Trivia: Leading man and sex symbol, Selleck has a gentle, humorous manner. He attended college on an athletic scholarship, majoring in business. A drama coach suggested he become an actor; soon he began making the rounds of auditions. He won a part in the disastrous film Myra Breckinridge (1970), his screen debut, then appeared in small roles in a handful of films during the '70s. Meanwhile, Selleck was signed to a seven-year contract with Fox, leading to a great many TV roles, including appearances as a recurring character on the TV series "The Rockford Files." Eventually he was chosen as the lead for the TV series "Magnum P.I.;" the show became a hit, staying on the air from 1980-88, and he became a star and sex symbol, winning an Emmy, a Golden Globe award, and a star on Hollywood Boulevard. He suffered a serious career setback in 1981, when he was chosen to star in the Lucas-Spielberg blockbuster Raiders of the Lost Ark, but couldn't get released from his TV responsibilities. Beginning in 1983 he tried to break back into films, finally landing a major hit in a co-starring role in Three Men and a Baby (1987); although he appeared in a dozen films after 1983 he never firmly established himself as a screen star. He has also been active as a TV producer. He is married to English dancer Jillie Mack.

Trivia: Natty, mellifluous character actor John Hillerman may have spoken on screen with a pure Mayfair accent, but he hailed from Denison, Texas. Hillerman first gained notice for his fleeting appearances in the films of Peter Bogdanovich: The Last Picture Show (1971), What's Up Doc (1973), At Long Last Love (1975). He was also a semi-regular for director Mel Brooks, prominently cast in Blazing Saddles (1975) and History of the World, Part I (1981). A veteran of dozens of television series, John Hillerman was cast as the insufferable criminologist Simon Brimmer on Ellery Queen (1975), the star's director (and ex-husband) in The Betty White Show (1975), and most memorably as the ultra-correct Jonathan Quayle Higgins II, major domo to never-seen mystery writer Robin Masters, on Magnum PI (1980-88).

Trivia: Not to be confused with variety-show host Willie Bryant, American general purpose actor William Bryant kept busy in outdoors films. He was featured in such westerns as Ride Beyond Vengeance (1966), Heaven with a Gun (1969) and John Wayne's Chisum (1970). His additional non-western credits include Gable and Lombard (1976), Mountain Family Robinson (1977) (in a leading role) and Corvette Summer (1977). From 1976 through 1978, William Bryant costarred as Lieutenant Shilton on the Robert Wagner/Eddie Albert TV detective series Switch, and also appeared for a time as Lamont Corbin on the daytime serial General Hospital.

Trivia: Burly character actor Pat Hingle held down a variety of bread-and-butter jobs--mostly in the construction field--while studying at the University of Texas, the Hagen-Bergdorf studio, the Theatre Wing and the Actors Studio. Earning his Equity card in 1950, Hingle made his Broadway debut in 1953 as Harold Koble in End as a Man (he would repeat this role in the 1957 film adaptation, retitled The Strange One). One year later, he was cast as Gooper-aka "Brother Man"-in Tennessee Williams' Pulitzer-winning play Cat on a Hot Tin Roof. Also in 1954, he made his inaugural film appearance in On the Waterfront as a bartender. Though a familiar Broadway presence and a prolific TV actor, Hingle remained a relatively unknown film quantity, so much so that he was ballyhooed as one of the "eight new stars" in the 1957 release No Down Payment. As busy as he was before the cameras in the 1950s, 1960s and 1970s, Hingle's first love was the theatre, where he starred in such productions as William Inge's Dark at the Top of the Stairs and Archibald MacLeish's JB, and later appeared in the one-man show Thomas Edison: Reflections of a Genius. His made-for-TV assignments include such historical personages as Colonel Tom Parker in Elvis (1979), Sam Rayburn in LBJ: The Early Years (1988), J. Edgar Hoover in Citizen Cohn (1992) and Earl Warren in Simple Justice (1993). Among his more recent big-screen assignments has been Commissioner Gordon in the Batman films. Amidst his hundreds of TV guest shots, Pat Hingle has played the regular roles of Chief Paulton in Stone (1980) and Henry Cobb in Blue Skies (1988), was briefly a replacement for Doc (Milburn Stone) on the vintage western Gunsmoke, and has shown up sporadically as the globe-trotting father of Tim Daly and Steven Weber on the evergreen sitcom Wings.

