Trivia: One of the few movie "superstars" truly worthy of the designation, actor Sean Connery was born to a middle-class Scottish family in the first year of the worldwide Depression. Dissatisfied with his austere surroundings, Connery quit school at 15 to join the navy (he still bears his requisite tattoos, one reading "Scotland Forever" and the other "Mum and Dad"). Holding down several minor jobs, not the least of which was as a coffin polisher, Connery became interested in bodybuilding, which led to several advertising modeling jobs and a bid at Scotland's "Mr. Universe" title. Mildly intrigued by acting, Connery joined the singing-sailor chorus of the London roduction of South Pacific in 1951, which whetted his appetite for stage work. Connery worked for a while in repertory theater, then moved to television, where he scored a success in the BBC's re-staging of the American teledrama Requiem for a Heavyweight. The actor moved on to films, playing bit parts (he'd been an extra in the 1954 Anna Neagle musical Lilacs in the Spring) and working up to supporting roles. Connery's first important movie role was as Lana Turner's romantic interest in Another Time, Another Place (1958) -- although he was killed off 15 minutes into the picture. After several more years in increasingly larger film and TV roles, Connery was cast as James Bond in 1962's Dr. No; he was far from the first choice, but the producers were impressed by Connery's refusal to kowtow to them when he came in to read for the part. The actor played the secret agent again in From Russia With Love (1963), but it wasn't until the third Bond picture, Goldfinger (1964), that both Connery and his secret-agent alter ego became a major box-office attraction. While the money steadily improved, Connery was already weary of Bond at the time of the fourth 007 flick Thunderball (1965). He tried to prove to audiences and critics that there was more to his talents than James Bond by playing a villain in Woman of Straw (1964), an enigmatic Hitchcock hero in Marnie (1964), a cockney POW in The Hill (1965), and a loony Greenwich Village poet in A Fine Madness (1966). Despite the excellence of his characterizations, audiences preferred the Bond films, while critics always qualified their comments with references to the secret agent. With You Only Live Twice (1967), Connery swore he was through with James Bond; with Diamonds Are Forever (1971), he really meant what he said. Rather than coast on his celebrity, the actor sought out the most challenging movie assignments possible, including La Tenda Rossa/The Red Tent (1969), The Molly Maguires (1970), and Zardoz (1973). This time audiences were more responsive, though Connery was still most successful with action films like The Wind and the Lion (1974), The Man Who Would Be King (1975), and The Great Train Robbery (1979). With his patented glamorous worldliness, Connery was also ideal in films about international political intrigue like The Next Man (1976), Cuba (1979), The Hunt for Red October (1990), and The Russia House (1990). One of Connery's personal favorite performances was also one of his least typical: In The Offence (1973), he played a troubled police detective whose emotions -- and hidden demons -- are agitated by his pursuit of a child molester. In 1981, Connery briefly returned to the Bond fold with Never Say Never Again, but his difficulties with the production staff turned what should have been a fond throwback to his salad days into a nightmarish experience for the actor. At this point, he hardly needed Bond to sustain his career; Connery had not only the affection of his fans but the respect of his industry peers, who honored him with the British Film Academy award for The Name of the Rose (1986) and an American Oscar for The Untouchables (1987) (which also helped make a star of Kevin Costner, who repaid the favor by casting Connery as Richard the Lionhearted in Robin Hood: Prince of Thieves [1991] -- the most highly publicized "surprise" cameo of that year). While Connery's star had risen to new heights, he also continued his habit of alternating crowd-pleasing action films with smaller, more contemplative projects that allowed him to stretch his legs as an actor, such as Time Bandits (1981), Five Days One Summer (1982), A Good Man in Africa (1994), and Playing by Heart (1998). Although his mercurial temperament and occasionally overbearing nature is well known, Connery is nonetheless widely sought out by actors and directors who crave the thrill of working with him, among them Harrison Ford, Steven Spielberg, and George Lucas, who collaborated with Connery on Indiana Jones and the Last Crusade (1989), where the actor played Jones' father. Connery served as executive producer on his 1992 vehicle Medicine Man (1992), and continued to take on greater behind-the-camera responsibilities on his films, serving as both star and executive producer on Rising Sun (1993), Just Cause (1995), and The Rock (1996). He graduated to full producer on Entrapment (1999), and, like a true Scot, he brought the project in under budget; the film was a massive commercial success and paired Connery in a credible onscreen romance with Catherine Zeta-Jones, a beauty 40 years his junior. He also received a unusual hipster accolade in Trainspotting (1996), in which one of the film's Gen-X dropouts (from Scotland, significantly enough) frequently discusses the relative merits of Connery's body of work. Appearing as Allan Quartermain in 2003's comic-to-screen adaptation of The League of Extraordinary Gentlemen, the seventy-three year old screen legend proved that he still had stamina to spare and that despite his age he could still appear entirely believeable as a comic-book superhero. Still a megastar in the 1990s, Sean Connery commanded one of moviedom's highest salaries -- not so much for his own ego-massaging as for the good of his native Scotland, to which he continued to donate a sizable chunk of his earnings.

