Trivia: In the first ten years of his life, Raymond Burr moved from town to town with his mother, a single parent who supported her little family by playing the organ in movie houses and churches. An unusually large child, he was able to land odd jobs that would normally go to adults. He worked as a ranch hand, a traveling tinted-photograph salesman, a Forest service fire guard, and a property agent in China, where his mother had briefly resettled. At 19, he made the acquaintance of film director Anatole Litvak, who arranged for Burr to get a job at a Toronto summer-stock theater. This led to a stint with a touring English rep company; one of his co-workers, Annette Sutherland, became his first wife. After a brief stint as a nightclub singer in Paris, Burr studied at the Pasadena Playhouse and took adult education courses at Stanford, Columbia, and the University of Chunking. His first New York theatrical break was in the 1943 play Duke in Darkness. That same year, his wife Sutherland was killed in the same plane crash that took the life of actor Leslie Howard. Distraught after the death of his wife, Burr joined the Navy, served two years, then returned to America in the company of his four-year-old son, Michael Evan Burr (Michael would die of leukemia in 1953). Told by Hollywood agents that he was overweight for movies, the 340-pound Burr spent a torturous six months living on 750 calories per day. Emerging at a trim 210 pounds, he landed his first film role, an unbilled bit as Claudette Colbert's dancing partner in Without Reservations (1946). It was in San Quentin (1946), his next film, that Burr found his true metier, as a brooding villain. He spent the next ten years specializing in heavies, menacing everyone from the Marx Brothers (1949's Love Happy) to Clark Gable (1950's Key to the City) to Montgomery Clift (1951's A Place in the Sun) to Natalie Wood (1954's A Cry in the Night). His most celebrated assignments during this period included the role of melancholy wife murderer Lars Thorwald in Hitchcock's Rear Window (1954) and reporter Steve Martin in the English-language scenes of the Japanese monster rally Godzilla (1956), a characterization he'd repeat three decades later in Godzilla 1985. While he worked steadily on radio and television, Burr seemed a poor prospect for series stardom, especially after being rejected for the role of Matt Dillon on Gunsmoke on the grounds that his voice was too big. In 1957, he was tested for the role of district attorney Hamilton Burger in the upcoming TV series Perry Mason. Tired of playing unpleasant secondary roles, Burr agreed to read for Burger only if he was also given a shot at the leading character. Producer Gail Patrick Jackson, who'd been courting such big names as William Holden, Fred MacMurray, and Efrem Zimbalist Jr., agreed to humor Burr by permitting him to test for both Burger and Perry Mason. Upon viewing Burr's test for the latter role, Perry Mason creator Erle Stanley Gardner jumped up, pointed at the screen, and cried "That's him!" Burr was cast as Mason on the spot, remaining with the role until the series' cancellation in 1966 and winning three Emmies along the way. Though famous for his intense powers of concentration during working hours -- he didn't simply play Perry Mason, he immersed himself in the role -- Burr nonetheless found time to indulge in endless on-set practical jokes, many of these directed at his co-star and beloved friend, actress Barbara Hale. Less than a year after Mason's demise, Burr was back at work as the wheelchair-bound protagonist of the weekly detective series Ironside, which ran from 1967 to 1975. His later projects included the short-lived TVer Kingston Confidential (1976), a sparkling cameo in Airplane 2: The Sequel (1982), and 26 two-hour Perry Mason specials, lensed between 1986 and 1993. Burr was one of the most liked and highly respected men in Hollywood. Fiercely devoted to his friends and co-workers, Burr would threaten to walk off the set whenever one of his associates was treated in a less than chivalrous manner by the producers or the network. Burr also devoted innumerable hours to charitable and humanitarian works, including his personally financed one-man tours of Korean and Vietnamese army bases, his support of two dozen foster children, and his generous financial contributions to the population of the 4,000-acre Fiji island of Naitauba, which he partly owned. Despite his unbounded generosity and genuine love of people, Burr was an intensely private person. After his divorce from his second wife and the death from cancer of his third, Burr remained a bachelor from 1955 until his death. Stricken by kidney cancer late in 1992, he insisted upon maintaining his usual hectic pace, filming one last Mason TV movie and taking an extended trip to Europe. In his last weeks, Burr refused to see anyone but his closest friends, throwing "farewell" parties to keep their spirits up. Forty-eight hours after telling his longtime friend and business partner Robert Benevides, "If I lie down, I'll die," 76-year-old Raymond Burr did just that -- dying as he'd lived, on his own terms.

