Trivia: In the first ten years of his life, Raymond Burr moved from town to town with his mother, a single parent who supported her little family by playing the organ in movie houses and churches. An unusually large child, he was able to land odd jobs that would normally go to adults. He worked as a ranch hand, a traveling tinted-photograph salesman, a Forest service fire guard, and a property agent in China, where his mother had briefly resettled. At 19, he made the acquaintance of film director Anatole Litvak, who arranged for Burr to get a job at a Toronto summer-stock theater. This led to a stint with a touring English rep company; one of his co-workers, Annette Sutherland, became his first wife. After a brief stint as a nightclub singer in Paris, Burr studied at the Pasadena Playhouse and took adult education courses at Stanford, Columbia, and the University of Chunking. His first New York theatrical break was in the 1943 play Duke in Darkness. That same year, his wife Sutherland was killed in the same plane crash that took the life of actor Leslie Howard. Distraught after the death of his wife, Burr joined the Navy, served two years, then returned to America in the company of his four-year-old son, Michael Evan Burr (Michael would die of leukemia in 1953). Told by Hollywood agents that he was overweight for movies, the 340-pound Burr spent a torturous six months living on 750 calories per day. Emerging at a trim 210 pounds, he landed his first film role, an unbilled bit as Claudette Colbert's dancing partner in Without Reservations (1946). It was in San Quentin (1946), his next film, that Burr found his true metier, as a brooding villain. He spent the next ten years specializing in heavies, menacing everyone from the Marx Brothers (1949's Love Happy) to Clark Gable (1950's Key to the City) to Montgomery Clift (1951's A Place in the Sun) to Natalie Wood (1954's A Cry in the Night). His most celebrated assignments during this period included the role of melancholy wife murderer Lars Thorwald in Hitchcock's Rear Window (1954) and reporter Steve Martin in the English-language scenes of the Japanese monster rally Godzilla (1956), a characterization he'd repeat three decades later in Godzilla 1985. While he worked steadily on radio and television, Burr seemed a poor prospect for series stardom, especially after being rejected for the role of Matt Dillon on Gunsmoke on the grounds that his voice was too big. In 1957, he was tested for the role of district attorney Hamilton Burger in the upcoming TV series Perry Mason. Tired of playing unpleasant secondary roles, Burr agreed to read for Burger only if he was also given a shot at the leading character. Producer Gail Patrick Jackson, who'd been courting such big names as William Holden, Fred MacMurray, and Efrem Zimbalist Jr., agreed to humor Burr by permitting him to test for both Burger and Perry Mason. Upon viewing Burr's test for the latter role, Perry Mason creator Erle Stanley Gardner jumped up, pointed at the screen, and cried "That's him!" Burr was cast as Mason on the spot, remaining with the role until the series' cancellation in 1966 and winning three Emmies along the way. Though famous for his intense powers of concentration during working hours -- he didn't simply play Perry Mason, he immersed himself in the role -- Burr nonetheless found time to indulge in endless on-set practical jokes, many of these directed at his co-star and beloved friend, actress Barbara Hale. Less than a year after Mason's demise, Burr was back at work as the wheelchair-bound protagonist of the weekly detective series Ironside, which ran from 1967 to 1975. His later projects included the short-lived TVer Kingston Confidential (1976), a sparkling cameo in Airplane 2: The Sequel (1982), and 26 two-hour Perry Mason specials, lensed between 1986 and 1993. Burr was one of the most liked and highly respected men in Hollywood. Fiercely devoted to his friends and co-workers, Burr would threaten to walk off the set whenever one of his associates was treated in a less than chivalrous manner by the producers or the network. Burr also devoted innumerable hours to charitable and humanitarian works, including his personally financed one-man tours of Korean and Vietnamese army bases, his support of two dozen foster children, and his generous financial contributions to the population of the 4,000-acre Fiji island of Naitauba, which he partly owned. Despite his unbounded generosity and genuine love of people, Burr was an intensely private person. After his divorce from his second wife and the death from cancer of his third, Burr remained a bachelor from 1955 until his death. Stricken by kidney cancer late in 1992, he insisted upon maintaining his usual hectic pace, filming one last Mason TV movie and taking an extended trip to Europe. In his last weeks, Burr refused to see anyone but his closest friends, throwing "farewell" parties to keep their spirits up. Forty-eight hours after telling his longtime friend and business partner Robert Benevides, "If I lie down, I'll die," 76-year-old Raymond Burr did just that -- dying as he'd lived, on his own terms.

