Trivia: A busy teenaged model, Carol Lynley rose to fame by virtue of a series of popular hair-conditioner commercials. Her first important acting assignment was as a high-school-age murderess on a 1958 episode of Alfred Hitchcock Presents, directed by Robert Altman. The blonde ingenue played a more sedate role in her first film, Disney's The Light in the Forest. Carol Lynley continued essaying a variety of sympathetic and menacing roles into the 1990s, earning extensive press coverage for her portrayal of film-legend Jean Harlow in a 1965 "electronivision" production, released at the same time as another Harlow biography starring Carroll Baker.

Trivia: Born in Brooklyn, Jeff Chandler attended that borough's Erasmus High School, the spawning ground of many top stage and film personalities. He spent two years in summer stock before serving in World War II. After the war, he became a busy radio actor, co-starring as the clueless Professor Boynton on the popular Eve Arden sitcom Our Miss Brooks. His first film appearance was a one-line bit in Columbia's Johnny O'Clock (1947). He made a better impression as an Israeli freedom fighter in Universal's Sword in the Desert (1948)--so much so that the studio's executives ordered that Chandler's role be expanded during filming. In 1950, Chandler made the first of three screen appearances as sagacious Apache chief Cochise in Broken Arrow. Though he worried that he'd be typecast in Native American parts, Chandler became a top leading man of the 1950s, his sex appeal curiously heightened by his prematurely gray hair. Shortly after completing his role in Merrill's Marauders (1962), Jeff Chandler died at age 42, the victim of blood poisoning following spinal surgery.

Trivia: Ohioan Eleanor Parker chose a career in acting when she was still in her teens and began appearing in professional stage productions in Cleveland and at California's Pasadena Playhouse. Signed at Warner Bros. in 1941, the red-haired actress was given the slow buildup in such B's as The Mysterious Doctor before graduating to leads in prestige pictures like Pride of the Marines (1945). As the sluttish Mildred in the 1946 remake Of Human Bondage, Parker was not nearly as effective as Bette Davis in the 1934 version, but she learned from this comparative failure and matured into a versatile actress, equally adept at comedy and heavy dramatics. She was Oscar nominated for Caged (1950), in which she plays an utterly deglamorized prison inmate; Detective Story (1951), wherein, as Kirk Douglas' wife, she agonizingly harbors the secret of a past abortion; and Interrupted Melody (1955), in which she portrays polio-stricken opera diva Marjorie Lawrence. Though she tended toward down-to-earth portrayals, Eleanor could be flamboyantly sexy if required, like her performance as a tempestuous lover in Scaramouche. Still regally beautiful into the 1960s and 1970s, Eleanor Parker was always worth watching no matter if the role was thankless (the Countess in Sound of Music [1965]) or "Baby Jane"-style horrific (the terrorized, elderly cripple in Eye of the Cat [1969]). Parker spent the majority of her career in the 1970s and '80s in TV movies and the occasional guest appearance on television series like Hawaii Five-O and The Love Boat before retiring from acting in 1991. She died in 2013 at age 91.

Trivia: Pressured into an acting career by her ambitious parents, Mary Astor was a silent film star before she was 17 -- a tribute more to her dazzling good looks than anything else. Debuting in The Beggar Maid (1921), Astor appeared opposite John Barrymore in 1923's Beau Brummell with whom she had a romantic relationship and later starred with in Don Juan (1926), Anxious not to be a victim of the talking-picture revolution, the actress perfected her vocal technique in several stage productions for Edward Everett Horton's Los Angeles-based Majestic Theatre, and the result was a most successful talkie career. Things nearly fell to pieces in 1936 when, in the midst of a divorce suit, Astor's ex-husband tried to gain custody of the couple's daughter by making public a diary she had kept. In this volume, Astor detailed her affair with playwright George S. Kaufman; portions of the diary made it to the newspapers, causing despair for Astor and no end of embarrassment for Kaufman. But Astor's then-current employer, producer Sam Goldwyn, stood by his star and permitted her to complete her role in his production of Dodsworth (1936). Goldwyn was touched by Astor's fight for the custody of her child, and was willing to overlook her past mistakes. Some of Astor's best films were made after the scandal subsided, including The Maltese Falcon (1941), in which she played the gloriously untrustworthy Brigid O'Shaughnessy opposite Humphrey Bogart's Sam Spade, and The Great Lie (1941), in which she played a supremely truculent concert pianist (and won an Academy Award in the bargain). Seemingly getting better as she got older, Astor spent the final phase of her career playing spiteful or snobbish mothers, with one atypical role as murderer Robert Wagner's slow-on-the-uptake mom in A Kiss Before Dying (1956). A lifelong aspiring writer, Astor wrote two entertaining and insightful books on her career, My Story and A Life on Film. Retiring after the film Hush Hush Sweet Charlotte (1966), Astor fell victim to health complications and financial tangles, compelling her to spend her last years in a small but comfortable bungalow on the grounds of the Motion Picture Country House and Hospital.