Trivia: The son of actors Bill Williams and Barbara Hale, curly-haired leading man William Katt is fond of noting that he made his movie "debut" while residing in his mother's womb during filming of Lorna Doone (1951). After attending Orange Coast College, Katt pursued a career as a musician. He then made his formal acting bow in summer stock and small TV roles. Among Katt's film credits are the role of the high-school jock date of telekinetic wallflower Sissy Spacek in Carrie (1977), and one-half of the title role in Butch and Sundance, The Early Days (1979). From 1981 through 1983, Katt played the reluctant-superhero protagonist (originally named Ralph Hinkley, redubbed Ralph Hanley after the '81 assassination attempt on Ronald Reagan) on TV's Greatest American Hero. Beginning in 1987, Katt played the recurring role of detective Paul Drake Jr. in the periodic Perry Mason TV movies, co-starring with his mother Barbara Hale, who resumed her "Della Street" characterization from the original 1961-66 Mason run. Katt also worked on the scripts of several of these latter-day Masons. More recently, William Katt was a regular on the 1991 Farrah Fawcett-Ryan O'Neal TV sitcom Good Sports.

Trivia: Raven-haired, well-scrubbed Canadian actress Barbara Parkins made her film bow in the 1961 British crime drama 20,000 Eyes. Parkin's most fondly remembered role was the much-married Betty Harrington in the American TV series Peyton Place, which ran from 1964 through 1969. She reprised Betty for a 1985 "reunion" TV movie, and played a variation of the character in the 1967 theatrical feature Valley of the Dolls. While her stardom pretty much ended with the 1960s, she has remained most active in made-for-TV features, playing Anna Held in Ziegfeld: The Man and His Women (1978) and the Duchess of Windsor in To Catch a King (1984). In 1991, Barbara Parkins returned to the weekly-TV grind on the Canadian-filmed dramatic anthology Scene of the Crime, essaying a different role in each episode.

Trivia: American character actor Jon Cypher is best known to daytime-drama devotees as Dr. Alex Keith on CBS' As the World Turns. Those who prefer NBC's soap-opera lineup will recognize Cypher as Dr. Arthur Donnelly on Santa Barbara. In the nighttime TV hours, the actor has been seen as such self-important characters as Chief Fletcher P. Daniels on Hill Street Blues (1981-1987), Jeff Munson on Knot's Landing (1982-1983 season), and Maj. Gen. Marcus Craig on Major Dad (1990-1993). Jon Cypher has also played similarly authoritative roles in his film work, beginning with his portrayal of land baron Frank Tanner in 1971's Valdez Is Coming.

Trivia: The oldest of three sons of a high school art teacher, Timothy Bottoms was 17 when he toured Europe as a member of the Santa Monica Madrigal Society. Enjoying the "rush" of appearing before live audiences, Bottoms pursued a theatrical career. While playing the lead in a stage production of Romeo and Juliet, he was selected by writer/director Dalton Trumbo to play the blind, deaf, armless, and legless protagonist in the 1971 film version of Trumbo's Johnny Got His Gun. That same year, Bottoms was tapped by Peter Bogdanovich to star as Texas teenager Sonny Crawford in the award-winning The Last Picture Show (1971), which featured Tim's younger brother Samuel. Bottoms followed these triumphs by creating the role of harried first-year law student Hart in the 1973 sleeper The Paper Chase. Thereafter, his film roles seemed haphazardly selected. On TV, Bottoms was given an opportunity to age nearly 30 years as Adam Trask in the 1981 miniseries version of East of Eden; he also co-starred with brothers Joseph and Sam in the feature-length TV pilot Favorite Son (1987). Again appearing opposite younger sibling Joseph, Tim made his Broadway bow in The 5th of July (1951). Bottoms surprised no one when he balked at the opportunity of re-creating his Sonny Crawford characterization in Texasville, the 1991 sequel to Last Picture Show. Eventually he not only agreed to co-star in Texasville, but also served as executive producer of a documentary on the making of that film, Picture This (1990).