Trivia: Mason Adams was once described by a colleague as having a "non-actor's face." This has hardly hampered Adams' professional success, which has hinged almost exclusively on his instantly recognizable voice. After receiving an MA in Theater Arts and Speech from the University of Wisconsin, Adams became a teacher at New York's Neighborhood Playhouse. In radio from 1940 onward, Adams gained fame in the title role of the popular soap opera Pepper Young's Family. Typically cast in kindly, folksy roles, Adams enjoyed playing villains and psychos, notably the evil Atomic Man on the radio saga Superman. A prolific commercial spokesman, Adams has for nearly four decades been principal pitchman for the Smuckers condiment company. From 1977 through 1982, Adams played managing editor Charlie Hume on TV's Lou Grant. In films, Mason Adams has occasionally been permitted an opportunity to break free from his paternal TV image, e.g. his corporate bad-guy assignment in 1988's F/X.

Trivia: Tall, dark-haired, and exotically handsome Michael Nader is known for playing Dex Dexter on the nighttime television soap opera Dynasty and for playing enigmatic Dimitri Marick on the daytime sudser All My Children. He began his career in films in the teen movie Bikini Beach (1964). He had his first regular television role playing Peter "Siddo" Stone in the sitcom Gidget (1965-1966). After the series' demise, Nader studied at the Actor's Studio in New York and went on to appear off-Broadway in a few plays before getting cast as Kevin Thompson in the soap As the World Turns. From there he won the role of Alex Theodopolous in the short-lived nighttime serial Bare Essence (1983). That same year, he joined Dynasty's cast as Joan Collins' new husband. He debuted on All My Children in late 1991. When not busy on that show, Nader has occasionally guest starred on other television shows and appeared in feature films such as Fled (1996).

Trivia: Pop singer Paul Anka was a successful teenage heartthrob of the late '50s and early '60s. His life was chronicled in the 1962 documentary Lonely Boy (1962). Occasionally, Anka plays small roles in feature films.

Trivia: Character actor Richard Portnow has worked steadily in theater, feature films, and on television for many years. On stage, he has appeared both on and off Broadway, as well as in many regional productions, and at London's Royal Court Theatre. Portnow made his feature film debut with a bit part in Susan Seidleman's Desperately Seeking Susan (1985). On television, Portnow has guest starred on many series, including Seinfeld, NYPD Blue, and The Nanny.

Trivia: Betsy Jones-Moreland is best remembered today as a statuesque actress and leading lady of the late 1950s and early 1960s, especially in the films of Roger Corman. Yet she was always a somewhat reluctant actress, even as she pursued a career in the field. Born Mary Elizabeth Jones in Brooklyn, New York, in 1930, she seems never to have considered a career in entertainment, or any particularly "public" profession, while growing up. She was an office worker and secretary, her sole contact with the entertainment business being the fact that the company she worked for owned the rights to several children's shows of the 1950s. She began taking acting lessons as a way of overcoming her basic shyness, and that led her to getting work as a showgirl, which resulted in her earning a role in a touring company production of The Solid Gold Cadillac. She ended up in Hollywood, starting with bit roles in major releases, such as The Brothers Rico and The Garment Jungle. She soon became part of Roger Corman's stock company, starting with The Saga of the Viking Women And Their Voyage to the Waters of the Great Sea Serpent (1957) and culminating with the title role in The Last Woman on Earth (1960) and the female lead in Creature From the Haunted Sea (1961). In between these quickie productions and some small-screen work, Jones-Moreland also appeared in one notable Western: André de Toth's Day of the Outlaw (1959). Her television appearances included episodes of Perry Mason, McHale's Navy, Have Gun, Will Travel, My Favorite Martian, and Ironside. Her most memorable television appearance was in the Outer Limits episode "The Mutant", in which she appeared as part of a space expedition that's endangered when one of their number encounters deadly radiation. Corman later used her in his first big-budget movie, The St. Valentine's Day Massacre (1967), and she followed this up with small roles in theatrical films such as The Hindenburg and Gable and Lombard. She closed out her career as a trial judge in a handful of episodes of the 1990s revival of Perry Mason.

