Trivia: The son of a Lithuanian coal miner, American actor Charles Bronson claimed to have spoken no English at home during his childhood in Pennsylvania. Though he managed to complete high school, it was expected that Bronson would go into the mines like his father and many brothers. Experiencing the world outside Pennsylvania during World War II service, however, Bronson came back to America determined to pursue an art career. While working as a set designer for a Philadelphia theater troupe, Bronson played a few small roles and almost immediately switched his allegiance from the production end of theater to acting. After a few scattered acting jobs in New York, Bronson enrolled in the Pasadena Playhouse in 1949. By 1951, he was in films, playing uncredited bits in such pictures as The People Against O'Hara (1951); You're in the Navy Now (1952), which also featured a young bit actor named Lee Marvin; Diplomatic Courier (1952); Bloodhounds of Broadway (1952), as a waiter(!); and The Clown (1953). When he finally achieved billing, it was under his own name, Charles Buchinsky (sometimes spelled Buchinski). His first role of importance was as Igor, the mute granite-faced henchman of deranged sculptor Vincent Price in House of Wax (1953). The actor was billed as Charles Bronson for the first time in Drum Beat (1954), although he was still consigned to character roles as Slavs, American Indians, hoodlums, and convicts. Most sources claim that Bronson's first starring role was in Machine Gun Kelly (1958), but, in fact, he had the lead in 1958's Gang War, playing an embryonic version of his later Death Wish persona as a mild-mannered man who turned vengeful after the death of his wife. Bronson achieved his first fan following with the TV series Man With a Camera (1959), in which he played adventurous photojournalist Mike Kovac (and did double duty promoting the sponsor's camera products in the commercials). His best film role up until 1960 was as one of The Magnificent Seven (1960), dominating several scenes despite the co-star competition of Yul Brynner, Steve McQueen, Eli Wallach, and others. Most of Bronson's film roles after Seven remained in the "supporting-villainy category," however, so, in 1968, the actor packed himself off to Europe, where American action players like Clint Eastwood and Lee Van Cleef were given bigger and better opportunities. Multiplying his international box-office appeal tenfold with such films as Guns for San Sebastian (1967), Once Upon a Time in the West (1968), Cold Sweat (1970), and The Valachi Papers (1971), Bronson returned to Hollywood a full-fledged star at last. His most successful films of the 1970s were Death Wish (1974) and its sequels, a series of brutal "vigilante" pictures which suggested not so subliminally that honest people would ultimately have to dole out their own terminal justice to criminals. In many of his '70s films, Bronson co-starred with second wife Jill Ireland, with whom he remained married until she lost her fight against cancer in 1990. Bronson's bankability subsequently fell off, due in part to younger action stars doing what he used to do twice as vigorously, and because of his truculent attitude toward fans. He did little but television work after 1991's The Indian Runner (Sean Penn's directorial debut), with Death Wish 5: The Face of Death (1994) his only feature since. Bronson's onscreen career would soon draw to a close with his role as law enforcing family patriarch Paul Fein in the made-for-cable Family of Cops series.On August 30, 2003 Charles Bronson died of pneumonia in Los Angeles. He was 81.

Trivia: Character and supporting actor Bruno Kirby (he also billed himself as B. Kirby or Bruce Kirby) made his film debut in Young Graduates (1971). Kirby was born Bruno Quidaciolu Jr. and is the son of actor Bruce Kirby. For a while he appeared regularly on the television education drama Room 222 (1969-1974) and launched into steady carefree appearances in made-for-TV movies such as The Summer Without Boys (1973) and features such as The Harrad Experiment (1973). He first gained notice for a small role he played as Clemenza in The Godfather, Pt. II (1974). It was not until the late '80s that he began getting much larger roles and greater respect. The turn-around came when Kirby was cast as Lieutenant Hauk, the hilariously untalented wanna-be comedian, in charge of zany Robin Williams' morning radio show in Good Morning Vietnam (1987). One of his most memorable roles of the '80s was that of Billy Crystal's best buddy, a man who finds romantic bliss with Carrie Fisher, in When Harry Met Sally (1989). In 1991, he again turned in another charming performance as Ed Furillo in City Slickers (1991). In 1997, he played a supporting role in Donnie Brasco. In addition to feature-film work, he also continued to appear frequently on television series as a guest star and in movies-of-the-week. He died suddenly of leukemia, at age 57, on August 14, 2006.

Trivia: Though he made his first film appearance in 1959's Pork Chop Hill, American character actor Bert Remsen did not achieve prominence until the 1980s. On TV, Remsen was seen as Mario the Chef in It's a Living (1980-81) and as wildcat oil man Harrison "Dandy" Dandridge during the 1987-88 season of Dallas. In films, he was featured in several Robert Altman productions, and also essayed the title character in Daddy's Dyin'...Who's Got the Will? (1990). In addition, he occasionally worked as a Hollywood casting director. Bert Remsen's most recent credit (as of 1996) was as one of the "expert witnesses" during the Bruno Richard Hauptmann trial in the made-for-cable Crime of the Century.

