Trivia: Born November 6, 1946, in Pasadena, CA, actress Sally Field was the daughter of another actress, Margaret Field, who is perhaps best known to film buffs as the leading lady of the sci-fi The Man From Planet X (1951). Field's stepfather was actor/stunt man Jock Mahoney, who, despite a certain degree of alienation between himself and his stepdaughter, was the principal influence in her pursuit of an acting career. Active in high-school dramatics, Field bypassed college to enroll in a summer acting workshop at Columbia studios. Her energy and determination enabled her to win, over hundreds of other aspiring actresses, the coveted starring role on the 1965 TV series Gidget. Gidget lasted only one season, but Field had become popular with teen fans and in 1967 was given a second crack at a sitcom with The Flying Nun; this one lasted three seasons and is still flying around in reruns.Somewhere along the way Field made her film debut in The Way West (1967) but was more or less ignored by moviegoers over the age of 21. Juggling sporadic work on stage and TV with a well-publicized first marriage (she was pregnant during Flying Nun's last season), Field set about shedding her "perky" image in order to get more substantial parts. Good as she was as a reformed junkie in the 1970 TV movie Maybe I'll Come Home in the Spring, by 1972 Field was mired again in sitcom hell with the short-lived weekly The Girl With Something Extra. Freshly divorced and with a new agent, she tried to radically alter her persona with a nude scene in the 1975 film Stay Hungry, resulting in little more than embarrassment for all concerned. Finally, in 1976, Field proved her mettle as an actress in the TV movie Sybil, winning an Emmy for her virtuoso performance as a woman suffering from multiple personalities stemming from childhood abuse. Following this triumph, Field entered into a long romance with Burt Reynolds, working with the actor in numerous films that were short on prestige but long on box-office appeal.By 1979, Field found herself in another career crisis: now she had to jettison the "Burt Reynolds' girlfriend" image. She did so with her powerful portrayal of a small-town union organizer in Norma Rae (1979), for which she earned her first Academy Award. At last taken completely seriously by fans and industry figures, Field spent the next four years in films of fluctuating merit (she also ended her relationship with Reynolds and married again), rounding out 1984 with her second Oscar for Places in the Heart. It was at the 1985 Academy Awards ceremony that Field earned a permanent place in the lexicon of comedy writers, talk show hosts, and impressionists everywhere by reacting to her Oscar with a tearful "You LIKE me! You REALLY LIKE me!" Few liked her in such subsequent missteps as Surrender (1987) and Soapdish (1991), but Field was able to intersperse them with winners such as the 1989 weepie Steel Magnolias and the Robin Williams drag extravaganza Mrs. Doubtfire (1993). Field found further triumph as the doggedly determined mother of Tom Hanks in the 1994 box-office bonanza Forrest Gump, which, in addition to mining box-office gold, also managed to pull in a host of Oscars and various other awards.Following Gump, Field turned her energies to ultimately less successful projects, such as 1995's Eye for an Eye with Kiefer Sutherland and Homeward Bound II: Lost in San Francisco (1996). She also did some TV work, most notably in Tom Hanks' acclaimed From the Earth to the Moon miniseries (1998) and the American Film Institute's 100 Years....100 Movies series. The turn of the century found Field contributing her talents to a pair of down-home comedy-dramas, first with a cameo matriarch role in 2000's Where the Heart Is and later that year as director of the Minnie Driver vehicle Beautiful. Both films met with near-universal derision from critics; only the Steel Magnolias-esque Heart found a modest box-office following.In 2003, Field took a role alongside Reese Witherspoon in the legal comedy Legally Blonde 2: Red, White, & Bllonde, and in 2006 joined the cast of ABC's Brothers & Sisters in the role of matriach Nora Walker. The role earned her an Emmy Award for Outstanding Lead Actress in a Drama Series in 2007. The actress was cast in the role of Aunt May for The Amazing Spiderman (2012), and was so revered as Mary Todd Lincoln in Steven Spielberg's Lincoln that she earned an Oscar nomination for Best Supporting Actress.

