Trivia: American actress Dorothy McGuire made her stage debut at age 13 in A Kiss For Cinderella in her home town of Omaha, opposite fellow aspiring actor and Omaha native Henry Fonda. McGuire went to Broadway in 1938 to understudy Martha Scott in the role of Emily Webb in Our Town, eventually taking over the part; she also underwent an ingenue's ordeal by fire, acting opposite the dissipated John Barrymore in My Dear Children. Claudia, produced in 1941, was Dorothy's first starring stage vehicle. On the strength of this play, she was put under contract by film producer David O. Selznick, whose first move was to lend the actress out to 20th Century-Fox to recreate her role as the immature newlywed in the 1943 filmization of Claudia. So popular was this film that a followup was made three years later, again starring McGuire, titled Claudia and David (1946). In the meantime she had played a far more mature role as the beleagured wife of alcoholic James Dunn in A Tree Grows in Brooklyn (1945), then finally made a film for Selznick, portraying an imperiled mute girl in The Spiral Staircase (1946). Always a star and never a starlet, McGuire refused to pose for cheesecake stills, turned down attempts to publicize her private life, and vetoed wearing makeup for her role as an extremely homely woman in The Enchanted Cottage (1945), opting (wisely) to convey the homeliness through facial expressions and lighting. The actress was nominated for an Academy Award for her role as Gregory Peck's fiancee in Gentleman's Agreement (1947), but Oscars went instead to supporting actress Celeste Holm and to the picture itself. Alone among actresses her age, McGuire was able to fluctuate from romantic leads in such films as Three Coins in the Fountain (1954) to character parts in films like Friendly Persuasion (1956), relying neither on actor's affectations in the younger roles nor age makeup in the older ones. At age 46, she was still able to successfully portray the Virgin Mary in The Greatest Story Ever Told (1965). Living reclusively with her wealthy husband John Swope, McGuire chose her roles slowly and carefully in the latter part of her career, making quality appearances in such made-for-TV dramas as Rich Man Poor Man (1976) and Little Women (1979).

Trivia: A holder of a BA degree from the University of San Francisco, Richard Egan was an Army judo instructor during WorldWar II. While working towards his MA in theatre at Stanford University, the rugged Egan was discovered by a Warner Bros. talent scout. After his apprenticeship in supporting roles, Egan was signed as a leading man by 20th Century-Fox, where he was touted as "another Gable." Most comfortable in brawling adventure films, Egan proved a capable dramatic actor in such films as A View from Pompey's Head (1955). Many of his starring appearances in the 1960s were in such esoterica as Esther and the King (1960) and The 300 Spartans (1962) and in foreign-filmed westerns. In 1962, Egan starred as Jim Redigo, foreman of a sprawling New Mexico ranch, in the contemporary western TV series Empire; for its second season, the series was shortened from one hour to thirty minutes per week, and retitled Redigo. During his last decade, Richard Egan was a prolific dinner-theatre star throughout the U.S., and also appeared as Samuel Clegg II on the TV daytime drama Capitol.

Trivia: American actor Arthur Kennedy was usually cast in western or contemporary roles in his films; on stage, it was another matter. A graduate of the Carnegie-Mellon drama department, Kennedy's first professional work was with the Globe Theatre Company touring the midwest in abbreviated versions of Shakespearian plays. From here he moved into the American company of British stage star Maurice Evans, who cast Kennedy in his Broadway production of Richard III. Kennedy continued doing Shakespeare for Evans and agit-prop social dramas for the Federal Theatre, but when time came for his first film, City for Conquest (1940), he found himself in the very ordinary role of James Cagney's musician brother. Throughout his first Warner Bros. contract, Kennedy showed promise as a young character lead, but films like Bad Men of Missouri (1941), They Died with Their Boots On (1942) and Air Force (1943) did little to tap the actor's classical training. After World War II service, Kennedy returned to Broadway, creating the role of Chris Keller in Arthur Miller's All My Sons (1947). This led to an even more prestigious Miller play, the Pulitzer Prize winning Death of a Salesman (1948), in which Kennedy played Biff. Sadly, Kennedy was not permitted to repeat these plum roles in the film versions of these plays, but the close association with Miller continued on stage; Kennedy would play John Proctor in The Crucible (1957) and the doctor brother in The Price (1965). While his film work during this era resulted in several Academy Award nominations, Kennedy never won; he was honored, however, with the New York Film Critics award for his on-target portrayal of a newly blinded war veteran battling not only his handicap but also his inbred racism in Bright Victory (1951). The biggest box office success with which Kennedy was associated was Lawrence of Arabia (1962), wherein he replaced the ailing Edmund O'Brien in the role of the Lowell Thomas character. Working continually in film and TV projects of wildly varying quality, Kennedy quit the business cold in the mid-1980s, retiring to live with family members in a small eastern town. Kennedy was so far out of the Hollywood mainstream in the years before his death that, when plans were made to restore the fading Lawrence of Arabia prints and Kennedy was needed to re-record his dialogue, the restorers were unable to locate the actor through Screen Actor's Guild channels -- and finally had to trace him through his hometown telephone directory.

