of show business for the last two decades; the quality of the projects may have varied wildly at times, but Hamlisch could always take comfort in the fact that his Tony-winning music and lyrics for A Chorus Line were composed for the longest-running musical in Broadway history. Hamlisch died at age 68 in early August 2012.

Trivia: American character actress Dorothy Neumann was long a stage performer before making her film bow in 1948's Sorry, Wrong Number. She spent the next two decades in small roles, usually playing clerks, domestics, ladies' club chairpersons and grandmothers. One of Ms. Neumann's best remembered assignments was her uncredited role in The Day the Earth Stood Still (1951), as the suspicious housekeeper of Einstein-like scientist Sam Jaffe, who is confronted in Jaffe's den by benevolent space alien Michael Rennie. Frequently on television, Dorothy Neumann was seen in the regular role of Miss Mittelman on the now-forgotten 1965 sitcom Hank.

Trivia: At age 15, was discovered by Broadway producer Jed Harris. Made her film debut with a bit part in Alfred Hitchcock's The Birds (1963). Was the first American soap star to have her wax figure in London's Madame Tussaud's Museum. Received two Daytime Emmy nominations for Outstanding Supporting Actress in 1991 and 1992 for her portrayal of Sally Spectra on The Bold and the Beautiful. Appeared in concerts with Bold and the Beautiful castmates in Holland and released a pop single in Europe.

Trivia: American character actress Gertrude Flynn started out playing innocent young girls on Broadway during the 1930s. She made her film debut in 1954 with Barefoot Contessa and continued appearing periodically in films through the mid-1960s. Flynn made her final film appearance in 1984 in Bad Manners.