Trivia: The son of a Czech-American golf pro, Jon Voight was active in student theatricals in high school and at Catholic University. In 1960 he began studying privately with Neighborhood Playhouse mentor Sanford Meisner, and made his off-Broadway debut that same year in O Oysters, receiving a daunting review which opined that he could "neither walk nor talk." Fortunately, Voight persevered, and in 1961 took over the role of "singing Nazi" Rolf in the Broadway hit The Sound of Music (his Liesl was Laurie Peters, who became his first wife).Blessed with handsome, Nordic features, Voight kept busy as a supporting player on such TV series as Gunsmoke, Coronet Blue, and NYPD, and in 1966 spent a season with the California National Shakespeare Festival. The following year, he won a Theatre World Award for his stage performance in That Summer, That Fall. Thus, by the time he became an "overnight" star in the role of wide-eyed hustler Joe Buck in Midnight Cowboy (1969), he had nearly a decade's worth of experience under his belt. The success of Midnight Cowboy, which earned Voight an Oscar nomination, prompted a fast-buck distributor to ship out a double feature of two never-released mid-'60s films: Fearless Frank, filmed in 1965, starred Voight as a reluctant superhero, while Madigan's Millions was a 1968 turkey featuring Voight's Cowboy co-star (and longtime friend) Dustin Hoffman.Entering the 1970s with dozens of producers clamoring for his services, Voight refused to accept roles that banked merely on his youth and good looks. Instead, he selected such challenging assignments as crack-brained Army officer Milo Minderbinder in Catch 22 (1970), a political activist known only as "A" in The Revolutionary (also 1970), reluctant rugged individualist Ed Gentry in Deliverance (1972), and real-life teacher/novelist Pat Conroy in Conrack (1974). In 1978, he won both the Oscar and the Cannes Film Festival award for his portrayal of paraplegic Vietnam veteran Luke Martin in Hal Ashby's Coming Home. The following year, he earned additional acclaim for his work in the remake of The Champ.Devoting increasing amounts of time to his various sociopolitical causes in the 1980s and 1990s, Voight found it more and more difficult to fit film roles into his busy schedule. A reunion project with Ashby, on the godawful gambling comedy Lookin' to Get Out (produced 1980, released 1982), failed dismally, with many reviewers complaining about Voight's terrible, overmodulated performance, and the paper-thin script, which the actor himself wrote. Voight weathered the storm, however, and enjoyed box-office success as star of the 1983 weeper Table for Five. He also picked up another Oscar nomination for Andrei Konchalovsky's existential thriller Runaway Train (1985), and acted in such socially-conscious TV movies as Chernobyl: The Final Warning (1991) and The Last of His Tribe (1992). He also produced Table for Five and scripted 1990's Eternity. Voight kept busy for the remainder of the decade, appearing in such films as Michael Mann's Heat (1995), Mission: Impossible (1996), and The General, a 1998 collaboration with Deliverance director John Boorman, for which Voight won acclaim in his role as an Irish police inspector. During the same period of time, a bearded Voight also essayed a wild one-episode cameo on Seinfeld - as himself - with a scene that required him to bite the hand of Cosmo Kramer from a parked vehicle. In 1999, Voight gained an introduction to a new generation of fans, thanks to his role as James Van Der Beek's megalomaniacal football coach in the hit Varsity Blues, later appearing in a handful of other films before teaming onscreen with daughter Angelina Jolie for Tomb Raider in 2001. After essaying President Roosevelt later that same year in Pearl Harbor, Voight went for laughs in Ben Stiller's male-model comedy Zoolander, though his most pronounced role of 2001 would come in his Oscar nominated performance as iconic newsman Howard Cosell in director Michael Mann's Mohammad Ali biopic, Ali.Taken collectively, all of Voight's aformentioned roles during the mid-late 1990s demonstrated a massive rebound, from the gifted lead of '70s American classics to a character actor adept at smaller and more idiosyncratic character roles in A-list Hollywood fare ( the very same transition, for instance, that Burt Reynolds was wrongly predicted to be making when he signed to do Breaking In back in 1989). To put it another way: though Voight rarely received first billing by this point, his volume of work per se soared high above that of his most active