Trivia: A consummately British leading man, actor James Wilby cut his thespian teeth in the British theater world and appeared in a number of British period films during the 1980s and 1990s.Though he was born abroad, Wilby was educated in England, attending a private school and Durham University. Intent on becoming an actor, he studied at the Royal Academy of Dramatic Art in the early '80s and began acting in plays, including Another Country. He added films to his resumé, with small roles in the drama Privileged (1982), alongside fellow newcomer Hugh Grant, and the Lewis Carroll biopic Dreamchild (1985).Wilby firmly established himself as a rising British film actor with producer Ismail Merchant and director James Ivory's adaptation of the E.M. Forster novel Maurice in 1987. Centering on love affairs between Wilby's 1910s title youth and Hugh Grant and Rupert Graves, Maurice earned Wilby and Grant the Best Actor prize at theVenice Film Festival and an international art house audience. Wilby garnered more accolades for his performance as the repressed 1930s husband caught in a love triangle with wife Kristin Scott Thomas and interloper Rupert Graves in the highly regarded Evelyn Waugh adaptation A Handful of Dust (1988). Continuing his winning streak, Wilby subsequently appeared in Masterpiece Theater's well-mounted miniseries of Charles Dickens' A Tale of Two Cities (1989), and co-starred with Emma Thompson and Anthony Hopkins in another acclaimed Merchant/Ivory adaptation of E.M. Forster, Howards End (1992). Though the rest of Wilby's 1990s movies were not as impressively received, he continued to appear regularly in British films and TV, including Immaculate Conception (1992), the World War I drama Regeneration (1997), and the children's movie Tom's Midnight Garden (1998). Wilby reunited with Ismail Merchant in the producer's directorial effort Cotton Mary (1999), but the British colonial drama did not match the success of Wilby's prior Merchant/Ivory work.Wilby subsequently appeared among the distinguished ensemble populating Robert Altman's Oscar-winning period piece Gosford Park (2001). As "upstairs" guest the Honorable Freddie Nesbitt, Wilby was a most dishonorable schemer and a possible murder suspect in Altman's witty anti-Merchant Ivory dissection of the British class system and its usual depiction in polished costume dramas and Agatha Christie murder mysteries.

