Trivia: Clifton Webb was the most improbable of movie stars that one could imagine -- in an era in which leading men were supposed to be virile and bold, he was prissy and, well, downright fussy. Where the actors in starring roles were supposed to lead with their fists, or at least the suggestion of potential mayhem befalling those who got in the way of their characters, Webb used a sharp tongue and a waspish manner the way John Wayne wielded a six-gun and Clark Gable a smart mouth, a cocky grin, and great physique. And where male movie stars (except in the singing cowboy movies) were supposed to maintain a screen image that had women melting in their arms if not their presence, Webb hardly ever went near women in most of his screen roles, except in a fatherly or avuncular way. Nevertheles, the public devoured it all, even politely looking past Webb's well-publicized status as a "bachelor" who lived with his mother, and in the process turned him into one of Hollywood's most popular post-World War II movie stars, with a string of successful movies rivaling those of Wayne, Gable, Humphrey Bogart, Gary Cooper, or any other leading man one cares to name. Indeed, Webb was for more than 15 years a mainstay of 20th Century Fox, his movies earning profits as reliably as the sun rising -- not bad for a man who was nearly rejected from his first film on the lot because the head of production couldn't abide his fey mannerisms. Clifton Webb was born Webb Parmalee Hollenbeck, in Indianapolis, IN, in 1891 (his date of birth was falsified during his lifetime and pushed up by several years, and some sources list the real year as 1889). His father -- about whom almost nothing is known, except that he was a businessman -- had no interest in preparing his offspring for the stage or the life of a performer, a fact that so appalled his mother (a frustrated actress) that she packed herself and the boy off to New York, and he started dancing lessons at age three. By the time he was seven years old, he was good enough to attract the attention of Malcolm Douglas, the director of the Children's Theatre, and he made his Carnegie Hall debut in 1900 (when he would have been either seven, nine, or 11), playing Cholly in The Brownies. Webb was taking lessons in all of the arts by then, and in 1911, made his operatic debut in La Bohème. It was as a dancer, though, that he first found his real fortune -- seen at a top New York nightspot, he so impressed one lady professional that she immediately proposed a partnership that resulted in an international career for Webb. Webb's acting wasn't neglected, either, and in the 1920s and '30s, he was regarded as one of the top stage talents in the country, a multiple-threat performer equally adept in musicals, comedies, or drama. Early in his career, he'd worked under a variety of names, finally transposing his first name to his last and reportedly taking the Clifton from the New Jersey town, because his mother liked the sound of it. Webb was a well-known figure on-stage, but his value as a film performer was considered marginal until he was well past 50 -- he'd done some film work during the silent era, but in the mid-'30s, he was brought out to Hollywood by MGM for a film project that ran into script problems. He spent a year out there collecting his contracted salary of 3,500 dollars a week and doing absolutely nothing, and hated every minute of it. Webb returned to New York determined never to experience such downtime again, and over the ensuing decade bounced back with hits in George S. Kaufman and Moss Hart's The Man Who Came to Dinner and Noël Coward's Blithe Spirit, doing the latter for three years. Ironically, the role of Sheridan Whiteside in The Man Who Came to Dinner was inspired by the real-life author/columnist Alexander Woollcott, who would also be the inspiration for the role that finally brought Webb to Hollywood successfully. In 1943, 20th Century Fox set out to adapt a novel by Vera Caspary entitled Laura to the screen. The book, a murder mystery set in New York, had in it a character named Waldo Lydecker, who was modeled on Alexander Woollcott; a waspish, stylish, and witty author and raconteur, Woollcott was a well-known and popular media figure, who'd even done a little acting onscreen and on-stage. When it came time to cast the role, producer Otto Preminger and director Rouben Mamoulian decided to give Webb a screen test. Preminger was totally convinced of Webb's rightness for the role, and the screen test bore him out, but studio production chief Darryl F. Zanuck couldn't abide Webb's fey, effete mannerisms and obviously gay persona, and did his best to keep him from the role. Luckily, Preminger prevailed, and Webb -- in what is usually regarded as his real film debut -- proved to be one of the most popular elements of what turned out to be a massively popular movie. It was the beginning of a very profitable two-decade relationship between the actor and the studio. Webb gave an Academy Award-caliber performance in Edmund Goulding's The Razor's Edge (1946), and in 1948 he became an out-and-out star, portraying Mr. Belvedere, the housekeeper and "nanny" hired by the harried parents (portrayed by Robert Young and Maureen O'Hara) in the hit comedy Sitting Pretty (1948). Beginning with Laura in 1944, each of the next 15 movies that Webb made was a success, and they included everything from comedies to some of the most intense film noir -- most notably The Dark Corner (1946), in which he played a murderer -- but the role of Mr. Belvedere proved to be so popular that it threatened to swallow him up. Webb flatly refused to do any sequel that did not meet with his approval, and only two ever did -- this even as he received thousands of letters from mothers seeking advice on raising their children. The great unspoken irony in all of this was that Webb was not only unmarried and childless, but was as close to being openly gay as any leading actor in Hollywood could be -- he lived with his mother, and the two attended parties together, and was on record as being a "bachelor," which was code in those days (where certain kinds of actors were concerned) for being gay. And in an era in which this wasn't acceptable as a choice or a condition, audiences didn't care -- in a testimony to the sheer power of his acting, they devoured Webb's work in whatever role he took on. He never did a Western, but he did play a father of two children who unexpectedly rises to heroism in Titanic (1953), and he played the father of 12 children in Cheaper by the Dozen (1950); as he said when asked about the propriety of a childless, unmarried man playing a father of 12, "I didn't need to be a murderer to play Waldo Lydecker -- I'm not a father, but I am an actor." Webb was always stylishly dressed in public, and owned dozens of expensive suits -- he was, in many ways, the America's first pop-culture "metrosexual," and he made it work for two decades. The death of Webb's mother in 1960, reportedly at age 90, was an event from which the actor never fully recovered. Though he did a few more screen appearances, his health was obviously in decline, and he passed away in 1966.

Trivia: In an industry of prima donnas, actress Barbara Stanwyck was universally recognized as a consummate professional; a supremely versatile performer, her strong screen presence established her as a favorite of directors, including Cecil B. De Mille, Fritz Lang, and Frank Capra. Born Ruby Stevens July 16, 1907, in Brooklyn, NY, she was left orphaned at the age of four and raised by her showgirl sister. Upon quitting school a decade later, she began dancing in local speakeasies and at the age of 15 became a Ziegfeld chorus girl. In 1926, Stanwyck made her Broadway debut in The Noose, becoming a major stage star in her next production, Burlesque. MGM requested a screen test, but she rejected the offer. She did, however, agree to a supporting role in 1927's Broadway Nights, and after completing her stage run in 1929 appeared in the drama The Locked Door. With her husband, comedian Frank Fay, Stanwyck traveled to Hollywood. After unsuccessfully testing at Warner Bros., she appeared in Columbia's low-budget Mexicali Rose, followed in 1930 by Capra's Ladies of Leisure, the picture which shot her to stardom. A long-term Columbia contract was the result, and the studio soon loaned Stanwyck to Warners for 1931's Illicit. It was a hit, as was the follow-up Ten Cents a Dance. Reviewers were quite taken with her, and with a series of successful pictures under her belt, she sued Columbia for a bigger salary; a deal was struck to share her with Warners, and she split her time between the two studios for pictures including Miracle Woman, Night Nurse, and Forbidden, a major hit which established her among the most popular actresses in Hollywood. Over the course of films like 1932's Shopworn, Ladies They Talk About, and Baby Face, Stanwyck developed an image as a working girl, tough-minded and often amoral, rarely meeting a happy ending; melodramas including 1934's Gambling Lady and the following year's The Woman in Red further established the persona, and in Red Salute she even appeared as a student flirting with communism. Signing with RKO, Stanwyck starred as Annie Oakley; however, her contract with the studio was non-exclusive, and she also entered into a series of multi-picture deals with the likes of Fox (1936's A Message to Garcia) and MGM (His Brother's Wife, co-starring Robert Taylor, whom she later married).For 1937's Stella Dallas, Stanwyck scored the first of four Academy Award nominations. Refusing to be typecast, she then starred in a screwball comedy, Breakfast for Two, followed respectively by the downcast 1938 drama Always Goodbye and the caper comedy The Mad Miss Manton. After the 1939 De Mille Western Union Pacific, she co-starred with William Holden in Golden Boy, and with Henry Fonda she starred in Preston Sturges' outstanding The Lady Eve. For the 1941 Howard Hawks comedy Ball of Fire, Stanwyck earned her second Oscar nomination. Another superior film, Capra's Meet John Doe, completed a very successful year. Drama was the order of the day for the next few years, as she starred in pictures like The Gay Sisters and The Great Man's Lady. In 1944, she delivered perhaps her most stunning performance in Billy Wilder's classic noir Double Indemnity. Stanwyck's stunning turn as a femme fatale secured her a third Oscar bid and helped make her, according to the IRS, the highest-paid woman in America. It also won her roles in several of the decade's other great film noirs, including 1946's The Strange Love of Martha Ivers and 1949's The File on Thelma Jordon. In between, Stanwyck also starred in the 1948 thriller Sorry, Wrong Number, her final Academy Award-nominated performance. The 1950s, however, were far less kind, and strong roles came her way with increasing rarity. With Anthony Mann she made The Furies and with Lang she appeared opposite Marilyn Monroe in 1952's Clash by Night, but much of her material found her typecast -- in 1953's All I Desire, she portrayed a heartbroken mother not far removed from the far superior Stella Dallas, while in 1954's Blowing Wild she was yet another tough-as-nails, independent woman. Outside of the all-star Executive Suite, Stanwyck did not appear in another major hit; she let her hair go gray, further reducing her chances of winning plum parts, and found herself cast in a series of low-budget Westerns. Only Samuel Fuller's 1957 picture Forty Guns, a film much revered by the Cahiers du Cinema staff, was of any particular notice. It was also her last film for five years. In 1960, she turned to television to host The Barbara Stanwyck Show, winning an Emmy for her work.Stanwyck returned to cinemas in 1962, portraying a lesbian madam in the controversial Walk on the Wild Side. Two years later, she co-starred with Elvis Presley in Roustabout. That same year, she appeared in the thriller The Night Walker, and with that, her feature career was over. After rejecting a role in Hush...Hush, Sweet Charlotte, she returned to television to star in the long-running Western series The Big Valley, earning another Emmy for her performance as the matriarch of a frontier family. Upon the show's conclusion, Stanwyck made a TV movie, The House That Would Not Die. She then appeared in two more, 1971's A Taste of Evil and 1973's The Letters, before vanishing from the public eye for the remainder of the decade. In 1981, she was awarded an honorary Oscar; two years later, she was also the recipient of a Lincoln Center Life Achievement Award. Also in 1983, Stanwyck returned to television to co-star in the popular miniseries The Thorn Birds. Two years later, she headlined The Colbys, a spin-off of the hugely successful nighttime soap opera Dynasty. It was her last project before retiring. Stanwyck died January 20, 1990.