Trivia: American actress Sandra Dee began her career as a model at age 12, and later moved on to TV commercials. Her film break came when producer Ross Hunter balked at Natalie Wood's lofty salary demands and decided to use a newcomer to play Lana Turner's daughter in Imitation of Life (1959). The result for Dee was a long-term contract at Universal, although one of her biggest moneymakers was the 1959 Warner Bros. film A Summer Place. In 1961, Dee married singer/actor Bobby Darin, with whom she appeared in three lightweight but money-making comedies. After her divorce from Darin in 1967, Dee could no longer convey her patented perky-teen charm, and her career began a downhill slide, although the decline was occasionally slowed a bit by such curious highlights as the pseudo-hip sex comedy Doctor, You've Got to Be Kidding (1967) and the nail-biting psychological scare film The Dunwich Horror (1970). Out of movies completely by 1971, Dee retreated to private life, occasionally popping up on TV and granting interviews with nostalgia-happy young film buffs. Much of the actress' latter-day fame rested upon a single song in the Broadway smash Grease: the satiric, 1950s-style, rock ballad titled "Look at Me, I'm Sandra Dee."

Trivia: Blonde American leading lady Constance Ford made her first film appearance in 1956's The Last Hunt. Generally cast in sensible, straightlaced roles, Ford provided welcome relief to the youthful hijinks prevalent in such films as A Summer Place (1959), Claudelle Inglish (1961) and Rome Adventure (1962). Constantly employed on TV, Ford is best remembered for her work in soap operas, which both pre-dated and outlasted her film career. In 1954, Constance Ford starred on the short-lived serial Woman With a Past; and, from 1964 until 1989, Ford portrayed Ada Davis Downs Hobson on NBC's Another World.

Trivia: American actress Beulah Bondi entered the theatre at age 7, playing the male role of Little Lord Fauntleroy; it would be her last role "in drag" and one of the very few times that she'd play a character her own age. Upon graduation from Valparaiso University, she joined a stock company, working throughout the US until her 1925 Broadway debut in Wild Birds. Even in her late twenties and early thirties, Bondi specialized in playing mothers, grandmothers and society dowagers. She made her first film, Street Scene, in 1931, concentrating on movies thereafter. She is best known to modern film fans for her role as James Stewart's mother in the Christmastime favorite It's a Wonderful Life (1946). It was but one of several occasions (among them Vivacious Lady [1938] and Mr. Smith Goes to Washington [1939]) that the actress played Stewart's mother; as late as 1971, Bondi was essaying the same role in the short-lived sitcom The Jimmy Stewart Show. Even after her "official" screen retirement - her last film was Tammy and the Doctor (1963), in which, not surprisingly, she played a wealthy old invalid - Bondi kept herself open for television roles, including an Emmy-winning 1977 performance on the dramatic TV series The Waltons.

Trivia: Perky, red-haired actress Bonnie Franklin is best remembered for playing plucky single mom Ann Romano on the long-running sitcom One Day at a Time (1975-1984). Franklin began her acting career at age 12 when she appeared in the Alfred Hitchcock made-for-television movie The Wrong Man in 1956; that year she also appeared in a feature-film episode of the Kettle family saga, The Kettles in the Ozarks. Through the '60s, Franklin only appeared a couple of times as a guest star on television series such as The Man from U.N.C.L.E. While working on her sitcom, Franklin occasionally appeared in television movies. After the series' demise, her television work became sporadic, and by the early '90s, she had left the medium altogether, though Franklin continued acting in regional theater and in cross-country tours of plays, occasionally returning to the screen for small appearances. Franklin reuinted with her One Day at a Time daughter Valerie Bertinelli in an episode of Hot in Cleveland in 2011, but her return to acting was short-lived. After announcing she had pancreatic cancer in 2012, Franklin passed away due to complications from the disease in 2013 at the age of 69.

Trivia: American character actress Gertrude Flynn started out playing innocent young girls on Broadway during the 1930s. She made her film debut in 1954 with Barefoot Contessa and continued appearing periodically in films through the mid-1960s. Flynn made her final film appearance in 1984 in Bad Manners.

Trivia: American general purpose actor Arthur Space was active in films from 1940. Tall, tweedy, and usually sporting a mustache, Space played just about every kind of supporting role, from Western banker to big-city detective to jewel thief. One of his largest film roles was as the delightfully eccentric inventor Alva P. Hartley in the 1944 Laurel and Hardy vehicle The Big Noise. As busy on television as in films, Arthur Space was seen on a weekly basis as Herbert Brown, the father of horse-loving teenager Velvet Brown, in the TV series National Velvet (1960-1961).