Trivia: Early in her career, it looked as though actress Kristin Scott Thomas was going to be relegated to playing the kind of elegantly bloodless British women she portrayed in Four Weddings and a Funeral (1994), but with her role as the aristocratic but passionate Katharine Clifton in The English Patient (1996), Scott Thomas broke the mold, proving herself capable of projecting a good deal of sensuality and heat as her character embarked on a tragic affair with a Hungarian adventurer (Ralph Fiennes). The daughter of a Royal Navy pilot who died in an air crash when she was five, Scott Thomas was born the eldest of five children, in Cornwall, on May 24, 1960. When she was 11, tragedy struck again when her stepfather, also a military pilot, met a demise identical to her father's. Scott Thomas was left to help her mother look after the family and -- in contrast to what her film roles would suggest -- her situation was far from aristocratic. Although she had an interest in acting, her mother loathed the idea and sent her daughter to the Cheltenham Ladies College. Scott Thomas dropped out at age 16, spent some time in a convent, and eventually enrolled at London's Central School of Speech and Drama to take a teacher training course. Unable to resist the call of the stage, however, Scott Thomas quietly began studying drama. Unfortunately, the school's drama department advised her to pursue other professions. Scott Thomas was 18 at the time and in addition to being hurt by the drama department's rejection, she was also fed up with school. Seeking to gain perspective on her life, she went to visit some friends in Paris. What originally began as a two-week vacation ended in a permanent change of residence, after Scott Thomas took an au pair job and then fell in love with a Frenchman (she eventually married, and divorced, obstetrician François Olivennes, with whom she has two sons and a daughter).Though her new French friends teased her for being a funny little English girl, Scott Thomas found herself at home in Paris and decided to try acting again. At the encouragement of her friends, she enrolled in L'Ecole Nationale des Arts et Techniques de Theatres, honing her skills and finding the French school to be more supportive than its English counterpart. She gained experience playing small roles on-stage and soon went on to do some television work. After an inauspicious debut playing a headstrong heiress in Prince's Under the Cherry Moon (1986), she worked in a number of French films. In 1988, she was given her first lead in an English film, playing a cool-blooded aristocrat in A Handful of Dust.It wasn't until the 1990s that Scott Thomas began to attain recognition outside of Europe. Two years after starring as Hugh Grant's wife in Roman Polanski's Bitter Moon (1992), she came to the attention of an international audience in Four Weddings and a Funeral. Her second outing with Grant, the film was a sleeper hit, becoming the highest-grossing British film in the country's history. Following the film's success, Scott Thomas applied her talents to smaller films, appearing as Alfred Hitchcock's thorny assistant in the French-Canadian Le Confessionnal (1994) and a plain-Jane entomologist who finds herself embroiled in family dysfunction in Angels & Insects (1995). In 1996, the year of The English Patient, Scott Thomas fully stepped into the glare of the international spotlight, earning a Best Actress Oscar nomination for her role in the widely acclaimed film. That same year, she did less-heralded but no less respectable work in Richard III, in which she played the enigmatic Lady Anne, and Mission: Impossible, her first truly big-budget film. With Hollywood now taking full notice, Scott Thomas was cast in a coveted lead role in Robert Redford's 1998 adaptation of Nicholas Evans' The Horse Whisperer. The film proved something of a disappointment, although the actress was praised for her strong performance. The following year, she found