Trivia: One of the precious few actors of the "pretty boy" school to survive past the 1950s, Robert Wagner was the son of a Detroit steel executive. When his family moved to Los Angeles, Wagner's original intention of becoming a businessman took second place to his fascination with the film industry. Thanks to his dad's connections, he was able to make regular visits to the big studios. Inevitably, a talent scout took notice of Wagner's boyish handsomeness, impressive physique, and easygoing charm. After making his unbilled screen debut in The Happy Years (1950), Wagner was signed by 20th Century Fox, which carefully built him up toward stardom. He played romantic leads with ease, but it wasn't until he essayed the two scene role of a shellshocked war veteran in With a Song in My Heart (1952) that studio executives recognized his potential as a dramatic actor. He went on to play the title roles in Prince Valiant (1954) and The True Story of Jesse James (1956), and shocked his bobby-soxer fan following by effectively portraying a cold-blooded murderer in A Kiss Before Dying (1955). In the early '60s, however, Wagner suffered a series of personal and professional reverses. His "ideal" marriage to actress Natalie Wood had dissolved, and his film career skidded to a stop after The Pink Panther (1964). Two years of unemployment followed before Wagner made a respectable comeback as star of the lighthearted TV espionage series It Takes a Thief (1968-1970). For the rest of his career, Wagner would enjoy his greatest success on TV, first in the mid-'70s series Switch, then opposite Stefanie Powers in the internationally popular Hart to Hart, which ran from 1979 through 1983 and has since been sporadically revived in TV-movie form (a 1986 series, Lime Street, was quickly canceled due to the tragic death of Wagner's young co-star, Savannah Smith). On the domestic front, Wagner was briefly wed to actress Marion Marshall before remarrying Natalie Wood in 1972; after Wood's death in 1981, Wagner found lasting happiness with his third wife, Jill St. John, a longtime friend and co-worker. Considered one of Hollywood's nicest citizens, Robert Wagner has continued to successfully pursue a leading man career into his sixties; he has also launched a latter-day stage career, touring with his Hart to Hart co-star Stefanie Power in the "readers' theater" presentation Love Letters. He found success playing a henchman to Dr. Evil in the Austin Powers movies, and in 2007 he began playing Teddy, a recurring role on the hit CBS series Two and a Half Men.

Trivia: After a forgettable film debut in 1952's My Cousin Rachel, Irish leading lady Audrey Dalton was "introduced" with a blitz of publicity in The Girls of Pleasure Island (1953). Of the three toothsome heroines in this harmless sex farce (the others were Joan Elan and Dorothy Bromley), Audrey was the only one to go on to any kind of lasting career, perhaps due to her solid training at the Royal Academy of Dramatic Arts. She later appeared in the The Monster That Challenged the World (1957) or Mister Sardonicus (1961), but was more successful on her many TV guest appearances of the 1960s.

Trivia: At the tender age of eight, Thelma Ritter was regaling the students and faculty of Brooklyn's Public School 77 with her recitals of such monologues as "Mr. Brown Gets His Haircut" and "The Story of Cremona". After appearing in high school plays and stock companies, Ritter was trained at the American Academy of Dramatic Arts. Throughout the Depression years, she and her actor husband Joe Moran did everything short of robbing banks to support themselves; when vaudeville and stage assignments dried up, they entered slogan and jingle contests. Moran forsook performing to become an actor's agent in the mid-1930s, while Ritter also briefly gave up acting to raise a family. She started working professionally again in 1940 as a radio performer. In 1946, director George Seaton, an old friend of Ritter, offered her a bit role in the upcoming New York-lensed Miracle on 34th Street. Ritter's single scene as a weary Yuletide shopper went over so well that 20th Century-Fox head Darryl F. Zanuck insisted that the actress' role be expanded. After Ritter garnered good notices for her unbilled Miracle role, Joseph L. Mankiewicz wrote a part specifically for her in his 1948 film A Letter to Three Wives (1949). She was afforded screen billing for the first time in 1949's City Across the River. During the first few years of her 20th Century-Fox contract, Ritter was Oscar-nominated for her performance as Bette Davis' acerbic maid in All About Eve, and for her portrayal of upwardly mobile John Lund's just-folks mother in The Mating Season (1951). In all, the actress would receive five nominations -- the other three were for With a Song in My Heart (1952), Pickup on South Street (1953) and Pillow Talk (1959) -- though she never won the gold statuette. Ritter finally received star billing in the comedy/drama The Model and the Marriage Broker (1952), in which she assuages her own loneliness by finding suitable mates for others. After a showcase part as James Stewart's nurse in Hitchcock's Rear Window (1954), Ritter made do with standard film supporting parts and starring roles on TV. In 1957, Ritter appeared as waterfront barfly Marthy in the Broadway musical New Girl in Town, a bowdlerization of Eugene O'Neill's Anna Christie. Ritter interrupted her still-thriving screen career in 1965 for another Broadway appearance in James Kirkwood's UTBU. Shortly after a 1968 guest appearance on TV's The Jerry Lewis Show, Ritter suffered a heart attack which would ultimately prove fatal; the actress' last screen appearance, like her first, was a cameo role in a George Seaton-directed comedy, What's So Bad About Feeling Good? (1968). Ritter's daughter, Monica Moran, also pursued an acting career from the 1940s through the 1970s.

Trivia: Active in amateur theatricals from age three, Briton Brian Aherne studied for his craft at the Italia Conti School, making his professional bow when he was eight. Aherne would later claim that he remained an actor into adulthood (after a tentative stab at becoming an architect) mainly because he liked to sleep until ten in the morning. Successful on stage and screen in England, Aherne came to America in 1931 to appear in the first Broadway production of The Barretts of Wimpole Street. His first Hollywood film was 1933's Song of Songs, in which he appeared with Marlene Dietrich. Free-lancing throughout the 1930s, Aherne established himself as a gentlemanly Britisher who was willing to defend his honor (or someone else's) with his fists if needs be. Many of his roles were secondary, though he played the title role in 1937's The Great Garrick and was starred in a brace of Hal Roach productions in 1938 and 1939 (the actor wasn't crazy about the improvisational attitude at Roach, but he enjoyed the roles). He was Oscar-nominated for his sensitive performance of the doomed Emperor Maximillian in Juarez (1939). In the late 1950s, he put film and TV work aside for a theatrical tour as Henry Higgins in My Fair Lady. Off-camera, Aherne was a licensed pilot and an aspiring writer: he penned a 1969 autobiography, A Proper Job, as well as a biography of his close friend George Sanders, A Dreadful Man. At one point in his life, Aherne was married to Joan Fontaine, but he knew the honeymoon was over when, out of pique, she ripped up a collection of his best reviews. Brian Aherne was the brother of Patrick Ahearne, a character player who showed up in such films as Titanic (1953), The Court Jester (1955) and Around the World in Eighty Days (1956).

