Trivia: Born September 8, 1971, to a family of entertainers, David Arquette is the youngest brother of actors Rosanna Arquette, Patricia Arquette, and Alexis Arquette, and the son of veteran bit-part actor Lewis Arquette. During David's early years, the family lived on a Virginia commune, but moved to Los Angeles so that Rosanna could pursue an acting career. David first brought his quirky, eccentric persona to the small screen in 1989, with a television adaptation of the film The Outsiders. He had his big screen debut in 1992, when he performed in a number of films, including Buffy the Vampire Slayer and Where the Day Takes You. Small roles in subsequent features followed, including 1994's Airheads, but it wasn't until his turn as a bumbling deputy in Wes Craven's Scream (1996) that he began to receive wider recognition. The same year, his visibility was further increased by a secondary role in Beautiful Girls and his turn as a struggling prostitute in Johns. 1997 brought with it Scream's highly successful sequel, the accurately titled Scream 2. In addition, it brought Dream With Fishes, a film that Arquette both acted in and co-produced. 1999 was a busy year for the actor, signaling that Hollywood was finding more room to accommodate his offbeat talent. In addition to his recurring spot in a series of creepy AT&T commercials, Arquette had major roles in three movies, the Drew Barrymore romantic comedy Never Been Kissed, Muppets From Space, and Antonia Bird's much maligned Ravenous. Arquette further increased his Hollywood visibility with his marriage to Courteney Cox, whom he wed in April 1999.He starred in the wrestling film Ready to Rumble in 2000, and returned to the Scream franchise that same year for the third film in that series. The next year he appeared as a death camp prisoner in The Grey Zone, and had a part in the action comedy 3000 Miles to Graceland. He starred in the giant-spider movie Eight Legged Freaks and played the father in The Adventures of Shark Boy and Lava Girl.In the mid-2000s, Arquette began working mostly in television, but in several different jobs. He directed several episodes of his sister Patricia's show, Medium, and acted as a producer with then-wife Cox on her series Dirt and Cougar Town (he was also a guest star on Medium and Cougar Town). Arquette continued to act, though, and had guest spots on Pushing Daisies and My Name is Earl before returning to the Scream franchise once again in 2011 (even though Arquette and Cox had separated by this point and were headed towards a divorce).Arquette began voicing Skully the parrot on the Disney Junior series Jake and the Neverland Pirates in 2011, and continued the role in the 2014 spin-off, Jake's Buccaneer Blast.

Trivia: The grandson of Bernard Lee (better known to the world as M in the James Bond movies), Jonny Lee Miller ironically became famous for his portrayal of the Sean Connery-obsessed Sick Boy in the 1996 film Trainspotting. Contrary to popular belief, the actor is English, not Scottish, and was born outside of London on November 15, 1972. Interested in the theater from an early age, Lee Miller participated in a number of school productions and made his television debut at the age of 11, in the miniseries Mansfield Park. Following appearances in a number of other productions, including 1993's Prime Suspect 3, Lee Miller made his film debut in Iain Softley's Hackers in 1995. His turn as a cyberpunk gave the actor both a wider audience and an introduction to co-star Angelina Jolie, whom he would marry in 1995 (they divorced in 1999). Lee Miller's big break came with his casting as Sick Boy, in director Danny Boyle's film adaptation of the Irvine Welsh novel Trainspotting. The film became an international hit, boosting the careers of Lee Miller and his co-stars, Ewan McGregor and Robert Carlyle. Lee Miller chose to remain on Scottish soil for his next project, Gillies MacKinnon's Regeneration (1997). Subsequently, Lee Miller headlined an all-star cast in the relationship drama Afterglow, in which he co-starred with Nick Nolte, Lara Flynn Boyle, and the formidable Julie Christie. In 1999, the actor reunited with Trainspotting co-star Robert Carlyle to star in Plunkett & Maclean, which also featured Liv Tyler. Though subsequent roles in lowbrow fare like Dracula 2000, Mindhunters, and Aeon Flux hinted that the talented actor's career was circling the drain, Lee Miller's memorable performances in the shortlived ABC series Eli Stone (in which he played the title character) and Dexter (as a malevolent motivational speaker) helped both to keep in in the public eye, and offer further proof of his versitilty. In 2011 Lee Miller shared an Oliver Award with actor Benedict Cumberbatch for their performances in Boyle's stage production of Frankenstein (the two actors alternated between playing Dr. Frankenstein and the Creature), and the following year he kept up the gothic vibe with his turn as the shady Roger Collins in Tim Burton's feature adaptation of the spooky soap opera Dark Shadows.

