Trivia: Like many small-screen veterans who headline a hit network series for multiple seasons, the fresh-faced, genial American actor Richard Dean Anderson will forever be associated with one role -- that of Angus MacGyver, the multilingual, crack Special Forces agent and science expert capable of using common household substances and implements to perform feats of wonder, on the Henry Winkler-produced action-adventure series MacGyver. Although Anderson's resumé packs in a number of key telemovies and a recurrent starring role on the popular Stargate SG-1, the actor is best known for turning MacGyver into a veritable American icon for Gen-Xers during the mid- to late '80s and early '90s.Anderson was born on January 23, 1950, in Minneapolis, MN, to a schoolteacher father, Stuart Anderson, who taught English, humanities, and drama at an area high school, and an artist mother. During middle school and high school, Anderson's plans to embark on a career as a professional hockey player were curtailed by two unfortunate accidents in which he broke both arms, encouraging the young man to pursue drama as an alternate option. After high school, Anderson enrolled in both St. Cloud State University and Ohio University, where he studied acting, but -- feeling listless -- he dropped out before receiving his degree, and spent time in San Francisco and Manhattan, then moved permanently to L.A. In Southern California, Anderson held down gigs as a street mime, juggler, and aquatic performer at Marineland, then appeared in the stage production Superman in the Bones at the Pilgrimage Theatre.Aficionados of 1970s American television might recall that Anderson's "breakthrough" arrived not as MacGyver, but as Dr. Jeff Webber on the long-running ABC soap opera General Hospital, circa 1976 -- then in production for 13 years. Not long after two failed series attempts on CBS -- the adventure drama Seven Brides for Seven Brothers in 1982 and the Dennis Weaver-headlined military drama Emerald Point, N.A.S. in 1983 -- Anderson auditioned for Henry Winkler and others to portray MacGyver on that character's eponymous action series. The premise found MacGyver enlisting as a member of a "think tank" called "The Phoenix Foundation," devoted to traveling around the world and thwarting criminal activity. The program's gimmick revolved around scientist MacGyver's abhorrence of guns, and his ability to use seemingly innocent, harmless objects -- such a candy bar, a paperclip, a toothpick, and (of course) his ever-present Swiss Army knife -- to blow up buildings, escape from deathtraps, save lives, etc. Winkler and his co-producers purportedly gave Anderson the part because of his request to wear eyeglasses during the reading -- an act that suggested humility to them and thus meshed perfectly with the character. MacGyver debuted on ABC on September 29, 1985, and lasted seven seasons, retaining a faithful audience despite at least 11 shifts in its night and time slot. It finally wrapped on August 8, 1992. Two telemovies, MacGyver: Trail to Doomsday and MacGyver: Lost Treasure of Atlantis, aired in 1994, both produced by Anderson.Alongside the MacGyver series run and shortly thereafter, Anderson signed for key roles in several network telemovies, including Ordinary Heroes (1985), Through the Eyes of a Killer (1992, which uncharacteristically cast him as a psychotic stalker), Beyond Betrayal (1994), and the epic-length disaster miniseries Pandora's Clock (1996). These proved moderately successful, but Anderson's two additional attempts to produce a network series through his Gekko film production company during the early '90s (Firehouse and Legend) died quick deaths.Anderson nevertheless caught his second wind and returned to series television (garnering a loyal cult following among sci-fi buffs) as Col. Jack O'Neill in the 1997 series Stargate SG-1, which originated on Showtime. Adapted from the hit 1994 movie Stargate, the program found O'Neill emerging from semi-retirement and continually traveling to interstellar "stargate" portals to protect the universe from hostile alien invasions. Stargate SG-1 bowed to extraordinary reviews and ratings and became a permanent hit; Anderson stayed with the series through its eighth season, and appeared as a guest star occationally during the rest of its run. He would go on to appear on the spin off SGU Stargate Universe, as well as the dramedy series Fairly Legal.Though Anderson has never married, he has been romantically linked with such actresses as Marlee Matlin, Deidre Hall, Sela Ward, Teri Hatcher, and Lara Flynn Boyle, and the champion skater Katarina Witt. In 1996, Anderson entered an ongoing romantic relationship with Apryl Prose, and the two had a daughter, Wylie Quinn Annarose Anderson, born in August 1998. Anderson divides his time between residences in Vancouver, Los Angeles, and northern Minnesota.

Trivia: Brusque character actor Dana Elcar was usually assigned roles calling for blunt imperiousness. He became especially handy in films and TV shows of the 1970s, portraying curt, dour, meticulously groomed authority figures at odds with dishevelled "hippie" and "gonzo" types. Elcar's first film after many years' stage work was 1968's Pendulum; other film credits include Soldier Blue (1969), W.C.Fields and Me (1976), and The Nude Bomb (1980). In 1985, Dana Elcar was cast as Peter Thornton, boss of troubleshooting Richard Dean Anderson, on the TV series MacGiver; Elcar continued playing the role into the 1990s, at which time the actor's real-life blindness required him to incorporate dark glasses and a cane into his characterization.