Trivia: Richard Basehart was too much of an actor (and almost too good an actor) to ever be a movie star -- his range was sufficient to allow him to play murderers, psychopaths, sociopaths, and would-be suicides in 20 years' worth of theatrical films in totally convincing fashion, but also to portray a hero in the longest-running science fiction/adventure series on network television. Without ever achieving stardom, he became one of the most respected performers of his generation in theater, film, and television. Born John Richard Basehart in Zanesville, OH, in 1914, he spent a part of his childhood in an orphanage after the death of his mother, when his father, Harry Basehart, found himself unable to look after the four children left in his care. The younger Basehart considered a career in journalism like his father, but when he was 13, he began acting in small roles in a local theater company and came to enjoy performing. In the mid-'30s, he joined Jasper Deeter's famed Hedgerow Theater company in Rose Valley, PA. By the end of the 1930s, he'd set his sights on a Broadway career and moved to New York. During the 1939 season, while working in stock, Basehart met an actress named Stephanie Klein, and the two were married in early 1940. He continued trying to establish a foothold in New York and in 1942, joined Margaret Webster's theater company. Basehart's breakthrough role came during 1945 in the play The Hasty Heart, in which director Bretaigne Windust cast him in the central role of the proud, dying young Scottish soldier. Basehart won the 1945 New York Drama Critics Award for his performance and was named the most promising newcomer of the season. Not only did Broadway producers take notice of Basehart but so did Hollywood, and he was soon signed to a movie contract. Thus began a screen career that lasted nearly 40 years, starting with Repeat Performance (1947), a thriller starring Joan Leslie. He followed this with Cry Wolf (1947), an adventure yarn also starring Barbara Stanwyck, Errol Flynn, and Geraldine Brooks. Basehart was unusually careful as a new Hollywood performer to vary his roles and avoid getting typecast. His first of what proved a string of memorable portrayals was in He Walked By Night (1948), a fact-based thriller in which the actor played a brilliant but sociopathic electronics expert, responsible for a string of burglaries and for killing a police officer. Viewers who grew up knowing Basehart as the heroic figure on the series Voyage to the Bottom of the Sea in the 1960s are often startled to see him 20 years earlier in He Walked By Night as an almost feral presence, quietly fierce, threatening and stealthy in his efforts to escape detection and capture. Over the next two years, Basehart essayed a multitude of roles, in contemporary dramatic subjects and period dramas, the most interesting of which was Anthony Mann's Reign of Terror (1949), in which he portrayed Maximilien Robespierre, one of the chief architects of the bloodbath that followed in the wake of the French Revolution. In 1950, Basehart played one of the most difficult film roles of his career when he was cast in the fact-based movie Fourteen Hours, playing a young man who spends 14 hours on the ledge of an office building, threatening to jump. It was during the shooting of this movie that Basehart's wife, Stephanie, was taken ill with what proved to be a brain tumor, and died very suddenly. He finished work on the film and then left the United States, going to Italy where he began putting his life back together. This began when he met the actress Valentina Cortese, whom he married in 1951. The two worked together in one movie, The House on Telegraph Hill, directed by Robert Wise at 20th Century Fox, in which Basehart played the villain trying to murder Cortese for her estate. Basehart returned to Hollywood only intermittently for the next nine years, and his next appearance in an American movie wasn't until 1953, when he worked in Titanic, starring Barbara Stanwyck and Clifton Webb. It was during the decade that Basehart made his home in Europe that the actor became multilingual, and developed a serious following over there as a leading man; while other, older American performers were entering the final legs of their careers making pictures in France, Italy, or England, he was making important pictures and playing great roles, as the doomed, gentle clown in Federico Fellini's La Strada; a basically honest man driven into crime in The Good Die Young; the movie director threatened by a blackmailer in Joseph Losey's Finger of Guilt, and even an action-adventure hero in an Italian-made version of Cartouche (1957). John Huston specifically chose Basehart for the central role of Ishmael in his superb 1956 film version of Moby Dick. In 1957, Basehart tried reestablishing his Hollywood acting credentials with his portrayal of a conscience-stricken American officer in the movie Time Limit, which got good notices but proved to be a one-off American screen credit. In 1960, the actor divorced his second wife and left Italy behind. He returned to live permanently in America and restart his career, and began a new life, marrying again in 1962. He found that film roles weren't easily forthcoming, however -- the only part that came his way was the title role in Stuart Heisler's 1962 drama Hitler, in which Basehart gave an unusually complex, cerebral portrayal of the Nazi leader. He made numerous appearances in dramatic series such as Combat and Naked City, and television anthology shows including Playhouse 90 and Hallmark Hall of Fame. In 1964, Basehart accepted the offer of a starring role on a television series, beginning a four-year run on the Irwin Allen-produced Voyage to the Bottom of the Sea, portraying Admiral Harriman Nelson. Thus began the steadiest work of his career, more than 100 episodes made Basehart a television star. He appeared in one movie during this period, John Sturges' thriller The Satan Bug (1965), in which he played the villain. Following the cancellation of Voyage to the Bottom of the Sea, Basehart returned to acting on-stage, interspersed with work in made-for-television movies and occasional feature films, such as Rage (1972), directed by George C. Scott. He won critical acclaim for his work in the drama The Andersonville Trial, directed by George C. Scott, portraying Lt. Col. Henry Wirz, the commandant of the notorious Confederate prisoner of war camp, and made the rounds of guest star roles in television shows, perhaps most memorably the "Dagger of the Mind" episode of Columbo. Basehart and his third wife, Diana, also became known for their dedication to the cause of animal rights, founding the organization Actors and Others for Animals. During the final years of his life, he did some acting on television series such as Knight Rider and appeared in movies such as the hit Being There, but he was also very much in demand as a narrator, working on Vietnam: The Ten Thousand Day War (1980), among other projects. It was as a narrator that he made his final public appearance, at the closing ceremonies of the 1984 Summer Olympics. Basehart suffered a series of strokes, and passed away soon after.

Trivia: Allyn Joslyn was the son of a Pennsylvania mining engineer. On stage from age 17, Joslyn scored as a leading man in such Broadway productions as Boy Meets Girl (1936) and Arsenic and Old Lace (1941), appearing in the latter as beleaguered theatrical critic Mortimer Brewster. Joslyn's leading-man qualities surprisingly evaporated on camera, thus he spent most of his movie career playing obnoxious reporters, weaklings, and gormless "other men" who never got the girl. Among his more notable film appearances were as Don Ameche's snobbish rival for the attentions of Gene Tierney in Lubitsch's Heaven Can Wait (1943), and as the jellyfish cardsharp who sneaks onto a lifeboat disguised as a woman in Titanic (1953). In the sprightly "B" picture It Shouldn't Happen to a Dog (1946), Joslyn was for once cast in the lead, even winning heroine Carole Landis at fade-out time. A prolific radio and TV performer, Allyn Joslyn played one-half of the title role on the 1962 TV-sitcom McKeever and the Colonel.

Trivia: The son of a drama critic, he debuted onstage in British repertory in 1945; he appeared with Laurence Olivier's company on Broadway in 1951, performing Shakespeare. His good looks and excellent speaking voice led to an invitation from Hollywood, and he broke into films amidst much studio publicity in 1953; he played dashing leads in extravagant costume productions. In 1955 he moved to Rome, giving up his Hollywood career; he became a successful classical music producer while also acting in numerous minor European action spectacles. He was still occasionally appearing onscreen in the mid '80s. From 1962-63 he was married to actress Linda Christian.

Trivia: American actor and drama coach Roy Gordon made his first film appearance in 1938. A bit player for most of his Hollywood career, Gordon was at his best as corporate-executive types. He also played many a college dean, banker and military officer. Late Late Show habitues will remember Roy Gordon for his poignant cameo as doomed passenger Isidore Straus in Titanic (1953).

Trivia: American actress Merry Anders was a professional model when she signed her first studio contract in 1951. After two years of uncredited bits in such 20th Century-Fox features as Belles on Their Toes (1952) and Titanic (1953), Merry found more rewarding work on TV. From 1953 through 1955, she appeared in The Stu Erwin Show, replacing Ann Todd in the role of Joyce, Erwin's oldest daughter. While most of her film assignments were along the bargain-basement lines of The Dalton Girls (1957) and The Hypnotic Eye (1960), Merry built up a reputation as "queen" of the TV pilot films. If she appeared as guest star in the pilot episode of a potential series, that series would most likely be sold. Merry would be the last person to insist that she was a great actress; her "versatility" in her many TV roles consisted of changing her hair color as often as possible. It was as a redhead that Merry was cast in the lead of the syndicated sitcom How to Marry a Millionaire, which ran from 1958 through 1960. After this assignment, Merry continued to show up as a blonde, brunette and redhead in such deathless movie offerings as Women of the Prehistoric Planet (1966) and Legacy of Blood (1973). In the late 1960s, she had a semi-recurring role on Dragnet as a super-efficient policewoman; the character was meant to develop into a love interest for Joe Friday (Jack Webb), but the series never went in that direction. It can be argued that Merry Anders' most memorable performance (and the one most often seen these days) was as a woman who is drowned in a phone booth (!) on a 1966 episode of Get Smart.

Trivia: The brunette daughter of British-born writer-producer Leon Gordon (Freaks [1932], Mrs. Parkington [1944]), Gloria Gordon began her decade-long screen career playing bits in her father's productions of The Green Years (1946) and That Forsyte Woman (1949). The highlight of her screen career was a supporting role in the Florida-lensed Cinemascope adventure Beneath the 12-Mile Reef (1953). She is not to be confused with another, much older Gloria Gordon, who died in 1962 and was the mother of actor Gale Gordon (Dennis the Menace).