Trivia: The son of a Manhattan clothing manufacturer, Ron Leibman defied his family's wishes by dropping out of Wesleyan University to study at the Actor's Studio. Appearing in off-Broadway productions from 1959, Leibman made his Broadway debut in 1963's Dear Me, the Sky is Falling. He won an Obie Award for his work in Transfers, and a New York Drama Desk Award for We Bombed in New Haven. An undeniably major talent, Leibman's explosive temper and entrenched insistence upon integrity at all costs has lost him more jobs than he'd probably care to count (There are some who say that much of Leibman's fabled contentiousness was incorporated into Dustin Hoffman's character in Tootsie). After resisting series TV for many years, Leibman accepted the role of Martin Kazinksi, ex-con turned lawyer, in the 1978 weekly Kaz; the show died after a single season, but not before he won an Emmy Award (At the time, he insisted he'd never do another series; in 1991, however, he could be seen as Detective Al Burkhardt on the weekly Pacific Station, and earlier had been one of the candidates for the starring role in the TV sitcom Coach). In films, Leibman seems to relish wildly extroverted roles: The relentless stalker of Billy Pilgrim in Slaughterhouse Five (1971), gonzo NYPD troubleshooter "Batman" in The Super Cops (1973), the out-of-town union organizer in Norma Rae (1979), the lithping Cathtillian heavy in Zorro the Gay Blade (1981), abrasive racing promoter Dave Davis in Phar Lap (1984), and Dolly Parton's greasy agent in Rhinestone (1985) (he was starred in Mad Presents Up the Academy, but had a falling out with the producers and insisted that his name be removed from the credits). Returning to Broadway in 1993, Leibman won a Tony Award for Angels in America. Once married to actress Linda Lavin, Ron Leibman is currently wed to actress Jessica Walter.

Trivia: The son of actor Lloyd Bridges, Beau Bridges (born Lloyd Vernet Bridges III) was actually named for his father; the nickname "Beau" was borrowed from Ashley Wilkes' son in Gone With the Wind. Beau received good billing for his secondary juvenile role in The Red Pony in 1949, although he was primarily seen in bit parts during the late '40s. This suited him fine; not all that interested in films, young Bridges had aspirations of being a basketball star. Despite being only 5'9", he played on the U.C.L.A. basketball team and at the University of Hawaii. But realizing that his height would always hold him back in professional sports, Bridges returned to acting via a small role on his father's TV series Sea Hunt. He made his stage debut in 1966's Where's Daddy and continued appearing in leading film roles throughout the 1960s and '70s, easing into character leads. Bridges directed two feature films, The Wild Pair (1987) and Seven Hours to Judgment (1988), in addition to the TV special The Thanksgiving Promise, in which virtually the entire Bridges clan (including his mother Dorothy) was cast. Bridges received Emmy and the Golden Globe awards for his portrayal of the title character in the 1992 TV movie Without Warning: The James Brady Story (1991), and won awards for his participation in the gloriously-titled made-for-cable The Positively True Adventures of the Alleged Texas Cheerleader-Murdering Mom (1993). He would continue to appear prominently both on the big and small screens over the coming decades, on shows like The Agency and Stargate: Atlantis and in films like The Good German and The Ballad of Jack and Rose.