Trivia: Born in Connecticut, John Ratzenberger spent most of his early adulthood in England and Europe. After a brief stint as assistant to a London tree surgeon, Ratzenberger helped organize the English improvisational troupe "Sal's Meat Market" in 1971. He made his first screen appearances in such British-based productions as The Ritz (1976), A Bridge Too Far (1977), Superman (1978), The Empire Strikes Back (1980) and Gandhi (1982). In 1982, Ratzenberger read for the part of post-office employee Norm on the upcoming American TV sitcom Cheers. Sensing that he hadn't won the role (which was true), Ratzenberger asked if the cast of Cheers included the character of "a bar know-it-all." Suddenly he launched into an impromptu ten-minute monologue, posing as an endlessly chattering repository of useless information. Then and there, the character of Cliff Clavin was born--a character Ratzenberger played for the next ten years. A man of many talents, Ratzenberger directed several Cheers episodes, and also co-wrote two British television plays Friends in Space (1978) and Scalped (1979). Tirelessly active in the pro-ecology movement, John Ratzenberger was owner and operator of Eco-Pak, a conservation-conscious packaging firm. Since the demise of Cheers, the actor has resurrected Cliff Clavin in the form of an advertising pitchman and has appeared in many commercials. He has also found success doing voice overs for advertising and voicework in films such as Toy Story (1995) and Dog's Best Friend (1997). Ratzenberger continued to make occasional guest appearances on television series such as Caroline in the City.He maintained a relationship with Pixar after Toy Story and went on to lend his distinctive voice to each of their films through Cars 2 in 2011. He returned to TV to appear in the fourth season of the reality competition series Dancing With the Stars.

Trivia: Baby-faced Canadian actress Belinda J. Montgomery rose to television prominence in troubled-teen roles in the early 1970s. While she has been seen in but a handful of theatrical features (she played supporting character Audra Jo in the two fact-based Other Side of the Mountain flicks), Belinda has been remarkably prolific in the field of made-for-TV movies. Many of her small-screen films bear such lurid titles as D.A.: Conspiracy to Kill, Women in Chains, The Crime Club, The Hostage Heart; her better works include the 1970 comedy-western Lock, Stock and Barrel (which should have been, but wasn't, a weekly series) and the 1979 biopic Marciano, in which she played boxer Rocky Marciano's wife Linda. She was also a regular on several series: she played Sylvie Gallagher on the daytime soap Days of Our Lives, Dr. Elizabeth Merrill in Man From Atlantis ( 1977) and Sarah Miller in Aaron's Way (1988). If you missed any of those, you can still catch Belinda as the mother of the teenaged hero in reruns of the 1989-93 sitcom Doogie Howser MD; or, if you can track down a cable service running the MTV-inspired detective series Miami Vice (1984-89), you might spot Belinda in the off-and-on role of Don Johnson's estranged wife. Belinda J. Montgomery is the sister of former child actor Lee H. Montgomery.

Trivia: An actor-turned production assistant-turned-director, Michael Anderson had a relatively undistinguished record in motion pictures until the mid 1950s, when he directed The Dam Busters. One of the more successful British films about World War II, it involved mixed drama and special effects work in a combination that pointed the way toward Anderson's later career in international pictures. His mid 1950s version of 1984 received mixed notices but wide distribution, and Around The World In 80 Days brought him into international prominence, despite producer Michael Todd being the dominant personality involved in shaping the movie, and Anderson worked in the United States as often as he did in England over the next two decades. Operation Crossbow and The Shoes of the Fisherman were dramas featuring international casts and large canvases for their action, in which Anderson largely held the proceedings together, in spite of major script problems. His most popular movie, other than Around The World In 80 Days, is the science-fiction adventure Logan's Run, in which he once again overcame a weak script by getting some strong performances out of his actors and pulling them together around extremely impressive special-effects sequences.