Trivia: American actress Mae Marsh was the daughter of an auditor for the Santa Fe railroad - and as such, she and her family moved around quite a bit during Marsh's childhood. After her father died and her stepfather was killed in the San Francisco earthquake, she was taken to Los Angeles by her great aunt, a one-time chorus girl who'd become a New York actress. Marsh followed her aunt's footsteps by securing film work with Mack Sennett and D.W. Griffith; it was Griffith, the foremost film director of the early silent period, who first spotted potential in young Miss Marsh. The actress got her first big break appearing as a stone-age maiden in Man's Genesis (1911), after Mary Pickford refused to play the part because it called for bare legs. Specializing in dramatic and tragic roles, Marsh appeared in innumerable Griffith-directed short films, reaching a career high point as the Little Sister in the director's Civil War epic, The Birth of A Nation (1915). She made such an impression in this demanding role that famed American poet Vachel Lindsay was moved to write a long, elaborate poem in the actress' honor. Marsh's career went on a downhill slide in the '20s due to poor management and second-rate films, but she managed to score a personal triumph as the long-suffering heroine of the 1931 talkie tear-jerker Over the Hill. She retired to married life, returning sporadically to films - out of boredom - as a bit actress, notably in the big-budget westerns of director John Ford (a longtime Marsh fan). When asked in the '60s why she didn't lobby for larger roles, Mae Marsh replied simply that "I didn't care to get up every morning at five o'clock to be at the studio by seven."

Trivia: Scottish character actor John Fraser was still a high school student when he made his first professional stage appearance. A natural for youthful military roles, Fraser was seen to good advantage in such wartime films as The Dam Busters (1953) and Tunes of Glory (1960). One of his best and most atypical performances was as the tragic Lord Alfred Douglas in 1960's The Trial of Oscar Wilde. John Fraser's TV credits include an appearance as the Monitor on the "Logopolis" story arc of Doctor Who (1981), and as one of the regulars of the 1982 British series The Rep.

Trivia: A thin, weasel-like Russian stage actor, David Hoffman made his mark in Hollywood films of the 1940s, chiefly at Universal where, as the spirit, he opened the first five Inner Sanctum films: Calling Dr. Death (1943), Weird Woman (1944), Dead Man's Eyes (1944), The Frozen Ghost (1945), and Strange Confession (1945). Hoffman was also an effective Hawaiian-based Nazi spy in a couple of chapters of the 1943 serial The Adventures of Smilin' Jack (1943) and portrayed yet another furtive Axis agent in the Marx Brothers comedy A Night in Casablanca (1946). Often unbilled, Hoffman continued in films until the late '50s. He should not be confused with the later director of the same name.

Trivia: Short, stout Scottish actor David Thursby came to Hollywood at the dawn of the talkie era. Thursby was indispensable to American films with British settings like Werewolf of London and Mutiny on the Bounty (both 1935). He spent much of his career at 20th Century Fox, generally in unbilled cameos. Often as not, he was cast as a London bobby (vide the 1951 Fred Astaire musical Royal Wedding, in which he was briefly permitted to sing). David Thursby remained active until the mid-60s.

Trivia: The son of a New Zealand marine commander, actor Nicolas Coster was born in London. He attended the Royal Academy of Dramatic Arts, then moved to New York, where he studied at Sanford Meisner's Neighborhood Playhouse. A businesslike type best suited to executive roles, Coster has spent most of his time in TV daytime drama: Young Dr. Malone, Secret Storm, As the World Turns, Somerset, Another World, One Life to Live, All My Children and Santa Barbara. Even his first prime-time stint was the weekly soap opera Our Private World (1965). Coster's film credits include All the President's Men (1976), Reds (1981), and Betsy's Wedding (1991); he has also done stage and commercial voiceover work. An avid scuba diver, Nicolas Coster is licensed as a U.S. Coast Guard skipper in his off-hours.

Trivia: Irish stage actor Patrick O'Moore began his film career in 1934, playing a few leads in English films before settling in Hollywood. A close friend of actor Humphrey Bogart, O'Moore was seen to good advantage in such Bogart features as Sahara (1943) and Conflict (1945). Otherwise, most of his film roles were unbilled bits as clerks, constables, government officials, and military men. He kept active into the 1980s, playing small parts in such TV productions as QB VII and theatrical features as The Sword and the Sorcerer. Patrick O'Moore was at one time married to Broadway musical-comedy star Zelma O'Neal.

Trivia: Many research sources arbitrarily begin the list of French actor Eugene Borden's films in 1936. In fact, Borden first showed up on screen as early as 1917. Seldom afforded billing, the actor was nonetheless instantly recognizable in his many appearances as headwaiters, porters, pursers and coachmen. Along with several other stalwart European character actors, Borden was cast in a sizeable role in the above-average Columbia "B" So Dark the Night (1946). Musical buffs will recall Eugene Borden as Gene Kelly and Oscar Levant's landlord in An American in Paris (1951).

Trivia: Born in Puerto Rico, actor Alberto Morin received his education in France. While in that country he worked briefly for Pathe Freres, a major film distribution firm, then studied theatre at the Escuela de Mimica in Mexico. Upon the advent of talking pictures, Morin was signed by Fox Pictures to make Spanish-language films for the South American market. He remained in Hollywood as a character actor, seldom getting much of a part but nearly always making an impression in his few seconds of screen time. Morin also worked steadily in radio and on such TV weeklies as Dobie Gillis and Mr. Roberts, sometimes billed as Albert Morin. During his five decades in Hollywood, Alberto Morin contributed uncredited performances in several of Tinseltown's most laudable achievements: he played Rene Picard in the Bazaar sequence in Gone With the Wind (1939), was a French military officer at Rick's Cafe Americain in Casablanca (1942), and showed up as a boat skipper in Key Largo (1947).

Trivia: There's a bit of a cloud surrounding the origins of character actor Harry Cording. The 1970 biographical volume The Versatiles lists his birthplace as New York City, while the exhaustive encyclopedia Who Was Who in Hollywood states that Cording was born in England. Whatever the case, Cording made his mark from 1925 through 1955 in distinctly American roles, usually portraying sadistic western bad guys. A break from his domestic villainy occurred in the 1934 Universal horror film The Black Cat, in which a heavily-made-up Harry Cording played the foreboding, zombie-like servant to Satan-worshipping Boris Karloff.