Trivia: Burly character actor Pat Hingle held down a variety of bread-and-butter jobs--mostly in the construction field--while studying at the University of Texas, the Hagen-Bergdorf studio, the Theatre Wing and the Actors Studio. Earning his Equity card in 1950, Hingle made his Broadway debut in 1953 as Harold Koble in End as a Man (he would repeat this role in the 1957 film adaptation, retitled The Strange One). One year later, he was cast as Gooper-aka "Brother Man"-in Tennessee Williams' Pulitzer-winning play Cat on a Hot Tin Roof. Also in 1954, he made his inaugural film appearance in On the Waterfront as a bartender. Though a familiar Broadway presence and a prolific TV actor, Hingle remained a relatively unknown film quantity, so much so that he was ballyhooed as one of the "eight new stars" in the 1957 release No Down Payment. As busy as he was before the cameras in the 1950s, 1960s and 1970s, Hingle's first love was the theatre, where he starred in such productions as William Inge's Dark at the Top of the Stairs and Archibald MacLeish's JB, and later appeared in the one-man show Thomas Edison: Reflections of a Genius. His made-for-TV assignments include such historical personages as Colonel Tom Parker in Elvis (1979), Sam Rayburn in LBJ: The Early Years (1988), J. Edgar Hoover in Citizen Cohn (1992) and Earl Warren in Simple Justice (1993). Among his more recent big-screen assignments has been Commissioner Gordon in the Batman films. Amidst his hundreds of TV guest shots, Pat Hingle has played the regular roles of Chief Paulton in Stone (1980) and Henry Cobb in Blue Skies (1988), was briefly a replacement for Doc (Milburn Stone) on the vintage western Gunsmoke, and has shown up sporadically as the globe-trotting father of Tim Daly and Steven Weber on the evergreen sitcom Wings.

Trivia: After briefly attending the College of the Pacific, Barbara Baxley headed to New York to pursue an acting career. Barbara studied at Sanford Meisner's Neighborhood Playhouse, then went on to become a charter member of the Actor's Studio. After making her New York stage bow in the 1948 revival of Private Lives, she spent the next several years taking over for a number of "big-name" actresses in long-running Broadway plays. She also starred in the original productions of Dark at the Top of the Stairs and Period of Adjustment, and worked extensively off-Broadway in projects like Brecht on Brecht. In the company of several of her Actor's Studios colleagues, Barbara made her film debut in East of Eden (1955), playing the nurse in the closing scenes. Other roles in her feature-film manifest included country-western matriarch Lady Pearl in Nashville (1975) and Leona in Norma Rae (1979). On television, Barbara was one of the stars of Norman Lear's satirical gender-switch soap opera All That Glitters (1977). In June of 1990, 62-year-old Barbara Baxley was found dead in her New York apartment, apparently the victim of heart failure.

Trivia: Daytime-drama addicts first became aware of American actress Gail Strickland when she was cast as Dorcas Trilling in the Gothic soaper Dark Shadows (1966-71). Strickland made her movie debut as villain Murray Hamilton's put-upon spouse in The Drowning Pool, sharing the film's soggy "thrill" highlight with star Paul Newman. She later played significant character roles in films like Norma Rae (1979) and Uncommon Valor (1981). On TV, she has been a regular on The Insiders (1985), What a Country (1986) and Dr. Quinn Medicine Woman (1992-). In the 1988 weekly series Heartbeat, Strickland played nurse-practitioner Marilyn McGrath, the first lesbian continuing character in Prime Time television. Gail Strickland continued to tote up impressive film credits into the 1990s, notably How to Make an American Quilt (1995) and An American President (1995).

Trivia: Lead and supporting actor, onscreen from the '70s.

Trivia: A character actor, Lee DeBroux first appeared onscreen in the late '60s; he often plays rustics.

Trivia: Tough-guy American actor James Luisi could usually be found playing cops or plainclothes detectives. Luisi spent four (1976-80) years in the role of Lt. Doug Chapman on TV's The Rockford Files, later repeating the characterization (now promoted to Captain) in two Rockford TV-movies of the mid-1990s. On daytime TV, he was seen as Phil Wainwright in Another World. James Luisi's TV resumé also included the roles of garage owner Harry Foreman in Harris and Company (1979) and police lieutenant Marciano in Renegades (1983).

Trivia: Supporting actor Gilbert Green first appeared onscreen in the '60s.

