Trivia: Tortured but brilliant British actor Charles Laughton's unique performances made him a compelling performer both on stage and in film. After starting his career as an hotel manager, Laughton switched to acting. His performances in London's West End plays brought him early acclaim, which eventually led him to the Old Vic, Broadway and Hollywood. When he repeated his stage success in The Private Life of Henry VIII for Alexander Korda on film in 1933, he won a "Best Actor" Oscar. Known both for his fascination with the darker side of human behavior and for his comic touch, Laughton should be watched as a frightening Nero in Sign of the Cross (1932), the triumphant employee in If I Had a Million (1932), the evil doctor in Island of Lost Souls (1932), the incestuous father in The Barretts of Wimpole Street (1934), the irrepressible Ruggles in Ruggles of Red Gap (1935), the overbearing Captain Bligh in Mutiny on the Bounty (1935), which garnered him another Oscar nomination, and the haunted hunchback in The Hunchback of Notre Dame (1939), with a very young Maureen O'Hara. During the war years, he played some light roles in Tales of Manhattan (1942), Forever and a Day (1943) and The Canterville Ghost (1944), among others. By the late '40s, Laughton sought greater challenges and returned to the stage in The Life of Galileo, which he translated from Bertolt Brecht's original and co-directed. As stage director and/or performer, he made Don Juan in Hell in 1951, John Brown's Body in 1953, The Caine Mutiny Court Martial in 1954, and Shaw's Major Barbara in 1956, all in New York. When he returned to England in 1959, he appeared in Stratford-upon-Avon productions of A Midsummer Night's Dream, and King Lear. Later film appearances include O. Henry's Full House (1952), Hobson's Choice (1954), Witness for the Prosecution (1957) (which gave him another Oscar nomination), Spartacus (1960) and Advise and Consent (1962). Laughton was married from 1929 to his death to actress Elsa Lanchester, with whom he occasionally appeared. His direction of the film The Night of the Hunter (1955) is critically acclaimed.

Trivia: Born in a British seaside resort town, John Mills was the son of a mathematics teacher father. Mills' mother worked as a theatrical box office manager, and it was this world, rather than his father's academic milieu, which most attracted young Mills. After brief employment as a clerk in a corn merchant's office, Mills moved to London, where he enrolled at Zelia Raye's Dancing School. His first professional job was as a chorus dancer in The Five O'Clock Revue in 1929. Making as many contacts as possible, Mills was able to secure work on the legitimate stage, and in 1932 appeared in his first film, the Jessie Matthews vehicle The Midshipmaid. Learning his craft in "quota quickies," Mills rose to leading man in such prestige productions as Brown on Resolution (1935), Tudor Rose (1936), and The Green Cockatoo (1938). In 1939, he appeared in his first American film, Goodbye Mr. Chips, playing student Peter Colley. He starred in a number of morale-boosting World War II films, usually playing the personification of the calm, resourceful young British military officer; any chance for a real life career in uniform, however, was scuttled by Mills' duodenal ulcer. After the war, he starred in such international hits as Great Expectations (1946), Scott of the Antarctic (1949), Hobson's Choice (1954), and Above Us the Waves (1955). In 1970, Mills won a long overdue Oscar for his performance as the village idiot in Ryan's Daughter (1970), directed (as were several of Mills' earlier films) by David Lean. His Broadway work has included Ross, a 1961 dramatization of the life of T.E. Lawrence. In 1966, Mills directed Sky West and Crooked (aka Gypsy Girl), which starred his daughter, Hayley Mills, and was written by his wife, Mary Hayley Bell (Mills' other daughter, Juliet, is likewise an actress of note). One year later, he made his American series-TV debut as British attorney Dundee in the weekly Western Dundee and the Culhane. In 1977, John Mills was made a knight of the British Empire; his very full life, both offscreen and on, was summed up three years later in his autobiography Up in the Clouds, Gentlemen, Please.

Trivia: British leading lady Brenda DeBanzie made her stage bow in 1935. She chose not to appear in films until she was well into her thirties; her first movie assignment was the psychological melodrama The Long Dark Hall (1951). Brenda's biggest film success was as Charles Laughton's industrious daughter in director David Lean's Hobson's Choice (1954). Her best-known role was Phoebe Rice, the long-suffering wife of third-rate music hall comedian Archie Rice (played by Laurence Olivier) in both the 1957 stage production and the 1960 film version of John Osborne's The Entertainer. Brenda DeBanzie was the aunt of actress Lois DeBanzie.