Trivia: Over the course of a single decade - the 1990s - Leonardo DiCaprio graduated from supporting work in television to a status as one of the most sought-after Hollywood actors under 30. After leading roles in William Shakespeare's Romeo + Juliet and James Cameron's Titanic, the actor became a phenomenon, spawning legions of websites and an entire industry built around his name. DiCaprio was born November 11, 1974, in Hollywood, CA. The son of a German immigrant mother and an underground comic book artist father who separated shortly after Leonardo's birth, he was raised by both of his parents, who encouraged his early interest in acting. At the age of two and a half, the fledgling performer had his first brush with notoriety and workplace ethics when he was kicked off the set of Romper Room for what the show's network deemed "uncontrollable behavior." After this rather inauspicious start to his career, DiCaprio began to hone his skills with summer courses in performance art while he was in elementary school. He also joined The Mud People, an avant-garde theater group, with which he performed in Los Angeles. In high school, DiCaprio acted in his first real play and began doing commercials, educational films, and the occasional stint on the Saturday morning show The New Lassie. In 1990, after securing his first full-time agent at the age of 15, DiCaprio landed a role as a teenage alcoholic on the daytime drama Santa Barbara. He also continued to appear on other TV shows, such as The Outsiders and Parenthood, and made his film debut in the 1991 horror film Critters 3. The actor got the first of many big breaks with a recurring role on the weekly sitcom Growing Pains. His portrayal of a homeless boy won him sufficient notice to get him an audition for Michael Caton-Jones's harrowing screen adaptation of Tobias Wolff's This Boy's Life. DiCaprio won the film's title role after beating out 400 other young actors and it became his career breakthrough. The 1993 film, and DiCaprio's performance opposite Robert DeNiro, won raves and the actor further increased the adulation surrounding him when, later that year, he played Johnny Depp's mentally retarded younger brother in Lasse Hallström's What's Eating Gilbert Grape. DiCaprio won an Oscar nomination for Best Supporting Actor for his performance, and at the tender age of 19, was hailed as an actor to watch. Subsequent roles in three 1995 films, Sam Raimi's Western The Quick and the Dead; Total Eclipse (as the bisexual poet Rimbaud) and The Basketball Diaries (as a struggling junkie) all put the actor in the limelight, but it wasn't until the following year that he became a bona fide star, thanks to his portrayal of Romeo opposite Claire Danes in director Baz Luhrmann's William Shakespeare's Romeo + Juliet (1996). The success of the film brought DiCaprio international fame, many lucrative opportunities, and frequent comparisons to predecessors such as James Dean. After starring with Diane Keaton, Meryl Streep, and DeNiro in Marvin's Room (1996), DiCaprio achieved iconic status with his starring role in James Cameron's Titanic. With Kate Winslet as the female lead, the film became a box office sensation, earning garnered 14 Oscar nominations, winning 11, including Best Picture and Best Director, and earned a whopping 1.8 billion dollars at the global box office. DiCaprio's much-discussed exclusion from the Oscar nominations did nothing to hurt his popularity, and somewhat ironically, he next chose to parody his own celebrity with an appearance in Woody Allen's Celebrity (1998) as a badly behaved movie star. After displaying his nastier side, he tackled a dual role as twins in the same year's swashbuckler The Man in the Iron Mask, opposite Jeremy Irons, Gabriel Byrne, John Malkovich, and Gérard Depardieu. Following the commercial success of the film, DiCaprio then traveled in a completely different direction, with a lead role in Danny Boyle's screen adaptation of Alex Garland's novel The Beach. The film met with eager anticipation from its first day of shooting, as Leo fans everywhere waited with baited breath to see what kind of impression their golden child would next make on the film world; unfortunately, the muddled Beach drew neither praise nor box-office success. In 2002, DiCaprio began what became a series of collaborations with the legendary director Martin Scorsese, starting with the the epic Gangs of New York (2002) - a sprawling tale of gangland violence in early America. Reportedly delayed by a year given much-publicized disagreements between director Scorsese and producer Harvey Weinstein, the film was ultimately released in time for the 2002 holiday/Oscar season. The tireless actor re-united with director Steven Spielberg with the release of Catch Me if You Can, the true-life tale of Frank Abagnale, Jr., a scam artist so effective that he eluded authorities while assuming a number of high-profile false identities and racking-up over $2.5 million in fraudulent checks. Two years later, DiCaprio and Scorsese embarked on a sophomore collaboration - the biopic The Aviator (2004), with DiCaprio in a critically-praised, star-making turn as eccentric billionaire genius Howard Hughes in The Aviator. DiCaprio and Scorsese scaled even greater heights in 2006 with The Departed, a crime drama in which DiCaprio played an undercover cop trying to bring down criminal Jack Nicholson. Doubling up during Oscar season yet again, that same year he played the lead in Edward Zwick's Blood Diamond, as an Afrikaner who must team up with a South African mercenary in order to find a rare gem of great value to both of them. Both films opened to praise and box-office success, resulting in dual Golden Globe nominations. Perhaps pushing its luck, Warner Bros. -- the studio behind both films -- campaigned DiCaprio for a lead Oscar in Diamond and a supporting one in Departed; Oscar voters only nominated him for Diamond. In the years that followed, DiCaprio showed no signs of tapering off when it came to challenging and even iconic roles. He joined Titanic co-star Kate Winslet, megaproducer Scott Rudin and others for the blistering marriage drama Revolutionary Road (2008), teamed with Scorsese a fourth time for the thriller Shutter Island (2010), toplined Christopher Nolan's complex, elusive sci-fi drama Inception (2010), and in 2011, worked with director Clint Eastwood and screenwriter Dustin Lance Black on the biopic J. Edgar (2011), playing the famous titular FBI director. Meanwhile, DiCaprio also signed on for another collaboration with Baz Luhrmann - a new adaptation of F. Scott Fitzgerald's The Great Gatsby, co-starring Tobey Maguire and Carey Mulligan, not to mention a first-time collaboration with Quinten Tarantino for Django Unchained. In 2013, he and Scorsese joined forces yet again for The Wolf of Wall Street, earning DiCaprio two Oscar nominations, for both Best Actor and Picture.DiCaprio took the next two years off, focusing on environmental causes, but came back in 2015 in Alejandro G. Iñárritu's The Revenant. He nabbed his sixth Oscar nom for the film and finally landed his first win, for Best Actor.The hybrid-car driving DiCaprio has also been an outspoken proponent of environmentalism, a topic he is so passionate about he was allowed to interview then-President Bill Clinton on the issue in a 2000 televised prime-time special.

Trivia: A handful of actresses carry such a wellspring of inner grace and presence that they appear destined for celebrity from birth. Natalie Wood had it, as did Elizabeth Taylor and Grace Kelly; many would doubtless place Kate Winslet among their ranks. A tender 11 when she commenced her formal dramatic training, 19 when she debuted cinematically, and 20 when she received her first Best Supporting Actress Oscar nomination, Winslet never "ascended" to stardom; she became a star overnight. The possessor of an hourglass-figured, full-lipped beauty that lends itself effortlessly to costume dramas, Winslet was roundly hailed by the press for standing in stark, proud contrast to her more conventional Hollywood peers. Born on October 5, 1975, and raised in Reading, England, as the daughter of stage actors and the granddaughter of a repertory theater manager, Winslet inherited the "drama bug" from her folks. After training exhaustively as a child and securing professional representation she went on the air as a spokesgirl for a popular British cereal, and later attended a performing-arts secondary school. Following an early graduation in 1991 (prior to the age of 16), Winslet launched her regional stage career, highlighted by roles in adaptations of The Secret Diary of Adrian Mole and Peter Pan. It would be difficult to imagine a more auspicious film bow than the role of Juliet Hulme in Peter Jackson's Heavenly Creatures -- or a more difficult one. This characterization -- that of an extroverted adolescent who constructs an incestuously exclusive fantasy world with her best friend (Melanie Lynskey) -- put Winslet on the map, and opened the door for follow-ups in international megahits such as Ang Lee's Sense and Sensibility (1995), as the willful, passionate Marianne; and James Cameron's Titanic (1997), as the object of Leonardo Di Caprio's affections, Rose DeWitt Bukater. She received dual Oscar nominations for those roles, but, surprisingly, failed to net either one.Meanwhile, Winslet concurrently shied away from the high gloss of Cameron and unveiled her stage origins, traveling the arthouse circuit with such productions as Michael Winterbottom's Jude (1996), as Sue Bridehead; and Kenneth Branagh's disappointing, overbaked, four-hour Hamlet (1996), as Ophelia. Hideous Kinky embodied a turn on a much smaller scale. Directed by Scottish helmer Gillies MacKinnon (and scripted by his brother, Billy), the film casts Winslet as a freewheeling young hippie who takes her children to Morocco in order to pursue spiritual enlightenment. Beyond the positive reviews gleaned by the film and the praise that critics lavished onto Winslet's performance, one of the most alluring sidelights happened off camera, when Winslet dated and then married James Threapleton, the third assistant director on the MacKinnon film. The couple divorced in 2001.During 1999 and 2000, Winslet dove into two roles that required her to cut loose and break free of all inhibitions. First, she played another young woman in search of spiritual enlightenment, this time in Jane Campion's Holy Smoke. Starring as an Australian girl who joins a cult on a visit to India, and is then "deprogrammed" by Harvey Keitel, Winslet's role pushed her beyond the limits of propriety and embarrassment (one scene has her standing naked and urinating in front of Keitel). Unfortunately, one or two brave performances did not an unequivocal masterpiece make; the picture sharply divided critics, falling far short of the praise heaped onto Campion's The Piano six years earlier. Even gutsier (though more successful on a dramatic level) was Winslet's turn as a laundress who delivers the Marquis de Sade's manuscripts to the outside world in Phil Kaufman's Quills. Winslet reentered the Oscar limelight with yet another Academy-nommed performance as a youthful Iris Murdoch in director Richard Eyre's Iris, but the gold statuette eluded her a third time when Jennifer Connelly netted it for A Beautiful Mind. In early 2003, she hit a low point as Bitsey Bloom, opposite Kevin Spacey in The Life of David Gale. Based on the experience of a University of Texas professor -- an avid anti-death-penalty activist faced with execution after a false conviction -- Winslet portrayed the reporter who broke the story in a desperate attempt to discover the truth behind the mysterious and brutal crime for which Gale was convicted. As scripted by Charles Randolph and directed by Alan Parker, the picture opened and closed almost simultaneously, to devastating, brutal reviews. Winslet fared better in 2004, as the love interest opposite Jim Carrey in Michel Gondry's Eternal Sunshine of the Spotless Mind. This humorous and poignant mindbender, with a tender romance at its core, scored on all fronts, as did Winslet's performance, earning her Academy Award and Golden Globe nominations. She followed it up with a return to period film in Finding Neverland (2005), a movie about Victorian author J.M. Barrie, played by Johnny Depp. Playing the inspiration for the character of Wendy in the beloved novel Peter Pan seemed only natural for the charming actress, who had long since proven herself a similarly charismatic onscreen force. The next year, 2006, found Winslet in a quintet of back-to-back projects. In the CG-animated Flushed Away -- from Aardman and Dreamworks -- she voiced Rita, a scavenging sewer rat who helps Hugh Jackman's Roddy escape from the city of Ratropolis and return to his luxurious Kensington origins. That year, she also headlined the political drama All the King's Men, opposite Sean Penn. Written and directed by Schindler's List's Steven Zaillian, the picture cast Winslet as Jude Law's childhood sweetheart; while overflowing with talent, the long-gestating remake was a major misfire with critics and audiences. Perhaps more fortuitously, Winslet joined the cast of Todd Field's Little Children, an ensemble comedy drama about fear and loathing in an upper-class suburb in New England. The film would net her her fifth Oscar nomination, this time for Best Actress. More financially successful was her involvement in Nancy Meyers' romantic comedy Holiday, as Iris, a British woman who temporarily "swaps homes," as part of a vacation ploy, with Cameron Diaz's Amanda, and has an affair with Jack Black. Meanwhile, Winslet and Johnny Depp reunited for the first occasion since Finding Neverland as narrators of the IMAX documentary Deep Sea 3D (2006), filmmaker Howard Hall's lavish exploration of the aquatic depths, designed for young viewers.After taking some time off in 2007, Winslet returned in 2008 with a pair of award-winning performances. Playing opposite her Titanic co-star Leonardo DiCaprio in Revolutionary Road earned her Best Actress nominations from both the Screen Actors Guild and the Hollywood Foreign Press, as well as a healthy number of year-end critics awards. But it was her work in Stephen Daldry's adaptation of The Reader that provided her with the sixth Academy nomination of her career, as well as Best Supporting Actress nods from the Screen Actors Guild and the Golden Globes. The Hollywood Foreign Press made history that year selecting her the winner in both the Best Actress in a drama and the Best Supporting Actress categories at that year's Golden Globes.In 2011, Winslet would win an Emmy, Golden Globe, and Screen Actors Guild award for her performance in HBO's 5-part miniseries Mildred Pierce, and take on a lead role in Contagion, a disaster film directed by Steven Soderbergh. In 2013, she starred in Labor Day and joined the Divergent film series, returning for the film's sequel, Insurgent, in 2015. She also starred in Steve Jobs, and earned her seventh Oscar nomination.