herself involved in another high-profile project, starring opposite Harrison Ford in Random Hearts. Playing a woman who discovers that her husband, who died in a plane crash, was having an affair with Ford's wife, who also died in the crash, Scott Thomas again got to demonstrate her ability at embracing roles that went far beyond the confines of the tea-sipping British aristocracy. Subsequent work in Gosford Park and Tell No One kept Thomas busy over the course of the next few years, but it was back-to-back BAFTA nominations in 2009 (I've Loved You So Long) and 2010 (Nowhere Boy) that helped to end the decade on a decidedly positive note for the veteran actress. In 2011, she appeared in Salmon FIshing in the Yemen, and in 2012, played a Frenchwoman seduced by the much younger Robert Pattinson in Bel Ami. The following year, she re-teamed with Ralph Fiennes for The Invisible Woman.

Trivia: Rupert Graves has repeatedly impressed audiences with his dead-on portrayals of upper-class twits since 1985, when he appeared in Merchant Ivory's classic adaptation of E.M. Forster's A Room With a View. However, Graves' own background could not be more different from those of the characters he brings to the screen.Born June 30, 1963, Graves grew up in the small town of Western-Super-Mare (coincidentally also the birthplace of John Cleese), located in western England. By his own account a terrible student who resented authority, Graves left school at 15 and joined the circus. After his stint with the circus ended, Graves made his way to London, where, at 19, he landed his first acting role in a stage production of The Killing of Mr. Toad. His performance caught the attention of a film industry figure, which in turn led to his first film role in A Room With a View. As the irresponsible and irrepressible Freddy Honeychurch (brother of the film's heroine, played by Helena Bonham-Carter), Graves gave a performance that set the pattern for the roles he was to be typcast in for much of the next decade. Graves virtually became the male equivalent of Helena Bonham-Carter, in that he was stuck in period drama after period drama until others slowly realized that his range was not limited to films with an abundance of waistcoats, corsets, and men with names like Cecil or Clive. Graves' other significant films of the 80s included another Merchant Ivory outing, the memorable Maurice (1987) (in which Graves played Maurice's working class lover, Alec Scudder, and, as in A Room With a View, demonstrated his ability to tackle nude scenes), 1988's A Handful of Dust (also starring a then-unknown Kristin Scott Thomas, and Graves' Maurice colleague James Wilby), and the epic television series Fortunes of War, set during World War II and starring Kenneth Branagh and Emma Thompson.In the 1990s, Graves has continued to do period pieces such as the 1991 adaptation of E.M. Forster's Where Angels Fear to Tread (reuniting him again with Bonham-Carter), and Nicholas Hytner's brilliant The Madness of King George (1995), which also starred "the other Rupert," Rupert Everett. In addition, he made a memorable appearance in the film adaptation of Virginia Woolf's Mrs. Dalloway (1997) as a shell-shocked World War I veteran. As he has gained greater recognition, however, Graves has been able to branch out toward other genres, notably as Jeremy Irons' jilted, ill-fated son in Louis Malle's Damage (1993), a confused and irresponsible motorcycle courier in Different For Girls (1996), and as the severely conflicted Harold Guppy in the deliciously twisted Intimate Relations (1996), for which he won a Best Actor award at the Montreal Film Festival. In addition to his film work, Graves has continued to work for television and the stage, acting as the wormy, conniving Octavius alongside Billy Zane in the TV series Cleopatra (1999), and in such stage productions as Eugene O'Neill's The Iceman Cometh (1998) and the the hit Broadway production of Patrick Marber's Closer (1999).