Trivia: The son of actor John Carradine, Keith Carradine began his own theatrical training at Colorado State University, dropping out after one semester because he felt he wasn't getting anywhere. Soon afterward, Carradine made his stage debut in the "tribal love rock musical" Hair; his brief relationship with fellow cast member Shelley Plimpton resulted in a daughter, Martha Plimpton, who grew up to become a prominent actress in her own right. Carradine's first film was 1971's McCabe and Mrs. Miller, directed by Robert Altman. Four years later, Carradine's musical composition "I'm Easy," which he performed in Altman's Nashville (1975), won an Academy Award. Carradine divested himself of his familiar movie mannerisms in the early 1990s to portray the folksy, gum-chewing title character in the Broadway hit The Will Rogers Follies. In 1995, he emulated the past screen villainy of his father and his brother, David, as the smirking antagonist of the movie melodrama The Ties That Bind. He continued to work in film and television throughout the rest of the decade, showing up in movies like A Thousand Acres (1997) and various TV series. Meanwhile, the early 2000s found Carradine as busy as ever, with a recurring role as Wild Bill Hickock (whom he had previously played in the 1995 feature WIld Bill) on HBO's popular wild west series Deadwood, as well as roles on Dexter, Dollhouse, and Damages serving well to keep him in the public eye. Always handy with a six-shooter, Carradine took aim at some particularly nasty extraterrestrials in Iron Man director Jon Favreau's sci-fi/western genre mash-up Cowboys and Aliens in 2011.

Trivia: Though most easily recognized as a respected actor of stage, screen, and television, Edward James Olmos is also a distinguished humanitarian who spends considerable time and money supporting various causes and charitable organizations in his native Los Angeles. Born the son of an immigrant and a Mexican-American mother, Olmos was raised in an ethnically diverse area of East Los Angeles. Although he was placed in his mother's custody at age seven following his parents' divorce, Olmos kept in close contact with his father. In his teens, Olmos was a rock musician and with his close friend Rusty Johnson formed the Pacific Ocean, a popular group at Sunset Strip area clubs during the late '60s. It was Johnson who suggested Olmos, who by his own admission was not much of a singer, that he try acting. Olmos spent nine years trying to establish himself as an actor, making his film debut (billing himself as Eddie Olmos) as an extra in Aloha, Bobby and Rose in 1975. Prior to that, Olmos had worked as a bit player and extra in several early '70s television shows ranging from Medical Center to Hawaii Five-O. In 1979, he made a splash on Broadway playing Pachuco in Luis Valdez's Zoot Suit. The play was originally staged in L.A. and represented the first time in which Olmos was paid to act on-stage. During the show's New York run, Olmos earned a Tony Nomination and a Drama Critics Circle Award. In 1982, Olmos reprised the role in Valdez's film version. Early in his film career, Olmos showed a preference for socially conscious films and after his first screen appearance played a leading role in Robert M. Young's Alambrista (1977). In 1982, he played a creepy police detective in Blade Runner. That year, Olmos and Robert M. Young co-founded YOY productions to make socially conscious films such as their first joint effort The Ballad of Gregorio Cortez (1982). Olmos became a star when he played the super-pragmatic Lieutenant Castillo on the hip police drama Miami Vice (1984-1989) and in 1985 won an Emmy for his efforts. He earned an Oscar nomination for his inspirational performance as a determined teacher who helps a troubled group of urban kids excel in math and science in Stand and Deliver (1986). Though his film career was sporadic during the '80s and '90s, Olmos continued to show up regularly in television movies. He made his feature film directorial bow in 1992 with the powerful American Me, a grim look at a reformed gangster's attempts to stay away from the violent, criminal ways of his old cohorts. Other notable 1990s efforts include the 1994 miniseries Menendez: A Killing in Beverly Hills and Gregory Nava's beautiful My Family/Mi Familia (1995). OImos would spend the coming years making successful runs on TV series like American Family, Battlestar Galactica, and Dexter.Olmos' humanitarian activities include acting as a United States Goodwill Ambassador for UNICEF, being the national spokesman for the Juvenile Diabetes Foundation, serving a place on the boards of the Miami and Los Angeles Children's Hospitals, serving as the executive director of the Hazard Education Project, and contributing to the foundation for the Advancement of Silence and Education. For his many good works, Olmos has received Honorary Doctorates from five educational institutions including the University of Colorado, California State University at Fresno, and the American Film Institute in Hollywood.