Trivia: The son of professional ballplayer Walter Hart, William Sterling Hart attended the University of Pittsburgh, then worked as a clothing salesman before entering show business. He was signed by Columbia in 1939, where his name was changed to Robert Sterling so as to avoid confusion with silent western star William S. Hart. At Columbia, Sterling played bits in such features as Golden Boy and Blondie Brings Up Baby, and was also seen in the studio's short subjects product, notably as star of a 2-reel dramatization of the life of rubber magnate Charles Goodyear. In 1941, Sterling moved to MGM, where he was groomed as a potential Robert Taylor replacement. During his MGM tenure, he married actress Ann Sothern, with whom he appeared in Ringside Maisie. The union, which lasted until 1949, produced a daughter, future actress Tisha Sterling. Following war service, Sterling's career fell into a rut of colorless second leads. He finally achieved stardom on the delightful TV sitcom fantasy Topper, co-starring with his second wife Anne Jeffreys. After Topper completed its two-year run in 1955, the Sterlings took to the road in touring stage productions; they reteamed before the cameras in Love That Jill, a 1958 TV comedy which perished after 13 weeks. Sterling's additional TV work included the hosting chores on the 1956-57 season of The 20th Century-Fox Hour, and the starring role of small-town editor Robert Major on the 1961 sitcom Ichabod and Me. He was also one of several actors seriously considered for the role of Perry Mason before Raymond Burr won the part. Robert Sterling retired from acting in the 1970s to run a successful computer business; he has kept so low a public profile in the last two decades that many sources have referred to the still-active Anne Jeffreys as Sterling's widow!

Trivia: Actress Luciana Paluzzi was one of many voluptuous Italian brunettes groomed for international stardom in the wake of Gina Lollobrigida. Working both sides of the Atlantic in the '50s in such films as Three Coins in the Fountain (1954) and Sea Fury (1958), Ms. Paluzzi was given a chance at American TV stardom in the role of Simone Genet on the 1959 espionage weekly Five Fingers. Little was required of Paluzzi other than looking gorgeous in low-cut evening gowns; while this kept Five Fingers alive in the fan magazines, it wasn't enough to sustain the series beyond 17 episodes. Her career in a slump in 1965, she accepted a villainess role in the James Bond epic Thunderball. She portrayed Fiona, one of the few women on this planet able to resist the charms of Mr. Bond; perhaps as punishment for this, Fiona is killed on the dance floor by her own companions, whereupon James deposits her body at a nearby table and says "Do you mind if my partner sits this one out? She's just dead." This fleeting association with a box-office blockbuster enabled Luciana Paluzzi to extend her European starring career well into the '70s.