Trivia: Born July 8th, 1961, he daughter of director John Huston and his fourth wife, ballerina Ricki Somma, Anjelica Huston spent a privileged but troubled childhood in Ireland. Although her father didn't really want her to be an actress, he gave her substantial roles in his films Sinful Davy and A Walk With Love and Death (both 1969). The actress did little movie work during the '70s, choosing instead to pursue a successful, albeit short-term, career as a model before returning to films with a vengeance in the '80s, diligently studying with famed drama coach Peggy Feury.In 1985, Huston earned an Oscar for her performance as the vengeful girlfriend of hit man Jack Nicholson in Prizzi's Honor, making her the first third-generation Academy winner in history. Other worthwhile roles followed in her father's final directorial effort, The Dead (1987), and Woody Allen's Crimes and Misdemeanors (1989). She was also rewardingly directed by her half-brother Danny Huston in Mr. North (1988). Huston earned additional Oscar nominations for her outstanding dramatic work in Enemies: A Love Story (1989) and The Grifters (1990). On a lighter note, she was ideally cast as Morticia Addams in the two Addams Family movies in the early '90s; neither was recognized by the Academy, although both earned her Golden Globe nominations. Despite her breakup with long-time companion Nicholson (she went on to marry Robert Graham in 1992), Huston still occasionally acted opposite him, most notably in Sean Penn's The Crossing Guard (1995). Other notable roles for the actress during the late '90s included her turn as the wicked stepmother in Ever After (1998) and a hilarious portrayal of a football-obsessed, dysfunctional mother in Buffalo '66.In addition to her work on film, Huston accumulated an impressive roster of television credits during the 1980s and '90s, including her powerful performances as frontier woman Clara Allen in the 1989 miniseries Lonesome Dove and the beleaguered mother of an autistic child in the two-part Family Pictures (1993). She also had a supporting role in the widely acclaimed 1993 production of And the Band Played On. In 1996, Huston made her directorial debut with Bastard out of Carolina, a praised adaptation of Dorothy Allison's novel of the same name, and followed that up with another behind-the-camera effort, Agnes Browne, in 1999. She played Gene Hackman's estranged wife in the critically-acclaimed The Royal Tenenbaums in 2001. She appeared opposite Clint Eastwood in his police drama Blood Work. She continued to appear in a wide variety of films including an officious antagonist in Daddy Day Care. In 2004 she reteamed with Wes Anderson for The Life Aquatic with Steve Zissou, and played in the made for cable historical drama Iron Jawed Angels. In 2006 Huston took on a small role in Terry Zwigoff's Art School Confidential, and appeared in Martha Coolidge's Material Girls opposite Hilary and Haylie Duff.In 2008, Huston joined the cast of the made-for-HBO period film Iron Jawed Angels, in which she played an activist opposed to the National Woman's Party, which encouraged rewarding American women with the right to vote and hold citizenship. After participating in several films throughout 2006 (Material Girls, Art School Confidential, Seraphim Falls), Huston reunited with Wes Anderson to play a supporting role in the multi-award winning comedy The Darjeeling Limited in 2007. The actress took on another supporting role in the critically acclaimed psychological drama The Kreutzer Sonata (2008). In 2011, she co-starred in the complex comedy drama 50/50, in which she played the overbearing mother of a public radio employee diagnosed with cancer at 27-years-old.