Trivia: Of Italian/Syrian heritage, Pittsburgh native F. Murray Abraham attended the University of Texas, then studied acting under Uta Hagen in New York. The peripatetic Abraham made his stage debut in a Los Angeles production of Ray Bradbury's The Wonderful Ice Cream Suit, and, shortly before reaching the age of 29, made his New York bow in The Fantasticks. An archetypal example of the "working actor," Abraham managed for more than ten years to make a good living at his craft without ever truly achieving fame. Appearing on television in everything from All in the Family to Kojak, he was seen on several commercials, including a now-famous spot for Fruit of the Loom underwear. His big-screen roles include 1975's The Sunshine Boys (a garage mechanic); 1976's All the President's Men (one of the arresting officers at the Watergate Hotel); 1976's The Ritz (a gay bathhouse patron); and 1978's The Big Fix (a fugitive '60s activist). Abraham's "overnight" stardom came about in 1984, when he was cast as the covetous Antonio Salieri in Amadeus, and his brilliant, bravura performance won him an Oscar. Abraham remained busy throughout the 1980s and '90s, appearing in such efforts as The Name of the Rose (1986), in which he played a 14th century monk deliberately made up to look like a "living gargoyle," and the otherwise awful Bonfire of the Vanities (1990), in an uncredited, albeit pivotal, role of a prosecuting attorney. One of the most versatile actors in the business, Abraham has nonetheless never quite escaped the long shadow cast by his unforgettable portrayal of Salieri. Indeed, in Arnold Schwarzenegger's genre spoof The Last Action Hero, Abraham was pinpointed as the mystery murderer because he looked just like "the guy that killed Mozart." Once again hamming it up in that same year's National Lampoon's Loaded Weapon 1, Abraham frequently alternated big-budget Hollywood fare and more low-key, performance driven dramas and comedies through the remainder of the decade. While appearances in such films as Mimic (1997) and Star Trek: Insurrection (1998) kept Abraham a familiar face to a new generation of moviegoers, roles in such small screen efforts as Dead Man's Walk (1996) and the following year's The Color of Justice allowed him a venue to display his true skills. In 1995 Abraham portrayed famed gangster Al Capone in not one but two films; Dillinger and Capone and Baby Face Nelson. Heading into the new millennium with roles in Finding Forrester and 13 Ghosts, Abraham appeared alongside an impressive cast in The Bridge of San Luis Rey. Later schlocking it up in the nature run amuck flicks Blood Monkey and Shark Swarm, the longtime actor subsequently proved he was still as versatile as ever while gravitating toward television with roles on such popular shows as Bored to Death, Louie, and The Good Wife, as well as the made-for-TV fantasy Beauty and the Beast.

Trivia: New Jersey native Haviland Morris is best known to many audiences as Caroline in the '80s teen classic Sixteen Candles. An accomplished Broadway actress, Morris' forays into screen acting were intermittent, appearing in films like Gremlins 2 and Home Alone 3 and on shows like Sex and the City and Law & Order between stage roles.