Trivia: Actor Billy Zane kicked off his stage career in his hometown of Chicago. Able to harness his spoiled-brat countenance and quirky gestures to invoke either sympathy or repulsion, Zane has been seen principally in secondary roles in such films as Back to the Future (1985), Memphis Belle (1990), Orlando (1992), and Posse (1993). His most flamboyant role was as the young drifter who -- obvious to everyone but the hero and heroine -- is not what he seems in the Australian thriller Dead Calm (1989). Zane had a rare starring role in the filmization of the once popular comic strip The Phantom (1996), in which he showed off his lithe, muscular physique in a form-fitting purple body suit and performed many of the stylish film's daring stunts himself. The following year he had a lead role in the most successful film of his career, playing Kate Winslet's vile fiancé in Titanic. Zane is the younger brother of film and TV actress Lisa Zane.

Trivia: Actress Kathy Bates has been involved in the arts in one way or another since graduating from Southern Methodist University. Among the Memphis native's earliest jobs were a stint as a singing waitress in a Catskill resort and a sojourn as a gift shop cashier in New York's Museum of Modern Art. Bates was type-cast in character roles early on, which assured her a lot more work than the thousands of faceless ingenues in the business. Her film debut occurred with 1971's Taking Off, and she made her off-Broadway debut five years later in Vanities.For a long while, Bates made her name on the stage, only to see her roles go to other actresses in the plays' subsequent film adaptations. In 1983, she was nominated for a Tony award for her stage appearance as a garrulous would-be suicide in 'Night, Mother, a role played on screen by Sissy Spacek. She also appeared as Lenny McGrath in Beth Henley's Pulitzer Prize-winning play Crimes of the Heart, a role played on screen by Diane Keaton. And in 1987, playwright Terrence McNally wrote a part specifically tailored to Bates' talents: the much-abused waitress Frankie in Frankie and Johnny in the Clair de Lune, a role which won her an Obie award, and, following a familiar pattern, was played on screen by Michelle Pfeiffer.Bates finally got to star in a movie herself in 1990. And what a starring role it was: in Misery, she portrayed the psychotic "Number One Fan" of romance writer Paul Sheldon (James Caan), a searing performance which earned the actress an Academy Award and a Golden Globe. Appropriately enough, Hollywood screenwriters subsequently began making more room for Bates in their scripts. She worked steadily throughout the rest of the decade in films of greatly varying quality. Particular highlights included Fried Green Tomatoes (1991), A Prelude to a Kiss (1992), Dolores Claiborne (1995), Titanic (1997), and Primary Colors (1998), the latter of which featured Bates giving an Oscar and Golden Globe nominated performance as a political muckraker. Following her firey, foul-mouthed performance in that thinly veilied political biopic, Bates added a new credential to her resume, that of director. Initially taking the helm for the made-for-cable feature Dash and Lilly, Bates would subsequently direct episodes of the quirky HBO drama series Six Feet Under, simultaniously taking minor film roles before returning to more substantial roles with the CBS Hallmark Hall of Fame entry My Sister's Keeper. Roles in Love Liza and Dragonfly (both 2002) were soon to follow, and with her turn as an extroverted mother who catches the attention of Jack Nicholson in About Schmidt Bates would recieve her third Oscar nomination.She directed a number of episodes of the HBO series Six Feet Under before joining the cast in season 3 as Bettina. The next year she portrayed Queen Victoria in the big-budget remake of Around the World in 80 Days. She directed he feature Ambulance Girl in 2005. She continued to act steadily in a variety of projects including Failure to Launch, P.S. I Love You, Fred Claus, Bee Movie, and Revolutionary Road. She provided expert support for Sandra Bulock as the younger actress was winning an Oscar in The Blind Side, and Bates joined the cast of The Office in 2009. She was part of the large ensemble in 2010'ss Valentine's Day, and in 2011 starred as Gertrude Stein in Woody Allen's Oscar winning Midnight in Paris. That same year she launched her own network Drama series Harry's Law.

Trivia: Possessing a special talent for totally immersing himself in his roles, Bill Paxton did not always get the recognition he deserves. Tall, rangy, and boyishly good looking, Paxton's career was a curiosity that found the character actor-turned-filmmaker succeeding in intermittently pulling the rug from under filmgoers' feet with a constantly expanding sense of maturity and range.Paxton's interest in films emerged during his teens when he began making his own movies with a Super-8 camera. He formally entered the entertainment industry in 1974 as a set dresser for Roger Corman's New World Pictures. Paxton made his acting debut as a bit player in Crazy Mama (1975), and afterward, the young thespian moved to New York to hone his skills. Following performances in a couple of horror quickies, Paxton formally launched his Hollywood career with a tiny part in Ivan Reitman's Stripes (1981) and this led to a steady if not unremarkable career in film and television during the '80s. In addition to acting, Paxton made short independent films such as Fish Heads, (1982) which became a favorite on NBC's Saturday Night Live. Paxton's acting career got a much-needed boost in 1985 when he was cast as Ilan Mitchell-Smith's obnoxious big brother Chet Donolley in John Hughes' Weird Science. Some of Paxton's more memorable subsequent roles include that of a cocky intergalactic soldier in James Cameron's Aliens (1986), a crazed vampire in Kathryn Bigelow's Near Dark, and sickly astronaut Freddie Hayes in Ron Howard's Apollo 13. In 1996, Paxton landed a starring role, opposite Helen Hunt, in the special-effects blockbuster Twister; his career took an upward turn and Paxton got more leads than ever. Though few audiences saw it in its limited release, critics were quick to praise Paxton's turn as con-artist Traveler in the 1997 movie of the same name. Following a doomed voyage on the Titanic the same year, the workhorse actor once again intrigued filmgoers as a small-town dweller struggling with his conscience after stumbling into over a million dollars in usually flamboyant director Sam Raimi's strikingly subdued A Simple Plan. A quiet and intense performance enhanced by a talented cast including Billy Bob Thornton and Bridget Fonda, the psychological crime drama once again provided further proof that Paxton's impressive range of emotion stretched beyond what many filmgoers may have previously suspected. Though subsequent performances in Mighty Joe Young (1998) and U-571 (2000) did little to backup the promise shown in A Simple Plan, Paxton still had a few tricks up his sleeve, as evidenced by his directorial debut Frailty (2002), a surprisingly competent and genuinely frightening tale of religious fervor and questionable sanity. Though cynical filmgoers may have initially viewed the trailer-touting praises of former collaborators Raimi and James Cameron as favors from old friends, the taut tale of a father who claims that God has provided him with a list of "demons" that he and his sons must cast from the earth blind-sided critics and filmgoers with its disturbingly minimalistic yet complex psychological thriller that recalled the thematic elements of previous efforts as Michael Tolkin's The Rapture (1991). His performance as a loving father who reluctantly embarks on God's mission was a vital component of the films emotional impact, and was once again proof that this former supporting player still had a few tricks up his sleeve.Though he hadn't paid much attention to television since his early career, in 2006, Paxton took on the lead role in HBO's Big Love, playing a polygamous husband with three wives. The show was a hit and garnered critical acclaim, including three Golden Globe nominations for Paxton. When the show wrapped up after five seasons, Paxton joined the miniseries Hatfields & McCoys, earning his only Emmy nomination of his career for the role. In 2014, Paxton took on a recurring role in Marvel's Agents of S.H.I.E.L.D., playing the villainous John Garrett. He also played Sam Houston in 2015 miniseries Texas Rising. In 2017, his new network show Training Day (a small-screen version of the film) aired only three episodes before Paxton suddenly died of complications from surgery at age 61.