Trivia: British actress Daphne Anderson, born Daphne Scrutton, began her career at age 15 in the theatres of London. She went on to have a long stage career. Though she only occasionally appeared in feature films, those appearances were generally notable.

Trivia: On stage from 1951 and in films from 1952, British actress Prunella Scales blossomed as a character actress in the mid-1960s. As was the case with many English performers, Scales' tastes veered towards the Classics on stage (the character of Cherry in The Beaux' Stratagem was a particular favorite), while she tended to take whatever came along in films and on television. Her movie credits encompass such efforts as Hobson's Choice (1954), The Boys From Brazil (1978), Howard's End (1992), and, more recently, An Awfully Big Adventure (1995). TV fans the world over know Prunella as Sybil Fawlty, sharp-tongued wife of hotelier John Cleese, in the brief but memorable British sitcom Fawlty Towers. Prunella Scales is the wife of stage and film actor Timothy West, and the mother of actors Sam and Joseph West.

Trivia: For almost 40 years, from the end of the 1930s to the mid-'70s, Richard Wattis enjoyed a reputation as one of England's more reliable character actors, and -- in British films, at least -- developed something akin to star power in non-starring roles. Born in 1912, as a young man he managed to avoid potential futures in both electric contracting and chartered accountancy, instead becoming an acting student in his twenties. His stage career began in the second half of the 1930s, and in between acting and sometimes producing in repertory companies, Wattis became part of that rarified group of British actors who appeared on the BBC's pre-World War II television broadcasts. He made his big-screen debut with a role in the 1939 feature A Yank at Oxford, but spent the most of the six years that followed serving in uniform. It was after World War II that Wattis came to the attention of critics, directors, and producers for his comic timing and projection, and began getting cast in the kinds of screen and stage roles for which he would ultimately become famous, as pompous, dry, deadpan authority figures, snooping civil servants, and other comical pests. Beginning with Frank Launder and Sidney Gilliat's The Happiest Days of Your Life (1950), his roles and billing got bigger, and he was cast to perfection as Manton Bassett in the "St. Trinian's" films of Launder and Gilliat. Wattis became so well liked by audiences in those kinds of parts -- as annoying government officials, in particular -- that producers would see to it, if his part was big enough, that he was mentioned on posters and lobby cards. He remained very busy in films right up until the time of his death in the mid-'70s.

Trivia: Usually described as "the magnificent Helen Haye ", this regal British actress made her stage debut in 1898. Haye toured with the Frank Benson and Sir Beerbohm Tree repertory companies before making her London bow in 1911 as Gertrude in Hamlet. Her Broadway credits extended from 1925's The Last of Mrs. Cheyney to 1953's Anastasia, in which she beautifully cast as the Dowager Empress. After a brief flirtation with films in 1917, she plunged into moviemaking on a fairly regular basis in 1929. Her most famous screen roles include the socially proper wife of the master villain in Hitchcock's 39 Steps (1935), Countess Vronsky in Anna Karenina (1947), and the Duchess of York in Olivier's Richard III (1956). For many years, Helen Haye taught classes at the Royal Academy of Dramatic Art; among her prize pupils were John Gielgud and Charles Laughton. Helen Haye should not be confused with American actress Helen Hayes.

Trivia: Though primarily associated with British theater, Irish playwright and character actor Joseph Tomelty had an extensive film career that spanned three decades. In 1956, injuries from a serious auto accident during the filming of Bhowani Junction temporarily derailed Tomelty's career. Following his recovery, he appeared less frequently in films and, in 1965, retired from acting. His film credits include Odd Man Out (1947), Meet Mr. Lucifer (1953), Front Page Story (1954), Upstairs and Downstairs (1961), and The Black Torment (1965).

Trivia: Emaciated British character actor Gibb McLaughlin spent years as a music hall monologist, telling morbid jokes about his many imagined illnesses. McLaughlin also performed a "protean act," playing all the roles with rapid costume changes. Making his film debut in 1921, the prune-visaged McLaughlin showed up in comic supporting roles for the next 36 years. Gibb McLaughlin's larger screen assignments included such roles as the Duke of York in Nell Gwynne (1926), the pretentious French executioner in Private Life of Henry VIII (1933), and sour-pussed Sowerberry the undertaker in Oliver Twist (1948).