Trivia: African American actor James McEachin was a stage actor until signed to a Universal contract in the mid-1960s. Though relatively young, McEachin projected a middle-aged, "solid citizen" image that perfectly suited his title character in the Universal television series Tenafly (1973). McEachin was cast as private eye and loyal family man Harry Tenafly, one of the few TV detectives who relied more on brains than movie-star charisma. Since that time, James McEachin has usually been cast as a cop; he played Sergeant (and later Lieutenant) Brock on virtually every Perry Mason TV movie of the 1980s and 1990s-a notable exception being the 1987 entry The Case of the Scandalous Scoundrel, in which he was cast as "Harry Forbes."

Trivia: The career of William Prince dates back to his first stage work in the late '30s. On film, Prince came across as handsome and personable, but somehow, despite the fact that he appeared in numerous feature films, his career never caught fire and major movie stardom eluded him. His best movie role was as the good-looking but vapid Christian in the 1950 Cyrano de Bergerac. Ageing gracefully into a solid character actor, Prince remained in demand for film and TV roles into the 1990s. William Prince's latter-day TV reputation rested on his hundreds of soap opera appearances: He played Ken Baxter on Another World, Ben Travis on The Edge of Night, Judge Henderson on Search for Tomorrow, Russell Barry on A World Apart, and the father of the title character in Young Dr. Malone. Prince passed away at age 83 in Tarrytown, NY.

Trivia: According to her Rockford, Illinois, high-school yearbook, Barbara Hale hoped to make a career for herself as a commercial artist. Instead, she found herself posing for artists as a professional model. This led to a movie contract at RKO Radio, where she worked her way up from "B"s like The Falcon in Hollywood (1945) to such top-of-the-bill attractions as A Likely Story (1947) and The Boy With Green Hair (1949). She continued to enjoy star billing at Columbia, where among other films she essayed the title role in Lorna Doone (1952). Her popularity dipped a bit in the mid-1950s, but she regained her following in the Emmy-winning role of super-efficient legal secretary Della Street on the Perry Mason TV series. She played Della on a weekly basis from 1957 through 1966, and later appeared in the irregularly scheduled Perry Mason two-hour TV movies of the 1980s and 1990s. The widow of movie leading man Bill Williams, Barbara Hale was the mother of actor/director William Katt. Hale died in 2017, at age 94.

Trivia: Though early on, short, pugnacious American actor Gerald S. O'Loughlin dreamed of becoming a lawyer, the prohibitive cost of law school forced him to steer toward engineering as a career. O'Loughlin was deflected from this ambition by an increasing interest in the theatre. After a long stint with the Marines, O'Loughlin used his GI Bill money to finance his participation at the Neighborhood Playhouse in New York. Working steadily on stage and in live TV drama, O'Loughlin made an inauspicious debut as the romantic lead in the Manhattan-filmed turkey Lovers and Lollipops (1956); one year later, he was shown to better advantage re-creating his stage role in the filmization of Michael Gazzo's play A Hatful of Rain (1957). For many children of the '70s, Gerald O'Loughlin will always be the tough-but-tender Lt. Ryker on the long-running cop series The Rookies. Even in his subsequent TV series assignments (Automan [1983-1984], Our House [1986]) one half expected O'Loughlin to drop character and start barking out "Hey! Danko." Gerald O'Loughlin was married to casting director Meryl Abeles.

Trivia: A native of Englewood, NJ, Genie Francis would become one of the most recognizable soap opera actresses of all time because she portrayed Laura Webber Spencer on General Hospital. The character's relationship with Luke Spencer (Anthony Geary) enthralled millions, with their wedding drawing the largest rating for any soap opera episode ever up to that time. In addition to her work on General Hospital, Francis has been a regular at different times on other serials including Days of Our Lives and All My Children. She has done one-off appearances on numerous series including Fantasy Island, Murder, She Wrote, and 3rd Rock from the Sun.