Trivia: One of the actresses most indelibly associated with the descriptor "fiery redhead," Frances Fisher has enjoyed a long career as a respected stage, screen, and television performer. In addition to her professional work, she also earned recognition for her long relationship with Clint Eastwood, by whom she had a daughter.Born in Milford on Sea, England, Fisher spent much of her childhood traveling all over the world, thanks to her father's job as an international oil refinery construction supervisor. After time spent in England, Colombia, France, Canada, Brazil, Turkey, and Italy, the family settled in Orange, Texas, where Fisher completed her schooling. Deciding to follow her interest in theatre, she eventually moved to New York, where she subsequently enjoyed a 14-year stage career in regional and off-Broadway productions. During this time, she also became involved with the Actors Studio, where she studied with the legendary Lee Strasberg. Fisher segued into screen work via television, getting her start with regular roles on a number of soap operas. She began her film career with some help from Henry Jaglom, for whom she made her 1980 screen debut in Sitting Ducks, and went on to star in his Can She Bake a Cherry Pie? (1983) and Babyfever (1994). Fisher spent the 1980s and 1990s appearing in a wide variety of film and TV productions, including the made-for-TV Lucy and Desi: Before the Laughter (1991), which cast her as Lucille Ball; Eastwood's Unforgiven (1992); the Texas Dust Bowl drama The Stars Fell on Henrietta (1995); James Cameron's Titanic (1997), in which she starred as Kate Winslet's mother; and The Big Tease (1999), a Scottish hairdressing mockumentary that featured her as a publicist in need of a new 'do.

Trivia: Blonde, serene-looking film actress Gloria Stuart forsook her stage career when she was signed to two separate movie contracts in 1932. It took a court arbitrator to determine which studio would be permitted to make use of Stuart's services, Paramount or Universal. Universal won, and soon the actress was starring in such memorable films as James Whale's The Old Dark House (1932) and The Invisible Man (1933). From 1936 on, Stuart, who was born in Santa Monica, CA, on July 4, 1910, was contracted to 20th Century Fox, where among many other films she appeared in John Ford's Prisoner of Shark Island (1936), the Shirley Temple vehicle Rebecca of Sunnybrook Farm (1938), and the Ritz Brothers version of The Three Musketeers (1939). Gradually retiring from films in the early '40s to return to her stage origins, Stuart subsequently decided to devote her time to her second husband, screenwriter/wit Arthur Sheekman, whom she had married in 1934. She became an accomplished painter, staging several one-woman exhibits in New York, Austria, and Italy during the 1960s. In 1982, Stuart made a long-overdue return to the screen in the cameo role of Peter O'Toole's matronly dancing partner in My Favorite Year. Sixteen years later, she became known to a whole new generation of fans when she starred as 100-year-old Rose DeWitt, the heroine of James Cameron's Titanic. The only member of Titanic's cast and crew to have been alive at the time of the actual catastrophe, Stuart, who was 88 when the film was released, made history with her performance in the record-breaking movie. Nominated for an Oscar in the Best Supporting Actress category, she became the oldest person in history to be nominated for an Academy Award; in addition to various other award nominations, she won a Best Supporting Actress prize from the Screen Actors Guild, an organization she had helped to found in 1933. Thanks to Titanic, Stuart enjoyed a late-life career renaissance, and was soon appearing in magazines (People dubbed her one of the "50 Most Beautiful People in the World"), Hanson videos, and, most importantly, in new films that ranged from the romantic comedy The Love Letter (1999) to Wim Wenders' The Million Dollar Hotel (2000).

Trivia: When producers of the Lord of the Rings trilogy needed an actor of eminence and power to play King Théoden in the second and third films, they went fishing and reeled in a prize catch: Bernard Hill. It was Hill who portrayed Captain E.J. Smith in the 1997 box-office blockbuster Titanic. By sinking to the bottom as the stiff-upper-lipped commanding officer of the doomed ship, Hill rose to new heights in his profession, receiving international recognition for his acting skill. Although Titanic was mediocre artistically, audiences loved it for its soapy melodrama, special effects, and strong performances from veteran actors like Hill. But who was Hill? When fans checked into his background, they discovered that he was among Britain's most accomplished actors. In the 1980s, he earned critical acclaim for roles in stage and television productions of Shakespeare's plays and won Britain's Press Guild award for Achievement of the Decade for his performance in the TV miniseries Boys From the Blackstuff. In 1994, he received a British Academy award for his starring role in Skallagrigg. Further research revealed that Hill had portrayed Gratus in what was unquestionably one of the top three or four TV miniseries of all time -- I, Claudius (1976) -- and Sergeant Putnam in the 1982 Academy Award-winning biodrama Gandhi. Hill was born on December 17, 1944, in Manchester, England, and eventually resided with his own family in Suffolk. Since the early '70s, he has acted in television and film, as well as theater. Hill has appeared in TV adaptations of such classics as The Mill on the Floss by George Eliot; The Wind in the Willows by Kenneth Grahame; and Antigone by Sophocles. Hill accepted roles in a string of films with offbeat names: Besides Skallagrigg, he appeared in Madagascar Skin (1995), Drug-Taking and the Arts (1994), Dirtysomething (1993), Drowning by Numbers (1988), Bellman and True (1987), Milwr Bychan (1986), Squaring the Circle (1984), The Spongers (1978), and Pit Strike (1977). In the Lord of the Rings films, Hill plays white-haired Théoden Ednew, the 17th king of Rohan and a defender of Middle-earth. Made old and decrepit beyond his chronological age by the machinations of Grima Wormtongue and Saruman, Théoden regains his vigor through the intervention of Gandalf and rides his horse, Snowmane, to battlefield glory.

Trivia: Broadway actor Victor Garber was born on March 16th, 1940 in London, Ontario, Canada. Through years of working on-stage, he has earned several Tony and Drama Desk nominations. He earned his first Obie award for his performance in Wenceslas Square at the 1988 New York Shakespeare Festival. Some of his other stage credits include Macbeth, Sweeney Todd, Damn Yankees, and Yasmina Reza's Art. After playing Jesus on-stage in Toronto, Garber reprised his role in David Greene's 1973 film musical Godspell. He joined Greene again to play the lead in Liberace: Behind the Music (1988).Staying busy with theater, Garber occasionally acts in supporting roles on the big screen. He appeared in two of Nora Ephron's feature comedies: Sleepless in Seattle (1993) and Mixed Nuts (1994). He also appeared in the tense drama Exotica in 1994, directed by fellow Canadian Atom Egoyan. Throughout the '90s and beyond, he appeared in countless TV movies, from Woman on the Run: The Lawrencia Bembenek Story (1993) to Torso: The Evelyn Dick Story (2002). Some of his mainstream feature appearances include small parts in The First Wives Club, Titanic, and Legally Blonde. Meanwhile, he regularly appeared in a Canadian television mystery series, Criminal Instincts, based on the novels by Gail Bowen, starting with the first installment Love and Murder in 2000. He played Inspector Phillip Menard to head police detective Joanne Kilborne (Wendy Crewson). He also had a very comfortable home in Disney movies during this time, as he played the dad in Tuck Everlasting, the king in Rodgers & Hammerstein's Cinderella, and Daddy Warbucks in Rob Marshall's 1999 TV feature Annie.In 2001, Garber was cast as another dad in the dramatic spy series Alias. He played Jack Bristow, the CIA agent dad of Sydney Bristow (Jennifer Garner). He earned an Emmy nomination for his work on the show. Characters for 2003 included a mayor in the ABC musical The Music Man and a detective in the independent drama Home Room. The actor continued his work in Alias until 2005, and enjoyed further success on the television series' Justice and Eli Stone. In 2008, the actor took on the role of Mayor Moscone for the Academy Award-winning Milk, and lent his voice to Kung Fu Panda 2 in 2011.

Trivia: Left Australia for the United Kingdom in 1969; shortly after his arrival, he saw Ian McClellan perform on the stage in Richard II and decided to become an actor. Was an original cast member of Not the Nine O'Clock News; left the show when it underwent heavy cast changes for the second season. Is an Associate Member of the Royal Academy of Dramatic Art. A member of the Royal Shakespeare Company; performed in the RSC's tour of King Lear in 2007, opposite Ian McKellan. Is an accomplished singer and painter.

Trivia: Advertised as "the face of the '80s," one-time model and Actors Studio-graduate Suzy Amis made her film bow in Fandango (1985). While making the film, Amis met her future husband Sam Robards, the son of Jason Robards, Jr. and Lauren Bacall. She followed Fandango with an off-Broadway appearance in Fresh Horses and next essayed an unprepossessing "goodie two-shoes" film role in The Big Town (1987). Despite having the least interesting assignment in that film, Amis managed to steal several scenes away from villainess Laura Dern. She further proved her acting mettle as the titular heroine of The Ballad of Little Jo (1993), portraying a young woman who passes herself off as a man to survive a harsh existence in the Old West. Unfortunately, although Amis earned a number of plaudits for her performance, the film all but disappeared at the box office. The actress turned up in lead and supporting roles in a number of varied films, including Rocket Gilbraltar (1988), Rich in Love (1993), The Usual Suspects (1995) -- which cast her as the film's only substantial female character -- and Titanic (1997), in which she played heroine Kate Winslet's great-granddaughter.

