Trivia: A private school-educated everyman who could play outrageous comedy and wrenching tragedy, Jack Lemmon burst onto the movie scene as a 1950s Columbia contract player and remained a beloved star until his death in 2001. Whether through humor or pathos, he excelled at illuminating the struggles of average men against a callous world; as director Billy Wilder once noted, "There was a little bit of genius in everything he did." Born in 1925, the son of a Boston doughnut company executive, Lemmon was educated at Phillips Andover Academy and taught himself to play piano as a teen. A budding thespian by the time he entered Harvard, he was elected president of the famed Hasty Pudding Club. After his college career was briefly interrupted by a stint in the Navy at the end of World War II, Lemmon graduated from Harvard and headed to New York to pursue acting. By the early '50s, Lemmon had appeared in hundreds of live TV roles, including in the dramatic series Kraft Television Theater and Robert Montgomery Presents, as well as co-starring with first wife, Cynthia Stone, in two short-lived sitcoms. After Lemmon landed a major role in the 1953 Broadway revival of Room Service, a talent scout for Columbia Pictures convinced the actor to try Hollywood instead. Defying Columbia chief Harry Cohn's demand that he change his last name lest the critics take advantage of it in negative reviews, Lemmon quickly made a positive impression in his first film, the Judy Holliday comic hit It Should Happen to You (1954) and quickly became a reliably nimble comic presence at Columbia. A loan out to Warner Bros. for the smash Mister Roberts (1955), however, truly began to reveal his ability. Drawing on his Navy memories to play the wily Ensign Pulver, Lemmon held his own opposite heavyweights Henry Fonda and James Cagney and won a Best Supporting Actor Oscar for his fourth film. A free-agent star by the end of the 1950s, he began one of his two most auspicious creative collaborations when writer/director Billy Wilder tapped him to play one of the cross-dressing musicians in the gender-tweaking comic classic Some Like It Hot (1959). As enthusiastically female bull fiddler Daphne to Tony Curtis' preening Lothario sax player Josephine, Lemmon danced a sidesplitting tango with millionaire suitor Joe E. Brown and delivered a sublime speechless reaction to Brown's nonchalant acceptance of his manhood. Fresh off a Best Actor nomination for Hot, he then gave an image-defining performance in Wilder's multiple-Oscar winner The Apartment (1960). As ambitious New York office drone C.C. Baxter, who climbs the corporate ladder by loaning his small one-bedroom to his philandering bosses, Lemmon was both the likeable cynic and beleaguered romantic, perfectly embodying Wilder's sardonic view of a venal world. Lemmon's turn as the put-upon quotidian schnook pervaded the rest of his career. Determined to prove that he could play serious roles as well as comic, Lemmon campaigned to play Lee Remick's alcoholic husband in Blake Edwards' film adaptation of the teleplay Days of Wine and Roses (1962). Revealing the darker side of middle-class desperation, Lemmon earned still more critical kudos and another Oscar nomination. Despite this triumph, he returned to comedy, re-teaming with Wilder and The Apartment co-star Shirley MacLaine in Irma la Douce (1963). Though the love story between a Parisian prostitute and a cop-turned-lover in disguise was a lesser effort, Irma la Douce became a major hit for the trio. Continuing to display his skill at offsetting his characters' unseemly behavior with his innate, ordinary-guy affability, Lemmon's mid-'60s comic roles included a lascivious landlord in Under the Yum Yum Tree (1963) and a homicidal husband in How to Murder Your