Trivia: In the first ten years of his life, Raymond Burr moved from town to town with his mother, a single parent who supported her little family by playing the organ in movie houses and churches. An unusually large child, he was able to land odd jobs that would normally go to adults. He worked as a ranch hand, a traveling tinted-photograph salesman, a Forest service fire guard, and a property agent in China, where his mother had briefly resettled. At 19, he made the acquaintance of film director Anatole Litvak, who arranged for Burr to get a job at a Toronto summer-stock theater. This led to a stint with a touring English rep company; one of his co-workers, Annette Sutherland, became his first wife. After a brief stint as a nightclub singer in Paris, Burr studied at the Pasadena Playhouse and took adult education courses at Stanford, Columbia, and the University of Chunking. His first New York theatrical break was in the 1943 play Duke in Darkness. That same year, his wife Sutherland was killed in the same plane crash that took the life of actor Leslie Howard. Distraught after the death of his wife, Burr joined the Navy, served two years, then returned to America in the company of his four-year-old son, Michael Evan Burr (Michael would die of leukemia in 1953). Told by Hollywood agents that he was overweight for movies, the 340-pound Burr spent a torturous six months living on 750 calories per day. Emerging at a trim 210 pounds, he landed his first film role, an unbilled bit as Claudette Colbert's dancing partner in Without Reservations (1946). It was in San Quentin (1946), his next film, that Burr found his true metier, as a brooding villain. He spent the next ten years specializing in heavies, menacing everyone from the Marx Brothers (1949's Love Happy) to Clark Gable (1950's Key to the City) to Montgomery Clift (1951's A Place in the Sun) to Natalie Wood (1954's A Cry in the Night). His most celebrated assignments during this period included the role of melancholy wife murderer Lars Thorwald in Hitchcock's Rear Window (1954) and reporter Steve Martin in the English-language scenes of the Japanese monster rally Godzilla (1956), a characterization he'd repeat three decades later in Godzilla 1985. While he worked steadily on radio and television, Burr seemed a poor prospect for series stardom, especially after being rejected for the role of Matt Dillon on Gunsmoke on the grounds that his voice was too big. In 1957, he was tested for the role of district attorney Hamilton Burger in the upcoming TV series Perry Mason. Tired of playing unpleasant secondary roles, Burr agreed to read for Burger only if he was also given a shot at the leading character. Producer Gail Patrick Jackson, who'd been courting such big names as William Holden, Fred MacMurray, and Efrem Zimbalist Jr., agreed to humor Burr by permitting him to test for both Burger and Perry Mason. Upon viewing Burr's test for the latter role, Perry Mason creator Erle Stanley Gardner jumped up, pointed at the screen, and cried "That's him!" Burr was cast as Mason on the spot, remaining with the role until the series' cancellation in 1966 and winning three Emmies along the way. Though famous for his intense powers of concentration during working hours -- he didn't simply play Perry Mason, he immersed himself in the role -- Burr nonetheless found time to indulge in endless on-set practical jokes, many of these directed at his co-star and beloved friend, actress Barbara Hale. Less than a year after Mason's demise, Burr was back at work as the wheelchair-bound protagonist of the weekly detective series Ironside, which ran from 1967 to 1975. His later projects included the short-lived TVer Kingston Confidential (1976), a sparkling cameo in Airplane 2: The Sequel (1982), and 26 two-hour Perry Mason specials, lensed between 1986 and 1993. Burr was one of the most liked and highly respected men in Hollywood. Fiercely devoted to his friends and co-workers, Burr would threaten to walk off the set whenever one of his associates was treated in a less than chivalrous manner by the producers or the network. Burr also devoted innumerable hours to charitable and humanitarian works, including his personally financed one-man tours of Korean and Vietnamese army bases, his support of two dozen foster children, and his generous financial contributions to the population of the 4,000-acre Fiji island of Naitauba, which he partly owned. Despite his unbounded generosity and genuine love of people, Burr was an intensely private person. After his divorce from his second wife and the death from cancer of his third, Burr remained a bachelor from 1955 until his death. Stricken by kidney cancer late in 1992, he insisted upon maintaining his usual hectic pace, filming one last Mason TV movie and taking an extended trip to Europe. In his last weeks, Burr refused to see anyone but his closest friends, throwing "farewell" parties to keep their spirits up. Forty-eight hours after telling his longtime friend and business partner Robert Benevides, "If I lie down, I'll die," 76-year-old Raymond Burr did just that -- dying as he'd lived, on his own terms.