Trivia: German-born Hans Gudegast was still in his teens when he made his first film appearance in The Colossus of Rhodes (1957). Spending virtually his entire career in Hollywood, Gudegast achieved TV fame as the eternally outflanked Afrika Korps officer Hauptman on the weekly TV series The Rat Patrol (1967-1969). Sensing that he'd forever be typecast as a Nazi under his given name, Gudegast changed his professional cognomen to Eric Braeden in 1970 (he reportedly borrowed the name of his home town in Germany, though some sources indicate that he was actually born in Kiel). The actor's instincts were correct: under his new professional name, Braeden was afforded the opportunity to demonstrate his versatility as both leading man -- he was Charles Forbin in Colossus: The Forbin Project -- and villain. He was often called upon to convey insufferable arrogance, vide his memorable appearance as a media critic on an episode of The Mary Tyler Moore Show (that's the one where Braeden received a pie in the face, courtesy of Ted Knight). Eric Braeden's best-known characterization was as the smoothly sinister Victor Newman in the CBS daytime drama The Young and the Restless. Braeden played a small role as the wealthy John Jacob Astor in 1997's mega-hit Titanic, and co-starred in the comedy Meet the Deedles the following year. Following a long run on The Young and the Restless, Braeden co-starred with fellow Titanic alumni Billy Zane in The Man Who Came Back (2008), and took on the role of Robin Scherbatsky, Sr. for the television series How I Met Your Mother.

Trivia: Is perhaps best known for her role as Lady Duff-Gordon in the 1997 romantic epic Titanic. In 2011, provided the voice and motion capture performance for the main antagonist of the video game Uncharted 3: Drake's Deception. Runs the radio production company Jarvis & Ayres Productions alongside her husband. Received the UK Radio Academy's award for Best Drama and Readings Producer. Is a supporter of the National Brain Appeal.

Trivia: Bernard Fox was descended from a long line of British stage actors; perhaps his most famous forebear was his uncle, veteran comic actor Wilfred Lawson. Fox made his screen debut in 1956's Soho Incident, appearing in several other British films before he was brought to Hollywood by actor/producer Danny Thomas in 1963. Generally cast in stuffy, old-school-tie roles, the toothbrush-mustached Fox flourished in American films and TV programs well into the late 1980s. Bernard Fox was most widely recognized for his TV work, notably his recurring appearances as gentleman's gentleman Malcolm Merriweather on The Andy Griffith Show and wacky warlock Dr. Bombay on Bewitched; he also played Dr. Watson opposite Stewart Granger's Sherlock Holmes in the 1972 TV-movie adaptation of The Hound of the Baskervilles. He appeared in blockbusters like Titanic (1997) and The Mummy (1999) towards the end of his career; one of his final roles was reprising his Dr. Bombay character on the supernatural soap opera Passions. Fox died in 2016, at age 89.

Trivia: While most recognizable for his portrayal of Leonardo Di Caprio's doomed Italian sidekick in Titanic (1997), actor Danny Nucci had over three dozen film and television credits on his resumé before he even auditioned for the blockbuster. Born in Klagenfurt, Austria, and raised just outside of Venice, Italy, Nucci is the second child of a French Moroccan mother and an Italian father. His family relocated to the States when Nucci was only seven years old. They lived temporarily in Queens, NY, (where Nucci attended P.S. 144 in Forest Hills and P.S. 90 in Kew Gardens) before settling in California's San Fernando Valley. Nucci caught the acting bug as a student at Ulysses S. Grant High School in Van Nuys, CA, when the drama teacher recruited him for a production of West Side Story. Soon afterward, he volunteered to answer phones at a Variety Club charity telethon just for the chance to be on television, which was his first break.Forty auditions later, Nucci began his professional acting career at age 14 with a bit part on the ABC soap opera General Hospital. Roles on Richard Pryer's kids show Pryor's Place, Family Ties, and in the teen science fiction film The Explorers (1985) quickly followed. Yet, Nucci suffered a temporary emotional set back when he did not make the cast of Rob Reiner's Stand by Me (1986), after being called back several times. Devastated, he took a five-year hiatus from feature films in order to polish his skills on the small screen. He appeared on Hotel, The Twilight Zone, Growing Pains, Magnum, P.I., and Tour of Duty, and in numerous television films (including a stint as Keanu Reeves' younger brother in 1986's Brotherhood of Justice), as well as garnered three Young Artist Award nominations. Nucci's performance in the 1987 CBS Schoolbreak Special An Enemy Among Us was so powerful that the network showed the telefilm during prime time. He then played Gabriel Ortega on Falcon Crest from 1988 to 1989 -- earning his fourth Young Artist Award nomination for his performance -- before returning to features as Chris Young's sidekick in the teen comedy Book of Love (1991). This led to a small role in Frank Marshall's Alive (1993), the true story of a Uruguayan rugby team that is stranded in the Andes after a plane crash, starring Ethan Hawke, Vincent Spano, and Illeana Douglas. Work in several television films, B-movies, and independent features ensued, including A Matter of Justice (1993), Ray Alexander: A Taste for Justice (1994), and Blind Justice (1994).Nucci's big break arrived when casting directors tapped him to play Petty Officer Rivetti in Tony Scott's box-office smash Crimson Tide (1995). He held his own opposite the film's stars, Denzel Washington and Gene Hackman, impressing producer Jerry Bruckheimer who immediately cast Nucci as a Navy SEAL in Michael Bay's The Rock with Sean Connery, Nicolas Cage, and Ed Harris. He then appeared as a doomed deputy in the Arnold Schwarzenegger vehicle Eraser (1996), before proving his comedic talent as a paparazzo stalking Bette Midler and Dennis Farina in That Old Feeling (1997).After rapping up his role as Fabrizio De Rossi in 1997's Titanic (which instantly became the world's highest-grossing film), Nucci returned to independent features like the thriller Love Walked In (1998) and the comedy Friends & Lovers (1999). He then joined the supporting cast of producer David E. Kelley's only unsuccessful television series, Snoops. After the show's cancellation, television producer Jonathan Axelrod (who is married to Nucci's Alive co-star, Illeana Douglas) tapped Nucci to star in the CBS sitcom Some of My Best Friends. Based on the independent film Kiss Me, Guido (1997), the show featured Nucci as Frank Zito, a big-hearted wannabe actor from Queens who unknowingly moves in with a gay roommate played by Jason Bateman. Though called "pretty darn funny" by the New York Times, the series was ultimately canceled. Yet, Nucci immediately bounced back with the Sci Fi Channel miniseries Firestarter 2: Rekindled (2002), the sequel to Mark Lester's blockbuster adaptation of the Stephen King novel. The four-part series, which stars Marguerite Moreau, Malcolm McDowell, and Dennis Hopper, gained such a following that the network decided to develop it into a regular series.In the meantime, Nucci completed filming on Monika Mitchell's Break a Leg (2003) with his girlfriend, actress Paula Marshall, before moving on to appear in such acclaimed films as World Trade Center, as well as TV series like The Booth at the End.

Trivia: Dubbed Britain's "very own Leonardo DiCaprio" after his role as the ship officer who rescues Kate Winslet in Titanic, Welsh actor Ioan Gruffudd (pronounced "Yo-wan Griffiths") went from relative unknown to rapidly ascending Hot Young Thing in just a few short years. Bearing the kind of looks that inspire more than a few torrid fantasies, the arrestingly photogenic actor has proved to be the hottest Welsh export since Catherine Zeta-Jones. Hailing from Cardiff, where he was born on October 6, 1973, Gruffudd enjoyed a fairly happy childhood. Raised as one of three children by parents who were Welsh language educators, he developed an early interest in performing. This interest was directed at music, rather than acting, and Gruffudd developed into an accomplished oboist and singer while he was growing up. At the age of eleven, he decided to give acting a whirl, and two years later, he became a professional actor with a role in the Welsh soap opera Pobol Y Cwm (People of the Valley). Gruffudd's interest in acting proved lasting, and he was accepted at London's Royal Academy of Dramatic Art when he was eighteen. He studied there for three years, and, following graduation, he landed a part on the popular BBC series Poldark. He made his film debut in 1997, playing one of Oscar Wilde's lovers in Wilde. That same year, in his small role dredging Kate Winslet out of the Atlantic in Titanic, he managed to make an impression on more than a few viewers. In 1998, Gruffudd again went out to sea, in the acclaimed BBC series Horatio Hornblower. His title role in the series, adapted from C.S. Forester's 18th century tales of adventure on the high seas, made him a star in the UK, and soon there was no shortage of articles detailing everything from his physical attributes to his personal life. Thus, it was only a matter of time before Gruffudd got his first starring role on the big screen, and a year later, he did just that. 1999 saw him star in Solomon and Gaenor, a love story between a Jewish man and a Welsh woman set in turn-of-the-century Wales. Gruffudd won strong notices for his performance, and that same year he earned additional raves for his work in the BBC television adaptation of Great Expectations. He then exchanged period etiquette for contemporary perversion with his role in the BBC miniseries Love in the 21st Century, playing a man whose obsessive interest in masturbation threatens his relationship with his wife. 2001 saw Gruffudd showing off his American accent in the critically-acclaimed cinematic retelling of the bloody Battle of Mogadishu. The film cast him alongside several other up-and-comers such as Orlando Bloom and Eric Bana. Following roles in smaller fare like Happy Now and This Girl's Life, Gruffudd was cast opposite Clive Owen and Keira Knightly as Sir Lancelot in director Antoine Fuqua's gritty King Arthur. Gruffudd joined the cast of Fantastic Four in 2005, and again for its sequel, Fantastic Four: Rise of the Silver Surfer, in 2007. The actor was praised for his role as Tony Blair in W. (2008), Oliver Stone's biopic chronicling the life and career of former President George W. Bush. Playing the part of self-made millionaire Andrew Martin, Gruffudd co-starred with Sarah Michelle Gellar in Ringer, a short-lived television series from The CW.