Trivia: Another distinguished product of the Royal Academy of Dramatic Arts, Lancashire-born Ian McShane made his professional stage, film and TV debut all in the same year: 1962. McShane's subsequent stage credits were as extensive as they were impressive, ranging from centuries-old classics to Tennessee Williams and Joe Orton. His TV resumé includes any number of TV-movies and miniseries: he played Judas in the internationally produced Jesus of Nazareth (1977) and was seen as the title character in the British "mini" Disraeli (1979). In America, he was a regular on the 1989-90 season of Dallas, playing Don Lockwood. McShane gained an international fan following as a result of his starring role in the widely-distributed TV series The Lovejoy Mysteries, originally filmed in 1986, then brought back by popular demand in 1990. Throughout the 90s, McShane was mostly absent from both the big screen and the small one. However, in 2000, he received recognition for playing a tough crime boss in the critically acclaimed Sexy Beast. It was certainly this hard-edged persona that attracted the producers of HBO's Deadwood to McShane. In 2004, he found himself with a regular gig on the foul-mouthed Western series, starring as an unscrupulous tavern-owner in a lawless 19th-century American prospecting town. He stayed with the show for its entire run, soon moving on to star as Max in the Broadway revival of Harold Pinter's The Homecoming, before signing on to star in the NBC drama Kings in 2008. Loosely based on the story of King David, the show followed the story of a dynastic family in present-day America, but was cancelled after just a season. He went on to appear in the quirky thriller A 44 Inch Chest, before joining the likes of Donald Sutherland in the fantasy mini-series The Pillars of the Earth in 2010. Sticking with the fantastical theme, McShane next signed on to play the legendary pirate Blackbeard in the 2011 Pirates of the Caribbean: On Stranger Tides.In years to come, McShane would appear in several films, like Snow White and the Huntsman, as well as the mini series Pillars of the Earth.From 1965 to 1968, Ian McShane was married to actress Suzanne Farmer.

Trivia: Dean, born Isabel Hodgkinson, is a British character actress who first appeared onscreen in the '40s.