Trivia: Educated at Sweet Briar College, Diana Muldaur began her New York stage career in 1963, appearing in three Broadway plays--Seidelman and Son, Poor Biros and A Very Rich Woman--back to back. She also played a regular role in the Manhattan-based soap opera The Secret Storm. In 1968, Muldaur appeared in her first film, The Swimmer. Exuding a serenity and maturity beyond her years, she was generally cast in cool, sophisticated roles, often as a deliberate contrast to her less-polished male co-stars: for example, she was a regular on the TV series McCloud (1970-77) cast as rambunctious Marshal Sam McCloud's(Dennis Weaver) low-key lady friend Chris Coughlin. Conversely, she was vitriol personified as barracuda lawyer Rosalind Shays in LA Law (1989-91)--at least she was until her character took a spectacular season--ending plunge down an empty elevator shaft. Other TV programs that have utilized Muldaur on a weekly basis have included The Survivors (1970), Black Beauty (1972), Born Free (1974), The Tony Randall Show (1976), Hizzoner (1979), Fitz and Bones (1981) and A Year in the Life (1987). In addition, she is among the few actors who have shown up in both the original Star Trek (in two guest-star assignments) and Star Trek: The Next Generation (as Dr. Katherine Pulaski). Undoubtedly one of her more enjoyable (and least taxing) assignments was as the voice of Dr. Leslie Thompson on Batman: The Animated Series. Equally busy when not performing before the cameras, Muldaur is a past member of the SAG board of the directors. Diana Muldaur is the widow of actor James Mitchell Vickery.

Trivia: In films from 1970, George DiCenzo is best known for his portrayals of scowling urban authority types. DiCenzo's TV and movie characterizations have included Vincent Bugliosi in Helter Skelter (1976), Major Benchley in Close Encounters of the Third Kind (1978), Arnold Rothstein in The Gangster Chronicles (1981), and Sam Baines in Back to the Future (1984). Numbering among his series-TV assignments are McClain's Law (1981; as Lt. Edward DeNisco), Dynasty (1984-1985 season; as Charles), Equal Justice (1990, top-billed as Pittsburgh D.A. Arnold Bach), and Joe's Life (1993; as Stan Gennaro). George DiCenzo has also kept busy behind the scenes as an associate producer.

Trivia: Worked as a genetic-engineering lab assistant in San Francisco after college; considered going to med school. Pursued acting after a producer noticed her in an L.A. restaurant and offered her a part in the movie Aloha Summer (1988). Her scene was cut. Played a troubled wife, Katie, in the racy 2007 HBO drama Tell Me You Love Me, about three couples who see the same therapist. Appeared in a series of commercials for Clairol. Took on the role of an outspoken ATF agent in the FX drama Sons of Anarchy, which debuted in 2008. Appears in the film Wonderful World, a 2009 drama starring Matthew Broderick.

Trivia: Though he's had a very successful career as a television actor, tall, black-haired, and youthful-looking Scott Baio might be best remembered for dating seemingly every hot, blonde starlet to enter Hollywood. He made his first television appearance as a teen in 1976. He became a regular on the nostalgic sitcom Happy Days in 1977, playing the role of Fonzie's tough little cousin, Chachi, and became a favorite with many preteen girls. Later, he and fellow Happy Days cohort, Erin Moran, starred in the short-lived spin-off series Joanie Loves Chachi (1982-1983). When that failed, the two returned to their original series and remained with it through its demise in 1984. Baio was then cast in the lead of a new sitcom, Charles in Charge, as a conscientious young man who earns money for college by playing nanny to two lively teenage girls and their younger brother. The show ended in 1990, and the following year, Baio headlined another short-lived sitcom as the janitor/love interest on Baby Talk. In 1993, he played his first dramatic role in a series when he was cast opposite Dick Van Dyke in Diagnosis Murder. In the fall of 1997, Baio again returned to sitcom work with the Fox series Rewind in which he plays a marketing executive with a sense of déjà vu that leads him to return to his adolescent years during the '70s. Baio's movie work has been more sporadic. He made his first feature-film appearance as Bugsy in Bugsy Malone (1976). Most of his subsequent film work has been in such low-budget efforts as Skatetown (1979), Zapped (1982), and I Love New York (1988).In 2005, Baio took a recurring role on the cult hit Arrested Development, as lawyer Bob Loblaw. His deadpan delivery was a hit with audiences, as was the subtle in-joke of his appearing with fellow 80's teen star Jason Bateman. In 2007, Baio capitalized on his laundry list of hot and famous ex girlfriends with his own reality show, Scott Baio is 45 And Single. The series followed him as he faced up to his playboy past, working with a life coach to face up to his fear of marriage with the goal of proposing to his long-term girlfriend. The show was popular enough to create a follow-up series, Scott Baio is 46 and Pregnant.