Trivia: Bantam-weight Scotsman John Laurie abandoned a career in architecture when he first stepped on stage in 1921. Laurie spent most of the next five decades playing surly, snappish types: the taciturn farmer who betrays fugitive Robert Donat in Hitchcock's The 39 Steps (1935), the repugnant Blind Pew in Disney's Treasure Island (1950) et. al. A friend and favorite of Laurence Olivier, Laurie showed up in all three of Olivier's major Shakespearean films. He played Captain Jamie in Henry V (1944), Francisco ("For this relief, much thanks") in Hamlet (1948) and Lord Lovel in Richard III (1955). Intriguingly, Olivier and Laurie portrayed the same historical character in two entirely different films. Both portrayed the Mahdi, scourge of General "Chinese" Gordon: Laurie essayed the part in The Four Feathers (1939), while Olivier played the role in Khartoum (1965). Millions of TV fans worldwide have enjoyed Laurie in the role of Fraser on the BBC sitcom Dad's Army. One of John Laurie's few starring assignments was in the 1935 film Edge of the World, set on the remote Shetland isle of Foula; 40 years later, a frail-looking Laurie was one of the participants in director Michael Powell's "reunion" documentary Return to the Edge of the World (1978).

Trivia: Actor Raymond Huntley made his first professional appearance with the Birmingham Repertory at age 18. In 1927, Huntley played the title character in the original London production of Dracula; he tested for the film version, but lost out to Bela Lugosi. Top-billed in his stage efforts, Huntley's film career was largely limited to supporting roles. He played many a Nazi and/or fascist during the war years, then portrayed an abundance of condescending officials, brusque business executives and club-car boors. On television, Raymond Huntley gained worldwide fame as lawyer Geoffrey Dillon on Upstairs Downstairs; he was also featured as Emmanuel Holroyd in the 1973 British TV comedy series That's Your Funeral.