Trivia: American actor Elisha Cook Jr. was the son of an influential theatrical actor/writer/producer who died early in the 20th Century. The younger Cook was in vaudeville and stock by the time he was fourteen-years old. In 1928, Cook enjoyed critical praise for his performance in the play Her Unborn Child, a performance he would repeat for his film debut in the 1930 film version of the play. The first ten years of Cook's Hollywood career found the slight, baby-faced actor playing innumerable college intellectuals and hapless freshmen (he's given plenty of screen time in 1936's Pigskin Parade). In 1940, Cook was cast as a man wrongly convicted of murder in Stranger on the Third Floor (1940), and so was launched the second phase of Cook's career as Helpless Victim. The actor's ability to play beyond this stereotype was first tapped by director John Huston, who cast Cook as Wilmer, the hair-trigger homicidal "gunsel" of Sidney Greenstreet in The Maltese Falcon (1941). So far down on the Hollywood totem pole that he wasn't billed in the Falcon opening credits, Cook suddenly found his services much in demand. Sometimes he'd be shot full of holes (as in the closing gag of 1941's Hellzapoppin'), sometimes he'd fall victim to some other grisly demise (poison in The Big Sleep [1946]), and sometimes he'd be the squirrelly little guy who turned out to be the last-reel murderer (I Wake Up Screaming [1941]; The Falcon's Alibi [1946]). At no time, however, was Cook ever again required to play the antiseptic "nerd" characters that had been his lot in the 1930s. Seemingly born to play "film noir" characters, Cook had one of his best extended moments in Phantom Lady (1944), wherein he plays a set of drums with ever-increasing orgiastic fervor. Another career high point was his death scene in Shane (1953); Cook is shot down by hired gun Jack Palance and plummets to the ground like a dead rabbit. A near-hermit in real life who lived in a remote mountain home and had to receive his studio calls by courier, Cook nonetheless never wanted for work, even late in life. Fans of the 1980s series Magnum PI will remember Cook in a recurring role as a the snarling elderly mobster Ice Pick. Having appeared in so many "cult" films, Elisha Cook Jr. has always been one of the most eagerly sought out interview subjects by film historians.

Trivia: The son of a noted British filmmaker, Michael Anderson Jr. began his career as an actor in 1957. Playing leading roles in British and American films and television during the '60s, Anderson later continued playing co-leads and supporting roles.

Trivia: Looking more like the CEO of a law firm than a comedian, Canadian actor Phil Hartman has had a successful career playing against his physical appearance with an off-kilter sense of humor. He entered show business as a graphics designer; among his better-known artistic renderings was the official logo for the rock group Crosby, Stills and Nash. In the early '80s, Hartman was a member of a comedy troupe called the Groundlings, where he made the acquaintance of comedian Paul Reubens. In collaboration with Reubens, Hartman helped create the character of child/man Pee-wee Herman, cowriting the screenplay of Reubens' 1985 movie vehicle Pee-wee's Big Adventure and portraying the grimy Kap'n Karl on the Saturday-morning TV series Pee-wee's Playhouse (1986-90). When asked later on if he was bitter over the way Reubens grabbed all the glory for the Pee-wee concept, Hartman characteristically made a self-deprecating joke, though it was decidedly at Reubens' expense. Before signing with NBC's Saturday Night Live, Hartman appeared as part of a comedy ensemble on the 1985 summer replacement series Our Time. Hartman's greatest comic strength lay in his celebrity impersonations, which he trotted out to maximum effect on both SNL and the Fox cartoon series The Simpsons. Hartman claimed that he had 99 celeb voices in his manifest, including a deadly funny impersonation of President Bill Clinton, which became an audience favorite on SNL and Jay Leno's Tonight Show where he often made guest appearances. Hartman remained with Saturday Night Live from 1986 through 1994, sharing a 1989 Emmy for "outstanding writing;" at the time he left the show (making pointed comments about the deteriorated quality of the writing staff), Hartman had set a record for the largest number of appearances (153) as an SNL regular. In 1995, Phil Hartman began a weekly assignment in the role of a pompous, self-centered (much like Ted Knight's character on The Mary Tyler Moore Show) anchorman on the network sitcom Newsradio. When not appearing on the series, Hartman was a successful TVcommercial voiceover artist and pitchman and also occasionally acted in feature films, including Blind Date (1987), Jingle All the Way (1996) and The Second Civil War (1997). In his personal life, Hartman was totally unlike the characters he usually played and was loved and respected for his humbleness, his affability and his generosity; he frequently donated his time to charities. It was therefore a terrible shock when on May 28, 1998, he was shot to death while sleeping in the bedroom of his Encino, California home. His wife Brynn Hartman committed the murder and then shot herself shortly after police removed the couple's two small children from the premises. Later reports stated that despite putting on a good public face as a couple, the two had been trying for years to resolve their difficulties and that drug and alcohol use on the part of Brynn were a factor in the tragedy.

Trivia: Educated at the University of Pennsylvania, actor Philip Sterling made his first Broadway appearance in the 1955 musical Silk Stockings. Sterling was later spotlighted in such New York stage productions as Summertree, An Evening with Richard Nixon and Broadway Bound. In films from 1969's Me, Natalie, he has generally been cast as father figures or corporate bigwigs. His more notable film roles include Mr. Lipman in Joan Micklin Silver's Hester Street (1975) and Hollywood mogul Joseph Schenck in the 1980 TV movie Rita Hayworth: The Love Goddess. In addition, Philip Sterling has made numerous appearances in episodic television; in 1975, he co-starred with Wayne Rogers in the summer-replacement series City of Angels.