Trivia: A leading teen ingénue of the 1950s and 1960s, Tuesday Weld later emerged as one of the more intriguing actresses in Hollywood, delivering a string of well-received performances in the kinds of offbeat and idiosyncratic projects rarely visited by performers of her beauty and glamour. Born Susan Weld August 27, 1943, in New York City, the name "Tuesday" was an extension of a girlhood nickname, "Tu-Tu." She began working as a child model at age four to help support her family after the death of her father, quickly moving from mail-order catalogues to television commercials. She made her film debut in 1963's Rock, Rock, Rock before understudying in Broadway's 1957 production of The Dark at the Top of the Stairs. Upon signing a seven-year contract with 20th Century Fox, Weld was labeled by the press as "Fox's answer to Sandra Dee," but after just one film, 1959's Rally 'Round the Flag, Boys!, the studio dropped her.Weld shot to prominence through her work in the television comedy The Many Loves of Dobie Gillis, which premiered in 1959. That same year she appeared on the silver screen opposite Danny Kaye in The Five Pennies, followed in 1960 by the campus drama Because They're Young. Also in 1960, Weld began appearing under schlockmeister Albert Zugsmith, first in Sex Kittens Go to College and later in the following year's The Private Lives of Adam and Eve. Successive roles in Return to Peyton Place and the Elvis Presley vehicle Wild in the Country further crippled her attempts to mount a serious acting career, although her turn in the 1962 Frank Tashlin comedy Bachelor Flat showed signs of life. Weld then turned down the seemingly tailor-made title role in Stanley Kubrick's Lolita in order to study her craft at the Actors' Studio, and after holding her own opposite Steve McQueen and Jackie Gleason in 1963's Soldier in the Rain, she announced she would no longer accept teenage roles.However, teen roles were all that continued to come Weld's way, and after a two-year absence from the screen she resurfaced in 1965's I'll Take Sweden as the young daughter of star Bob Hope. She followed with an appearance in the McQueen gambling drama The Cincinnati Kid, and in 1966 delivered her strongest performance to date in George Axelrod's little-seen satiric gem Lord Love a Duck. That same year Weld married, later giving birth to her first child. Motherhood brought a temporary halt to her career, forcing her to turn down plum assignments including Bonnie and Clyde, Cactus Flower, True Grit, and Bob & Carol & Ted & Alice. She returned to work in 1968's Pretty Poison, again earning strong critical notices, but after 1970's I Walk the Line, it was reported that she had moved to Britain and retired from film.The move was not permanent, for in 1971 Weld appeared in her friend Henry Jaglom's A Safe Place. After 1972's Play It As It Lays, she returned to television work, starring in the TV films Reflections of Murder and F. Scott Fitzgerald in Hollywood. In 1977, Weld appeared in Looking for Mr. Goodbar, and a year later she starred in Who'll Stop the Rain? From 1980 to 1985, Weld was married to Dudley Moore, a period during which she appeared in Michael Mann's 1981 thriller Thief and Sergio Leone's 1984 classic Once Upon a Time in America. In the latter half of the decade, however, she appeared more infrequently before the camera, with only a pair of TV-movie credits, 1986's Something in Common and Circle of Violence: A Family Drama, and a lead role in the 1988 feature Heartbreak Hotel. In the 1990s, Tuesday Weld sightings were even more rare, including only 1991's Mistress, 1993's Falling Down, and 1996's Feeling Minnesota.

Trivia: Actor Brett Halsey came into this world as Charles Oliver Hand, the son of a San Francisco contractor. Formerly a page at the CBS studios in Hollywood, the 20-year-old Halsey was signed to a Universal contract in 1953. His earliest film efforts include The Glass Web (1953) and Ma and Pa Kettle at Home (1954), in which he played one of the myriad of Kettle offspring. He went on to play leads in bottom-budget juvenile delinquent films, including the immortal 1958 howler Speed Crazy. Under contract to 20th Century-Fox in the late 1950s-early 1960s, Halsey starred in Return of the Fly (1959) and was seen on a weekly basis as swinging journalist Paul Templin in the TV series Follow the Sun (1961). He then packed his bags and headed to Italy, where he played leads in swashbucklers, spy films, and Westerns (occasionally under the pseudonym Montgomery Ford). His experiences as a journeyman actor in Europe were encapsulated in his novel Magnificent Strangers. Halsey returned to the U.S. in the early 1970s, where he acted in such TV daytime dramas as Love is a Many Splendored Thing, Search for Tomorrow and, General Hospital, as well as in feature films, including Francis Ford Coppolas' Godfather III (1990). Brett Halsey was at one time married to actress Luciana Paluzzi.