Trivia: Though he once declared, "I hate movies. They're a waste of time," Irish actor Richard Harris built a film career that lasted six decades and withstood a long fallow period in the 1970s and '80s. Often as famous for his offscreen exploits as his acting, Harris nevertheless was lauded for charismatic performances ranging from the tough, inarticulate rugby player in This Sporting Life (1963) to the wry bounty hunter in Unforgiven (1992) and the contemplative emperor in Gladiator (2000). After winning over a new generation of fans with Harry Potter and the Sorcerer's Stone (2001) and Harry Potter and the Chamber of Secrets (2002), Harris passed away in 2002.Born in Limerick, Ireland, Harris was the fifth of nine children. More interested in sports than art, Harris became a top rugby player in his teens. His sports career, however, ended after he came down with tuberculosis at age 19. Bed-ridden for two years, Harris read voraciously to pass the time. Calling his illness the "luckiest thing that ever happened to me," Harris was inspired by his volumes of Samuel Beckett, James Joyce, and Dylan Thomas to pursue a creative profession. Harris left Ireland to study in London, signing up for acting at the London Academy of Music and Dramatic Arts in 1956 after he failed to find good classes in directing; he also joined the more experimental Theatre Workshop. Harris made his professional stage debut in The Quare Fellow in 1956, earning praise from Method guru Lee Strasberg. Spending the next few years on the stage, Harris appeared in Arthur Miller's A View From the Bridge and became a theater star with his turn as a drunken Dublin student in The Ginger Man (1959). Branching out to the screen, Harris appeared in the British TV movie The Iron Harp (1958), winning a contract with Associated British Pictures Corp. that lead to his feature debut in Alive and Kicking (1959). Playing Irishmen, Harris appeared alongside Hollywood heavyweights James Cagney in the IRA drama Shake Hands With the Devil (1959), Gary Cooper and Charlton Heston in The Wreck of the Mary Deare (1959), and Robert Mitchum in A Terrible Beauty (1960). After switching accents to play an Australian pilot in the World War II epic The Guns of Navarone (1961), Harris held his own as one of Marlon Brando's mutineers in The Mutiny on the Bounty (1962).Confirming his status as one of the best of the new generation of British rebel actors that included Albert Finney and Tom Courtenay, Harris became an international movie star with This Sporting Life. One of the gritty cycle of "kitchen sink" films, This Sporting Life starred Harris as a miner's son-turned-professional rugby player who achieves success on the field at the expense of his personal life. Along with showcasing Harris' physical prowess, his tough, sensitive performance evoked the tragic anguish of Brando at his 1950s peak. After winning the Best Actor prize at the Cannes Film Festival, Harris received his first Oscar nomination. Rather than be pigeonholed, though, Harris collaborated with This Sporting Life director Lindsay Anderson on the stage production The Diary of a Madman and co-starred as Monica Vitti's lover in Michelangelo Antonioni's 1964 study of upper-middle-class malaise, Red Desert. Harris then (appropriately) co-starred as Charlton Heston's nemesis in Sam Peckinpah's butchered-cavalry epic, Major Dundee (1965). Devoting himself full-time to movies by the mid-'60s, Harris appeared with Kirk Douglas in Anthony Mann's World War II yarn The Heroes of Telemark (1965), joined the cast of island epic Hawaii (1966), raised Cain in The Bible (1966), and co-starred with Doris Day as spies caught up in a mod web of intrigue and romance in Caprice (1967). In still another change of pace, Harris tried his hand at musicals and became a dashing King Arthur in the film version of Camelot (1967). He subsequently scored a hit single in 1968 with his version of "MacArthur Park." Always a fancier of the pubs, Harris descended into alcoholism after his first marriage ended in divorce in 1969. Rebounding professionally from the disappointing biopic Cromwell (1970) and the intermittently engaging The Molly Maguires (1970), Harris scored a box-office hit with the sleeper Western A Man Called Horse (1970). Starring Harris as a British aristocrat captured and then embraced by the Sioux after a then-notably gory initiation, A Man Called Horse found a large audience for its pro-Indian sympathies and macho rituals, spawning two less-popular sequels The Return of a Man Called Horse (1976) and Triumphs of a Man Called Horse (1983). Returning to his original career goals, Harris stepped behind the camera to direct and write, as well as star as an aging soccer player in, The Hero (1971). As the 1970s went on, however, Harris' well-publicized hell-raising with famous drinking buddies Peter O'Toole and Richard Burton became more entertaining than his movies. Summing up the period as "drifting from one piece of crap to another," Harris funded his offscreen antics with such works as The Deadly Trackers (1973), Ransom (1974), Orca: The Killer Whale (1977), The Ravagers (1979), and The Bloody Avengers (1980). The Wild Geese (1978), at least, featured Burton as Harris' onscreen co-star, while Juggernaut (1974) and The Cassandra Crossing (1976) were mildly engaging disaster thrillers. Plunging to his career low in the early '80s with his appearance as Bo Derek's father in the risible Tarzan, the Ape Man (1981), and experiencing personal lows with his divorce from second wife Ann Turkel and dire warnings about his health, Harris quit drinking and took a sabbatical from movies. He published the novel Honor Bound in 1982.Still, Harris continued to perform during the 1980s, reprising his role as King Arthur in the touring company of Camelot. After he showed that he still had his serious acting chops in a 1989 production of Pirandello's play Henry IV, Harris recovered his film actor credentials with The Field (1990). Though the film received a limited release, Harris' commanding performance as tenant farmer Bull McCabe earned the actor his second Oscar nomination. Harris was back for good with his lively turn as an IRA gunman in the summer blockbuster Patriot Games (1992) and his self-mythologizing bounty hunter English Bob in Clint Eastwood's Oscar-winning Western Unforgiven. Harris garnered still more positive reviews for his performances opposite Robert Duvall in the amiable character study Wrestling Ernest Hemingway (1993), and as a South African landowner in the remake of Cry, the Beloved Country (1995). Though his stint with Camelot had made him a fortune and he preferred hanging out at the local pub (imbibing his Guinness in moderation) to going Hollywood, Harris refused to retire as the 1990s went on, appearing in the adaptation of Smilla's Sense of Snow (1997) and To Walk With Lions (1999). Bringing a majestic gravitas to a cameo role, Harris earned Oscar buzz (though unfulfilled) for his Marcus Aurelius in Gladiator. Acquiescing to his granddaughter's wishes, Harris subsequently accepted another blockbuster project and agreed to play Albus Dumbledore in Harry Potter and the Sorcerer's Stone and Harry Potter and the Chamber of Secrets. After shooting the Potter movies, Harris delivered a final superb performance as a gangster King Lear in My Kingdom (2001). Though he predicted that he'd recover in time to begin the third Potter movie, Harris passed away from Hodgkin's disease in October 2002. He was survived by his three sons, actors Jared Harris and Jamie Harris, and director Damian Harris.

Trivia: A member of the BBC's repertory company in the 1940s, British character actor Preston Lockwood spent the bulk of his career on stage and only sporadically ventured into feature films. He made his film debut in David Lean's version of Great Expectations (1946) but did not appear in another film until 1970 when he portrayed Trebonius in Julius Caesar. Other film credits include Time Bandits (1981) and At Bertram's Hotel (1986). On television, he was a semi-regular on the mid-'80s series Tenko: he also appeared on Miss Marple and The Vicar of Dibley. Lockwood passed away in the actors' benevolent home, Denville Hall in Middlesex, England on April 24, 1996.

Trivia: American supporting actor of British stage and TV. He married Avril Eiger.

Trivia: British actor Jeffrey Wickham was tall, slender, and fair-haired. He worked steadily on stage, television, and in feature films. Wickham was fluent in Russian and this led to his being cast as a Soviet in many Cold War-era films.