Trivia: In contrast to the insufferably intellectual characters he has played so often and so well, David Ogden Stiers wasn't much of a student while growing up in Eugene, Oregon. Like many another "underachiever," Stiers excelled at the things he was truly interested in, such as music (he played piano and french horn) and acting. After flunking out of the University of Oregon, Stiers stepped up his amateur-theatrical activities, and at age 20 was hired by the California Shakespeare Festival at Santa Clara, where he spent the next seven years performing the Classics. After briefly working with the famous San Francisco improv group The Committee, Stiers attended Juilliard, in hopes of improving his vocal delivery. Evidently his training paid off: in 1974, Stiers co-starred with Zero Mostel in the Broadway production Ulysses in Nighttown, then went on to appear opposite Doug Henning in the long-running musical The Magic Show. Despite his success, Stiers detested New York, and at the first opportunity he "ran screaming" back to the West Coast. He was cast in the short-lived sitcom Doc in 1975, and the following year played an important role in the 90-minute pilot for Charlie's Angels, though he passed when offered a regular assignment in the Angels series proper. Stiers' performance as a stuttering TV executive in a 1976 Mary Tyler Moore Show episode led to his being cast as the overbearing Major Charles Emerson Winchester on the ever-popular M*A*S*H; at first signed to a two-year contract, Stiers remained with the series until its final episode in February of 1983. Before, during and after his tenure on M*A*S*H, Stiers kept busy in made-for-TV films, lending his patented authoritativeness to such real-life characters as Dr. Charles Mayo (in 1977's A Love Affair: The Eleanor and Lou Gehrig Story), critic and social arbiter Cleveland Amory (1984's Anatomy of an Illness) and President Franklin D. Roosevelt (1987's J. Edgar Hoover). He was also seen as pontificating DA Michael Reston in several of the Perry Mason TV-movies of the late 1980s. Disney animation devotees will remember Stiers for his voiceover work as Cogsworth in Beauty and the Beast (1988) and Lord Ratcliffe in Pocahontas (1995). Stiers continued his work in film, voiceover work and television, appearing in projects like Woody Allen's The Curse of the Jade Scorpion (2001), voicing Jumba in Lilo & Stitch (2002) and playing the recurring role of Oberoth on Stargate Atlantis in 2007. Parlaying his lifelong love of classical music into a second career, David Ogden Stiers has served as guest conductor for over 70 major U.S. symphony orchestras.

Trivia: While growing up in Chicago, Tom Bosley dreamed of becoming the star left-fielder for the Cubs. As it turned out, the closest Bosley got to organized athletics was a sportscasting class at DePauw University. After additional training at the Radio Institute of Chicago and two years' practical experience in various dramatic radio programs and stock companies, he left for New York in 1950. Five years of odd jobs and summer-theater stints later, he landed his first off-Broadway role, playing Dupont-Dufort in Jean Anouilh's Thieves' Carnival. Steadier work followed at the Arena Theatre in Washington, D.C.; then in 1959, Bosley landed the starring role in the Broadway musical Fiorello!, picking up a Tony Award, an ANTA Award, and the New York Drama Critics Award in the bargain. In 1963, he made his film bow as Natalie Wood's "safe and secure" suitor Anthony Colombo in Love With the Proper Stranger. Occasionally cast as two-bit criminals or pathetic losers (he sold his eyes to blind millionairess Joan Crawford in the Spielberg-directed Night Gallery TV movie), Bosley was most often seen as a harried suburban father. After recurring roles on such TV series as That Was the Week That Was, The Debbie Reynolds Show, and The Sandy Duncan Show, Bosley was hired by Hanna-Barbera to provide the voice of flustered patriarch Howard Boyle on the animated sitcom Wait Til Your Father Gets Home (1972-1973). This served as a dry run of sorts for his most famous series-TV assignment: Howard Cunningham, aka "Mr. C," on the immensely popular Happy Days (1974-1983). The warm, familial ambience of the Happy Days set enabled Bosley to weather the tragic death of his first wife, former dancer Jean Elliot, in 1978. In addition to his Happy Days duties, Bosley was narrator of the syndicated documentary That's Hollywood (1977-1981). From 1989 to 1991, he starred on the weekly series The Father Dowling Mysteries, and thereafter was seen on an occasional basis as down-to-earth Cabot Cove sheriff Amos Tupper on Murder, She Wrote. Reportedly as kind, generous, and giving as his Happy Days character, Tom Bosley has over the last 20 years received numerous honors for his many civic and charitable activities.

Trivia: He first acted in college productions and in Seattle, then moved to England, where he became well-respected as a fine stage actor; he also appeared in two or three films in the '50s. In the late '50s he gave several impressive performances on Broadway; for his work in Broadway's Who's Afraid of Virginia Woolf? he won a Tony Award in 1962. His film work has been sporadic, with occasional bursts of activity; he has often played intelligent, introspective leads and key supporting roles. He has done similar work in many TV productions. He starred in the TV series Owen Marshall: Counsellor at Law.