Trivia: Whether he was called "The Voice," "Ol' Blue Eyes," or "The Chairman of the Board," Frank Sinatra's nicknames all conveyed the adulation and respect reserved for a man who was commonly thought of as the best American popular singer of the 20th century. Sinatra's voice, whether manifested in song or spoken word, caressed the ears of many a listener for more than five decades. Sinatra's legacy -- countless songs and more than 70 films -- continue to ensure him the kind of popularity that has reached beyond the grave to elevate him past the status of mere icon to that of cultural institution.Born Francis Albert Sinatra on December 12, 1915, Sinatra grew up poor in Hoboken, NJ. After working for a newspaper, he organized the Hoboken Four, a singing group. He got his first break when he won first prize on radio's "Major Bowes Amateur Hour," and went on to perform in nightclubs and on radio. Sinatra then landed the job of vocalist with the Harry James band, and later switched to Tommy Dorsey Orchestra. It was during his tenure with Dorsey's group that Sinatra made his first two films in uncredited roles as a singer in the bands in Las Vegas Nights (1941) and Ship Ahoy (1942). In 1942, Sinatra's attempt to become a solo artist met with great success, especially in the hearts, minds, and ears of many American women and girls, who flocked to his performances with a fervor that would be replicated two decades later with the arrival of the Beatles. Soon, Sinatra was the "dream-date" idol of millions of American girls and, for several years, was enormously popular on-stage in addition to other venues, including radio, records, and nightclubs. To complement his popularity as a singer, Sinatra began acting, playing in a number of light musical films throughout the '40s. His first real acting role came in Higher and Higher (1943); other notable movies from this period in his career included Take Me out to the Ballgame (1949), co-starring Gene Kelly and Esther Williams, and On the Town, also made in 1949 and co-starring Kelly, who co-directed the picture with Stanley Donen. Sinatra suffered a career setback in 1952 when his vocal cords hemorrhaged and he was dropped by MCA, the monolithic talent agency. Having established a shaky screen career, he fought back and landed the role of Angelo Maggio in From Here to Eternity (1953) after begging Columbia for the part and then agreeing to take it for a mere 8,000 dollars. His performance won him the 1954 Best Supporting Actor Oscar and a Golden Globe, and, in the process, resuscitated his faltering career. Sinatra appeared in several more movies in the '50s, receiving a 1956 Best Actor Oscar nomination and a British Academy Award (BAFTA) for his portrayal of a drug addict in The Man with the Golden Arm (1955). In addition, he took home a Golden Globe for his performance in Pal Joey (1957). Soon Sinatra was back on top as a performer, earning the nickname "The Chairman of the Board." Sinatra continued to do frequent film work, making a screen appearance with his Rat Pack colleagues Dean Martin, Sammy Davis Jr., Peter Lawford, and Joey Bishop in Ocean's Eleven (1960). Most notably, Sinatra gave a subtle, troubled portrayal of the haunted Captain Bennett Marco in John Frankenheimer's Cold War classic The Manchurian Candidate. His last role was as an aging detective in The First Deadly Sin (1980). Sinatra also appeared on various television shows during the '80s and went on to have hit records as late as the early '90s. His four wives included actresses Ava Gardner and Mia Farrow, and he fathered actor/singers Frank Sinatra Jr. and Nancy Sinatra, as well as another daughter, Tina. Sinatra died of a heart attack on May 14, 1998, in Los Angeles. He is buried in Palm Springs, CA.

Trivia: Tall (6'7"), sturdily built Clint Walker held down a number of macho jobs ranging from sheet metal worker to nightclub bouncer before settling on acting as a profession. Disregarding a slightly embarrassing appearance as a faux Tarzan in the 1954 Bowery Boys opus Jungle Gents (in which he was billed as Jett Norman!), Walker's official film debut was a tiny role in DeMille's The Ten Commandments (1956). He signed with Warner Bros. in 1957, where he starred in the long-running Western TV series Cheyenne. During his Warners tenure, Walker spent as much time offscreen as on due to artistic differences and salary disputes. After Cheyenne left the air in 1963, Walker continued to appear in rugged action efforts like None but the Brave (1965), The Dirty Dozen (1967), and The White Buffalo (1976). Clint Walker's attempt to reclaim his earlier TV prominence resulted in the very short-lived 1975 series Kodiak.

Trivia: Japanese character actor in English-language films, onscreen from the '60s.

Trivia: Formerly lauded (by his press agents) as the next Elvis Presley, Tommy Sands started out as a juvenile actor on television. As a youth, he recorded a few hit rock & roll singles; he made his feature-film acting debut as the same in Sing, Boy, Sing (1958). His film career lasted in a similar vein through the late '60s until a liver disease coupled with mental breakdowns forced him to leave acting. He did, however, make a few guest appearances on the television crime drama Hawaii Five-O. Sands was formerly married to singer/actress Nancy Sinatra.