years during the '70s. The parts grew progressively more interesting as well; Voight was particularly memorable, for instance, in the Disney comedy-fantasy Holes, as Mr. Sir, the cruel, sadistic right-hand-man to camp counselor Sigourney Weaver, who forces packs of young boys to dig enormous desert pits beneath the blazing sun for a mysterious reason. Voight then signed for a series of parts under the aegis of longtime-fan Jerry Bruckheimer, including the first two National Treasure installments (as John Patrick Henry) and - on a higher-profiled note - the audience-rouser Glory Road (2005), about one of the first all-black basketball teams in the U.S.; in that picture, Voight plays Adolph Rupp, the infamous University of Kentucky coach (nicknamed 'Baron of the Bluegrass') with an all-white team vying against the competitors at the center of the story.In 2007, Voight tackled roles in two very different high-profile films: he played one of the key characters in Michael Bay's live-action extravaganza Transformers, and portrayed a Mormon bishop who perishes in a Brigham Young-instigated massacre, in the period drama September Dawn, directed by Christopher Cain (Young Guns. He appeared in 24: Redemption, and became a part of that show's regular cast for its seventh season. Voight is the father of Angelina Jolie, and has often been the subject of tabloid coverage because of their occasionally fraught public bickering.

Trivia: Born Jacqueline Fraser, in Weybridge, England, onetime model Jacqueline Bisset was vaulted into stardom on the strength of two 1967 films: In the over-produced spy spoof Casino Royale, she attracted attention as the alluring Giovanni Goodthighs; even more impressive (so far as critics were concerned) was her near-microscopic role in Stanley Donen's Two for the Road, in which Bisset plays the vacationing British schoolgirl whose sudden case of the measles makes the rest of the plot possible. (She reprised and expanded upon this bit in a film-within-a-film in François Truffaut's Day for Night in 1973.) First cast on the basis of her looks alone, Bisset later developed into a top-notch actress, as evidenced by her performances in The Grasshopper (1969) and The Thief Who Came to Dinner (1972). She came to so despise her earlier sexpot image that she insisted that no still photos of her wet T-shirt scenes in The Deep (1977) be reproduced for publication. That year, Newsweek magazine voted her "the most beautiful film actress of all time." In 1978, she played another famous Jackie (although not so named) in The Greek Tycoon, an à clef version of the Aristotle Onassis saga. A more mature but no less dazzlingly beautiful Bisset was later seen in a kinky secondary role in Zalman King's Wild Orchid (1990). The actress received critical acclaim in 2001 for her portrayal of a dying woman's search for the daughter she never knew in Christopher Munch's drama The Sleepy Time Gal. She continued to work steadily in a variety of projects including playing Jacqueline Kennedy in American's Prince: The John F. Kennedy Jr. Story, Domino, Death in Love, and An Old Fashioned Thanksgiving, as well as appearing on the TV series Nip/Tuck.

Trivia: American film director Martin Ritt started out as a Broadway actor. Ritt's stage role as "Gleason" in Winged Victory brought him to Hollywood for the film version, for which the studio publicity billed him, along with the rest of the male cast, by the rank he held in the Army (Private First Class Martin Ritt). A victim of the Hollywood blacklist, Ritt's career came to a standstill in the early 1950s. He reemerged, not as an actor, but as a director for the 1956 film Edge of the City. A favorite of actor Paul Newman, Ritt directed Newman in The Long Hot Summer (1958), Paris Blues (1961), Hemingway's Adventures of a Young Man (1962), Hud (1963), The Outrage (1964) and Hombre (1967). Other Ritt-directed films of note were Pete 'n' Tillie (1972), Cross Creek (1984), Murphy's Romance (1985), and, his last film, Stanley and Iris (1990). If there doesn't seem to be a central throughline in these films it was because Ritt steadfastly refused to be typecast as a director. One project that brought him immense satisfaction was The Front (1976), a comedy-drama of the blacklist years in which Ritt worked with fellow blacklistees Martin Balsam, Zero Mostel, Joshua Shelley, Herschel Bernardi, Lloyd Gough, and screenwriter Walter Bernstein. In 1985, Ritt made a surprising but delightful return to acting in the role of an excitable baseball manager in the otherwise disposable The Slugger's Wife (1985).