Trivia: African-American actor Bob Minor gained his cinematic entree as a stuntman. His earliest speaking roles came by way of the blaxploitation pictures of the '70s. Two of the more profitable examples of this genre were Coffy (1973) and Foxy Brown (1974), both of which starred Pam Grier and featured Minor in supporting roles. The actor occasionally surfaced in mainstream films designed for a more generic audience, notably The Deep (1978) (as Wiley), White Dog (1982) and Glory (1989) but even after attaining this filmic level he couldn't quite escape such exploitation flicks as Swinging Cheerleaders (1976). Bob Minor worked with regularity on television, just missing consistent weekly work in such never-purchased pilots as Friendly Persuasion (1975), Dr. Scorpion (1978) and Samurai (1979).

Trivia: A top-flight character actor and sometime leading man, Gregory Walcott managed to bridge the tail-end of the studio system, the heyday of series television, and the boom years of the post-studio 1970s, and carve a notable career in the process. He was born Bernard Mattox in 1928 (some sources say 1932) in Wendell, NC, a small town about 10 miles east of the state capitol of Raleigh. After serving in the Army following the end of the Second World War, he decided to try for an acting career and hitchhiked his way to California. He managed to get work in amateur and semi-professional theatrical productions and was lucky enough to be spotted in a small role in one of these by an agent. That resulted in his big-screen debut, in an uncredited role in the 20th Century-Fox drama Red Skies of Montana (1952). With his 6'-plus height, impressive build, and deep voice, Walcott would seem to have a major career in front of him, but the movie business of the 1950s was in a state of constant retrenchment, battling the intrusion of television and the eroding of its audience. For the next three years, he had little but bit parts in films, some of them major productions. His performance as the drill instructor in the opening section of Raoul Walsh's Battle Cry (1955) was good enough to get him a contract with Warner Bros. He subsequently played supporting roles in Mister Roberts (1955) and in independent productions such as Badman's Country (1958), and also started showing up on television with some regularity. And with each new role, he seemed to gather momentum in his career.As luck would have it, however, Walcott's most prominent role of the 1950s ended up being the one he received the lowest fee for doing, and that he also thought the least of, and also one that, for decades, he was loathe to discuss, on or off the record: as Jeff Trent, the hero of Plan 9 From Outer Space. Walcott's work on the magnum opus of writer/producer/director Edward D. Wood, Jr. amounted to less than a week's work, and he was so busy in those days that one can easily imagine him forgetting about it as soon as his end of the shoot was over. And the movie was scarcely even seen on its initial release in the summer of 1959 and went to television in the early '60s in a package that usually had it relegated to "shock theater" showcases and the late-night graveyard (no pun intended). But the ultra-low-budget production, renowned for its eerily, interlocking values of ineptitude and entertainment, has become one of the most widely viewed (and deeply analyzed) low-budget movies of any era in the decades since.As this oddity in his career was starting to gather its fans (some would say fester), Walcott had long since moved on to co-starring in the series 87th Precinct and guest-starring roles in series television. Across the 1960s, he remained busy and had a chance to do especially good work on the series Bonanza, which gave him major guest-starring roles in seven episodes between 1960 and 1972. In one of these, "Song in the Dark" (1962), Walcott even had a chance to show off his singing voice, a talent of his that was otherwise scarcely recognized in a three-decade career. By the late '60s, he had also moved into production work, producing and starring in Bill Wallace of China (1967), the story of a Christian missionary. During the 1970s, Walcott finally started to get movie roles that were matched in prominence to his talent, most especially in the films of Clint Eastwood. He remained busy as a prominent character actor and supporting player -- part of that category of performers that includes the likes of Richard Herd and James Cromwell -- into the 1980s. He had retired by the start of the 1990s, but was called before the cameras once more for an appearance in Tim Burton's movie Ed Wood. Walcott died in 2015, at age 87.