Trivia: Wide-shouldered American actor Michael Lerner has become a Rod Steiger for the '90s, specializing in portraying brusque bullies with above-average intelligence. For many years a professor of literature at San Francisco State College, Lerner turned to acting in the late '60s, making his film bow with 1970's Alex in Wonderland. He alternated his movie work with stage appearances at the American Conservatory Theatre. Michael Lerner's more notable film roles include Arnold Rothstein in Eight Men Out (1988) and a Louis Mayer-clone movie producer (for which he was Oscar nominated) in Barton Fink (1991).

Trivia: Ruddy-faced, barrel-bellied American actor Kenneth McMillan was a stalwart of the New York Shakespeare Festival, and also appeared in the original Broadway productions of American Buffalo and Streamers. He was the recipient of the Obie Award for his performance in the off-Broadway presentation Weekends and Other People -- the usual "overnight success" after nearly 20 years in the business. Sitcom fans are familiar with McMillan through his recurring role as Valerie Harper's ulcerated boss on Rhoda. Many of McMillan's roles required him to be bully or bigot: Sheriff Bull Connor on the TV miniseries King (1978) the black-baiting fire chief in Ragtime (1979), etc. In real life, Kenneth McMillan was known to be a friendly and generous man, qualities which carried over into such rare comedy roles as the ballclub manager in the little-seen Blue Skies Again (1983).

Trivia: Bearing sharp, blue-eyed features and the outward demeanor of an everyday Joe, Ed Harris possesses a quiet, charismatic strength and intensity capable of electrifying the screen. During the course of his lengthy career, he has proven his talent repeatedly in roles both big and small, portraying characters both villainous and sympathetic.Born Edward Allen Harris in Tenafly, NJ, on November 28, 1950, Harris was an athlete in high school and went on to spend two years playing football at Columbia University. His interest in acting developed after he transferred to the University of Oklahoma, where he studied acting and gained experience in summer stock. Harris next attended the California Institute of the Arts, graduating with a Fine Arts degree. He went on to find steady work in the West Coast theatrical world before moving to New York. In 1983, he debuted off-Broadway in Sam Shepard's Fool for Love in a part especially written for him. His performance won him an Obie for Best Actor. Three years later, he made his Broadway debut in George Firth's Precious Sons and was nominated for a Tony. During the course of his career, Harris has gone on to garner numerous stage awards from associations on both coasts. Harris made his screen debut in 1977's made-for-television movie The Amazing Howard Hughes. The following year, he made his feature-film debut with a small role in Coma (1978), but his career didn't take off until director George Romero starred Harris in Knightriders (1981). The director also cast him in his next film, Creepshow (1982). Harris' big break as a movie star came in 1983 when he was cast as straight-arrow astronaut John Glenn in the film version of Tom Wolfe's The Right Stuff. Twelve years later, Harris would again enter the world of NASA, this time playing unsung hero Gene Krantz (and earning an Oscar nomination) in Ron Howard's Apollo 13.The same year he starred in The Right Stuff, Harris further exhibited his range in his role as a psychopathic mercenary in Under Fire. The following year, he appeared in three major features, including the highly touted Places in the Heart. In addition to earning him positive notices, the film introduced him to his future wife, Amy Madigan, who also co-starred with him in Alamo Bay (1985). In 1989, Harris played one of his best-known roles in The Abyss (1989), bringing great humanity to the heroic protagonist, a rig foreman working on a submarine. He did further notable work in David Mamet's Glengarry Glen Ross, and turned in a suitably creepy performance as Christof, the manipulative creator of Truman Burbank's world in Peter Weir's The Truman Show (1998). Harris earned a Best Supporting Actor Oscar nomination for his work. The following year, he could be seen in The Third Miracle, starring as a Catholic priest who finds his faith sorely tested.The new millennium found Harris' labor of love, the artist biopic Pollock, seeing the light of day after nearly a decade of development. Spending years painting and researching the modernist painter, Harris carefully and lovingly oversaw all aspects of the film, including directing, producing, and starring in the title role. The project served as a turning point in Harris' remarkable career, showing audiences and critics alike that there was more to the man of tranquil intensity than many may have anticipated; Harris was nominated for a Best Actor Academy Award for his work. 2001 saw Harris as a German sniper with his targets set on Jude Law in the wartime suspense-drama Enemy at the Gates, and later as a bumbling Army captain in the irreverent Joaquin Phoenix vehicle Buffalo Soldiers. With his portrayal of a well known author succumbing to the ravages of AIDS in 2002's The Hours, Harris would recieve his fourth Oscar nominattion. 2004 found the actor working with Zooey Deschanel for Winter Passing, a psychological drama in which he played a one-time popular novelist who claims he is working on one last book. Harris was praised for his work in Empire Falls (2005), a two-part miniseries from HBO chronicling a middle-aged man who is concerned he has wasted his life, though his work as a scarred stranger with a score to settle in David Cronenberg's award-winning psychological thriller A History of Violence was his biggest success in 2005. In 2007, Harris played a Boston police detective in Ben Affleck's adaptation of author Dennis Lehane's Gone, Baby, Gone. A year later, Harris wrote, starred, directed, and produced Appaloosa, a western following a small town held under the thumb of a ruthless rancher and his crew, and continued to work throughout 2009 and 2010 in films including Once Fallen, Virginia, and The Way Back. Praise came his way once more in 2011's What I Am, a gentle coming-of-age comedy in which Harris plays a teacher who is a catalyst for the friendship of two young boys. In 2012, he earned Emmy and SAG nominations and a Golden Globe award for playing John McCain in the HBO movie Game Change. The next year had him appearing in six films, including playing a detective in Pain & Gain and voicing mission control in Gravity, a throwback to his earlier work in Apollo 13.