Trivia: Raised in Scotland and then Cornwall, Robert Shaw was drawn to acting and writing from his youth. Shaw trained at the Royal Academy of Dramatic Art. In 1949 he debuted onstage at the Shakespeare Memorial Theater at Stratford-on-Avon. From 1951 he appeared in British and (later) American films as a character actor, frequently playing heavies. He became better known internationally after appearing in the James Bond movie From Russia with Love (1963), and he received a "Best Supporting Actor" Oscar nomination for his portrayal of Henry VIII in A Man for All Seasons. (1966). In the mid '70s he suddenly became a highly paid star after his appearances in several blockbuster movies, including The Sting (1973), Jaws (1975), and The Deep (1977). He wrote a play and several novels, including The Man in the Glass Booth (1967), which he adapted into a play; it was successful in both London and New York, and in 1975 was made into a film. His novel The Hiding Place (1959) was the source material for the screen comedy Situation Hopeless -- But Not Serious (1965). He died of a heart attack at age 51. His second wife (of three) was actress Mary Ure.

Trivia: Despite the number of Italian actors who fluctuated with ease between stage and screen work in the 1940s, there still was an onus attached to movies in some circles. Thus it was that young, aspiring leading man Gabriele Ferzetti was expelled from Rome's Accademia d'Arte Drammatica when he accepted a screen test in 1942. Once established as a star in such films as Fabiola (1948) and The Sins of Casanova (1952), however, Ferzetti had no difficulty securing theatrical work. His haughtily aristocratic features were displayed to utmost advantage in his bored-socialite role in Antonioni's L'Avventura (1959). In later years, Gabrielle Ferzetti was often cast as charmingly disreputable types, such as railroad baron Morgan in Leone's Once Upon a Time in the West (1969) and international gangster Draco in the James Bond opus On Her Majesty's Secret Service (1969). He continued to act through the 2000s, before dying in 2015, at age 90.

Trivia: Actress Lil Dagover was born in Java to a Dutch family working in that country. She was educated in Baden-Baden and Weimar, Germany. While pursuing an acting career she married a much-older stage performer, Fritz Daghofer. The marriage was brief but it did give Lil her professional last name, which she respelled. Somewhat reminiscent of American film star Theda Bara in her dark-lined makeup and florid acting mannerisms, Dagover was ideal for the surrealistic ambience of her first important film, The Cabinet of Dr. Caligari (1919), and soon other European actresses were adopting Lil's heavy-lidded, highly stylized technique. Ms. Dagover was a particular favorite of director Fritz Lang, who cast the actress in such exotic silent classics Die Spinnen [Spiders] (1919), Destiny (1921) and Dr. Mabuse der Spieler (1922). Lil made one American film, Warner Bros.' The Woman From Monte Carlo (1931) -- yet another attempt by Hollywood moguls to create a "new" Greta Garbo, even though Dagover preceded Garbo by nearly a decade. Returning to Germany, Dagover avoided overt political involvement during the Third Reich, concentrating on harmless costume musicals and comedies during World War II. Unlike many of her contemporaries, she managed to retain her stature in the post-war years. Lil Dagover's final appearance was a small part in the German-Italian co-production End of the Game (1976)--an appropriate title for the climax of nearly half a century's worth of film roles.