Trivia: Born Boris Milanovich, Dexter was a square-jawed supporting player and former lead, often cast in tough character roles. As early as his first film, 1950's The Asphalt Jungle, the talented Dexter found himself overshadowed by the star power of Sterling Hayden, James Whitmore, Louis Calhern and Marilyn Monroe. Occasionally, Dexter was cast in a role that stuck in the memory banks, such as Bugsy Siegel in 1960's The George Raft Story. He also gained a degree of fame as the producer of such worthwhile films as The Naked Runner (1967) and The Lawyer (1970) and Little Fauss and big Halsy(1970); reportedly, he was able to gain a foothold as a producer thanks to Frank Sinatra, whom Dexter once saved from drowning. Brad Dexter married and divorced singer Peggy Lee.

Trivia: A former English and Art major at Notre Dame University, Tony Bill was fortunate enough to work with Frank Sinatra in his first film, Come Blow Your Horn. "Old Blue Eyes" took a liking to Bill, securing him parts in the subsequent Sinatra vehicles None but the Brave (1965) and Marriage on the Rocks (1968), and helping to open several professional doors for the young actor. After this promising start, Bill settled into a string of colorless juvenile roles. Feeling that his acting career wasn't going anyplace in particular, he formed a production company with Michael and Julia Phillips, turning out two "trendy" feature films, Deadhead Miles (1972) and Steelyard Blues (1973). Scoring a significant success with the Oscar-winning The Sting (1973), Bill parted company with the Phillipses, soloing as producer of Hearts of the West (1975), Harry and Walter Go to New York (1976), and Boulevard Nights (1979). In 1980, he decided to give directing a try, and the result was the engaging teen-angst drama My Bodyguard (1980). Additional directorial credits include the theatrical features Five Corners (1988), Crazy People (1990), and A Home of Our Own (1993), and the made-for-TV movies Love Thy Neighbor (1984), One Christmas (1988), and Next Door (1994). Despite his executive responsibilities, Tony Bill has kept a hand in acting, most amusingly in the semi-autobiographical role of Warner Bros. executive Terry Hawthorne in Pee-Wee's Big Adventure (1985). Increasingly active behind the camera as the 1980s gave way to the 1990s, Bill would stick almost exclusively to television following Next Door as he alternated between series work (Chicago Hope and Felicity) and made for television features (Beyond the Call, Iliver Twist, and A Chance of Snow). Of course once an actor always an actor, and when given the opportunity to appear before the camera in such efforts as Barb Wire, The Fixer, and Lying in Wait, Bill was always keen to perform. Subsequent directorial work on such television series' as UC: Undercover, Monk, and Keen Eddy found Bill's career receiving something of a second wind as the new millennium blew in, and in the wake of his success with the Emmy-nominated made for television feature Harlan County War the longtime filmmaker would take to the skies to call the shots for some of the hottest young stars of the day in the 2006 World War I adventure Flyboys. A historical war film documenting the cloud-cutting adventures of America's very first fighter pilots, Flyboys featured hot young actors James Franco, Martin Henderson, and David Ellison performing alongside such experienced screen veterans as Jean Reno and Tchéky Karyo.

Trivia: Character actor Sammy Jackson specialized in playing Southern hayseeds and was best known for playing Airman Will Stockdale in the television version of No Time for Sergeants (1964-1965). Prior to that, he had played a small role in the 1956 film version that made Andy Griffith a star. His other film credits include Night of the Grizzly (1966), Norwood (1970), The Boatniks (1970), and Another Stakeout (1993). He also guest starred on several television shows and appeared occasionally in miniseries and made-for-TV films.

Trivia: African American athlete Rafer Johnson was but a few years out of UCLA when he distinguished himself at the 1960 Olympics, scoring 8,392 points in the Olympic Decathalon. A film career followed posthaste, first in flicks like Elvis' Wild in the Country (1961), then in outdoor adventures like Pirates of Tortuga (1961) and None But the Brave (1965). Because truly good roles for black performers were still hard to come by in the mid-1960s, Rafer occasionally had to accept demeaning "fierce native" assignments in films like Tarzan and the Great River (1967). He was also a semi-regular on the "blaxploitation" film scene of the 1970s, acting as producer of 1974's Buck Six. In 1979, Rafer Johnson enjoyed a more dignified role in the TV miniseries Roots: The Next Generation.

Trivia: A Japanese lead actor, onscreen from the '50s, he appeared in many monster movies.