Trivia: Tall, instantly identifiable Eastern European actor Elya Baskin fit the bill in Hollywood for ethnic character portrayals, especially characters with a Slavic background and an amiable demeanor; he also frequently exhibited a slightly zany undercurrent that became something of a trademark. A native of Latvia in the former USSR, Baskin attended Moscow's Theatre and Performing Arts College, then built a formidable reputation on the European stage. He achieved his international breakthrough, however, at the hands of Hollywood giant Paul Mazursky, who cast him opposite Robin Williams as the clownish Russian circus performer Anatoly in the masterful seriocomedy Moscow on the Hudson (1984). (When coupled with the sad demeanor that Baskin projected in that role, the actor's birdlike arm-flapping -- a symbol of the character's need for freedom -- became one of the film's most poignant and memorable images). An additional collaboration with Mazursky followed, the 1989 smash Enemies: A Love Story; in the meantime, Baskin began to rack up a litany of roles in additional A-list projects, including 2010: The Year We Make Contact (1984), Vice Versa (1988), and Love Affair (1994). The Pickle (1993) re-teamed Baskin and Mazursky for a third occasion; unfortunately, it failed to match the critical or commercial success of its predecessors. Baskin remained in full flower through the end of the following decade, with a memorable comedic turn as Vladimir on the sitcom Mad About You and prominent roles in the big-screen projects Spider-Man 3 and The Dukes (both 2007).

Trivia: Along with such colleagues as William Conrad, John Dehner, Vic Perrin, Sam Edwards, Barney Phillips, and Virginia Gregg, bald-pated American character actor Lawrence Dobkin was one of the mainstays of network radio in the 1940s, 1950s, and 1960s. Dobkin began popping up in films in 1949, playing any number of doctors, lawyers, attachés, military officials, and desk sergeants. Most of his parts were fleeting, many were unbilled: he can be seen as a soft-spoken rabbi in Angels in the Outfield (1951), one of the three psychiatrists baffled by alien visitor Klaatu in The Day the Earth Stood Still (1951), an angered citizen of Rome in Julius Caesar (1953), and so on. Enjoying larger roles on TV, Dobkin was generally cast as a scheming villain (e.g., Dutch Schultz on The Untouchables). One of his showiest assignments was as the demented Gregory Praxas, horror film star turned mass murderer, in the 1972 pilot film for Streets of San Francisco. From the early '60s onward, Dobkin was busier as a writer and director than as an actor. He amassed a respectable list of TV directorial credits, as well as one theatrical feature, Sixteen (1972). Habitués of "speculation" docudramas of the 1970s and 1980s will recognize Lawrence Dobkin as the bearded, avuncular narrator of many of these efforts; he also appeared as Pontius Pilate in the speculative 1979 four-waller In Search of Historic Jesus.

Trivia: Owl-eyed, adenoidal character actor Marvin Kaplan became an English teacher after studying at New York University and Brooklyn College. Following World War II service, Kaplan attended playwrighting classes at USC, which led to his participation in community theatre. It was Katharine Hepburn who selected Kaplan for the small but telling role of the hapless court stenographer in Adam's Rib (1949). He continued accepting movie and TV supporting parts in the 1950s, usually playing bookish, bespectacled milquetoasts. He is best known to TV sitcom fans as Henry Beesemeyer on the weekly yockfest Alice (1976-1985). Two generations of cartoon fans remember Marvin Kaplan as the voice of Choo Choo on the Hanna-Barbera series Top Cat, a role he has continued to reprise on such animated series as Yogi's Treasure Hunt and Wake, Rattle and Roll into the 1990s.

Trivia: British lead actress, onscreen from the early '60s.

Trivia: A star of television and feature films, Teri Hatcher also holds the distinction of being the woman whose photographs were most frequently downloaded from the Internet in the late '90s. With her brunette hair, beautiful brown eyes, mischievous smile, and petite but curvaceous figure, it isn't difficult to imagine why. While Hatcher could probably thrive for years as a virtual pinup, there is more to her than drop-dead gorgeous looks. The daughter of a physicist and a computer programmer, she initially studied math and engineering at a San Francisco area community college before the acting bug bit. She later enrolled at the American Conservatory Theatre. At age 20, she was a cheerleader for the San Francisco 49ers. Hatcher made her television debut in 1985, playing Amy, one of the singing/dancing Mermaids on the revived anthology series Love Boat. Shortly thereafter, she became a regular on the action-adventure series MacGyver and more guest-starring roles on other shows followed, but she did not become a bona fide star until 1993, after she was selected to star opposite Dean Cain in the television series Lois and Clark: The New Adventures of Superman. Hatcher stuck with the show until it ended its run in 1997, and though she would lay low for a few subsuquent years, Hatcher's career caught a second wind and a half with her starring role on the comedy Desperate Housewives, a phenomenally successful show that made the actress a bigger star than ever.

Trivia: Husky American actor Bruce McGill made his film debut in Citizen's Band (1978), but it was his next film role, frat-brat "D Day" in National Lampoon's Animal House, that gained him a following. McGill repeated his D-Day characterization in the spin-off TV series Delta House (1979), then co-starred with David Hasselhoff in the 1980 weekly-TV version of the 1977 theatrical football comedy Semi-Tough. He went on to play a string of brusque authority types in films (Cliffhangers) and television (MacGiver, Live Shot). Fans of the fantasy series Quantum Leap (1989-93) may recall McGill's occasional guest shots, which ranged from mildly eccentric to truly weird. In 1987, Bruce McGill enjoyed one of his few feature-film leading roles in Waiting for the Moon. But it wasn't until the 1990s that casting directors really began to utilize McGill's unique range, and though he never won any awards, he shifted between film (A Perfect World, Timecop, The Insider) and television (Babylon 5, Star Trek: Voyager) with the skill of a seasoned pro. Any genre was fair game, and all were tackled with equal aplomb. At the dawn of the 2000s McGill seemed to shift his focus toward feature films, with roles in Ali, The Sum of All Fears, and Collateral helping to make him both a Michael Mann regular, and one of those welcomed faces that seems to turn up everywhere. Still TV just seemed to be in McGill's blood and after lending his voice to both Family Guy and The Cleveland Show he could be seen as a regular on the TNT detective series Rizzoli and Isles.