Trivia: One of Britain's most respected and popular actresses, Judi Dench can claim a decades-old career encompassing the stage, screen, and television. A five-time winner of the British Academy Award, she was granted an Order of the British Empire in 1970 and made a Dame of the British Empire in 1988.Born in York, England, on December 9, 1934, Dench made her stage debut as a snail in a junior school production. After attending art school, she studied acting at London's Central School of Speech and Drama. In 1957, she made her professional stage debut as Ophelia in the Old Vic's Liverpool production of Hamlet. A prolific stage career followed, with seasons spent performing with the likes of the Royal Shakespeare Company and the National Theatre. Dench broke into film in 1964 with a supporting role in The Third Secret. The following year, she won her first BAFTA, a Most Promising Newcomer honor for her work in Four in the Morning. Although she continued to work in film, Dench earned most of her recognition and acclaim for her stage work. Occasionally, she brought her stage roles to the screen in such film adaptations as A Midsummer Night's Dream (1968) and Macbeth (1978), in which she was Lady Macbeth to Ian McKellen's tormented king. It was not until the mid-'80s that Dench began to make her name known to an international film audience. In 1986, she had a memorable turn as a meddlesome romance author in A Room with a View, earning a Best Supporting Actress BAFTA for her tart portrayal. Two years later, she won the same award for her work in another period drama, A Handful of Dust.After her supporting role as Mistress Quickly in Kenneth Branagh's acclaimed 1989 adaptation of Henry V, Dench exchanged the past for the present with her thoroughly modern role as M in GoldenEye (1995), the first of the Pierce Brosnan series of James Bond films. She portrayed the character for the subsequent Brosnan 007 films, lending flinty elegance to what had traditionally been a male role. The part of M had the advantage of introducing Dench to an audience unfamiliar with her work, and in 1997 she earned further international recognition, as well as an Oscar nomination and Golden Globe award, for her portrayal of Queen Victoria in Mrs. Brown.While her screen career had taken on an increasingly high-profile nature, Dench continued to act on both television and the stage. In the former medium, she endeared herself to viewers with her work in such series as A Fine Romance (in which she starred opposite real-life husband Michael Williams) and As Time Goes By. On the stage, Dench made history in 1996, becoming the first performer to win two Olivier Awards for two different roles in the same year. In 1998, Dench won an Oscar, garnering Best Supporting Actress honors for her eight-minute appearance as Queen Elizabeth in the acclaimed Shakespeare in Love. Her win resulted in the kind of media adulation usually afforded to actresses one-third her age. Dench continued to reap both acclaim and new fans with her work in Tea with Mussolini and another Bond film, The World is Not Enough. For her role as a talented British writer struggling with Alzheimer's disease in Iris (2001), Dench earned her third Oscar nomination. Sadly, that same year Dench's husband died of lung cancer at the age of 66.The prophetic artist continued to act in several films a year, wowing audiences with contemporary dramas like 2001's The Shipping News and period pieces like 2002's Oscar Wilde comedy The Importance of Being Earnest. She reprised the role of M again that same year for Brosnan's last Bond film Die Another Day, before appearing in projects in 2004 and 2005 such as The Chronicles of Riddick, Pride & Prejudice, and an Oscar- and Golden Globe-nominated performance as a wealthy widow who shocks 1930s audiences by backing a burlesque show in Mrs. Henderson Presents. In 2006, she followed the Bond franchise into a new era, maintaining her hold on the role of M as Brosnan retired from playing the title character and Daniel Craig took over. Casino Royale was the first Bond movie to be based on an original Ian Fleming 007 novel in 30 years, and it was a great success. In 2008, Dench rejoined the Bond franchise for Quantum of Solace.Dench shared the screen with Cate Blanchett for the critical smash Notes on a Scandal (2006). The film's emotional themes ran the gamut from possession and desire to loathing and disgust, and Dench rose to the challenge with her usual strength and grace, earning her a sixth Oscar nomination and seventh Golden Globe nomination.Dench joined the cast of 2011's Pirates of the Carribean: On Stranger Tides, as well as taking on the pivotal role of Mrs. Fairfax in Cary Fukunaga's adaptation of Jane Eyre. The actress also joined Leonardo DiCaprio to play the intimidating mother of J. Edgar Hoover in J. Edgar (2011). In 2012, Dench starred alongside fellow film great Maggie Smith in The Best Exotic Marigold Hotel, a compassionate comedy-drama following a group of senior citizens' experience with a unique retirement program in India.