Trivia: A perpetually haggard character actor with hound-dog eyes and the rare ability to alternate between menace and earnest at a moment's notice, Harry Dean Stanton has proven one of the most enduring and endearing actors of his generation. From his early days riding the range in Gunsmoke and Rawhide to a poignant turn in David Lynch's uncharacteristically sentimental drama The Straight Story, Stanton can always be counted on to turn in a memorable performance no matter how small the role. A West Irvine, KY, native who served in World War II before returning stateside to attend the University of Kentucky, it was while appearing in a college production of Pygmalion that Stanton first began to realize his love for acting. Dropping out of school three years later to move to California and train at the Pasadena Playhouse, Stanton found himself in good company while training alongside such future greats as Gene Hackman and Robert Duvall. A stateside tour with the American Male Chorus and a stint in New York children's theater found Stanton continuing to hone his skills, and after packing his bags for Hollywood shortly thereafter, numerous television roles were quick to follow. Billed Dean Stanton in his early years and often carrying the weight of the screen baddie, Stanton gunned down the best of them in numerous early Westerns before a soulful turn in Cool Hand Luke showed that he was capable of much more. Though a role in The Godfather Part II offered momentary cinematic redemption, it wasn't long before Stanton was back to his old antics in the 1976 Marlon Brando Western The Missouri Breaks. After once again utilizing his musical talents as a country & western singer in The Rose (1979) and meeting a gruesome demise in the sci-fi classic Alien, roles in such popular early '80s efforts as Private Benjamin, Escape From New York, and Christine began to gain Stanton growing recognition among mainstream film audiences; and then a trio of career-defining roles in the mid-'80s proved the windfall that would propel the rest of Stanton's career. Cast as a veteran repo man opposite Emilio Estevez in director Alex Cox's cult classic Repo Man (1984), Stanton's hilarious, invigorated performance perfectly gelled with the offbeat sensibilities of the truly original tale involving punk-rockers, aliens, and a mysteriously omnipresent plate o' shrimp. After sending his sons off into the mountains to fight communists in the jingoistic actioner Red Dawn (also 1984) Stanton essayed what was perhaps his most dramatically demanding role to date in director Wim Wenders' Paris, Texas. Cast as a broken man whose brother attempts to help him remember why he walked out on his family years before, Stanton's devastating performance provided the emotional core to what was perhaps one of the essential films of the 1980s. A subsequent role as Molly Ringwald's character's perpetually unemployed father in 1986's Pretty in Pink, while perhaps not quite as emotionally draining, offered a tender characterization that would forever hold him a place in the hearts of those raised on 1980s cinema. In 1988 Stanton essayed the role of Paul the Apostle in director Martin Scorsese's controversial religious epic The Last Temptation of Christ. By the 1990s Stanton was a widely recognized icon of American cinema, and following memorably quirky roles as an eccentric patriarch in Twister and a desperate private detective in David Lynch's Wild at Heart (both 1990), he settled into memorable roles in such efforts as Against the Wall (1994), Never Talk to Strangers (1995), and the sentimental drama The Mighty (1998). In 1996, Stanton made news when he was pistol whipped by thieves who broke into his home and stole his car (which was eventually returned thanks to a tracking device). Having previously teamed with director Lynch earlier in the decade, fans were delighted at Stanton's poignant performance in 1999's The Straight Story. Still going strong into the new millennium, Stanton could be spotted in such efforts as The Pledge (2001; starring longtime friend and former roommate Jack Nicholson), Sonny (2002), and The Big Bounce (2004). In addition to his acting career, Stanton can often be spotted around Hollywood performing with his band, The Harry Dean Stanton Band.

Trivia: Began acting in Atlanta in the early 1980s. Made film debut (as a state trooper) in 1989's Driving Miss Daisy; other film credits include Apollo 13, O Brother, Where Art Thou? and The Blind Side. Shared the 2001 live-action short Oscar for The Accountant with his late wife, Lisa Blount, the comedy's executive producer; and his costar and producing partner, Walton Goggins. McKinnon also wrote and directed. Was a regular on the first season of HBO's Deadwood (2004). His 2004 indie drama Chrystal (starring Blount and Billy Bob Thornton) was nominated for a Sundance Film Festival Grand Jury Prize. Was nominated for a 2009 Independent Spirit supporting-actor award for That Evening Sun. (He also produced the drama, along with Goggins.)