Trivia: According to her Rockford, Illinois, high-school yearbook, Barbara Hale hoped to make a career for herself as a commercial artist. Instead, she found herself posing for artists as a professional model. This led to a movie contract at RKO Radio, where she worked her way up from "B"s like The Falcon in Hollywood (1945) to such top-of-the-bill attractions as A Likely Story (1947) and The Boy With Green Hair (1949). She continued to enjoy star billing at Columbia, where among other films she essayed the title role in Lorna Doone (1952). Her popularity dipped a bit in the mid-1950s, but she regained her following in the Emmy-winning role of super-efficient legal secretary Della Street on the Perry Mason TV series. She played Della on a weekly basis from 1957 through 1966, and later appeared in the irregularly scheduled Perry Mason two-hour TV movies of the 1980s and 1990s. The widow of movie leading man Bill Williams, Barbara Hale was the mother of actor/director William Katt. Hale died in 2017, at age 94.

Trivia: Perhaps one of the most instantly recognizable -- yet seemingly unidentifiable -- character actors to have succeeded in Hollywood, Stephen Tobolowsky's non-movie star looks have enabled the native Texan to portray a wider variety of characters more conventional movie stars simply could not. Born and raised in Dallas, Tobolowsky attended Southern Methodist University for his undergraduate degree and went on to earn a Master's degree in acting from the University of Illinois. While at S.M.U., the young Tobolowsky won his first film role in a low-budget horror film entitled Keep My Grave Open. Soon after finishing his studies, he went west to Los Angeles and started working somewhat consistently in both television and film in the early '80s -- while gaining some notice for his work in the films Swing Shift and Mississippi Burning. After toiling on the West Coast for a few years, Tobolowsky became a bi-coastal star with a role in a 1981 Broadway production of Beth Henley's play The Wake of Jamey Foster. In 1986, he collaborated with Henley -- who also happened to be a fellow student of Tobolowsky's during his undergraduate studies at S.M.U. -- and David Byrne to co-write the script for Byrne's 1986 film True Stories. The multi-talented thespian then went on to write and direct his own play, Two Idiots in Hollywood, which he also turned into a film in 1988. The early '90s brought Tobolowsky his greatest exposure to the movie-going public, with a number of diverse and interesting roles that highlighted the actor's great range and skill -- nearly to the extent of upstaging these films' higher-profile stars. Perhaps the most prototypical Tobolowsky characterization can be found in the 1993 Harold Ramis comedy Groundhog Day, in which Tobolowsky portrayed the hapless insurance salesman Ned Ryerson. Other memorable performances from this decade include Thelma & Louise, Basic Instinct, Sneakers, and The Radioland Murders. Tobolowsky continued creating endearing characters into the 2000s, starting with Christopher Nolan's indy hit Memento. As amnesiac Sammy Jankis, Tobolowsky created one of the most powerful dramatic performances of his career. His next significant film role came via the 2002 Spike Jonze/Charlie Kaufman film Adaptation, which further displayed the nearly chameleon-like actor's range and talent that make him one of the best character actors in the industry. In the years to come, Tobolowsky would remain active on screen, appearing on shows like Glee and Californication.