Wife (1965). Lemmon began his second legendary creative partnership when Wilder cast Walter Matthau opposite him in The Fortune Cookie (1966). The duo's popularity was cemented when they re-teamed for the hit film version of Neil Simon's The Odd Couple (1968). Despite his genuine pathos as suicidal, anal-retentive divorcé Felix Unger, Lemmon still managed to evoke great hilarity with Felix's technique for clearing his sinuses, becoming a superbly neurotic foil to Matthau's very casual Oscar Madison. Matthau subsequently starred in Kotch (1971), Lemmon's sole directorial effort, and Lemmon appeared in scion Charles Matthau's The Grass Harp (1995). Lemmon and Matthau also fittingly co-starred in Wilder's final film, Buddy Buddy (1981). After starring in The Out-of-Towners (1970) and Avanti! (1972), Lemmon took minimal salary in order to play a disillusioned middle-aged businessman in the drama Save the Tiger (1973). Though the film did little business, Lemmon finally won the Best Actor Oscar that had eluded him for over a decade and moved easily between comedy and drama from then on. As in The Odd Couple, he marshaled both humor and gloom for his portrayal of an unemployed, despondent gray flannel suit executive in Neil Simon's The Prisoner of Second Avenue (1972). His reunion with Wilder and Matthau for another screen version of the fast-talking newspaperman comedy The Front Page (1974), however, was strictly for laughs. Working less frequently in films in the mid-'70s, Lemmon managed to retain his status as one of the best actors in the business with his passionate turn as a conscience-stricken nuclear power plant executive in the prescient drama The China Syndrome (1979). Along with the Best Actor prize at the Cannes Film Festival, Lemmon also earned an Oscar nomination for Syndrome. He received another Oscar nod when he reprised his 1978 Tony-nominated performance as a dying press agent in the film version of Tribute (1980). Lemmon continued to push himself as an actor throughout the 1980s and 1990s. As an anguished father who seeks the truth about his son's disappearance in Constantin Costa-Gavras' politically charged Missing (1982), he repeated his Cannes win and Oscar nomination diptych. In 1986, Lemmon returned to Broadway in the challenging role of wretched patriarch James Tyrone in Eugene O'Neill's Long Day's Journey Into Night. Though critics began voicing their doubts after such films as Dad (1989), Lemmon offset his affection for sentiment in the early '90s with vivid performances as a slightly seedy character in JFK (1991), a fading, high-strung real estate agent in David Mamet's harsh Glengarry Glen Ross (1992), and a truant father in Robert Altman's Short Cuts (1993). Lemmon proved that older actors could still draw crowds when he co-starred with Matthau as warring neighbors in the hit comedy Grumpy Old Men (1993) and the imaginatively titled sequel Grumpier Old Men (1995). The two concluded their decades-long, perennially appealing odd couple act with Out to Sea (1997) and The Odd Couple II (1998). Along with gathering such lifetime laurels as the Kennedy Center Honors and the Screen Actors' Guild trophy, Lemmon also continued to win nominations and awards for his work in such TV dramas as the 1997 version of 12 Angry Men (inspiring Golden Globe rival Ving Rhames to famously surrender his prize to Lemmon) and Inherit the Wind (1999). Lemmon's Emmy-worthy turn as a serenely wise dying professor in Tuesdays With Morrie proved to be his final major role and an appropriate end to his stellar career. One year after longtime friend Matthau passed away in July 2000, Lemmon succumbed to cancer on June 27, 2001. He was survived by his second wife, Felicia Farr (whom he married in 1962), and his two children.