Trivia: With varied rugged experiences ranging from blacksmith to horse trainer, portly, handlebar-mustached Wilford Brimley entered films in the 1960s as a cowboy stunt man. Save for a few billed appearances on TV cowboy series like Gunsmoke, Brimley worked primarily in supporting roles until finally achieving star status in the 1980s via his gruff, fatherly roles in such films as The Thing (1981), Hotel New Hampshire (1984), The Natural (1984) and Cocoon (1986). On television, Wilford Brimley starred in the 1980s family dramedy Our House. In addition to his film and television work, Brimley worked for a time as the commercial spokesperson for the Quaker Oats company.

Trivia: General purpose actor Norman Alden was first seen by filmgoers in 1960's Operation Bottleneck. Most often seen in take-charge roles, Alden was critically acclaimed for his portrayal of a middle-aged retarded man in the NYC-filmed Andy (1965). The actor's series-TV credits include the thankless role of "Frank" on the "Electra Woman/Dynagirl" segments of Saturday morning's The Krofft Supershow. More artistically satisfying was Norman Alden's brief tenure as lawyer Al Cassidy on the Lee Grant TV sitcom Fay (1975).

Trivia: Memorably portraying gruff authority figures in such features as Beverly Hills Cop (1984) and King Kong Lives (1986), longtime character actor John Ashton possesses just the sort of rough-around-the-edges, grating quality that viewers love to hate. A native of Springfield, MA, who graduated from the University of Southern California School of Theater, Ashton got his start onscreen with a supporting role in the 1973 thriller The Psychopath, a role that served to define his future career path in cinematic law enforcement. Small-screen roles in Kojak and Police Story only served to reinforce this path, and in 1978 Ashton became a familiar face to television viewers when he joined the cast of the prime-time hit Dallas. Continuing to alternate between television and film into the following decade, the 1980s proved a lucrative period for Ashton as roles in Honky Tonk Freeway (1981), The Adventures of Buckaroo Banzai (1984), Beverly Hills Cop (as well as its sequel), and Midnight Run (1988) found him toying with his haggard image to the amusement of movie lovers worldwide. Though not as prominent onscreen in the 1990s, Ashton averaged about two films a year with roles in The Tommyknockers (1993), Trapped in Paradise (1994), and Meet the Deedles (1998), culminating with an impressive performance as the eponymous character in the 2001 thriller Bill's Gun Shop, which proved once and for all that his edge was still very much intact. His performance was so impressive, in fact, that he was subsequently cast in the lead of the 2002 drama Sweet Deadly Dreams.

Trivia: Specializing in middle-aged characters even in his twenties, American actor Charles Cyphers has been a familiar face on the TV-movie landscape since the early '70s. Cyphers was particularly well served by director John Carpenter, who cast the actor in Assault on Precinct 13 (1975), Halloween (1978), The Fog (1980), and Escape From New York (1981). Carpenter also featured Cyphers as Sam Phillips in the made-for-TV Elvis (1979). Perhaps it's coincidence, or perhaps a private joke between actor and director: Whatever the case, Cyphers' character names in his Carpenter films are often lifted from real life. For example, he played Dan O'Bannon in The Fog (screenwriter O'Bannon is Carpenter's most frequent collaborator) and Leigh Brackett in Halloween (Brackett, a female screenwriter, worked on such films as Rio Bravo, which Carpenter remade as Assault on Precinct 13). On TV, Charles Cyphers was seen on The Betty White Show (1975), as Hugo Muncy, White's cross-dressing stunt double.

Trivia: Supporting actor Virgil Frye first appeared onscreen in the '60s.