Trivia: Formerly a schoolteacher, Texas-born Noble Willingham has been essaying crusty character roles since 1969. Willingham's resumé includes a brace of location-filmed Peter Bogdanovich films, The Last Picture Show (1971) and Paper Moon (1973), and the role of Clay Stone in both of Billy Crystal's City Slickers comedies. Among his TV-movie credits is the part of President James Knox Polk in 1985's Dream West. A regular on several TV series (The Ann Jillian Show, Texas Wheelers, Cutter to Houston, AfterMASH, When the Whistle Blows), Willingham is best known to 1990s viewers as Mr. Binford (of Binford Tools) in Home Improvement and C. D. Parker in Walker, Texas Ranger. Noble Willingham's most recent film assignments include Ace Ventura, Pet Detective (1994) Up Close and Personal (1996) and Space Jam (1996). In 2000, Willingham left Walker, Texas Ranger to run for Congress in Texas. After losing the election to his Democratic opponent, Max Sandlin, Willingham returned to acting with a supporting role in the Val Kilmer thriller Blind Horizon. Sadly, the part would be the actor's last. In early 2004, at the age of 72, Willingham passed away at home from natural causes.

Trivia: University of Oklahoma alumnus Lonny Chapman inaugurated his professional acting career in 1948. While co-starring in the Broadway production of Come Back Little Sheba, Chapman arranged for his college chum Dennis Weaver to understudy for him. Weaver went on to TV fame as Chester on the Western series Gunsmoke, while Chapman prospered as a film character actor, playing such roles as Roy in East of Eden (1955), Rock in Baby Doll (1957), and Deke Carter in Hitchcock's The Birds (1963). On TV, Lonny Chapman starred as private eye Jeff Prior in the 1958 summer-replacement series The Investigator, and was featured as another detective, Frank Malloy, in the 1965 courtroom weekly For the People (1965).

Trivia: Character actor Bert Freed prepared for his theatrical career at Penn State. Freed made his first Broadway appearance in the forgotten 1942 production Johnny 2 X 4, then went on to such long-running efforts as Counterattack, One Touch of Venus and Annie Get Your Gun. In films from 1947, he was most often cast as big-city detectives and small-town sheriffs. Some of his more memorable movie roles include Sgt. Boulanger in Paths of Glory (1957), Christopher Jones' institutionalized father in Wild in the Streets (1968), and all-around meanie Stuart Posner in Billy Jack (1969). A busy television actor, Freed settled down to a weekly-series grind only once, as Rufe Ryker on the 1966 video version of Shane. Outside of his performing activities, Bert Freed was for many years a member of the Motion Picture Academy's Committee of Foreign Films.

Trivia: Bob Hannah played supporting roles in a number of major dramas during the '80s and early '90s. He specialized in playing Southerners in films such as Norma Rae (1979), Coal Miner's Daughter (1980), and Fried Green Tomatoes (1991), where he played a defense attorney.

Trivia: American actor Henry Slate was an Army private when he made his first film appearance in 1944, repeating his stage performance as one of the Andrews Sisters in the all-serviceman drama Winged Victory. He went on to play supporting roles in a number of major Hollywood productions, often cast as military officers and working stiffs. From 1960 to 1961, he was seen as the colorfully yclept Bulldog Lovey on TV's Adventures in Paradise. Henry Slate spent the latter stages of his screen career playing character bits in a steady stream of Disney pictures.

Trivia: To say that Grace Zabriskie has specialized in maternal roles is hardly adequate. Many of the mothers portrayed by Zabriskie in films and on TV are the sort of parents that you wouldn't wish on your worst enemy: clinging, castrating, and constantly jabbering away about nothing in particular (to be fair, she has essayed a few benign, likeable moms). She has been prominently featured in such films as Norma Rae (1979), Drugstore Cowboy (1988), and The Big Easy (1989). Her TV work includes the roles of Laura Palmer's hysterical mother in Twin Peaks (1990) and the recurring part of Thada Duvall in the NBC daytimer Santa Barbara. Undoubtedly, Zabriskie's most bizarre screen assignment was her S&M sex scene in Chain of Desire (1991). As brash and outspoken as ever, Grace Zabriskie played Granny in first-time director Anjelica Huston's controversial Bastard out of Carolina (1996).

Trivia: American actor Charlie Briggs played in a few films during the '60s and '70s. He also appeared in a number of television series, primarily westerns.

Trivia: Supporting actor, onscreen from the late '80s.