Trivia: A member of a generation of British actors that included Sir Laurence Olivier and Ralph Richardson, Sir Alec Guinness possessed an astonishing versatility that was amply displayed over the course of his 66-year career. Dubbed "the outstanding poet of anonymity" by fellow actor Peter Ustinov, Guinness was a consummate performer, effortlessly portraying characters that ranged from eight members of the same family to an aging Jedi master. Synonymous throughout most of his career with old-school British aplomb and dry wit, the actor was considered to be second only to Olivier in his popularity on both sides of the Atlantic. Theater critic J.C. Trewin once described Guinness as possessing "a player's countenance, designed for whatever might turn up." The latter half of this description was an apt summation of the actor's beginnings, which were positively Dickensian. Born into poverty in London on April 2, 1914, Guinness was an illegitimate child who did not know the name on his birth certificate was Guinness until he was 14 (until that time he had used his stepfather's surname, Stiven). Guinness never met his biological father, who provided his son's private school funds but refused to pay for his university education. It was while working as an advertising copywriter that Guinness began going to the theatre, spending his pound-a-week salary on tickets. Determined to become an actor himself, he somehow found the money to pay for beginning acting lessons and subsequently won a place at the Fay Compton School of Acting. While studying there, he was told by his acting teacher Martita Hunt that he had "absolutely no talent." However, Sir John Gielgud apparently disagreed: as the judge of the end-of-term performance, he awarded Guinness an acting prize and further rewarded him with two roles in his 1934 production of Hamlet. Three years later, Guinness became a permanent member of Gielgud's London company and in 1938, playing none other than Hamlet himself. In 1939, Guinness' stage version of Charles Dickens' Great Expectations, which featured the actor as Herbert Pocket, caught the attention of fledgling director David Lean. Seven years later, Lean would cast Guinness in the novel's screen adaptation; the 1946 film was the actor's second screen engagement, the first being the 1934 Evensong, in which he was an extra. It was in Lean's Oliver Twist (1948) that he had his first memorable onscreen role as Fagin, although his portrayal -- complete with stereotypically Semitic gestures and heavy makeup -- aroused charges of anti-Semitism in the United States that delayed the film's stateside release for three years. Guinness won bona fide international recognition for his work in Robert Hamer's Kind Hearts and Coronets (1949), an Ealing black comedy that featured him as eight members of the d'Ascoyne family. He would subsequently be associated with a number of the classic Ealing comedies, including The Lavender Hill Mob (1951), The Man in the White Suit (1951), The Detective (1954), and The Ladykillers (1955). In 1955, Guinness' contributions to the arts were recognized by Queen Elizabeth, who dubbed him Commander of the British Empire. Two years later, he received recognition on the other side of the Atlantic when he won a Best Actor Oscar for his role as Colonel Nicholson, a phenomenally principled and at times foolhardy British POW in The Bridge on the River Kwai. Ironically, Guinness turned down the role twice before being persuaded to take it by producer Sam Spiegel; his performance remained one of the most acclaimed of his career. In 1960, Guinness once again earned acclaim for his portrayal of another officer, in Tunes of Glory. Cast as hard-drinking, ill-mannered Scottish Lieutenant-Colonel Jock Sinclair, a role he would later name as his favorite, the actor gave a powerful performance opposite John Mills as the upper-crust British officer assigned to take over his duties. He subsequently became associated with David Lean's great epics of the 1960s, starring as Prince Feisal in Lawrence of Arabia (1962) and as Zhivago's brother in Dr. Zhivago (1965); much later in his career, Guinness would also appear in Lean's A Passage to India (1984) as Professor Godbole, an Indian intellectual. Although Guinness continued to work at a fairly prolific pace throughout the 1960s and 1970s, his popularity was on the wane until director George Lucas practically begged him to appear as Obi Wan Kenobi in Star Wars (1977). The role earned the actor his third Academy Award nomination (his second came courtesy of his screenplay for Ronald Neame's 1958 satire The Horse's Mouth) and introduced him to a new generation of fans. Guinness reprised the role for The Empire Strikes Back (1980) and Return of the Jedi (1983); although the role Obi Wan was perhaps the most famous of his career and earned him millions, he reportedly hated the character and encouraged Lucas to kill him off in the trilogy's first installment so as to limit his involvement in the subsequent films.After receiving an honorary Academy Award in 1979, Guinness did a bit of television (most notably a 1979 adaptation of John LeCarre's Tinker, Tailor, Soldier, Spy) and acted onscreen in supporting roles. In 1988 he earned a slew of award nominations -- including his fourth Oscar nomination -- for his work in a six-hour adaptation of Dickens' Little Dorrit. In addition to acting, Guinness focused his attention on writing, producing two celebrated memoirs. He died on August 5, 2000, at the age of 86, leaving behind his wife of 62 years, a son, and one of the acting world's most distinguished legacies.