Trivia: Roberta Shore was a busy child actor on television and, to a lesser degree, in movies during the 1950s and early '60s. Born Roberta Jymme Schourup in Monterey Park, CA, in 1943, she discovered early on that she was a natural singer and performer, and by age 10 was appearing at local event in San Gabriel, where she was raised, and the surrounding area. Billed variously as Jymme Shore and Roberta Shore, she passed through Tex Williams' television show and became a regular performer on The Pinky Lee Show at age 11. The following year, she was hired by Walt Disney Studios to play the foil to Annette Funicello in some of the filmed entertainments shown on The Mickey Mouse Club (although she was never a Mouseketeer, due in large part to her being considered too tall). She subsequently played in The Shaggy Dog as Funicello's rival for Tim Considine, in addition to singing the movie's theme song. Shore was heavily involved with the Disney organization for the next few years, doing voice work in animated films and recording for the Disneyland label. Shore also turned up in Father Knows Best as a girlfriend of older daughter Betty Anderson (Elinor Donahue), and played the rambunctious Hank (real name Henrietta) in The Bob Cummings Show (1961-1962), in addition to showing up in early '60s episodes of The Adventures of Ozzie And Harriet, as one of Ricky Nelson's girlfriends. Shore could also be seen in supporting roles in such feature films as A Summer Place and Blue Denim. In 1962, Shore was signed to play Betsy Garth, the daughter of Judge Henry Garth, in the 90-minute weekly western series The Virginian. She was 19 when the series went into production, but Betsy Garth was initially identified as a 15 year old (she celebrates her 15th birthday in the first episode), which, incidentally, takes place sometime in 1890 (specifically identified in episode two, which was focused on her character and gave Shore a lot to do dramatically). After the first season, however, the producers quietly advanced Betsy Garth's age, also giving her a love interest that audiences could accept in the person of new cast member Randy Boone, an actor/singer with whom she later recorded an album, in addition to singing with, in character, on the show. The series was a success, and Shore had a seven-year contract with the producers, and her future on network television seemed assured. But her religious background -- she was from a devout Mormon family -- was to take her out of The Virginian and performing earlier than most onlookers would have expected. Marriage and a family were always in the plan for her, sooner rather than later, and she decided during third season, when she was 21, that she was going to marry actor Ron Frederickson -- who was also a Mormon -- and leave the show. There was an episode written for the early part of the fourth season, entitled "The Awakening," in which Betsy Garth married a character played by Glenn Corbett and left the Shiloh Ranch, ending her tenure on the series. The producers also suspended Shore for the three years remaining on her contract, which had no actual effect on her, as she had walked away from acting to start and raise a family, which she did. Shore subsequently moved to Salt Lake City and, apart from an appearance in one movie in the 1970s and work as a disc jockey, maintained a private life for the next several decades. In 2003, she suddenly re-emerged in one corner of the performing world when she was cast in Gary Rogers' Book of Mormon film, along with her husband. In 2009, Shore and series star James Drury both did new on-camera interviews about The Virginian for the DVD release of the series' complete first season.

Trivia: A sadly neglected supporting actress, Ann Doran played everything from Charley Chase's foil in Columbia two-reelers of the late '30s to James Dean's mother in Rebel Without a Cause (1955) and also guest starred in such television shows as Superman, Petticoat Junction, Bewitched, and The A Team. A former child model and the daughter of silent screen actress Rose Allen (1885-1977), Doran made her screen bow in Douglas Fairbanks' Robin Hood (1922) but then spent the next 12 years or so getting herself an education. She returned to films in 1934 and joined the Columbia short subject department two years later. While with Columbia, Doran worked on all of Frank Capra's films save Lost Horizon (1937) and she later toiled for both Paramount and Warner Bros., often receiving fine reviews but always missing out on the one role that may have made her a star. Appearing in more than 500 films and television shows (her own count), Doran worked well into the 1980s, often unbilled but always a noticeable presence.

Trivia: Very early in his stage career, Richard Deacon was advised by Helen Hayes to abandon all hopes of becoming a leading man: instead, she encouraged him to aggressively pursue a career as a character actor. Tall, bald, bespectacled and bass-voiced since high school, Deacon heeded Ms. Hayes' advice, and managed to survive in show business far longer than many of the "perfect" leading men who were his contemporaries. Usually cast as a glaring sourpuss or humorless bureaucrat, Deacon was a valuable and highly regarded supporting-cast commodity in such films as Desiree (1954), Invasion of the Body Snatchers (1956), Kiss Them For Me (1957), The Young Philadelphians (1959) and The King's Pirate (1967), among many others. Virtually every major star who worked with Deacon took time out to compliment him on his skills: among his biggest admirers were Lou Costello, Jack Benny and Cary Grant. Even busier on television than in films, Richard Deacon had the distinction of appearing regularly on two concurrently produced sitcoms of the early 1960s: he was pompous suburbanite Fred Rutherford on Leave It to Beaver, and the long-suffering Mel Cooley on The Dick Van Dyke Show. Deacon also co-starred as Kaye Ballard's husband on the weekly TV comedy The Mothers-in-Law (1968), and enjoyed a rare leading role on the 1964 Twilight Zone installment "The Brain Center at Whipples." In his last decade, Richard Deacon hosted a TV program on microwave cookery, and published a companion book on the subject.