Trivia: A stage actor since the 1920s, Kenneth MacDonald found the going rough in Hollywood until he published and distributed a pamphlet titled "The Case of Kenneth MacDonald." This little self-promotional book brought him to the attention of studio executives, and throughout the 1930s MacDonald could be seen as a mustachioed, mellifluous-voiced villain in scores of westerns and melodramas. His work in the Charles Starrett westerns at Columbia led to a lengthy association with that studio. From 1940 through 1954, MacDonald played featured roles in such Columbia productions as Island of Doomed Men (1940), Power of the Whistler (1945) and The Caine Mutiny (1954); he was also prominently cast in the studio's short subjects, especially in the comedies of the Three Stooges and Hugh Herbert, his most familiar role being that of a society criminal or shyster lawyer. During the 1960s, Kenneth MacDonald was a semi-regular on the Perry Mason TV series, playing a solemn judge.

Trivia: American actor Bob Crane is best remembered for playing the crafty POW Col. Hogan on the 1960s television comedy Hogan's Heroes, but he also played leads in a few films during the '50s and '60s. Crane was born in Waterbury, Connecticut. He began his career as a drummer and played with dance bands and a symphony orchestra. He also worked as a radio announcer at various stations around the U.S. before hosting a morning talk show in Hollywood. Next Crane began appearing regularly on the Donna Reed Show. In 1978, he was mysteriously murdered, and the case remains unsolved. He was married to Sigrid Valdis, an actress.

Trivia: Actor Max Showalter learned his craft at the Pasadena Playhouse. An adroit, quick-witted comic performer, Showalter was one of the earliest participants in the infant medium known as television. He was an ensemble player on 1949's The Swift Show, and that same year was a panelist on the "charades" quiz show Hold It Please. 20th Century-Fox chieftan Darryl F. Zanuck was a fan of Showalter's work; the producer hired Showalter as a Fox featured player, but not before changing his name to the more "box-office" Casey Adams. While there were a few leading roles, notably as Jean Peter's obtuse husband in Niagara (1953), for the most part Showalter/Adams' film career was confined to brief character parts (e.g. Return to Peyton Place [1958] and The Music Man [1962]). While still travelling under the alias of Casey Adams, Showalter appeared in a half-hour pilot film titled It's a Small World (1956); on this one-shot, the actor originated the role of Ward Cleaver, a role that would ultimately be assumed by Hugh Beaumont when Small World matriculated into Leave It to Beaver. Shedding the Casey Adams alias in the mid '60s, Max Showalter remained a busy character player into the '80s, appearing as a regular on the 1980 sitcom The Stockard Channing Show.

Trivia: American character actor Pitt Herbert appeared on stage, screen, television and in commercials. He got his start on stage and during the '30s and '40s appeared on Broadway. He has also worked as a director and a drama instructor. Later Herbert was an active member of the Screen Actors Guild legislative committee and helped to pass Chapter 1217 of the Unemployment Compensation/Pension Refund Act.

Trivia: Arthur Peterson played character and supporting roles on stage, television, and feature films. On television, fans of the series Soap (1977-1981), a funny spoof of soap operas, may remember Peterson for playing the Major. North Dakota born and raised, Peterson first obtained a degree in theater from the University of Minnesota before becoming a professional actor with the first Federal Theater Project. Peterson made his media debut in 1936 with a regular role on the radio serial The Guiding Light. During WWII, Peterson fought within General Patton's third regimen. Upon his discharge, Peterson appeared in the ABC network's first situation comedy, That's O'Toole. Peterson's stage work included appearances in such plays as Inherit the Wind. His film career has been sporadic, including such titles as Born Wild (1968) and the television movie Rollercoaster (1977). Peterson spent 1981 to 1991 touring the country with his wife in a Pasadena Playhouse production of The Gin Game (a play made famous on Broadway by Jessica Tandy and her husband Hume Cronyn). When the play's long run ended, Peterson retired from acting. He passed away on October 31, 1996, of Alzheimer's disease in the Amberwood Convalescent Hospital in Los Angeles at age 83.