Trivia: The famous offspring of actors Ozzie Nelson and Harriet Hilliard Nelson, Rick Nelson (born Eric Hilliard Nelson) began performing on his parents' radio show when he was only four. When Ozzie and Harriet moved to television in 1952, Rick went with them and while on the show, grew up to become a teen idol, loved not only as an actor but also as a rock & roll singer who racked up hits with such singles as "Hello Mary Lou," "Travelin' Man," and "Garden Party" (his biggest and last big hit). Nelson made his feature-film debut in A Story of Three Loves. He earned critical acclaim as a cocky young gunfighter in Rio Bravo (1959) starring opposite John Wayne and Dean Martin. He continued appearing in films, in concert, and on television through the early '80s. Nelson, the father of actress Tracy Nelson and twin pop stars Matthew and Gunnar Nelson, died in a plane crash along with his fiancée and his band on New Year's Eve 1985.

Trivia: While working for an advertising agency, he was asked by a friend to appear in an industrial show for the 1939 World's Fair. By 1941 he was debuting on Broadway in As You Like It, and also worked often as an actor and writer on radio. He wrote the book and lyrics for Broadway's New Faces of 1943. His successful appearance in the play The Hasty Heart led to a long-term film contract with Paramount. He debuted onscreen in To Each His Own (1946). He went on to play leads in numerous films over the next decade. By the early '60s he appeared in minor films and secondary roles and then retired from the screen altogether, becoming a successful Hollywood businessman.

Trivia: Chips Rafferty was frequently described as "the Cary Grant of Australia," a reflection of his immense popularity rather than his choice of roles. Rafferty enjoyed a wide variety of on- and off-stage experiences before making his film bow in 1938's Ants in His Pants. Tall, tanned, and rugged, Rafferty seemed equally at home in an open-necked shirt in the Outback as he did in fancy duds on the streets of Melbourne -- much in the manner of his more modern counterpart, American leading man Sam Elliot. Rafferty's most popular starring films included Bush Christmas (1946), The Overlanders (1946), and Eureka Stockade (1948). He also appeared in character roles in several American films and TV programs, often cast as a "Lord-love-a-duck" stereotyped Aussie. Chips Rafferty collapsed on a Sydney street and died of a sudden heart attack at the age of 62.

Trivia: Unable to meet the exacting academic requirements of the Naval Academy, Colorado-born Tom Tully entered the service branch of his choice as a common seaman. Following this, Tully worked as a junior reporter for the Denver Post. He decided to become a radio actor simply because the money was better. After several theatrical flops, Tully managed to hitch himself to a success with Eugene O'Neill's Ah, Wilderness. In 1944, he arrived in Hollywood to appear in I'll Be Seeing You. Among his many tough-but-tender screen characterizations was the role of the first commander of the "Caine" in 1954's The Caine Mutiny, a performance which earned Tully an Oscar nomination. From 1954 through 1960, Tom Tully essayed the role of Inspector Matt Grebb on the TV detective series Lineup (aka San Francisco Beat).

Trivia: Actor Joby Baker was at his busiest as a young TV leading man in the early 1960s, making guest appearances in such series as Dr. Kildare and Cain's Hundred. Baker also played comedy relief in Elvis Presley's Girl Happy (1966), and began a long association with Walt Disney Studios, where he appeared in Bullwhip Griffin (1966), Blackbeard's Ghost (1967) and Superdad (1974). In 1968, Baker was topbilled on Good Morning World, a sitcom about a pair of frantic disc jockeys named Lewis and Clark (Ronnie Schell of Gomer Pyle fame was Clark). Then followed over a decade of character roles, culminating with a regular stint as Colonel Marvin on the 1980 series Six O'Clock Follies, an ill-advised sitcom set in Saigon during the Vietnamese war. In addition to his acting credits, Joby Baker was a professional painter of note; several of his abstract works were exhibited in major Los Angeles art galleries.

Trivia: Trained at New York's Professional Children's School, Warren Berlinger made his first stage appearance at the age of 11. At 17, Berlinger was showered with critical praise for his performance in the 1955 Broadway production A Roomful of Roses, in which he appeared with his future wife, actress Betty Lou Keim. Both Berlinger and Keim repeated their roles in the 1956 film version of Roses, retitled Teen-age Rebel. In 1958, he won a Theatre World Award for his performance in Blue Denim, again re-creating his role in the 1959 film adaptation. He scored a huge hit in the 1963 London production of How to Succeed in Business Without Really Trying, essaying his favorite role, J. Pierpont Finch. In films, Berlinger's stock-in-trade has been the portrayal of plump, good-natured schmoes; he was still conveying this image into the 1980s and 1990s in films like The World According to Garp (1982) and Hero (1992). On television, he played the lead in the "Kilroy" episodes of Walt Disney's Wonderful World of Color(1965) and had regular roles on The Joey Bishop Show (1961), as Joey's brother Larry, The Funny Side (1971), A Touch of Grace (1973), Operation Petticoat (1977) and Small and Frye (1983). Distantly related to comedian Milton Berle, Warren Berlinger appeared with "Uncle Miltie" in the 1975 feature Lepke.