Trivia: Acted in two different biopics about Ian Fleming, the creator of James Bond. Understudied for a then-unknown Daniel Day Lewis in stage production of Another Country. Performed on the soundtrack for an episode of Agatha Christie's Miss Marple television series. Provided voice-work for the award-winning documentary Letters from Baghdad. Guest starred as a monster-of-the-week on Doctor Who.

Trivia: Lead actress Edney Beatie first appeared onscreen in 1990.

Trivia: Richard Beale is a British character actor who has appeared on stage, screen, and television throughout Europe. During WW II, Beale served as a lieutenant in the Royal Navy.

Trivia: British actress Jeanne Watts has spent the bulk of her career playing leads and character roles on-stage. She specializes in classical plays and frequently works with the National Theatre Company. Watts has also occasionally appeared in feature films.

Trivia: A former doctor, Richard Leech gave up his successful practice after a single year to try his luck as an actor. His first screen role of note was Flight Lieutenant Young in the phenomenally successful The Dam Busters (1955). Thereafter, he was typecast as military officers, police inspectors, and, inevitably, doctors. He played small but notable roles in a number of Richard Attenborough-directed films, including Young Winston (1972) and Gandhi (1982). Richard Leech is the father of actress Eliza McClelland.

Trivia: Actor, comedian, novelist, columnist, noted wit, vocal gay rights advocate, and general bon vivant, Stephen Fry is nothing if not one of the more versatile and outspoken talents to come along in the latter half of the 20th century. Since beginning his creative partnership with Hugh Laurie in 1981, Fry has become a fixture on British television with programs such as A Bit of Fry and Laurie and Jeeves and Wooster. In addition, he has made a number of films and established himself as a respected commentator on the various happenings in British society.Born in London on August 24, 1957, Fry was the second of three children born to a homemaker mother and physicist/investor father. The family moved to Norfolk when Fry was very young and he was sent off for a public school education at the age of eight. Over the course of his education, first at Uppingham and then at Stout's Hill, Fry got into lavish amounts of trouble thanks to his tendency to lie, cheat, and steal, a habit that would land him in jail for three months when he was 18. After serving time at Pucklechurch prison for credit card fraud, Fry began to turn his life around, beginning with an acceptance to Queens College, Cambridge. It was at Cambridge that he began doing comedy, performing with the legendary Cambridge University Footlights Club (previously home to various Monty Python members, among others). Other Footlighters at the time included Emma Thompson, Tony Slattery, and Hugh Laurie, the last of whom was introduced to Fry by Thompson. Fry and Laurie began their collaboration in 1981, performing Footlights revues at various venues around Great Britain, including the Edinburgh Festival, and doing a three month tour of Australia. In 1984, after making occasional television appearances for a couple of years (including a hilarious send-up of the Oxbridge set on an episode of The Young Ones), Fry found great critical and financial success when he was asked to rewrite Noel Gay's Me and My Girl. The stage production, which starred Fry's Cambridge friend Emma Thompson, won wide acclaim, eventually garnering Fry a 1987 Tony nomination. Throughout the remainder of the decade, Fry won fame in his native country for his work on various television and radio shows, and in supporting roles in a number of films. Some of his more notable television work included A Bit of Fry and Laurie (1987) and Rowan Atkinson's Black Adder series, while he made appearances in films such as A Fish Called Wanda (1988) and the same year's A Handful of Dust. Meanwhile, Fry was also gaining recognition for his columns for The Daily Telegraph, as well as a certain amount of notoriety for various well-publicized statements he made in the press. Two of the more memorable of these were a magazine article in which he declared his celibacy and a television appearance where he claimed the U.K. record for saying "f***" the most times in one live broadcast.The 1990s brought more film and television work for Fry, as well as the publication of three best-selling novels The Liar, The Hippopotamus, and Making History, as well as Paperweight, a collection of his columns, and Moab Is My Washpot, his autobiography. In addition to the transatlantic recognition he received for his books, some of the films he appeared in gave him fame beyond the PBS set (who had become further acquainted with him via the acclaimed series Jeeves and Wooster, in which he starred with Laurie). Most memorable of these were: Peter's Friends (1992), in which Fry co-starred with Thompson, Kenneth Branagh, and various members of the Footlights set; John Schlesinger's Cold Comfort Farm (1995); Wilde (1997); Spice World (1998); and A Civil Action (1998). He got particular attention for his work in Wilde, owing both to the filmmakers' decision not to gloss over the details of the Victorian playwright's sex life and to Fry's uncanny physical resemblance to Oscar Wilde, something that no doubt helped to enhance the actor's performance.The following decade found the next generation getting acquainted with Fry as the narrator of the popular Harry Potter series of audiobooks and videogames, with film roles on The Life and Death of Peter Sellers (as famed British clairvoyant and astrologer Maurice Woodruff), MirrorMask, and V for Vendetta keeping him a familiar face on the big screen. And despite candidly detailing his struggle with bipolar disorder in the 2006 documentary Stephen Fry: The Secret Life of the Manic Depressive, it was Fry's role as host of the long-running comedy panel show QI, which debuted in 2003, that provided his fans with the kind of witty and irreverent social commentary they had come to expect from the multi-talented star. With four new comedians gathering each week to share personal anecdotes, answer trivia questions, and quip about the latest headlines, QI was always fresh and relevant even after being on the air for nearly a decade.Fry continued to work in all forms of media, and expanded his fan base by taking high-profile roles like Mycroft Holmes in Sherlock Holmes: A Game of Shadows (2011) and playing the Mayor of Laketown two of the three Hobbit movies, The Desolation of Smaug (2013) and The Battle of the Five Armies (2014). He also had a recurring role in the series 24: Live Another Day, playing the British Prime Minister.

Trivia: Gangling Scottish character actor Graham Crowden seemed born to play over-sanctimonious priests, looney scientists and cadaverous undertakers. Following Shakespearean stage work, Crowden made his film bow in 1961's Why Bother to Knock? He became a favorite of film director Lindsay Anderson, who showed Crowden to excellent if bizarre advantage in such films as If (1969), O' Lucky Man! (1973) (in several roles) and Brittania Hospital (1982). Among Graham Crowden's non-Lindsay Anderson films were The Ruling Class (1973), The Little Prince (1974), Jabberwocky (1981), For Your Eyes Only (1982) and The Company of Wolves (1984).

Trivia: British lead actress Cathryn Harrison is the daughter of actor Noel Harrison and the granddaughter of distinguished actor Rex Harrison. She made her film debut in Pied Piper (1972). That year she also starred in Robert Altman's Images (1972). Her film appearances since then have been sporadic. In 1990, Harrison launched a career in television, appearing in movies and miniseries such as Portrait of a Marriage (1990) and The Choir (1995).