Trivia: Actress Valerie Harper's fame largely rests on her colorful portrayal of television's "New Yawk-er" Rhoda Morgenstern. After growing up in Oregon, Michigan and Jersey City, Harper became a chorus dancer in the Big Apple, hoofing with the Radio City Rockettes and performing in such Broadway musicals as Li'l Abner, Take Me Along, Wildcat and Subways Are for Sleeping. Her first film appearance was in the 1959 movie adaptation of Li'l Abner. While spending her nights on stage, she attended Hunter College and the New School for Social Research, supporting herself between dancing gigs as a telephone canvasser and hat-check girl. During the 1960s, she did comedy-improv work with Second City and Paul Sill's Story Theatre (one of her co-workers during her Sills years was her first husband, comic actor Richard Schaal). In the popular mid-1960s comedy record album When You're in Love, the Whole World is Jewish, Harper can be heard offering an embryonic version of Rhoda Morgenstern, a character she based on her childhood friend Penny Almog. So well-grounded was she in Rhoda-like characterizations by 1970 that she was hired for The Mary Tyler Moore Show (her first regular TV-series gig) on the basis of a one-sentence audition. After winning three Emmies for her Mary Tyler Moore work, Harper was spun off into her own series in 1974, titled Rhoda. Though it opened to excellent ratings (thanks largely to the one-hour episode in which Rhoda married her blue-collar fiance Joe [David Groh]), Rhoda was never as big a hit as Mary Tyler Moore, and it left the air in 1978. During this period, Harper made her formal film debut in Freebie and the Bean (1974), earning a Golden Globe nomination for her portrayal of a Puerto Rican housewife. After toting up several stage and TV-movie credits, she returned to the weekly-series grind in 1986 with Valerie. She walked out on the show over a salary dispute, whereupon the producers fired her and retooled the series into The Hogan Family, which ran without Harper until 1991. She has starred in two series since leaving Valerie (1990's City and 1995's The Office) but has been unable to latch onto a character with the staying power of Rhoda Morgenstern. Additional appearances in Melrose Place, Sex and the City, Desperate Housewives, and Drop Dead Diva followed, Extremely active in prosocial causes off-camera, Valerie Harper was co-founder of an anti-hunger organization called LIFE (Love Is Feeding Everyone).

Trivia: Inspired to act by his mother, who worked in a community-theater props department. Joined a children's summer theater at age 9. Made film debut in director Blake Edwards' 1986 movie That's Life! Best known for his role as Theodore 'T-Bag' Bagwell on Prison Break.

Trivia: Played on the varsity football team in high school. Competed in a Golden Gloves amateur boxing competition at Madison Square Garden at the age of 17, but was soon after diagnosed with elbow tendinitis, ending his boxing career. Made his stage debut in his high school's production of Kismet. In 1999, played the role of Mitch in the Hartford Stage's production of A Streetcar Named Desire. Performed on Broadway as Mike in the Roundabout Theatre Company's production of Pal Joey in 2009.

Trivia: Supporting actor and singer Gianni Russo specializes in playing Mafiosos and other Italian stereotypes. He made his feature-film debut playing Carlo Rizzi in The Godfather (1973). Before that, Russo had appeared in two made-for-television films.

Trivia: According to her Rockford, Illinois, high-school yearbook, Barbara Hale hoped to make a career for herself as a commercial artist. Instead, she found herself posing for artists as a professional model. This led to a movie contract at RKO Radio, where she worked her way up from "B"s like The Falcon in Hollywood (1945) to such top-of-the-bill attractions as A Likely Story (1947) and The Boy With Green Hair (1949). She continued to enjoy star billing at Columbia, where among other films she essayed the title role in Lorna Doone (1952). Her popularity dipped a bit in the mid-1950s, but she regained her following in the Emmy-winning role of super-efficient legal secretary Della Street on the Perry Mason TV series. She played Della on a weekly basis from 1957 through 1966, and later appeared in the irregularly scheduled Perry Mason two-hour TV movies of the 1980s and 1990s. The widow of movie leading man Bill Williams, Barbara Hale was the mother of actor/director William Katt. Hale died in 2017, at age 94.

Trivia: Leanna Creel is perhaps best known as Tori, the leather-jacket-clad tough girl from the final season of the teen sitcom Saved by the Bell. The California native got her start in acting as a teenager, appearing in films like Parent Trap 3. She went on to attend UCLA, graduating in 1993 with a B.A. in history and went on to earn an M.F.A. in film & television in 1996. She then proceeded to turn from working in front of the camera to working behind it, launching her own production company, Ignite Entertainment, and producing cult classic films such as But I'm a Cheerleader and Six-String Samurai.

Trivia: Actress Mary Pat Gleason debuted onscreen in the early '80s (with a bit part in the 1983 Rodney Dangerfield comedy Easy Money) and tackled a series of character portrayals in a variety of genres over the following decades. She specialized in playing dowdy, overweight, and slightly assertive matronly types, including waitresses, nurses, and librarians. Gleason's extensive resumé includes the films Soapdish (1991), Speechless (1994), Bruce Almighty (2003), and Moving McAllister (2007).

Trivia: American actor Bruce Kirby made his Broadway bow at age 40 in the 1965 production Diamond Orchid. More stage work followed, and then movie assignments, commencing with the all-star Catch 22 (1970), and continuing into the 1980s with such productions as Sweet Dreams (1985) and Throw Momma from the Train (1987). Kirby's TV career has embraced both series successes (1989's Anything But Love, as Jamie Lee Curtis' father), ignoble failures (1976's Holmes and Yoyo, as Henry Sedford), and a few projects which never sold (Kirby was in two busted pilots for something called McNamara's Band). In 1984, Kirbyreturned to Broadway to understudy Dustin Hoffman as Willy Loman in the revival of Death of a Salesman. Bruce Kirby, sometimes billed as Bruce Kirby Sr., was the father of actor Bruno Kirby, who formerly billed himself as B. Kirby Jr.