Trivia: A prominent international screen presence whose Golden Globe-nominated performance in the hit Fox series 24 has only served to cement his success in the United States, Joaquim de Almeida has found equal success on both American and European screens. Though he would tend the gardens at the Embassy of Zaire in Austria before testing his mettle as an actor, the Lisbon-born future star eventually set his sights on New York City. It was there that de Almeida first began to achieve fame as a performer in numerous New York Shakespeare Festival productions, with early roles in Miami Vice and The Soldier first bringing him to the attention of American viewers. Though indeed a skilled English-language performer, it was de Almeida's proficiency in Spanish, German, Italian, and French (in addition, of course, to his native Portuguese), that truly helped him to expand into the international film market. Throughout the 1990s, de Almeida's career continued to pick up steam thanks to performances in such widely seen efforts as Robert Rodriguez's Desperado and the sprawling miniseries Nostromo. In 1997, the actor found his continued efforts before the camera finally beginning to pay off when he was awarded a Portuguese Golden Globe for his spellbinding performance in the romantic drama Tentação. Though few would have the opportunity to see de Almeida exchange gunfire with Emilio Estevez in the hybrid spaghetti Western-Hong Kong action flick A Dollar for the Dead when the film proved dead on arrival, subsequent roles in Behind Enemy Lines and the 2003 miniseries Kingpin served well to keep him a recognizable international player. In the early 2000s, it began to appear as if television was the medium in which de Almeida truly shined. If a recurring role as Ramon Salazar on Fox's 24 wasn't enough for viewers, de Almeida could also be spotted on The West Wing and Wanted. Subsequent performances in such features as The Celestine Prophecy and Moscow Zero -- as well as voice-over work in the controversial video game Saints Row -- preceded a particularly heartfelt turn as painter Óscar Domínguez in the 2007 biopic Óscar -- El Color del Destino.

Trivia: An accomplished playwright, screenwriter, director, and actor, former classics major Tim Blake Nelson is perhaps most familiar to the movie audience as the hilariously dim Delmar in Joel and Ethan Coen's goofy Oscar-nominated comedy O Brother, Where Art Thou? (2000).Born in Oklahoma, Nelson attended college at Brown University where he became a Latinist in the classics department. Opting for the arts over academia, Nelson headed to New York after college, studying acting at Juilliard and embarking on an Obie Award-winning career as a stage writer. After making his film debut in Nora Ephron's freshman directorial effort This Is My Life (1992), Nelson occasionally appeared in films throughout the 1990s, playing small roles in Hal Hartley's Amateur (1994), the Al Pacino/Johnny Depp mob drama Donnie Brasco (1997), and Terrence Malick's radiant anti-war anti-epic The Thin Red Line (1998). Along with film acting, Nelson turned to filmmaking with the screen adaptation of his play Eye of God (1997), a somber rural drama about a woman's marriage to a pious ex-con with a violent past, which earned positive notice at the Sundance Film Festival. Because of his ability to handle difficult questions of violence and create an ominous mood out of the everyday, Nelson was asked to helm the modernized, teen version of Shakespeare's Othello, retitled O (2001). Shot in 1999, O languished on the shelf in the wake of a series of high school shootings, deemed an inappropriate release because of its violent denouement. In the meantime, Nelson's friend Joel Coen offered him one of the starring roles in O Brother, Where Art Thou?. As comfortable playing rural comedy as directing rural drama, Nelson shined as the dimmest of a trio of hare-brained fugitives in the Coen brothers' shaggy-dog 1930s Southern Odyssey. After his successful stint with the Coens' light-hearted movie, Nelson returned squarely to downbeat material, directing the screen adaptation of his play The Grey Zone (2001). A drama about the only armed revolt at Auschwitz, The Grey Zone was already hitting the film-festival circuit when Lionsgate removed O from its Miramax purgatory, releasing it in August 2001. Impressing some critics with its central performances and evocative Southern Gothic atmosphere (if not always with all