Trivia: The son of an English-immigrant clothier, Mike Kellin decided to become an actor in the second grade, after watching a school production of A Christmas Carol. The restless Kellin briefly attended three colleges before serving in the Navy in World War II. After flunking out of Yale Drama School, Kellin headed to New York, where he studied acting under Lee Strasberg, Sanford Meisner and Stella Adler. Denied leading-man assignments because of what he described as his "lived-in face," Kellin's big Broadway break came in the role of the abrasive sergeant in the 1949 Broadway comedy At War with the Army; he would reprise his role in the 1950 film version, which starred Martin and Lewis. Kellin went on to win the Tony award for his performance in the 1956 Rodgers and Hammerstein musical Pipe Dream. In 1960, Kellin was cast as slovenly Chief Mate McCarthy in The Wackiest Ship in the Army; when this film was adapted into a TV series in 1965, Kellin came along for the ride in substantially the same role, though the character was rechristened as Chief Petty Officer Willie Miller. Mike Kellin's most celebrated movie appearance was his Oscar-nominated role as the father of the imprisoned protagonist in Midnight Express (1978).

Trivia: Following his screen debut in 1949's Twelve O'Clock High, Richard Anderson was groomed for stardom at MGM. His stature in Hollywood seemed assured when he married the daughter of former MGM luminary Norma Shearer. But Anderson was -- by his own admission -- a less-than-noble figure in his younger days, losing both prestige and several plum film roles through his arrogance, his explosive temper, and his after-hours carousing. A kinder, mellower Richard Anderson resurfaced on television in the 1970s, gaining a modest but loyal fan following thanks to his weekly appearances as Oscar Goldman in The Six Million Dollar Man. Anderson also played Goldman on the spin-off series The Bionic Woman -- the result being that, for several years in the mid-1970s, he was simultaneously co-starring on two different TV series in the same role. Richard Anderson's additional TV-series stints included Mama Rosa (1950), Bus Stop (1961), Dan August (1970), Cover-Up (1984) and Dynasty (1986-87 season).

Trivia: In films from 1952, thin-necked, crew-cutted Alvy Moore was typecast as snoops, unwanted suitors and general, all-around pests. Moore did get to break away from his usual assignments in such roles as a motorcycle bum in The Wild One (1953) and Debbie Reynolds' boyfriend in Susan Slept Here (1954). A prolific TV guest star, Moore was hilarious as the faux IRS agent Handlebuck in the Emmy-winning Dick Van Dyke Show episode "The Impractical Joke." Fans of the sitcom Green Acres (1965-71) will remember Moore best as self-contradictory agricultural agent Hank Kimball a role he reprised in a 1990 reunion film. In the 1970s, Alvy Moore turned producer, teaming with another busy character actor, L.Q. Jones, to turn out the low-budget chiller Brotherhood of Satan (1971) and the cult classic A Boy and His Dog (1975).

Trivia: Actor-turned-director Richard Quine, born in Detroit, began his professional life in vaudeville before turning the the legitimate stage and then movies (his films as an actor include Counselor-At-Law, perhaps John Barrymore's best movie, from 1933), first as an actor and, from 1948 onward, as a director. The best of his films, My Sister Eileen (1955), The Solid Gold Cadillac (1956), Operation Mad Ball (1957), Bell, Book and Candle (1958), and It Happened to Jane (1958), all date from the middle and late '50s, and are all comedies. Sex and the Single Girl (1964) and How to Murder Your Wife (1965) were the last of his genuine hits, after which changing attitudes left his movies ever further from the public's taste.