Trivia: Icon of British cool in the 1960s, leading action star in the late '70s, and knighted into official respectability in 1993, Michael Caine has enjoyed a long, varied, and enviably prolific career. Although he played a part in some notable cinematic failures, particularly during the 1980s, Caine remains one of the most established performers in the business, serving as a role model for actors and filmmakers young and old. The son of a fish-porter father and a charwoman mother, Caine's beginnings were less than glamorous. Born Maurice Micklewhite in 1943, in the squalid South London neighborhood of Bermondsey, Caine got his first taste of the world beyond when he was evacuated to the countryside during World War II. A misfit in school, the military (he served during the Korean War), and the job pool, Caine found acceptance after answering a want ad for an assistant stage manager at the Horsham Repertory Company. Already star struck thanks to incessant filmgoing, Caine naturally took to acting, even though the life of a British regional actor was one step away from abject poverty. Changing his last name from Micklewhite to Caine in tribute to one of his favorite movies, The Caine Mutiny (1954), the actor toiled in obscurity in unbilled film bits and TV walk-ons from 1956 through 1962, occasionally obtaining leads on a TV series based on the Edgar Wallace mysteries. Caine's big break occurred in 1963, when he was cast in a leading role in the epic, star-studded historical adventure film Zulu. Suddenly finding himself bearing a modicum of importance in the British film industry, the actor next played Harry Palmer, the bespectacled, iconoclastic secret agent protagonist of The Ipcress File (1965); he would go on to reprise the role in two more films, Funeral in Berlin (1966) and The Billion Dollar Brain (1967). After 12 years of obscure and unappreciated work, Caine was glibly hailed as an "overnight star," and with the success of The Ipcress Files, advanced to a new role as a major industry player. He went on to gain international fame in his next film, Alfie (1966), in which he played the title character, a gleefully cheeky, womanizing cockney lad. For his portrayal of Alfie, Caine was rewarded with a Golden Globe award and an Oscar nomination. One of the most popular action stars of the late '60s and early '70s, Caine had leading roles in films such as the classic 1969 action comedy The Italian Job (considered by many to be the celluloid manifestation of all that was hip in Britain at the time); Joseph L. Manckiewic's Sleuth (1972), in which he starred opposite Laurence Olivier and won his second Oscar nomination; and The Man Who Would Be King (1976), which cast him alongside Sean Connery. During the 1980s, Caine gained additional acclaim with an Oscar nomination for Educating Rita (1983) and a 1986 Best Supporting Actor Oscar for Hannah and Her Sisters. He had a dastardly turn as an underworld kingpin in Neil Jordan's small but fervently praised Mona Lisa, and two years later once again proved his comic talents with the hit comedy Dirty Rotten Scoundrels, in which he and Steve Martin starred as scheming con artists. Although Caine was no less prolific during the 1990s, his career began to falter with a series of lackluster films. Among the disappointments were Steven Seagal's environmental action flick On Deadly Ground (1994) and Blood and Wine, a 1996 thriller in which he starred with Jack Nicholson and Judy Davis. In the late '90s, Caine began to rebound, appearing in the acclaimed independent film Little Voice (1998), for which he won a Golden Globe for his portrayal of a seedy talent agent. In addition, Caine -- or Sir Michael, as he was called after receiving his knighthood in 2000 -- got a new audience through his television work, starring in the 1997 miniseries Mandela and de Klerk. The actor, who was ranked 55 in Empire Magazine's 1997 Top 100 Actors of All Time list, also kept busy as the co-owner of a successful London restaurant, and enjoyed a new wave of appreciation from younger filmmakers who praised him as the film industry's enduring model of British cool. This appreciation was further evidenced in 2000, when Caine was honored with a Best Supporting Actor Academy Award for his portrayal of an abortionist in The Cider House Rules. After launching the new millennium with both a revitalized career momentum and newfound popularity among fans who were too young to appreciate his early efforts, Caine once again scored a hit with the art-house circuit as the torturous Dr Royer-Collard in director Phillip Kaufman's Quills. Later paid homage by Hollywood icon Sylvester Stallone when the muscle-bound actor stepped into Caine's well-worn shoes for a remake of Get Carter (in which Caine also appeared in a minor role) the actor would gain positive notice the following year for his turn as a friend attempting to keep a promise in Last Orders. As if the Get Carter remake wasn't enought to emphasize Caine's coolness to a new generation of moviegoers, his turn as bespectacled super-spy Austin Powers' father in Austin Powers in Goldfinger proved that even years beyond The Italian Job Caine was still at the top of his game. Moving seamlessly from kitsch to stirring drama, Caine's role in 2002's The Quiet American earned the actor not only some of the best reviews of his later career, but another Oscar nomination as well. Caine had long demonstrated an unusual versatility that made him a cult favorite with popular and arthouse audiences, but as the decade wore on, he demonstrated more box-office savvy by pursuing increasingly lucrative audience pleasers, almost exclusively for a period of time. The thesp first resusciated the triumph of his Muppet role with a brief return to family-friendly material in Disney's Secondhand Lions, alongside screen legend Robert Duvall (Tender Mercies, The Apostle). The two play quirky great-uncles to a maladjusted adolescent boy (Haley Joel Osment), who take the child for the summer as a guest on their Texas ranch. The film elicited mediocre reviews (Carrie Rickey termed it "edgeless as a marshmallow and twice as syrupy") but scored with ticket buyers during its initial fall 2003 run. Caine then co-starred with Christopher Walken and Josh Lucas in the family issues drama Around the Bend (2004). In 2005, perhaps cued by the bankability of Goldfinger and Lions, Caine landed a couple of additional turns in Hollywood A-listers. In that year's Nicole Kidman/Will Ferrell starrer Bewitched, he plays Nigel Bigelow, Kidman's ever philandering warlock father. Even as critics wrote the vehicle off as a turkey, audiences didn't listen, and it did outstanding business, doubtless helped by the weight of old pros Caine and Shirley Maclaine. That same year's franchise prequel Batman Begins not only grossed dollar one, but handed Caine some of his most favorable notices to date, as he inherited the role of Bruce Wayne's butler, a role he would return to in both of the film's sequels, The Dark Knight and The Dark Knight Rises. Caine contributed an elegiac portrayal to Gore Verbinski's quirky late 2005 character drama The Weatherman, as Robert Spritz, the novelist father of Nic Cage's David Spritz, who casts a giant shadow over the young man. In 2006, Caine joined the cast of the esteemed Alfonso Cuaron's dystopian sci-fi drama Children of Men, and lent a supporting role to Memento helmer Christopher Nolan's psychological thriller The Prestige. In 2009 Caine starred as the title character in Harry Brown, a thriller about a senior citizen vigilante, and the next year worked with Nolan yet again on the mind-bending Inception.