Trivia: Certainly one of the most distinctive looking men ever to be granted the title of movie star, Donald Sutherland is an actor defined as much by his almost caricature-like features as his considerable talent. Tall, lanky and bearing perhaps the most enjoyably sinister face this side of Vincent Price, Sutherland made a name for himself in some of the most influential films of the 1970s and early '80s.A native of Canada, Sutherland was born in New Brunswick on July 17, 1935. Raised in Bridgewater, Nova Scotia, he took an early interest in the entertainment industry, becoming a radio DJ by the time he was fourteen. While an engineering student at the University of Toronto, he discovered his love for acting and duly decided to pursue theatrical training. An attempt to enroll at the London Academy of Music and Dramatic Art was thwarted, however, because of his size (6'4") and idiosyncratic looks. Not one to give up, Sutherland began doing British repertory theatre and getting acting stints on television series like The Saint. In 1964 the actor got his first big break, making his screen debut in the Italian horror film Il Castello dei Morti Vivi (The Castle of the Living Dead). His dual role as a young soldier and an old hag was enough to convince various casting directors of a certain kind of versatility, and Sutherland was soon appearing in a number of remarkably schlocky films, including Dr. Terror's House of Horrors and Die! Die! Darling! (both 1965). A move into more respectable fare came in 1967, when Robert Aldrich cast him as a retarded killer in the highly successful The Dirty Dozen. By the early '70s, Sutherland had become something of a bonafide star, thanks to lead roles in films like Start the Revolution without Me and Robert Altman's MASH (both 1970). It was his role as Army surgeon Hawkeye Pierce in the latter film that gave the actor particular respect and credibility, and the following year he enhanced his reputation with a portrayal of the titular private detective in Alan J. Pakula's Klute.It was during this period that Sutherland became something of an idol for a younger, counter culture audience, due to both the kind of roles he took and his own anti-war stance. Offscreen, he spent a great deal of time protesting the Vietnam War, and, with the participation of fellow protestor and Klute co-star Jane Fonda, made the anti-war documentary F.T.A. in 1972. He also continued his mainstream Hollywood work, enjoying success with films like Don't Look Now (1973), The Day of the Locust (1975), and Fellini's Casanova (1976). In 1978, he won a permanent place in the hearts and minds of slackers everywhere with his portrayal of a pot-smoking, metaphysics-spouting college professor in National Lampoon's Animal House.After a starring role in the critically acclaimed Ordinary People (1980), Sutherland entered a relatively unremarkable phase of his career, appearing in one forgettable film after another. This phase continued for much of the decade, and didn't begin to change until 1989, when the actor won raves for his starring role in A Dry White Season and his title role in Bethune: The Making of a Hero. He spent the 1990s doing steady work in films of widely varying quality, appearing as the informant who cried conspiracy in JFK (1991), a Van Helsing-type figure in Buffy The Vampire Slayer (1992), a wealthy New Yorker who gets taken in by con artist Will Smith in Six Degrees of Separation (1993), and a general in the virus thriller Outbreak (1995). In 1998, the actor did some of his best work in years (in addition to the made-for-TV Citizen X (1995), for which he won an Emmy and a Golden Globe) when he starred as a track coach in Without Limits, Robert Towne's biopic of runner Steve Prefontaine. In 2000, Sutherland enjoyed further critical and commerical success with Space Cowboys, an adventure drama that teamed the actor alongside Tommy Lee Jones, Clint Eastwood, and James Garner as geriatric astronauts who get another chance to blast into orbit.Sutherland didn't pause as the new millennium began, continuing to contribute to several projects a year. He won a Golden Globe for his performance in the 2003 Vietnam era HBO film Path to War, and over the next few years appeared in high-profile films such as The Italian Job, Cold Mountain, and Pride and Prejudice, while continuing to spend time on smaller projects, like 2005's Aurora Borealis. The next year, Sutherland appeared with Mira Sorvino in the TV movie Human Trafficking, which tackled the frightening subject matter of modern day sexual slave trade. He also joined the cast of the new ABC series Commander in Chief, starring Geena Davis as the American vice president who assumes the role of commander in chief when the president dies. Sutherland's role as one of the old boys who is none too pleased to see a woman in the Oval Office earned him a Golden Globe nomination in 2006, as did his performance in Human Trafficking. In 2006, Sutherland worked with Collin Farrell and Salma Hayek in one of screenwriter Robert Towne's rare ventures into film direction with Ask the Dust. Sutherland has also earned a different sort of recognition for his real-life role as the father of actor and sometimes tabloid fodder Kiefer Sutherland. The elder Sutherland named his son after producer Warren Kiefer, who gave him his first big break by casting him in Il Castello dei Morti Vivi. In 2009 he voiced the part of President Stone in the film Astro Boy, an adventure comedy for children. Sutherland played a supporting role in the action thriller The Mechanic (2011), and joined the cast of The Hunger Games in the role of the coldhearted President Stone.