Trivia: Emerson Treacy is best remembered for his work in a pair of Little Rascals/Our Gang shorts from the year 1933, portraying the father of Spanky McFarland. In point of fact, he was a successful, light leading man and character actor on-stage, in movies, and on radio and television, with a career that lasted more than 30 years, and took him from comedy on Broadway to roles in the movies of such directors as George Cukor, Joseph Losey, and Alfred Hitchcock. Of slightly diminutive size and with a ready smile, he could also do a good slow burn and turn comically pugnacious, and he had a gift for slapstick comedy as well, all attributes that went into his most well-remembered role, as Spanky's father in the Little Rascals/Our Gang shorts Bedtime Worries and Wild Poses. As the well-meaning but harried husband and father, he was teamed in both films with Gay Seabrook, the dark-haired, mousy-voiced, zany actress who played Spanky's mother. Treacy and Seabrook were actually a well-known double-act on radio and in theater during the early '30s, and their casting as Spanky's parents would have been something of an "in" joke at the time. Together they comprised a kind of slightly lower-rent version of George Burns and Gracie Allen. Onscreen, they made a delightfully goofy couple, like a slightly twisted Blondie and Dagwood Bumstead; and Treacy was superb as Spanky's father, indulgent and enthusiastic at the start of both films, but slowly showing ever more annoyance and impatience over his son's incessant chatter ("Why does he have to ask so many questions?" he asks, in convincing fatigue about four minutes into Bedtime Worries, as his son inquires as to the nature of his job as a shipping clerk). And in Wild Poses, Treacy found his perfect screen nemesis in Franklin Pangborn, playing a prissy, nervous portrait photographer (named Otto Focus) who spends an entire day trying to get one picture of Spanky, while the latter's parents attempt to help. Treacy played in dozens of other feature films, including small roles in Adam's Rib and The Wrong Man, as well as on television programs such as Perry Mason. In Elliott Nugent's rural drama Two Alone (1934), he's sinister as Milt, the smirking, brutish son-in-law to A. S. Byron's lecherous, taciturn Slag, threatening to maim the fleeing young couple as he confronts them, holding a monkey wrench; and in Joseph Losey's The Prowler (1951), Treacy is almost a comically tragic figure as the good-natured brother of a murder victim who unwittingly helps his killer initially escape justice. But those two Little Rascals shorts - in which his character was named Emerson Treacy and Seabrook used her real first name - are what he is remembered for, thanks to 40 years or more of their being steadily re-shown on television.

Trivia: In films from 1945, Wilton Graff carved a screen career out of playing judges, doctors, DAs and the like. Graff's movie assignments ranged from bits in "A" pictures to sizeable supporting roles in programmers. He could be seen as the maitre d' in the crucial Gregory Peck-John Garfield restaurant scene in Gentleman's Agreement (1947), and as Baron Fitzwalter, Robin Hood's father-in-law, in Rogues of Sherwood Forest (1950). Wilton Graff's only starring role was as Dr. Belleau, the crazed sportsman who hunted human quarry in the 1961 Most Dangerous Game knock-off Bloodlust.

Trivia: African-American actor Hari Rhodes first came to the widespread attention of televiewers with his portrayal of African native Mike on the TV series Daktari. Though he seldom had as much to do as series star Marshall Thompson, Rhodes developed a fan following during his three-year (1966-69) run with the program. Subsequent TV jobs included such roles as DA William Washburn on the 1969 law-and-order weekly The Protectors; Los Angeles mayor Dan Stoddard on the 1976 cop series Most Wanted; Brima Cesay on the landmark 1977 miniseries Roots; and Presidential retainer Coates on the 1979 "docudrama" Backstairs at the White House. Hari Rhodes died in January of 1992, a few months before the premiere of his final project, the made-for-TV feature Murder without Motive: The Edmund Perry Story.

Trivia: Actress Collette Lyons appeared many times in Broadway musicals and reviews from the late '30s through the '40s. She also appeared in a few Hollywood films. At one time she was married to newspaper heir George Hearst.

Trivia: "Miss Missouri of 1937" and a New York model voted "one of the five women in America with the best-dressed hair" by stylist Monsieur Leon (the other four were Claudette Colbert, Kathryn Grayson, Gertrude Lawrence, and Norma Shearer), blonde Helen Bennett appeared on Broadway in Dream Girl prior to playing "Madame Mysterious" in the 1945 Universal serial The Royal Mounted Rides Again. Bennett did two additional serials, Lost City of the Jungle and The Scarlet Horseman (both 1946), but played the female lead in neither. She later worked mostly on the radio but returned to the screen twice, in On the Threshold of Space (1956) and Return to Peyton Place (1961). Bennett was a founding member of the Pacific Pioneer Broadcasters.