aspects of the adaptation), O confirmed Nelson's ability to translate his concern with the complex motivations for (and fall out from) violence to the film medium. Back to being an actor for hire, Nelson scored a summer 2002 hat trick with roles in one glossy big studio blockbuster and two well-regarded independent releases. In Steven Spielberg's Minority Report (2002), Nelson stood out (albeit a bit too much for some critical tastes) as the oddball, organ-playing guardian of the imprisoned "pre"-killers captured by Precrime hotshot Tom Cruise. Refraining from such theatrical eccentricity, Nelson garnered more positive reviews for his turn as a shy technician charged with servicing house arrestee Robin Tunney's ankle bracelet in the singular indie romance Cherish (2002), and as John C. Reilly's doltish, stoner best friend and co-worker in Miguel Arteta's dark comedy The Good Girl (2002). Nelson's roles proliferated through the first years of the new millennium -- he averaged around six to eight A-list features per year, the number doubtless heightened by Nelson's status as a character actor and his resultant tendency to gravitate to bit parts in lieu of leading roles. For the first several years after The Good Girl, Nelson's roles included, among others: Dr. Jonathan Jacobo, the "pterodactyl ghost" in Raja Gosnell's Scooby Doo 2: Monsters Unleashed (2004); Danny Dalton, a representative of the oil company Killen, in Stephen Gaghan's muckraking drama Syriana (2005); and Tom Loyless, the supervisor of a polio treatment center revitalized by F.D.R., in Joseph Sargent's superior telemovie Warm Springs (2005). Nelson then appeared as Curly Branitt, an entrepreneur determined to build a pancake house and expel the resident animals at the location, in the Jimmy Buffett-produced, family-oriented comedy Hoot (2006). He plays Kevin Munchak in Michael Polish's drama The Astronaut Farmer (2006), starring Billy Bob Thornton, Virginia Madsen, and Bruce Dern; and The North Beach Killer in Finn Taylor's fiendish black comedy The Darwin Awards (2007). He had a major supporting turn in 2008's The Incredible Hulk, and in 2010 he wrote directed and acted in Leaves of Grass. He appeared in the 2011 teaching drama Detachment, and in 2012 he landed a major part in the inspirational drama Big Miracle and appeared in Steven Spielberg's long-planned biopic Lincoln.Nelson is married to the actress Lisa Benavides; they reside in Southern California.

Trivia: After majoring in history at Columbia University, brawny Brian Dennehy (born July 9, 1938) took a string of odd jobs to pay his way through Yale Drama School, and to afford private acting lessons. His first professional break came with the Broadway production Streamers. In films and TV from 1977, Dennehy is a most versatile actor, at home playing Western baddies (Silverado), ulcerated big-city cops (F/X), serial killers (John Wayne Gacy in the made-for-TV To Catch a Killer), by-the-book military types (General Groves in Day One, another TV movie), and vacillating politicos (Presumed Innocent). One of his most rewarding film assignments was as dying architectural genius Stourley Kracklite in Peter Greenaway's The Belly of an Architect (1987).In addition to his many TV-movie roles (one of which, good-old-boy Chuck Munson in 1993's Foreign Affairs, won him a Cable Ace Award), Dennehy has starred in the weekly series Big Shamus, Little Shamus (1977), Star of the Family (1981), and Birdland (1994), as well as the sporadically produced Jack Reed feature-length mysteries. It was in one of the last-mentioned projects, Jack Reed: A Search for Justice (1994), that Dennehy made his directorial debut. Aside from his work in film and television, Dennehy has also had considerable success on the stage, particularly with his Tony-winning portrayal of Willy Loman in the 1998 Broadway revival of Death of a Salesman.The actor continued to show his range in the 1995 comedy Tommy Boy (starring David Spade and the late comedian Chris Farley), in which he became well known for his role as Big Tom Callahan, and for a voice role in Ratatouille (2007) as Django, the father of rat and aspiring chef Remy.Dennehy joined Robert DeNiro and Al Pacino in Righteous Kill, a 2008 police drama, and worked alongisde Russell Crowe in the 2010 suspense film The Next Three Days. In 2011, Dennehy played the pivotal role of Clarence Darrow in Alleged, a romantic drama set during the infamous Scopes Monkey Trial.